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Gryffin debuts at No. 3 on Billboard‘s Top Dance/Electronic Albums chart (dated Nov. 19) with Alive. The set starts with 5,000 equivalent album units earned in the Nov. 4-10 tracking week, according to Luminate.
It’s Gryffin’s second top 10 and fourth chart entry, following Gravity (No. 1, 2019), Gravity, Pt. 1 (Remixes) (No. 20, 2019) and EP Gravity, Pt. 1 (No. 12, 2018).
On the multi-metric Hot Dance/Electronic Songs chart, Gryffin (aka DJ/producer Dan Griffith) has amassed 33 total entries, including 10 from Alive. The new set has yielded Gryffin’s first Hot Dance/Electronic Songs top 10, “Woke Up in Love” (with Kygo and Calum Scott), which started at its No. 9 best in September and rebounds 28-18 this week.
New this frame from Alive is “Lose Your Love,” with Matt Maeson (912,000 U.S. streams). It’s the second straight week in which Gryffin has debuted a track at No. 20, after “Forever,” featuring Elley Duhe. “Lose” is singer Maeson’s second showing on Hot Dance/Electronic Songs, following another DJ collab, “Heavenly Side,” with ILLENIUM (No. 12, July 2021).
Gryffin also scores on the Dance/Mix Show Airplay chart, where his track with Olivia O’Brien, “Caught Up,” cruises 22-9. Gryffin’s fifth top 10 and O’Brien’s first, the team-up (which reached No. 12 on Hot Dance/Electronic Songs in May) is drawing core-dance airplay on Music Choice’s Dance/EDM channel, iHeartRadio’s Evolution network and iHeartRadio’s Pride Radio, among other supporters.
Not So ‘Bad’
Steve Lacy also lifts to his second Dance/Mix Show Airplay top 10 with “Bad Habit” (14-10). His “Live Without Your Love,” with Love Regenerator, hit No. 7 in 2020. (The chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
As previously reported, “Bad Habit” concurrently crowns the all-format Radio Songs chart, as well as Pop Airplay.
Time for Tiësto
Returning to Hot Dance/Electronic Songs, Tiësto bows at No. 8 with “10:35,” featuring Tate McRae. Tiësto’s eighth top 10 earned 3.5 million domestic streams in the tracking week. Tiësto has added three of his top 10s this year, as “10:35” follows “Hot in It,” with Charli XCX (No. 10, July), and “The Motto,” with Ava Max (No. 2, March).
“10:35” is McRae’s second top 10 on the tally, after “You,” with Regard and Troye Sivan, reigned for eight weeks in June-August 2021.
Concurrently, “10:35” starts on Dance/Electronic Digital Song Sales (No. 6) and Dance/Electronic Streaming Songs (No. 8). The track is from Tiësto’s album Drive, due Feb. 24, 2023.
Bad Omens ride TikTok virality to their first No. 1 on a multi-metric Billboard songs chart, jumping to the top of the Hot Hard Rock Songs list dated Nov. 19 with “Just Pretend.”
In the Nov. 4-10 tracking week, the song earned 2.8 million official U.S. streams, up 26%, according to Luminate. It also garnered 538,000 audience impressions on radio and sold 1,000 downloads.
Bad Omens’ first Hot Hard Rock Songs No. 1 follows the band’s “Like a Villain,” which hit No. 17 in March. The other song that the band has placed on the chart, “The Death of Peace of Mind,” re-enters the latest tally at No. 19, a new high (689,000 streams).
“Just Pretend” also appears at Nos. 22, a new best, and 32 on Hot Rock Songs and Hot Rock & Alternative Songs, respectively. The TikTok trend for the song largely finds users lip syncing the lyrics, particularly a portion directly before and during the chorus, with some videos also addressing mental health.
The track concurrently rules Hard Rock Digital Song Sales for a third week (after debuting on the Oct. 22 survey) and leaps 24-11 in its second week on Hard Rock Streaming Songs. The song — the band’s current radio single — climbs 22-17 on Mainstream Rock Airplay and it marks Bad Omens’ third top 20 hit, following the aforementioned “Villain” (No. 10, June) and “Limits” (No. 19, 2020).
