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Bad Bunny made history on Tuesday (Nov. 15) when Un Verano Sin Ti became the first Spanish-language album to be nominated for the Grammy Award for album of the year.
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It was one of three nominations the Puerto Rican superstar scooped for his mega-successful set, and many had anticipated it. Perhaps less expected was Anitta’s nomination for best new artist, since the Brazilian star debuted almost a decade ago with a self-titled album that was followed by four other LPs.
However, the “Downtown” and “Me Gusta” singer has made a bigger impact in the American market, incorporating some English into her last two albums, 2019’s Kisses and 2022’s Version Of Me, as well as with songs like “Lobby” with Missy Elliott and “Envolver”, a Spanish-language hit that spent six weeks on the Billboard Hot 100 and 21 weeks on the Hot Latin Songs, where it peaked at No. 3.
“Wow! Wow wow wow… never in my life would I have imagined that this moment would come. I’m from Brazil guys… I mean… wow! Speechless,” Anitta tweeted in response to her nomination in a category considered the most coveted of the Grammys. “Thank you, thank you, thank you… forever grateful. Winning or losing this is the biggest achievement I could imagine.”
Wow! Wow Wow Wow… never in life I would imagine this moment coming. I’m from Brazil guys… I mean .. wow! Speechless. Thank you, thank you, thank you… grateful forever. Winning or losing this is the biggest achievement I could ever imagine. pic.twitter.com/XZaUSAeKaL— Anitta (@Anitta) November 15, 2022
Bad Bunny, who leads the Latin Grammys nominations with 10 nods this year, will also compete for the Grammy for best pop solo performance for “Moscow Mule” — alongside the likes of Adele (“Easy on Me”) and Harry Styles (“As It Was”) — as well as Best Música Urbana Album.
Another Latino up for the best new artist Grammy is Omar Apollo, a singer-songwriter of Mexican parents, who creates pop, alternative music and R&B. Apollo began his career uploading his songs to SoundCloud before releasing his first EP, Stereo, in 2018. Since then, he has since released the EP Friends in 2019, the mixtape Apolonio in 2020, and two productions in 2022: his first full-length album, Ivory, which spent seven weeks on the Billboard 200 chart, peaking at No. 128, and the EP Live at NPR’s Tiny Desk. His song “Evergreen” entered the Billboard Hot 100 in October, where it spent seven weeks and peaked at No. 51, as well as the Streaming Songs chart (four weeks, peak at No. 21).
“Got nominated for best new artist omg,” he shared on Twitter with a series of emoticons to show how he feels.
Rosalía was nominated for best Latin rock or alternative music album for Motomami, and also got a nod under the best music film category for Motomami (Rosalía TikTok Live Performance,) directed by Ferrán Echegaray, Rosalía Vila Tobella & Stillz.
AGUILERA, Christina Aguilera’s latest Spanish-language album, got two nominations: best Latin pop album, and best immersive audio album (an award to the engineers.)
Both Motomami and AGUILERA will compete Thursday (Nov. 17) for the album of the year Latin Grammy with Un Verano Sin Ti. (See the full list of nominees here)
Under the Grammy’s Latin music categories there are other such favorites as Camilo, Sebastián Yatra, Rauw Alejandro, Christian Nodal and Marco Antonio Solís, the Latin Recording Academy Person of the Year of 2022.
