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Asking Alexandria notches its second No. 1 on Billboard’s Mainstream Rock Airplay chart, as “Psycho” lifts to the top of the Oct. 7-dated survey.
The song follows the one-week reign of “Alone Again” in November 2021.
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In between “Alone Again” and “Psycho,” the band charted with three titles, all in 2022, with “Never Gonna Learn” (No. 6, May); “Faded Out,” featuring Within Temptation (No. 14, September); and as featured, with Motley Crue, Ice Nine Kills and From Ashes to New, on The Retaliators’ “The Retaliators Theme (21 Bullets)” (No. 15, November).
Asking Alexandria first reached the Mainstream Rock Airplay chart with “The Death of Me,” which peaked at No. 23 in November 2013. Prior to “Alone Again,” the band reached a No. 23 best with “Antisocialist” in July 2020, one of the act’s eight top 10s.
Concurrently, “Psycho” leaps 13-8 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.5 million audience impressions, up 19%, Sept. 22-28, according to Luminate. It’s the band’s highest-ranking entry on the tally, surpassing the No. 10 peak of “Alone Again.”
“Psycho” placed at No. 20 on the most recently published, Sept. 30-dated, multi-metric Hot Hard Rock Songs ranking. In addition to its radio audience, the song earned 327,000 official U.S. streams Sept. 15-21.
The song is the lead single from Where Do We Go From Here?, Asking Alexandria’s eighth LP, which has earned 15,000 equivalent album units since its Aug. 25 release.
All Billboard charts dated Oct. 7 will update on Billboard.com Tuesday, Oct. 3.
In its eighth week on Billboard’s Mainstream R&B/Hip-Hop Airplay chart, Usher, Summer Walker and 21 Savage’s “Good Good” rises to No. 1, jumping 3-1 on the Oct. 7-dated list.
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“Good Good” is the second song to take eight weeks or fewer to rule Mainstream R&B/Hip-Hop Airplay in 2023, following Lil Durk’s “All My Life,” featuring J. Cole, which also made it in eight weeks in July. “Good Good” is Usher’s first No. 1 on this tally since Oct. 2016, when “No Limit,” featuring Young Thug, spent two weeks on top.
It’s Usher’s quickest rise to the top since “Climax,” which reached No. 1 in seven weeks in April 2012. 21 Savage previously took eight weeks as a featured act on Post Malone’s “Rockstar” in December 2017, and “Good Good” marks Walker’s quickest rise to No. 1.
“Good Good” is also Walker’s first No. 1 in all on Mainstream R&B/Hip-Hop Airplay, surpassing the No. 2 peak of “Karma” in June. It’s 21 Savage’s sixth, following the two-week reign of his co-billed-with-Drake “Spin Bout U” in May.
As for Usher, “Good Good” makes 17 No. 1s, a count that puts him fourth all time; Drake leads all acts with 45 rulers since the tally’s inception in 1993.
Most No. 1s, Mainstream R&B/Hip-Hop Airplay45, Drake20, Lil Wayne18, Chris Brown17, Usher12, Beyonce11, Cardi B11, R. Kelly10, Jay-Z10, Rihanna
Usher first reigned on Mainstream R&B/Hip-Hop Airplay with “You Make Me Wanna…,” a nine-week topper beginning in September 1997.
Between “No Limit” and “Good Good,” Usher reached Mainstream R&B/Hip-Hop Airplay eight times, paced by the No. 2 peak of Chris Brown’s “Party,” on which he was featured alongside Gucci Mane, in April 2017.
“Good Good” concurrently jumps 3-2 on R&B/Hip-Hop Airplay, 6-3 on Rhythmic Airplay, 13-11 on Adult R&B Airplay and 35-29 on Pop Airplay.
On the most recent, Sept. 30-dated, all-format Radio Songs list (which reflected the week ending Sept. 21), the track appeared at No. 17 with 30.9 million audience impressions, up 18%, according to Luminate.
The Sept. 30-dated, multi-metric Billboard Hot 100 found “Good Good” lifting 58-57. In addition to its radio airplay, the song earned 4.8 million official U.S. streams and 1,000 downloads.
“Good Good” is scheduled to be featured on Coming Home, Usher’s ninth studio album. It’s set for a Feb. 11 release alongside a performance at the Super Bowl halftime show.