“Just Pretend” is the second single from the album The Death of Peace of Mind, which zooms 25-13 on Top Hard Rock Albums with 5,000 equivalent album units earned, up 20%. The set premiered at its No. 11 peak in March with 6,000 units and has earned 93,000 units to date.
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The Latin Recording Academy on Wednesday (Nov. 16) celebrated the fruitful careers of eight artists from diverse genres and nationalities who have left a deep mark on Latin music.
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Rosario Flores from Spain, Myriam Hernández from Chile, Rita Lee from Brazil, Amanda Miguel from Argentina and Yordano from Venezuela received the Lifetime Achievement Award, given to performers who have made contributions of outstanding artistic value to Latin music and their communities. While Spanish musician and executive Manolo Díaz, Cuban jazz player Paquito D’Rivera and Mexican bassist Abraham Laboriel received the Trustees Award, which recognizes individuals who have made outstanding contributions to Latin music, though not necessarily in an interpretive capacity. (D’Rivera and Laboriel, for example, are renowned instrumentalists).
“These are industry professionals who, with their work and life example, forge the true meaning of the word excellence,” said Manuel Abud, CEO of the Latin Recording Academy, as he opened the ceremony in Las Vegas. “This is one of those events that fills you with very special pride, because this award celebrates not a song or a specific achievement, but a great journey, a life journey that we know and remember forever.”
There was laughter — mainly courtesy of D’Rivera — and also tears from the honorees and the audience. The emotional ceremony was hosted by salsa singer Víctor Manuelle and included artists such as Fito Páez, Carlos Vives, Cami, Ana Victoria, Ricardo Montaner and Sebastián Yatra as presenters. The only one missing was the Brazilian star Rita Lee, who sent word that she was “happy as a partridge,” according to Giulia Be, who presented her award.
The event preceded the 2022 Latin Grammy Awards, which take place on Thursday (November 17) at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas. The show will be broadcast live on Univision at 8 p.m. (Eastern Time) and will also be available on HBO Max.
Here are the five best quotes from the Latin Grammys Special Awards honorees:
Amanda Miguel, on finding peace after the passing of her husband, singer-songwriter Diego Verdaguer: “This is an award that gives me peace and fulfillment and the love that music returns to you. Music is that, it is God. It is the way to express ourselves without speaking, but with such beautiful, distinguished sounds. I thank God for making me a musician, a singer, a composer, for having given me that pleasure. Eternal thanks to all the people who made me who I am, because I did not do it alone — first and foremost my husband, Diego Verdaguer […] I share this with him because he was the creator, he was my biggest fan.”
Myriam Hernández, on the recent wave of female singer-songwriters hailing from Chile: “I come from a wonderful country, Chile, where making it in the music industry was very difficult for us. […] But today I see with great optimism and joy that there are many women from my country who are in music and I hope that one day they too will achieve this recognition that I am receiving today. I thank my country for having supported me, and above all, I thank God for giving us this gift.”
Paquito D’Rivera, on his idol Benny Goodman and the “carne y frijol” (meat and beans): “I remember one day my father, who was a saxophonist, came home with a Benny Goodman record and I asked him ‘What is that!?’ I fell in love with that music. He told me: ‘That’s swing, that’s jazz, and that’s New York, and that’s Carnegie Hall’. When he said Carnegie Hall, I understood ‘carne y frijol’ (meat and beans). […] Well, the point is that many years later I celebrated my 50th anniversary in music at the ‘carne y frijol’, the Carnegie Hall. And I remember once when Benny Goodman, who was my idol, was awarded a statuette like this one, he said something I could never forget: ‘It’s incredible to me that they’re giving me such an important award just for doing the only activity that I really enjoy doing’. Thank you […] for helping me to do the only thing that really interests me in life: playing music for you.”
Rosario Flores, on growing up in a family of artists: “For me today is an exceptional day because today I receive the award for my art, for my dedication since I was born. To my inspiration. To the energy of my mother (Lola Flores) […] of my brother Antonio and my sister Lolita. I take all of them with me, and because of them I am an artist, because they were all artists and they taught me what art was. I have many angels with me that are them. I honor art with every pore of my skin.”