The nominees are:
Best Latin Pop Album:
AGUILERA, Christina Aguilera
Pasieros, Rubén Blades & Boca Livre
De Adentro Pa Afuera, Camilo
VIAJANTE, Fonseca
Dharma+, Sebastian Yatra
Best Musica Urbana Album:
TRAP CAKE, VOL. 2, Rauw Alexander
Un Verano Sin Ti, Bad Bunny
LEGENDADDY, Daddy Yankee
167, Farruko
The Love & Sex Tape, Maluma
Best Latin Rock or Alternative Album:
El Alimento, Cimafunk
Tinta y Tiempo, Jorge Drexler
1940 Carmen, Mon Laferte
Alegoría, Gaby Moreno
Los Años Salvajes, Fito Páez
MOTOMAMI, Rosalía
Best Regional Mexican Music Album (including Tejano):
Abeja Reina, Chiquis
Un Canto por México – El Musical, Natalia Lafourcade
La Reunión (Deluxe), Los Tigres Del Norte
EP #1 Forajido, Christian Nodal
Qué Ganas de Verte (Deluxe), Marco Antonio Solis
Best Tropical Latin Album:
Pa’llá Voy, Marc Anthony
Quiero Verte Feliz, La Santa Cecilia
Lado A Lado B, Víctor Manuelle
Legendario, Tito Nieves
lmágenes Latinas, Spanish Harlem Orchestra
Cumbiana II, Carlos Vives
For the Best Latin Jazz Album Grammy, the nominees are:
Fandango at the Wall In New York, Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring The Congra Patria Son Jarocho Collective
Crisalida, Danilo Pérez with The Global Messengers
If You Will, Flora Purim
Rhythm & Soul, Arturo Sandoval
Music of the Americas, Miguel Zenón
Other jazz categories also have Latin nominees. Chilean saxophonist Melissa Aldana is nominated for Best Improvised Jazz Solo for “Falling”, from her album 12 Stars, and Puerto Rican double bassist Eddie Gómez appears in the Best Large Jazz Ensemble Album category for Center Stage, along with Steve Gadd, Ronnie Cuber & the WDR BigBand led by Michael Abene.
For Best Instrumental Composition, Cuban maestro Paquito D’Rivera is nominated for “African Tales”, Puerto Rican Miguel Zenón for “El País Invisible”, and Panamanian Danilo Pérez for “Fronteras (Borders) Suite: AI-Musafir Blues.”
As expected, Disney’s Encanto was also recognized, with nods for Lin-Manuel Miranda’s soundtrack and Germaine Franco’s original score. The movie’s mega-hit “We Don’t Talk About Bruno,” a Billboard Hot 100 No. 1, was nominated for Best Song Written for Visual Media.
Lin-Manuel Miranda is also up for the award for Best Audio Book, Narration, and Storytelling Recording for Aristotle and Dante Dive Into the Waters of the World.
In other areas, singer-songwriter Miguel, whose father is Mexican, shares a nod with Diplo for Best Dance/Electronic Recording for “Don’t Forget My Love.” And Lucky Diaz and the Family Jam Band compete for Best Children’s Music Album for their EP Los Fabulosos, an upbeat bilingual effort that includes tracks like “Ridiculous” and “Me Gusta.” Up for Best Album Notes is Fernando González for his work for Astor Piazzolla’s The American Clave Recordings.
Gang of Youths’ third studio set Angel In Realtime wins triple j’s J Award for Australian album of the year.
The alternative rock act took the main prize at the national youth broadcaster’s annual J Awards, to beat out a list of LPs by the likes of Eliza & The Delusionals, Flume, Julia Jacklin, King Stingray, Meg Mac and others.
Angel In Realtime blasted to No. 1 on the ARIA Albums Chart in March, for their second leader.
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It’s the rockers’ first J Award win in three attempts. GoY’s debut album The Positions was shortlisted in 2015 (won by Courtney Barnett’s Sometimes I Sit and Think, and Sometimes I Just Sit); and again in 2017 with Go Farther In Lightness (won by A.B. Original’s Reclaim Australia).
“We’ve been nominated for this award before but for some reason this one feels super-meaningful because it’s about my dad,” frontman Dave Le’aupepe told triple j hosts Bryce & Ebony, adding he was “totally blown away.”
The multiple ARIA Award-winning band “spent years working on this project,” Le’aupepe explained ahead of its release. Along the way, the Sydney act “scrapped it three times, recorded in various studios both commercial and informal in London, New Zealand and Budapest, and hopefully, have managed to capture something vital and beautiful in the process.”