All Billboard charts dated Oct. 7 will update on Billboard.com on Tuesday. Oct. 3.
Australia’s very own “princess of pop,” Kylie Minogue, is now queen of Australia’s albums chart as Tension (via Liberation/Universal) opens at No. 1.
Tension becomes Kylie’s eighth leader on the ARIA Chart, and fourth in succession. The pop legend previously led the national tally with Light Years in 2000, Fever in 2001, X in 2007, Kiss Me Once in 2014, Golden in 2018, Step Back In Time: The Definitive Collection in 2019 and Disco in 2020.
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“All hail the queen,” comments ARIA CEO Annabelle Herd. “On behalf of everyone at ARIA, and as a superfan, it is my absolute pleasure to congratulate Kylie for her fourth consecutive No. 1 album debut. It’s a thrill to see an ARIA Hall of Fame artist continue to dominate, reinvent and represent Australian music on such a global scale. We can’t wait to celebrate her success at this year’s awards.”
Across her 35-year recording career, Kylie has bagged 10 No. 1 singles, and collected 16 ARIA Awards.
She can add to that tally at the 2023 ARIA Awards this November, where’s she’s nominated for four categories – best solo artist, best pop release, best independent release and song of the year, all for “Padam Padam,” the first single lifted from Tension.
Back in 2011, Minogue was inducted into the ARIA Hall of Fame, with then-prime minister Julia Gillard doing the honors.
Minogue’s 16th studio album, Tension has been clocking impressive numbers around the globe. In her adopted homeland, the U.K., the album was outselling the rest of the top 20 at the midweek stage, and Tension placed at No. 3 on Spotify’s Top Albums Debut U.K. Chart. The set also this week cracked the top 5 of the DSP’s Top Albums Debut USA and Top Albums Debut Global Chart.
Kylie’s Tension isn’t the only new arrival on the ARIA Chart, published Sept. 29. Homegrown indie rock act Holy Holy debuts at No. 4 with Cellophane (Wonderlick/Sony), the group’s fifth studio album and third top 10. That’s an equal career high for Holy Holy, drawing level with Hello My Beautiful World, which hit No. 4 in 2021.
Close behind is Doja Cat with Scarlet (RCA/Sony), her fourth studio album. It’s new at No. 5 for the U.S. star’s second top 10 album in Australia, after 2021’s Planet Her peaked at No. 2.
Doja Cat continues to paint the ARIA Singles Chart red; her Scarlet hit “Paint The Town Red” enters a sixth consecutive week at the No. 1.
Finally, South African-born, U.K.-based artist Kenya Grace continues to make her mark on the national singles survey with “Strangers” (Warner). Grace’s breakthrough drum ‘n bass-fueled single, and first through a major label, leaps 6-2 for a new peak position.
The late Tina Turner will be celebrated on the upcoming retrospective compilation, Queen of Rock ‘N’ Roll, due out on Nov. 24 via Rhino Records. The 55-song set showcases Turner’s solo-billed singles from 1975 through 2020, including such Billboard Hot 100-charting hits as “What’s Love Got To Do With It” (a No. 1 from 1984), “The Best” and “We Don’t Need Another Hero (Thunderdome).” The Billboard chart-topping artist died on May 24 at age 83.
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Included on the collection is a reworked version of Turner’s “Something Beautiful Remains,” retitled to “Something Beautiful.” It was remixed by Turner’s longtime collaborator Terry Britten, who co-wrote and produced the original version of the song, released in 1996.
See the full tracklist below.
The Queen of Rock ‘N’ Roll collection will be released via streaming services and as a five-vinyl LP box, a three-CD package, and a digital download album. An abbreviated 12-song version of the collection will simultaneously be issued on a single vinyl LP. All iterations of the album will include a foreword written by Bryan Adams. Turner and Adams scored a top 20-charting Hot 100 duet with “It’s Only Love,” released in 1985.