Yordano, on singing what is hard for him to say: “I was a big stutterer when I was a kid. During my childhood and adolescence it was difficult for me to speak, and that was terrible because I would fall in love and it would become even worse. Every summer we would go to the beach and every summer I would fall madly in love, since I was 12 years old. I suffered a lot. I think that, thanks to that accumulated suffering, I managed to create many love songs.”
Pink loves a challenge. Whether its learning a new instrument and playing it live, touring with her babies, or dangling from a building on national TV, Pink flicks a middle finger at her comfort zone.
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On Wednesday night’s (Nov. 16) episode of Jimmy Kimmel Live, the pop star relived some of her heart-stopping moments with the mic, and hinted at more to come.
Earlier in the week, the Philadelphia native announced a 21-date stadium tour of North America next year, under the banner Summer Carnival 2023. Special guests include Brandi Carlile and brand new Rock and Roll Hall of Famers Pat Benatar & Neil Girlado.
Does her family join her on the road? “Always, everywhere,” she explains. “They’re older now, so now I tour around Willow’s theater schedule.”
Touring with babies is a fool’s errand, working a routine where you step off stage at 11.30pm, you’re wired until 2.30am, and repeat it for 200 days. She’s managed it. “I can’t do everything,” Pink admits. “So you have to decide. Like okay, what is this one thing I’m going to give to myself and try not to feel guilty about, and for that it was breakfast.” With the help of sleep trainers, the super-mom, super-performer plan “worked brilliantly,” she explains.
When other touring moms caught wind of her wins, she was asked her to write a playbook. That’s another win right there.
Pink also discussed her walk on the wild side… of a building, the JW Marriott in Los Angeles, for her performance of “Beautiful Trauma” at the 2017 American Music Awards. “That was a lot,” she recounts. “I was a lot higher than I wanted to be.” She had just three days to learn the ropes, we learned, and she had some Dutch courage before the performance, in the form of a nip of whiskey.
Pink also discussed forgetting words to her own songs (Willow keeps tabs on her blunders), life on the farm, the Nov. 20 AMAs (where she’ll perform a tribute to Olivia Newton-John), and she sang a never-before-seen number, written for “wing it and sing it,” a spot that left her “terrified.”
Pink’s Live Nation-produced North America tour will kick off on July 24, 2023 in Toronto at the Roger Centre and hit Cincinnati, Boston, New York, Pittsburgh, Chicago, Detroit, Nashville, San Antonio, San Diego and Los Angeles before wrapping up on Oct. 9 at Chase Field in Phoenix.
She recently released her second new song of the year, “I’m Never Going to Not Dance Again.”
Bad Bunny made history on Tuesday (Nov. 15) when Un Verano Sin Ti became the first Spanish-language album to be nominated for the Grammy Award for album of the year.
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It was one of three nominations the Puerto Rican superstar scooped for his mega-successful set, and many had anticipated it. Perhaps less expected was Anitta’s nomination for best new artist, since the Brazilian star debuted almost a decade ago with a self-titled album that was followed by four other LPs.
However, the “Downtown” and “Me Gusta” singer has made a bigger impact in the American market, incorporating some English into her last two albums, 2019’s Kisses and 2022’s Version Of Me, as well as with songs like “Lobby” with Missy Elliott and “Envolver”, a Spanish-language hit that spent six weeks on the Billboard Hot 100 and 21 weeks on the Hot Latin Songs, where it peaked at No. 3.
“Wow! Wow wow wow… never in my life would I have imagined that this moment would come. I’m from Brazil guys… I mean… wow! Speechless,” Anitta tweeted in response to her nomination in a category considered the most coveted of the Grammys. “Thank you, thank you, thank you… forever grateful. Winning or losing this is the biggest achievement I could imagine.”
Wow! Wow Wow Wow… never in life I would imagine this moment coming. I’m from Brazil guys… I mean .. wow! Speechless. Thank you, thank you, thank you… grateful forever. Winning or losing this is the biggest achievement I could ever imagine. pic.twitter.com/XZaUSAeKaL— Anitta (@Anitta) November 15, 2022
Bad Bunny, who leads the Latin Grammys nominations with 10 nods this year, will also compete for the Grammy for best pop solo performance for “Moscow Mule” — alongside the likes of Adele (“Easy on Me”) and Harry Styles (“As It Was”) — as well as Best Música Urbana Album.
