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Billboard has been publishing weekly rankings in one form or another for over a century.
Early in the 1900s, Billboard published charts detailing the popularity of sheet music in the U.S. In July 1940, Billboard unveiled its first chart ranking the sales of recorded songs, the 10-position “National List of Best Selling Retail Records,” with Bing Crosby, Jimmy Dorsey and Glenn Miller among its ranks.
Billboard expanded its number of weekly charts over the next few years, starting recaps for R&B in 1942 and country in 1944. In March 1956, the weekly Billboard 200 albums chart premiered (at just 10 positions deep). Two years later, in August 1958, the Billboard Hot 100 songs chart began.
At the end of 1958, Billboard printed a recap of the year’s biggest songs for the first time (that year also encompassed songs’ performance on pre-Hot 100 charts leading up to the list’s August launch). Domenico Modugno’s “Volare (Nel Blu Dipinto Di Blu)” finished as Billboard‘s first year-end No. 1 Hot 100 song. The track, which spent five total weeks at No. 1, became the second song to top the weekly Hot 100, after Ricky Nelson’s “Poor Little Fool.”
Also in the 1958 year-end issue, Billboard continued its tradition of surveying the music industry via “The Billboard Eleventh Annual Disc Jockey Poll,” which “Volare” also crowned. “[The song] was really a left-field hit … one of the few disks in recent years with a non-English lyric to reach the top,” Billboard wrote at the time. In 2023, such hits are plentiful, as seven non-English language songs reached the top 10 alone during the year — the most ever in a calendar year. Thus, this line from that 1958 issue proved prophetic, given the sonic, and geographic, scope of that year’s, and this year’s, biggest titles: “The preference in tunes indicates that no one type of song or artist reigns supreme among jockeys. The list also includes several types of songs with many extremes, ranging from an old folk song to European, Latin American and tunes by American cleffers.”
Jumping to the latest year-end Hot 100 Songs ranking — with the weekly chart now blending streaming, radio airplay and sales data — Morgan Wallen’s 16-week No. 1 “Last Night” finished as 2023’s top track. It’s the first single that topped the Hot Country Songs chart to wrap at No. 1 since Faith Hill’s “Breathe” in 2000, and the first by a male artist since Johnny Horton’s “The Battle of New Orleans” in 1959.
Today, Billboard not only has the year-end Hot 100 Songs ranking, but also annual recaps for all 200-plus weekly charts, reflecting chart performance of songs, albums, artists and more over a 12-month tracking period.
From “Volare” to “Last Night” and every top title in between, here’s a look at every year-end No. 1 Hot 100 single since 1958, as published in each year-end Billboard issue.
Additional research by Gary Trust, Paul Grein and Alex Vitoulis
2023
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Billie Eilish and Khalid’s 2018 collaboration “Lovely” launches at No. 1 on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), for November 2023 after its inclusion in Disney+ and Hulu’s Goosebumps.
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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of November 2023.
“Lovely” appears in the Nov. 3 episode of Goosebumps, the first-year series that is an adaptation of RL Stine’s long-running children’s book series of the same name. After premiering Oct. 13 with its first five episodes, the series premiered one episode a week through its season finale on Nov. 17.
The song earned 17.5 million official on-demand U.S. streams and 1,000 downloads in November 2023, according to Luminate. The song peaked at No. 64 on the Billboard Hot 100 in January 2019, Eilish’s first song to chart there.
It’s the second time “Lovely” has led Top TV Songs, following the May 2018 tally, when the track reigned after a synch in Netflix’s 13 Reasons Why.
“Lovely” and Goosebumps reign over a pair of songs from Netflix’s Virgin River, the second part of the fifth season of which premiered Nov. 30. Both are holiday-themed songs; Michael Bublé‘s “It’s Beginning to Look a Lot Like Christmas” leads the group at No. 2 (30.5 million streams, 3,000 downloads), while Stevie Wonder’s “What Christmas Means to Me” (No. 5; 9.5 million streams, 2,000 downloads) also appears.