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Queen of Rock ‘N’ Roll also helps salute the 50th anniversary of the launch of Turner’s solo career in 1974 with her first solo album, Tina Turns the Country On!, which was released while she was still part of the Ike & Tina Turner Revue. While that album missed Billboard’s charts and didn’t launch any singles, the following year saw Turner secure her first solo chart hits. The Acid Queen album reached No. 155 on the Billboard 200 in 1975 and No. 39 on the Top R&B/Hip-Hop Albums (then-named Soul LPs) rankings, and launched her first solo-billed hit song on Billboard’s charts: a cover of Led Zeppelin’s “Whole Lotta Love.” The single reached No. 61 on the Hot R&B/Hip-Hop Songs chart (then-named Hot Soul Singles).
Included on Queen of Rock ‘N’ Roll are all of Turner’s post-Ike & Tina Turner Revue hits on the Hot 100 – 17 in total from 1984 through 1996. In addition, non-Hot 100 hits that charted on other key Billboard charts are represented, including “Afterglow,” “Cose Della Vita” (with Eros Ramazzotti), “Goldeneye,” “In Your Wildest Dreams” (featuring Barry White), “Look Me in the Heart,” “On Silent Wings,” “Open Arms,” “Tearing Us Apart” (with Eric Clapton), the 2020 remix of “What’s Love Got To Do With It” (with Kygo) and “When the Heartache Is Over.”
Queen of Rock ‘n’ RollTracklist
5LPSide 1
Whole Lotta Love (1975)
Acid Queen (1976)
Root, Toot Undisputable Rock’n Roller (1978)
Viva La Money (1978)
Sometimes When We Touch (1979)
Music Keeps Me Dancin’ (1979)
Side 2
Let’s Stay Together (1983)
Help (Edit) (1984)
What’s Love Got To Do With It (1984)
Better Be Good To Me (1984)
Private Dancer (1984)
I Can’t Stand The Rain (1985)
Side 3
Show Some Respect (1985)
We Don’t Need Another Hero (Thunderdome) (1985)
One Of The Living (1985)
It’s Only Love (with Bryan Adams) (1985)
Typical Male (1986)
Two People (1986)
Side 4
What You Get Is What You See (1987)
Girls (1987)
Break Every Rule (1987)
Paradise Is Here (1987)
Afterglow (1987)
Side 5
Tearing Us Apart (with Eric Clapton)
Addicted to Love (Live in Europe) (1988)
A Change is Gonna Come (Live in Europe) (1988)
Tonight (with David Bowie) (Live in Europe) (1988)
River Deep, Mountain High (Live in Europe) (1988)
Side 6
The Best (Edit) (1989)
Steamy Windows (1989)
I Don’t Wanna Lose You (1989)
Look Me In The Heart (1990)
Foreign Affair (Edit) (1990)
Side 7
Be Tender With Me Baby (1990)
It Takes Two (with Rod Stewart)
Nutbush City Limits (The 90’s Version) (1991)
Love Thing (1991)
Way Of The World (1991)
Side 8
I Want You Near Me (1992)
I Don’t Wanna Fight (1993)
Disco Inferno (1993)
Why Must We Wait Until Tonight? (1993)
Proud Mary (1993)
Side 9
Goldeneye (1995)
Whatever You Want (1996)
On Silent Wings (1996)
Missing You (1996)
In Your Wildest Dreams (with Barry White) (1996)
Cose della Vita (with Eros Ramazzotti)
Side 10
When The Heartache Is Over (1999)
Whatever You Need (2000)
Open Arms (2004)
Teach Me Again (with Elisa) (2017)
What’s Love Got to Do With It (Kygo remix) (2020)
Something Beautiful (2023 Version)
3CD/Digital/StreamingCD1
Whole Lotta Love
Acid Queen
Root, Toot Undisputable Rock ‘n’ Roller
Viva La Money
Sometimes When We Touch
Music Keeps Me Dancin’
Let’s Stay Together
Help
What’s Love Got To Do With It
Better Be Good To Me
Private Dancer
I Can’t Stand The Rain
Show Some Respect
We Don’t Need Another Hero (Thunderdome)
One Of The Living
It’s Only Love (with Bryan Adams)
Typical Male
Two People
What You Get Is What You See
Girls
CD2
Break Every Rule
Paradise Is Here
Afterglow
Tearing Us Apart (with Eric Clapton)
Addicted to Love (Live in Europe)
A Change is Gonna Come (Live in Europe)
Tonight (with David Bowie) (Live in Europe)
River Deep, Mountain High (Live in Europe)
The Best (Edit)
Steamy Windows
I Don’t Wanna Lose You
Look Me In The Heart
Foreign Affair
Be Tender With Me Baby
It Takes Two (with Rod Stewart)
Nutbush City Limits (The 90’s Version)
Love Thing
Way Of The World
CD3
I Want You Near Me
I Don’t Wanna Fight
Disco Inferno
Why Must We Wait Until Tonight?