Another Latino up for the best new artist Grammy is Omar Apollo, a singer-songwriter of Mexican parents, who creates pop, alternative music and R&B. Apollo began his career uploading his songs to SoundCloud before releasing his first EP, Stereo, in 2018. Since then, he has since released the EP Friends in 2019, the mixtape Apolonio in 2020, and two productions in 2022: his first full-length album, Ivory, which spent seven weeks on the Billboard 200 chart, peaking at No. 128, and the EP Live at NPR’s Tiny Desk. His song “Evergreen” entered the Billboard Hot 100 in October, where it spent seven weeks and peaked at No. 51, as well as the Streaming Songs chart (four weeks, peak at No. 21).
“Got nominated for best new artist omg,” he shared on Twitter with a series of emoticons to show how he feels.
Rosalía was nominated for best Latin rock or alternative music album for Motomami, and also got a nod under the best music film category for Motomami (Rosalía TikTok Live Performance,) directed by Ferrán Echegaray, Rosalía Vila Tobella & Stillz.
AGUILERA, Christina Aguilera’s latest Spanish-language album, got two nominations: best Latin pop album, and best immersive audio album (an award to the engineers.)
Both Motomami and AGUILERA will compete Thursday (Nov. 17) for the album of the year Latin Grammy with Un Verano Sin Ti. (See the full list of nominees here)
Under the Grammy’s Latin music categories there are other such favorites as Camilo, Sebastián Yatra, Rauw Alejandro, Christian Nodal and Marco Antonio Solís, the Latin Recording Academy Person of the Year of 2022.
The nominees are:
Best Latin Pop Album:
AGUILERA, Christina Aguilera
Pasieros, Rubén Blades & Boca Livre
De Adentro Pa Afuera, Camilo
VIAJANTE, Fonseca
Dharma+, Sebastian Yatra
Best Musica Urbana Album:
TRAP CAKE, VOL. 2, Rauw Alexander
Un Verano Sin Ti, Bad Bunny
LEGENDADDY, Daddy Yankee
167, Farruko
The Love & Sex Tape, Maluma
Best Latin Rock or Alternative Album:
El Alimento, Cimafunk
Tinta y Tiempo, Jorge Drexler
1940 Carmen, Mon Laferte
Alegoría, Gaby Moreno
Los Años Salvajes, Fito Páez
MOTOMAMI, Rosalía
Best Regional Mexican Music Album (including Tejano):
Abeja Reina, Chiquis
Un Canto por México – El Musical, Natalia Lafourcade
La Reunión (Deluxe), Los Tigres Del Norte
EP #1 Forajido, Christian Nodal
Qué Ganas de Verte (Deluxe), Marco Antonio Solis
Best Tropical Latin Album:
Pa’llá Voy, Marc Anthony
Quiero Verte Feliz, La Santa Cecilia
Lado A Lado B, Víctor Manuelle
Legendario, Tito Nieves
lmágenes Latinas, Spanish Harlem Orchestra
Cumbiana II, Carlos Vives
For the Best Latin Jazz Album Grammy, the nominees are:
Fandango at the Wall In New York, Arturo O’Farrill & The Afro Latin Jazz Orchestra featuring The Congra Patria Son Jarocho Collective
Crisalida, Danilo Pérez with The Global Messengers
If You Will, Flora Purim
Rhythm & Soul, Arturo Sandoval
Music of the Americas, Miguel Zenón
Other jazz categories also have Latin nominees. Chilean saxophonist Melissa Aldana is nominated for Best Improvised Jazz Solo for “Falling”, from her album 12 Stars, and Puerto Rican double bassist Eddie Gómez appears in the Best Large Jazz Ensemble Album category for Center Stage, along with Steve Gadd, Ronnie Cuber & the WDR BigBand led by Michael Abene.
For Best Instrumental Composition, Cuban maestro Paquito D’Rivera is nominated for “African Tales”, Puerto Rican Miguel Zenón for “El País Invisible”, and Panamanian Danilo Pérez for “Fronteras (Borders) Suite: AI-Musafir Blues.”