Both Fargo and A Murder at the End of the World also boast a pair of entries each.
See the full top 10, also featuring music from The Kardashians, Fargo and Invincible, below.
Rank, Song, Artist, Show (Network)1. “Lovely,” Billie Eilish & Khalid, Goosebumps (Apple TV+/Hulu)2. “It’s Beginning to Look a Lot Like Christmas,” Michael Buble, Virgin River (Netflix)3. “All the Small Things,” blink-182, The Kardashians (Hulu)4. “Hey Joe,” Charlotte Gainsbourg, Fargo (FX)5. “What Christmas Means to Me,” Stevie Wonder, Virgin River (Netflix)6. “Karma Police,” Radiohead, Invincible (Amazon Prime Video)7. “Clint Eastwood,” Gorillaz, For All Mankind (Apple TV+)8. “No More ‘I Love You’s,” Annie Lennox, A Murder at the End of the World (FX)9. “Working Man,” Rush, Fargo (FX)10. “Moon River,” Frank Ocean, A Murder at the End of the World (FX)
It’s seven straight years for Grey’s Anatomy as the top TV show for music synchs, according to Tunefind.
Tunefind, a Songtradr company, has again announced its top shows, movies, songs and artists for onscreen music synchs for the year, with ABC’s 19-season behemoth snagging both top show and top song honors.
The music discovery website Tunefind’s year-end rankings are based only on traffic and interaction on its website, which helps fans identify what song they heard in a TV show or film. Tunefind’s year-end charts are separate from the monthly Top TV Songs chart, presented with Billboard. The monthly Top TV Songs chart ranks the top songs that appear in TV shows each month, using a combination of metrics from Tunefind and Luminate.
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Throughout 2023, Grey’s Anatomy appeared on the monthly Top TV Songs list multiple times via its 2023 run of episodes as part of the 19th season, which concluded May 18. The No. 1 song of the year, Lxandra’s “Let It Be Hope,” appeared in the first episode of 2023 (the seventh episode of the season), which aired Feb. 23.
“Let It Be Hope” saw its overall premiere via the show’s episode, with an ensuing wide release in May.
A second song, Lindsey Ray and TAIINA’s “I Am Here,” ranks at No. 9 on the year-end songs tally via its synch in the 10th episode of the season (March 16).
The series will have a chance to defend its title yet again in 2024, as the show has been renewed for a 20th season.
The top song on the year-end chart whose origins are pre-2023 is the No. 2: Sofi Tukker’s “Best Friend,” featuring NERVO, The Knocks and Alisa Ueno. A popular synch since its 2017 release (it was prominently featured in an ad that year for the iPhone X), the song was heard in the season (and eventually series) finale of The Rookie: Feds, ABC’s spinoff of The Rookie¸ on May 2 (the show was later canceled in November).
Apple TV+’s Ted Lasso ranks at No. 2 on the shows list, bettering its appearance at No. 5 in 2021. The Jason Sudeikis-led comedy-drama ended its three-season run in May, with synchs throughout the season including songs from Bob Marley & the Wailers (“Three Little Birds” ranked at No. 1 on the April 2023 chart), Beyonce, Cat Stevens and more.
The top new show, meanwhile, is Apple TV+’s Shrinking, which premiered in January and concluded its first season in March. Fred again..’s “Dermot (see yourself in my eyes)” concurrently represents the series on the top songs ranking, appearing at No. 6. Shrinking has been renewed for a second season.
The top movies chart finds Spider-Man: Across the Spider-Verse with top honors, buoyed by a popular soundtrack full of original music helmed by producer Metro Boomin. The Spiderman: Across the Spider-Verse: Metro Boomin Presents soundtrack peaked at No. 5 on the Billboard 200 in June and yielded multiple appearances on the Billboard Hot 100, paced by “Calling” with Swae Lee and Nav and featuring A Boogie Wit Da Hoodie, which peaked at No. 41 that month.