Proud Mary
Goldeneye
Whatever You Want
On Silent Wings
Missing You
In Your Wildest Dreams (with Barry White)
Cose della Vita (with Eros Ramazzotti)
When The Heartache Is Over
Whatever You Need
Open Arms
Teach Me Again (with Elisa)
What’s Love Got to Do With It (Kygo remix)
Something Beautiful (2023 Version)
Abbreviated 1LP Version Side 1
What’s Love Got To Do With It
Let’s Stay Together
Private Dancer
We Don’t Need Another Hero (Thunderdome)
Nutbush City Limits (The 90s Version)
River Deep, Mountain High (Live in Europe)
Side 2
Steamy Windows
I Don’t Wanna Lose You
I Don’t Wanna Fight
When The Heartache Is Over
Proud Mary
The Best
Autumn is here, and Ed Sheeran is getting fans into the spirit of changing leaves and colder air with his new album, Autumn Variations, released via his own Gingerbread Man Records on Friday (Sept. 29). Explore Explore See latest videos, charts and news See latest videos, charts and news “Last autumn, I found that my […]
Jung Kook & Jack Harlow give fans a behind-the-scenes look at their new track ‘3D,’ Lisa of BlackPink breaks a Guinness World Record, NewJeans makes history with League of Legends and more. FamousSally and YB’s “Wassup Gwayy” holds on to the No. 1 spot of the TikTok Billboard Top 50 while Earth, Wind & Fire’s […]
On his fast-track to the top, the Kid LAROI cut tracks with Justin Bieber, Miley Cyrus, Lil Durk and his late bestie Juice WRLD. His latest collaboration sees the Australian singer and rapper step out with McDonald’s.
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Through a new partnership unveiled this week, LAROI launches the McCrispy chicken burger across the fast-food chain’s Australian outlets.
It’s the second time flipping McDonald’s burgers for Laroi, who stars in a new nationwide campaign, which includes “The Next Big Thing” TVCs and behind-the-scenes social clips. Last year, the Kid and Macca’s teamed up for Australia’s first local “Famous Order” campaign.
“I love a good chicken burger and am a huge Macca’s fan,” he comments in a statement, “so when I found out McDonald’s was launching its best chicken burger yet, I had to get involved.”
Though based in Los Angeles, the 20-year-old LAROI (real name Charlton Howard) is one of Australia’s favorite homegrown artists.
As a teen, LAROI led the Billboard 200 with F*ck Love, and ruled the Billboard Hot 100 with “Stay,” his global hit with Bieber. The Sydney-raised artist also hit No. 1 on the singles and albums charts in his homeland, smashing records along the way.
He returned to Australia in May and June 2022 for the End of the World Tour, which stopped at arenas and outdoor spaces across the country. And he can add to his growing collection of industry honors at the 2023 ARIA Awards this November, where he nabs nominations for best solo artist and song of the year for “Love Again” (Columbia/Sony Music).
LAROI gives a push to the McCrispy, which is now installed in the restaurant’s permanent menu next to the Big Mac, Quarter Pounder, Cheeseburger and Fillet-O-Fish.
According to reps, the burger, filled with 100% Aussie RSPCA-approved crispy chicken breast, shredded iceberg and cos lettuce, tomato, Aussie Jack cheese and a new signature sauce, served in a soft glazed bun, has already “performed exceptionally” across other markets including the U.S., U.K., Sweden, France and Spain.
Singers Vanessa Amorosi, Toni Watson, and Kate Ceberano were in the winner’s circle Wednesday night (Sept. 27) at the 2023 Australian Women In Music Awards (AWMA), held in Brisbane.
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Amorosi, who has lived in Los Angeles for the past 13 years, returned to home soil for this year’s event, at which she performed a new work from her forthcoming eighth album, Memphis Love, slated for release Nov. 17, and collected the inspiration award.