Now based in London, GoY returned to Australia in July and August for a national arena tour. Several U.K. concerts are locked-in for this month.
The result is a recording loaded with textures and ideas on “Indigenous heritage and identity, family, god, life, death, grief, sport, forgiveness, and the Angel Islington,” he continued.
Also at the J Awards, Kenyan-born, Adelaide-based creator Elsy Wameyo scooped the Unearthed artist of the year prize; rock legends Midnight Oil won Double J’s artist of the year award; and electric Korean-Australian hip-hop act 1300 snag Australian music video of the year for “Oldboy,” directed by Raghav Rampal.
The J Awards were launched in 2005 to coincide with triple j’s 30th anniversary celebrations. The flagship award is given to the LP considered by a panel as the most “outstanding achievement as an Australian musical work of art – for its creativity, innovation, musicianship and contribution to Australian music.”
There was a lot of funny business going on with The Masked Singer on Wednesday night (Nov. 16), as Fox’s quirky show celebrated “comedy roast night.”
After accumulating the fewest number of votes, The Bride was sent packing early.
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The mask came off to reveal Chris Jericho, the former pro-wrestler and singer with heavy metal band Fozzy.
So why dress as a pink dinosaur in a wedding dress for national TV? “It’s always been inside of me, my whole life,” he said, staying in the ethos of comedy roast night.
“I was having a great time, this costume was amazing, it’s the best costume that I’ve seen on the show and I’m disappointed that I got beaten by an avocado.”
Avocado might have won that round, but he didn’t see the night out.
Following a battle royale with Snowstorm, in which the pair sang Rock Hall inductee Carly Simon’s “You’re So Vain,” Avocado went sent home.
Underneath the funny suit was Adam Carolla.
The comedian played his exit with good humor. “I gotta tell you,” he told host Nick Cannon, “somebody farted in this avocado suit and it wasn’t me. No, I know my essence.”
When asked why he wanted to join The Masked Singer, another quip. “Ever since I was a young lad growing up in north Hollywood, California, I dreamt of this moment. And a scant 47 years later here I am.” He continued, “so this is a dream realized. and if I die tonight… I’m gonna be pissed actually.”
Jericho and Carolla join the likes of George Foreman (Venus Flytrap), George Clinton (Gopher), Daymond John (Fortune Teller), the “Brady boys” Mike Lookinland, Barry Williams and Christopher Knight (Mummies), Montell Jordan (Panther), Jeff Dunham (Pi-Rat), Chris Kirkpatrick (Hummingbird), Eric Idle (Hedgehog) and William Shatner (Knight) as contestants revealed so far in the 2022 series.
TMS season 8 introduces several changes to its format.
For the first time, each episode features a completely new round of masked celebs with only one contestant moving forward by the end of the hour. Plus, the audience votes in-studio for their favorite performance of the night, and the singer with the lowest tally will then unmask in the middle of the show before taking his or her place in the new Masked Singer VIP section to watch the rest of the episode.
Her Loss, his win.
As has become the norm, a new Drake album’s yields a monster week on Billboard’s R&B/hip-hop charts, extending multiple records already safely in the superstar’s possession and pushing him dangerously closer toward a few that still elude him.
Her Loss, a collaborative album with 21 Savage, was released on Nov. 4 via OVO Sound/Republic. The set debuts at No. 1 on the Top R&B/Hip-Hop Albums and all-genre Billboard 200 albums chart with 404,000 equivalent album units earned in the week ending Nov. 10, according to Luminate.
With the entry, 21 Savage obtains his third (and third consecutive) No. 1 on the list, after I Am > I Was led the list for two weeks in 2019 and Savage Mode II, with Metro Boomin, posted one week on top the following year.
Drake maintains his perfect run of 14 No. 1s among his 14 chart appearances, dating to the arrival of his first full-length album, Thank Me Later, in 2010. The achievement ties him with Jay-Z for the most No. 1s on the list among rappers, male artists and solo artists; only The Temptations, with 17 No. 1s, rank above the pair.