Lil Nas X ranks as the year’s top artist, while Max Richter takes home the distinction of top composer. Lil Nas X boasted a variety of synchs in 2023 from series like The Summer That I Turned Pretty, Red, White & Royal Blue, RuPaul’s Drag Race and School Spirits. Richter, meanwhile, is the composer on Apple TV+’s Invasion (which premiered its second season in August) and his composition “On the Nature of Daylight” was also used in HBO’s The Last of Us this year.
See each of the year-end rankings below.
Top Songs
“Let There Be Hope,” Lxandra, Grey’s Anatomy
“Best Friend,” Sofi Tukker feat. NERVO, The Knocks & Alisa Ueno, The Rookie: Feds
“Never Let Me Down Again,” Jessica Mazin, The Last of Us
“Numb,” Tramont, Ginny & Georgia
“Until I Found You,” Stephen Sanchez & Em Beihold, Ginny & Georgia
“Dermot (see yourself in my eyes),” Fred again.., Shrinking
“Nothing Else Matters,” Phoebe Bridgers, Will Trent
“Feeling Our Way Through the Dark,” Katie Garfield, The Good Doctor
“I Am Here,” Lindsey Ray & TAIINA, Grey’s Anatomy
“Fuel to Fire,” Agnes Obel, The Last of Us
Top TV Shows
Grey’s Anatomy (supervisor: Justin Kamps)
Ted Lasso (Tony Von Pervieux & Christa Miller)
The Blacklist (John Bissell)
Yellowjackets (Nora Felder)
Love Island
All American (Madonna Wade-Reed)
Sex Education (Matt Biffa)
The Bear (Josh Senior & Christopher Storer)
The Marvelous Mrs. Maisel (Robin Urdang)
Billions (Jim Black)
Top New TV Shows
Shrinking (supervisors: Tony Von Pervieux & Christa Miller)
Sullivan’s Crossing (Lindsay Wolfington)
Beef
The Last of Us (Evyen Klean & Ian Broucek)
Poker Face (Thomas Golubic)
Top Movies
Spider-Man: Across the Spider-Verse (supervisor: Kier Lehman)
John Wick: Chapter 4 (Jen Malone)
Guardians of the Galaxy, Vol. 3 (Dave Jordan)
Creed III
M3GAN (Andrea von Foerster)
Barbie
Fast X
Talk to Me
Scream VI
Magic Mike’s Last Dance (Season Kent)
Top Artists
Lil Nas X
SZA
Usher
AC/DC
The Smashing Pumpkins
Phoebe Bridgers
Tones and I
Cake
James Brown
Ramones
Top Composers
Max Richter
Daniel Pemberton
Nathan Barr
The Newton Brothers
Theodore Shapiro
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In less than two months, the-ever first North American music industry climate summit will happen at the USC Campus in Los Angeles. Today (Dec. 14), the event is announcing a robust list of speakers and programming for the day-long event.
Happening Feb. 5, the Summit will feature speakers including Lindsay Arell, head of sustainability at ASM, Maggie Baird the founder of Support + Feed, John Fernandez, the director of the Environmental Solutions Initiative at MIT, Adam Gardner, the co-founder and Co-Director of REVERB (and also the guitarist and vocalist for Guster), Garrett Keraga, the senior manager of sustainability, policy & advisory at ClimeCo, Cassie Lee, the CEO of Sound Future, Michael Martin, the CEO and founder of r.World & Effect Partners, Amy Morrison, the president & co-founder of the the Music Sustainability Alliance, Lesley Olenik the vice president of touring at Live Nation and Jake Perry, the director of operations at C3 Presents.
Other speakers will represent companies including TAIT, CES, Coca Cola, Overdrive Energy Solutions and Rock-it Global. Additional speakers will be added before the event. Panels will be moderated by GreenBiz Chairman & Co-founder Joel Makower and address climate-related problems specific to the music economy including carbon emissions from fan travel, waste management, clean energy options and much more. See the complete Summit program below.
The Music Sustainability Summit is being produced by The Music Sustainability Alliance, an organization that provide science-based solutions, business case analyses, best practices, and tools for operational change across the industry. Tickets for the event — running 9 a.m. to 5:30 p.m. — are available on a sliding scale between $25 and $200 and are available now.