As expected, Disney’s Encanto was also recognized, with nods for Lin-Manuel Miranda’s soundtrack and Germaine Franco’s original score. The movie’s mega-hit “We Don’t Talk About Bruno,” a Billboard Hot 100 No. 1, was nominated for Best Song Written for Visual Media.
Lin-Manuel Miranda is also up for the award for Best Audio Book, Narration, and Storytelling Recording for Aristotle and Dante Dive Into the Waters of the World.
In other areas, singer-songwriter Miguel, whose father is Mexican, shares a nod with Diplo for Best Dance/Electronic Recording for “Don’t Forget My Love.” And Lucky Diaz and the Family Jam Band compete for Best Children’s Music Album for their EP Los Fabulosos, an upbeat bilingual effort that includes tracks like “Ridiculous” and “Me Gusta.” Up for Best Album Notes is Fernando González for his work for Astor Piazzolla’s The American Clave Recordings.
Gang of Youths’ third studio set Angel In Realtime wins triple j’s J Award for Australian album of the year.
The alternative rock act took the main prize at the national youth broadcaster’s annual J Awards, to beat out a list of LPs by the likes of Eliza & The Delusionals, Flume, Julia Jacklin, King Stingray, Meg Mac and others.
Angel In Realtime blasted to No. 1 on the ARIA Albums Chart in March, for their second leader.
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It’s the rockers’ first J Award win in three attempts. GoY’s debut album The Positions was shortlisted in 2015 (won by Courtney Barnett’s Sometimes I Sit and Think, and Sometimes I Just Sit); and again in 2017 with Go Farther In Lightness (won by A.B. Original’s Reclaim Australia).
“We’ve been nominated for this award before but for some reason this one feels super-meaningful because it’s about my dad,” frontman Dave Le’aupepe told triple j hosts Bryce & Ebony, adding he was “totally blown away.”
The multiple ARIA Award-winning band “spent years working on this project,” Le’aupepe explained ahead of its release. Along the way, the Sydney act “scrapped it three times, recorded in various studios both commercial and informal in London, New Zealand and Budapest, and hopefully, have managed to capture something vital and beautiful in the process.”
Now based in London, GoY returned to Australia in July and August for a national arena tour. Several U.K. concerts are locked-in for this month.
The result is a recording loaded with textures and ideas on “Indigenous heritage and identity, family, god, life, death, grief, sport, forgiveness, and the Angel Islington,” he continued.
Also at the J Awards, Kenyan-born, Adelaide-based creator Elsy Wameyo scooped the Unearthed artist of the year prize; rock legends Midnight Oil won Double J’s artist of the year award; and electric Korean-Australian hip-hop act 1300 snag Australian music video of the year for “Oldboy,” directed by Raghav Rampal.
The J Awards were launched in 2005 to coincide with triple j’s 30th anniversary celebrations. The flagship award is given to the LP considered by a panel as the most “outstanding achievement as an Australian musical work of art – for its creativity, innovation, musicianship and contribution to Australian music.”
There was a lot of funny business going on with The Masked Singer on Wednesday night (Nov. 16), as Fox’s quirky show celebrated “comedy roast night.”
After accumulating the fewest number of votes, The Bride was sent packing early.
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The mask came off to reveal Chris Jericho, the former pro-wrestler and singer with heavy metal band Fozzy.
So why dress as a pink dinosaur in a wedding dress for national TV? “It’s always been inside of me, my whole life,” he said, staying in the ethos of comedy roast night.
“I was having a great time, this costume was amazing, it’s the best costume that I’ve seen on the show and I’m disappointed that I got beaten by an avocado.”
Avocado might have won that round, but he didn’t see the night out.
Following a battle royale with Snowstorm, in which the pair sang Rock Hall inductee Carly Simon’s “You’re So Vain,” Avocado went sent home.
Underneath the funny suit was Adam Carolla.
The comedian played his exit with good humor. “I gotta tell you,” he told host Nick Cannon, “somebody farted in this avocado suit and it wasn’t me. No, I know my essence.”
When asked why he wanted to join The Masked Singer, another quip. “Ever since I was a young lad growing up in north Hollywood, California, I dreamt of this moment. And a scant 47 years later here I am.” He continued, “so this is a dream realized. and if I die tonight… I’m gonna be pissed actually.”