In the songs’ realm, “Rich Flex” leads the new recruits, as the title debuts at No. 1 on Hot R&B/Hip-Hop Songs. With the arrival, Drake secures his record-extending 26th champ on the list and creates more space between himself and the joint-second place holders, Aretha Franklin and Stevie Wonder, who each hold 20 leaders.
As Drake’s count increases, here’s the current leaderboard for most No. 1s on Hot R&B/Hip-Hop Songs since the chart became an all-encompassing genre survey in 1958:
26, Drake20, Aretha Franklin20, Stevie Wonder17, James Brown16, Janet Jackson15, The Temptations13, Marvin Gaye13, Michael Jackson13, Usher
21 Savage, meanwhile, picks up his fourth Hot R&B/Hip-Hop Songs No. 1, after a 14-week stay through his featured turn on Post Malone’s “Rockstar” (2017-18), a one-week reign with “My Life,” with with J. Cole and Morray (2021) and another week in charge with his prior Drake collab, “Jimmy Cooks,” this July.
Below “Rich Flex,” Drake and 21 Savage, either together or individually, fill out the rest of the Hot R&B/Hip-Hop Songs’ top 10 and land six more songs between Nos. 11 and 20. To recap all their Her Loss placements this week:
Position, Artist (all are Drake and 21 Savage, unless noted):No. 1, “Rich Flex”No. 2, “Major Distribution”No. 3, “On BS”No. 4, “Spin Bout U”No. 5, “Pussy & Millions,” featuring Travis ScottNo. 6, “Privileged Rappers”No. 7, “Circo Loco”No. 8, “BackOutsideBoyz” (Drake)No. 9, “Hours in Silence”No. 10, “Broke Boys”No. 12, “Treacherous Twins”No. 13, “Middle of the Ocean” (Drake)No. 14, “Jumbotron Shit Poppin” (Drake)No. 15, “More M’s”No. 16, “I Guess It’s F*ck Me” (Drake)No. 19, “3AM on Glenwood” (21 Savage)
For the second time in his career, Drake runs a full shoutout of the Hot R&B/Hip-Hop Songs’ top 10. He previously managed the 10-for-10 on the chart dated Sept. 18, 2021, when tracks from his Certified Lover Boy album flooded the competition.
In addition to logging his 26th No. 1, the new haul pushes Drake’s already-record top 10 total to 117, and 21 Savage’s count climbs to 23 visits to the region.
kenzie is taking over the red carpet at the American Music Awards this Sunday, joining the Billboard News team as our on-camera host to chat with today’s top artists.
The 18-year-old pop star and Dance Moms alum announced the news in a selfie video shared to hers and Billboard‘s socials.
“Hey, guys! It’s Kenzie Ziegler. I have super exciting news,” she says in the announcement video. “I’m going to be chatting with all of your favorite artists at the AMAs this Sunday with Billboard, November 20th, so make sure to tune in!”
You can catch kenzie’s AMAs red carpet coverage on Billboard.com, as well as Billboard‘s Twitter, Instagram, TikTok and YouTube pages.
The 2022 AMAs, hosted by Wayne Brady, and the pre-show red carpet will take place at the Microsoft Theater in downtown Los Angeles. Bad Bunny leads this year’s list of nominations with eight nods. Beyoncé, Drake and Taylor Swift follow closely with six nominations each. See the full list of nominations here. Lionel Richie will also take the stage to accept the Icon Award.
kenzie, meanwhile, has had a busy year. She released her steamy new single “100 Degrees” in October and is gearing up to drop her next song, “paper,” on Jan. 13. “I actually wrote this song about one of my friend’s breakups, not my personal one,” the star previously told Billboard News of “100 Degrees,” noting that her pal got broken up with on Christmas Eve. “I just wanted to shed light on how something can ruin everything for you during breakups. It’ll ruin seasons, restaurants you went to.”