Meanwhile, Watson, the one-time busker who led the charts in 30 countries with “Dance Monkey,” recognized as one of the five most-streamed songs on Spotify (with 2.9 billion plays), scored the songwriter award. Watson solely wrote “Dance Monkey,” and is currently abroad working on her sophomore album, expected to drop in 2024.
“I genuinely think Australia has some of the best songwriters in the world,” she said via a pre-taped acceptance speech. “We write some of the best music with integrity and a lot of heart. I say that wherever I go.” There are “more women coming out and expressing themselves, we’ve got so many amazing artists coming up, so many exciting female coming out of the Australia music industry. It’s truly an honor to be someone helping pave the way.”
Established in 2018, AWMA shines a light on accomplishments of women across all areas of Australia’s music industry.
Other winners at The Tivoli included Vika & Linda (artistic excellence), Ashli (emerging artist), and soul singer Renee Geyer was posthumously inducted into the AWMA Honour Roll, alongside Judy Stone.
In a first, all three nominees for the lifetime achievement award went home with the prize, presented to a female artist or musician who has made an outstanding artistic contribution to the field of recording and/or live performance during her lifetime. Ceberano, Clare Moore and Jeannie Lewis jointly accepted the honor.
“I’ve been up for many awards in my life, and I’ve never really gotten any of them. I couldn’t be more proud,” remarked Ceberano, a legend in these parts who has been at the top of the game since the 1980s, initially as a singer with The Models and I’m Talking, before embarking on a successful solo career.
The triumvirate on stage, she quipped, were the “last of the Mohicans,” and “of a generation, it seems, that came through before social media and we weren’t being watched while we were doing what we were doing. And we still did it.”
During proceedings, Tony Burke MP, minister for the arts, made a pledge to support the AWMA’s cause. “I’ve never understood why so much in the system has made it so hard,” he explained in a pre-recorded bit. “I want to make sure that your careers are just as easy to prosper as it is for men in the industry. I don’t know why its harder to get radio play, why its hard to get festival lineups, I don’t know why its been harder for fundamentals, like just having a safe workplace. But I want you to know you have a government determined to fix this,” he said, pointing to the creation of Creative Australia, formed through the National Cultural Policy.
Organizers handed out 23 AWMAS to some of the industry’s “most accomplished and emerging female artists, musicians and music practitioners,” with winners decided by a 37-member music industry panel.
The AWMA caps a two-day conference and live music program, and is supported by the Queensland government.
“AWMA is calling on the industry to adopt gender equality as a core music industry value as a matter of priority, significant policy change needs to occur at both state and federal level to ensure women form an equitable part of the industry,” comments AWMA executive producer and program director Vicki Gordon. “Gender bias can only be addressed by prioritizing inclusivity and representation as core music values.”
Performers included Dami Im, Vika & Linda, Hot Brown Honey, and an all-star rendition of AC/DC’s “It’s a Long Way to the Top (If You Wanna Rock ‘N’ Roll),” featuring Amorosi and the Bull sisters on lead vocals, and Sarah McLeod on lead guitar.
Check out all the AWMAs winners.
2023 Australian Women in Music Awards winners:
Studio ProductionRobyn Lee Payne
Artistic ExcellenceVika & Linda
Diversity in MusicCerisa Benjamin
Music JournalistJane Gazzo
Excellence in Classical MusicCelia Craig
Emerging ArtistAshli
Creative LeadershipClaire Edwardes
Inaugural ARIA Executive Leader Game ChangerEmily Collins
Inaugural Women in Heavy MusicEmmy Mack
Lifetime AchievementKate CeberanoClare MooreJeannie Lewis
Tina Arena Special ImpactOana Gilbert (posthumous)
Honour RollJudy StoneRenée Geyer (posthumous)
Music LeadershipMarianna Annas
FilmmakerTriana Hernandez
Live Production TouringJenny Moon
Live Creative ProductionNaomi Price
Music PhotographerMia Mala McDonald
HumanitarianAlison Hams
SongwriterToni Watson (Tones & I)
Inspiration AwardVanessa Amorosi
SYDNEY, Australia – As Jet flies through a particularly busy stretch, the reunited rock band strikes a catalog deal with BMG.
Terms were not disclosed in the arrangement, announced Thursday (Sept. 28), which sees BMG acquire Jet’s recordings.