“We welcome all, the climate curious and the climate experts,” Music Sustainability Alliance co-founder and president Morrison said upon the Summit’s announcement. “There will be something for everybody.”
Music Sustainability Summit 2024 Program
Our Place in the World, Welcome from the MSA: Get grounded in space in time with Amy Morrison and Michael Martin, co-founders of the MSA, and Joel Makower, founder of GreenBiz – the most vital resource for greening the economy on the planet.
What’s the Problem?, The New Music Sustainability Basics: Emissions and waste are hard to measure, so we’ve gotten the experts to do it for us. MIT presents an overview of the music industry decision makers from a sustainability lens, showing us where to place our emphasis – ClimeCo brings a holistic picture of the problems we face, based on interviews from players across the music landscape. Finally, Cassie Lee from Sound Future shows us how to leverage the power of live events as a catalyst for climate innovation.
The Artist-Activist Spectrum, Artist Discussion: You’re small, you’re huge. You’re an activist first, you’re an artist first. Most likely, you’re somewhere in between. Join artists from all over the spectrum as they speak openly about the challenges, anxieties, and joys of climate action. And learn how to most effectively support them in their quest for impact.
What We Eat Matters, Food, Carbon, and Equity: “Plant-based eating is the single biggest way to reduce your impact on the earth.” – Univ. of Oxford. This conversation will explore how the music business can set precedent for other industries. From catering, to concessions, to community outreach, we will shine a light on how to eat more sustainably for the planet and each other. This conversation will show the opportunities artists and the music industry have, to shift to a more equitable food system and how they can impact local communities.
That’s Trashy!, Waste Management: It’s the most visible problem in the live music industry: millions of plastic cups, food containers, and pounds of food waste. No one likes it, it’s expensive, and there’s a solution. Join the people engineering the future of zero waste venues, and hear directly from waste haulers and concessionaires about the pain points of the transition.
Dark Days for Diesel, New Horizons for Power: Diesel generators are like the gas-powered leaf blower of the music industry: dirty, loud, and carbon-polluting… but familiar and reliable. As clean energy technologies become more widely available, festivals are leading the way in innovative power solutions to shift the industry away from fossil fuels. Meet the experts battery-powering the revolution and learn how you can hop on the train before it leaves the (solar-powered) station.
Haul it All, Freight, Trucking, Logistics, and Shipping: Whether you’re touring with a convoy of 18-wheelers, a fleet of cargo planes, ocean freight or just an acoustic guitar, getting all your gear from place to place is top-of-mind from an emissions perspective. Learn how to design cleaner, less-wasteful touring from the ground up and what artists and tours are doing today to reduce their environmental and social impact.
The Elephant in the Car, Fan Travel: It sucks, and no one wants to talk about it: anywhere from 50 – 90% of the music industry’s emission problems come from fan transportation. Like it or not, we generate the demand, and that means we’re responsible for the planes, trains, and automobiles that get people to the show. How do we even get started? From shuttle programs, to incentivizing mass transit, to lobbying for clean energy, it’s time to bite the bullet and build a livable future for our fans and ourselves.
Our Voice, Our power, Climate Communications and Fan Engagement: We’re musicians and music business professionals, not scientists. So let’s learn how to use our best weapons – our voices – to fight climate change. Learn from climate communication experts about the most effective ways for musicians and their teams to talk about climate – without fear of getting canceled.
Processing: What Just Happened?, Moderated Group Discussion: Joel Makower of GreenBiz leads us in conversation. Now that you’ve got the lay of the land, it’s time to put it all together. Meet with your new (and old) partners on the journey. Ask questions about your place on the road to zero emissions. If you’ve got questions, chances are, you’re not the only one. In this session, the audience has a chance to join the discussion and inform what’s next.
Where do we go from here?, Onwards and upwards with the MSA: Learn what’s next for the MSA and others in the industry, including plans for getting together to help each other along, and shared resources for maintaining a high level of impact.
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