Jericho and Carolla join the likes of George Foreman (Venus Flytrap), George Clinton (Gopher), Daymond John (Fortune Teller), the “Brady boys” Mike Lookinland, Barry Williams and Christopher Knight (Mummies), Montell Jordan (Panther), Jeff Dunham (Pi-Rat), Chris Kirkpatrick (Hummingbird), Eric Idle (Hedgehog) and William Shatner (Knight) as contestants revealed so far in the 2022 series.
TMS season 8 introduces several changes to its format.
For the first time, each episode features a completely new round of masked celebs with only one contestant moving forward by the end of the hour. Plus, the audience votes in-studio for their favorite performance of the night, and the singer with the lowest tally will then unmask in the middle of the show before taking his or her place in the new Masked Singer VIP section to watch the rest of the episode.
Her Loss, his win.
As has become the norm, a new Drake album’s yields a monster week on Billboard’s R&B/hip-hop charts, extending multiple records already safely in the superstar’s possession and pushing him dangerously closer toward a few that still elude him.
Her Loss, a collaborative album with 21 Savage, was released on Nov. 4 via OVO Sound/Republic. The set debuts at No. 1 on the Top R&B/Hip-Hop Albums and all-genre Billboard 200 albums chart with 404,000 equivalent album units earned in the week ending Nov. 10, according to Luminate.
With the entry, 21 Savage obtains his third (and third consecutive) No. 1 on the list, after I Am > I Was led the list for two weeks in 2019 and Savage Mode II, with Metro Boomin, posted one week on top the following year.
Drake maintains his perfect run of 14 No. 1s among his 14 chart appearances, dating to the arrival of his first full-length album, Thank Me Later, in 2010. The achievement ties him with Jay-Z for the most No. 1s on the list among rappers, male artists and solo artists; only The Temptations, with 17 No. 1s, rank above the pair.
In the songs’ realm, “Rich Flex” leads the new recruits, as the title debuts at No. 1 on Hot R&B/Hip-Hop Songs. With the arrival, Drake secures his record-extending 26th champ on the list and creates more space between himself and the joint-second place holders, Aretha Franklin and Stevie Wonder, who each hold 20 leaders.
As Drake’s count increases, here’s the current leaderboard for most No. 1s on Hot R&B/Hip-Hop Songs since the chart became an all-encompassing genre survey in 1958:
26, Drake20, Aretha Franklin20, Stevie Wonder17, James Brown16, Janet Jackson15, The Temptations13, Marvin Gaye13, Michael Jackson13, Usher
21 Savage, meanwhile, picks up his fourth Hot R&B/Hip-Hop Songs No. 1, after a 14-week stay through his featured turn on Post Malone’s “Rockstar” (2017-18), a one-week reign with “My Life,” with with J. Cole and Morray (2021) and another week in charge with his prior Drake collab, “Jimmy Cooks,” this July.
Below “Rich Flex,” Drake and 21 Savage, either together or individually, fill out the rest of the Hot R&B/Hip-Hop Songs’ top 10 and land six more songs between Nos. 11 and 20. To recap all their Her Loss placements this week:
Position, Artist (all are Drake and 21 Savage, unless noted):No. 1, “Rich Flex”No. 2, “Major Distribution”No. 3, “On BS”No. 4, “Spin Bout U”No. 5, “Pussy & Millions,” featuring Travis ScottNo. 6, “Privileged Rappers”No. 7, “Circo Loco”No. 8, “BackOutsideBoyz” (Drake)No. 9, “Hours in Silence”No. 10, “Broke Boys”No. 12, “Treacherous Twins”No. 13, “Middle of the Ocean” (Drake)No. 14, “Jumbotron Shit Poppin” (Drake)No. 15, “More M’s”No. 16, “I Guess It’s F*ck Me” (Drake)No. 19, “3AM on Glenwood” (21 Savage)
For the second time in his career, Drake runs a full shoutout of the Hot R&B/Hip-Hop Songs’ top 10. He previously managed the 10-for-10 on the chart dated Sept. 18, 2021, when tracks from his Certified Lover Boy album flooded the competition.
In addition to logging his 26th No. 1, the new haul pushes Drake’s already-record top 10 total to 117, and 21 Savage’s count climbs to 23 visits to the region.
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