BMG gets rights to the band’s first two albums for Australian and New Zealand, Get Born (2003) and Shine On (2006), the global royalty stream for these recordings in perpetuity, plus global rights to their third album Shaka Rock (2009).
Included in the pact are such Billboard Hot 100 hits as “Are You Gonna Be My Girl” (peaking at No. 29), “Look What You’ve Done” (No. 37), and “Cold Hard Bitch” (No. 55).
After years on the sidelines, the classic lineup of Nic Cester (vocals/guitar) his brother Chris Cester (vocals/drums), Cam Muncey (vocals/guitar) and Mark Wilson (bass) recently reformed ahead of their induction into the ARIA Hall of Fame, set for Nov. 15 during the annual ARIA Awards in Sydney.
They’re currently on the road for a national tour, a 20th anniversary celebration of Get Born, an album that won six ARIA Awards back in 2004, is nine-times platinum-certified, and recognized as one of the top 5 highest-selling Australian rock albums of all time.
BMG president, Australia, New Zealand and South-East Asia, Heath Johns negotiated what he describes as a landmark deal,” extending the global publishing pact between both parties, forged in 2017.
Jet, he continues, are a “generation-defining band who achieved global success of the rarest kind.”
All three studio albums impacted the top 40 on the Billboard 200 chart, and cracked the Official U.K. Albums Chart, with Get Born peaking at No. 14 and Shine On going one better, at No. 13. Career sales top 5 million, reps say.
Jet’s works have enjoyed a second life through syncs across international advertising campaigns, feature films, TV series and video game franchises, the most memorable an Apple iPod campaign in the 2000s featuring “Are You Gonna Be My Girl.”
BMG, explains Sydney-based Johns, “has become the fastest-growing music company in Australia via our organic recordings and publishing growth and now, as we expand our scope via acquisition, I can think of no bigger statement than the acquisition of the Jet catalog.”
Since opening for business in Australia in 2016, BMG has signed a roster of Australian and New Zealand acts including Chet Faker, Angus & Julia Stone (ANZ), Daniel Johns, Dope Lemon, Hockey Dad, Julia Stone, The Living End, Pacific Avenue, Ladyhawke, CHAII, Dune Rats and Winston Surfshirt.
“With big decisions like this it comes down to personal relationships. We’ve known the BMG team for years,” notes Chris Cester in a statement announcing the new agreement. “We’re already with BMG for our publishing and they do what they say they’re gonna do. That’s a rare thing in this business. Sooner or later you figure out that’s the only thing that matters, if you’re serious about what you do.”
If every dog has its day, today very much belongs to Hurricane.
Hurricane, a Border Collie, and his human Adrian Stoica are the winners of the latest, 18th season of America’s Got Talent, their dog show capturing the hearts of the American public.
Magician Anna DeGuzman came second in the 2023 competition, announced Wednesday (Sept. 27), and dance troupe Murmuration came third.
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Indonesian singer Putri Ariani and acrobat duo the Ramadhani Brothers respectively round out the top 5.
The top ranked singer this year, Putri made a notable impression on the judges, particularly Simon Cowell, who gave the teen his Golden Buzzer. “Nobody can take away the fact that you are an amazing, amazing singer. And performer. And person,” Cowell told Ariani.
The judges also adored Stoica and Hurricane’s double-act, apparently as much as armchair voters.
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“I was on my feet then I sat down, then I was on my feet. It just shows you how tough it is,” Howie Mandel enthused earlier in the season, following an act to Smash Mouth’s “I’m a Believer.” “We didn’t know whether to stand, we didn’t know whether to sit. He’s a dog, he gets more cues than we do. That’s my favorite dog Act ever on AGT.”
Sofia Vergara though the dog-and-man show “was perfection” and Heidi Klum remarked, “it is mind blowing to me how you do this routine with him.”
Added Cowell earlier in the season: “I think in terms of stepping up from the audition to the Live Show, this is the best act we’ve seen tonight. This was live, and that was a tricky routine. She was amazing.”
Stoica and his canine buddy collect the $1 million prize and a coveted Las Vegas residency.
The two-hour finale on NBC featured special performances from 30 Seconds to Mars, Jason Derulo, Jon Batiste, Leona Lewis (in a duet with Putri) and Season 17 winners The Mayyas.
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