“This is just an all-around new era for me,” she continued. “I’m so happy, I’m comfortable with my music and I’m trying new things.”
See her announcement below:
Swifties across North America will forever remember Tuesday (Nov. 15) all too well. After an unprecedented number of fans visited Ticketmaster in the hopes of buying presale tickets for Taylor Swift‘s 2023 Eras Tour online, the company’s website experienced mass outages and extreme delays that caused some to wait for several hours in a virtual queue, just to walk away empty handed.
Naturally, people had some thoughts. Even before the whole debacle was said and done, droves of Swifties took to social media to air out their frustrations with Ticketmaster in hilarious posts, videos and homemade memes. Someone, for example, photoshopped the company’s logo over Tay’s face in the “Anti-Hero” music video, captioned with one of the song’s lyrics: “It’s me, hi, I’m the problem it’s me.”
“Taylor swift walking onto stage with no one in the audience, because that ticketmaster queue never did move,” quipped one fan, sharing a photo of a concert arena, completely empty except for one single person in the audience.
“Being stuck in the ticketmaster queue really has you wondering how different your life you be if you never listened to Our Song on the radio in 2006 that one time,” joked another.
Ticketmaster shared a statement shortly after 1 p.m. ET on Tuesday, about three hours after the East Coast venue presales began. It said that the company wasn’t prepared for the “historically” large demand for tickets, and postponed presales for West Coast venues and Capitol One cardholders scheduled for later that same day.
Many frazzled Swifties felt confused as to why so many presale codes had been sent out if the site wasn’t ready for them all to be cashed in, and couldn’t resist cracking jokes at Ticketmaster’s expense. “Raise your hand if you have ever been personally victimized by ticketmaster,” wrote one fan, quoting Mean Girls and sharing a screenshot from the film.
See more of the best reactions to the Taylor Swift Eras Tour Ticketmaster crisis below.
what is joe biden’s plan to unpause the ticketmaster queue for taylor swift’s eras tour— kay (@slutforfeelings) November 15, 2022
Being stuck in the ticketmaster queue really has you wondering how different your life you be if you never listened to Our Song on the radio in 2006 that one time— ava (@avesstwt) November 15, 2022
8 billion people in the world and every single one of them is ahead of me in the taylor swift ticketmaster queue apparently— shawty lynn 🧣 (@HereComesShawty) November 15, 2022
The Boss is back, again.
For the second consecutive night, Bruce Springsteen stopped by The Tonight Show Starring Jimmy Fallon, this time to perform a cover of “Turn Back the Hands of Time.”
The song, originally recorded in 1970 by Tyrone Davis, and co-written by Jack Daniels and Bonnie Thompson, appears on Springsteen’s latest offering, Only the Strong Survive.
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Earlier, on Monday night (Nov. 14), the rock ‘n’ roll legend dished-up album track “Do I Love You (Indeed I Do),” and stuck around for a chat with Fallon on those pesky Taylor Swift tour rumors, misheard lyrics in “Thunder Road” and more.
Springsteen’s 21st studio album is a collection of 15 soul covers, including songs made famous by Jerry Butler, Dobie Gray, The Commodores, Diana Ross & the Supremes, The Four Tops, The Walker Brothers and others.
Based on midweek sales and streaming data, Only the Strong Survive is on track for a No. 2 debut on the U.K. chart. The Rock And Roll Hall of Famer currently has 22 U.K. top 10 albums, including 12 No. 1s — equal third-best among solo acts, after Robbie Williams (14) and Elvis Presley (13), respectively.
“I had so much fun recording this music,” he previously explained. “I fell back in love with all these great songs and great writers and great singers. All of them still underrated in my opinion. And through the project I rediscovered the power of my own voice.”
Survive is the followup to Western Stars (from 2019), and Letter to You (2020), both of which peaked at No. 2 on the Billboard 200 chart.
Watch Springsteen’s latest late-night TV performance below.
