State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm

Current show
blank

State Champ Radio Mix

1:00 pm 7:00 pm


bbnews

Page: 136

Australian “bush music” legend John Williamson has pulled out of four scheduled concerts following suffering a “significant” hand injury.
Williamson is recovering from surgery to his left hand after it was crushed by a rock sculpture at his Willoshed, the singer and songwriter’s hinterland property which he opens-up to guests for live performances.

Due to his injury, Williamson’s planned performance at the Tamworth Music Festival on Australia Day, Jan. 26, has been canceled, though Williamson plans to make the trip to Australia’s so-called “home of country”.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Tamworth bound,” he writes on Instagram, “I won’t be able to play guitar but I’ll be celebrating with all my country mates instead.”

In a separate post on Facebook, he adds, “I’ll see you at Tamworth for the Golden Guitar Awards and perhaps a cold beer instead.”

Dates at Redland Performing Arts Centre (Feb. 1), Ipswich Civic Centre (Feb. 2) and Toowoomba’s Empire Theatre (Feb. 3) are all postponed. His next round of dates are due to start March 3 with a concert at Home of the Arts on the Gold Coast.

A musician and conservationist, Williamson’s career spans more than 50 years. The 78-year-old has sold more than 5 million albums and accumulated more than one billion streams. Over time, he has collected 28 Golden Guitar awards, three ARIA Awards and in 2010 he was inducted into the ARIA Hall of Fame.

Tamworth has a special place in his heart. In January 2022, Williamson was honored with a life-sized bronze statue in his image, permanently located in the New South Wales town’s main street.

Williamson’s signature song “True Blue” is an alternative national anthem, and “Rip Rip Woodchip” was embraced by logging protestors in the ’80s. In 1992 he was made a Member of the Order of Australia “for service to Australian country music and in stimulating awareness of conservation issues.”

Last year saw Williamson hit the road for an extensive touring schedule, which included a spot on the Deni Ute Muster, and a performance with Morgan Evans onstage at the Sydney Opera House Concert Hall. In October 2023, he released “Be a Part of This Land” through Warner Music Australia, a song that encourages everyone in Australia to come together and appreciate the land they live on.

John Fogerty will visit Australia for the first time since 2012 when he headlines the Country Fest Queensland this easter. And for the first time in a lifetime, he’ll dish-up some Creedence.

Explore

See latest videos, charts and news

See latest videos, charts and news

Morgan Evans, Lee Kernaghan, James Johnston and many others are on the bill, set for 30-31 March, but it’s the Creedence Clearwater Revival frontman who turns heads.

According to festival reps, the rock legend will perform a set of his own songs, then a second set playing CCR classics – something he hasn’t done in these parts since 1972.

Fogerty visits the land Down Under a year after he gained control of his CCR publishing rights, ending a half-century struggle that was said to be one of the music industry’s grimmest and most arduous tales.

With that deal, the singer, songwriter and guitarist unlocked the rights to such classics as “Proud Mary,” “Down on the Corner,” Fortunate Son,” “Bad Moon Rising” “Up Around the Bend” and “Green River.”

One of America’s seminal rock bands, CCR had a seriously hot streak run, including landing five top 10 albums on the Billboard 200 between 1969 and 1970 before splitting in 1972.

Fogerty wasn’t able to bask in those glory years. When Fantasy Records’ late boss Saul Zaentz took control of Fogerty’s publishing in 1980, an epic and ugly legal fight ensued, resulting in the Rock Hall inductee refusing to play CCR songs live.

That car crash is now in the review.

CCR was inducted into the Rock and Roll Hall of Fame in 1993, with Bruce Springsteen doing the honors. Though CCR never nabbed a Grammy Award, Fogerty won a golden gramophone in 1997 for Blue Moon Swamp (for best rock album).

Country music is booming in Australia. According to Luminate’s “2023 Midyear Report,” Australia is the world’s No. 3 market for the genre behind the United States and Canada.

During the first half of 2023, Aussies streamed country music 1.1 billion times, based on the top 500 songs in the genre, with U.S. stars Morgan Wallen and Luke Combs among the favorites.

Country Fest is presented by NQ Licensed Events and Dittmann Bucking Bulls, and will be held at Dittmann Bull Pit, Bloomsbury in Mackay, Queensland.

Click here for more.

D-Block Europe are kings of the U.K. albums tally with Rolling Stone (via D-Block Europe).
The British hip-hop duo’s third album debuts at No. 1 on the Official U.K. Albums Chart, published Friday, Jan. 19, for their first stint at the summit.

Comprised of Young Adz and Dirtbike LB, D-Block Europe extends its tally of U.K. top 10 albums to eight– the most of any British rap act in Official Charts history. Mike Skinner’s The Streets is close behind with seven.

Explore

See latest videos, charts and news

See latest videos, charts and news

It’s a British hip-hop 1-2 on the latest U.K. albums tally as 21 Savage bows at No. 2 with American Dream (Epic/Slaughter Gang), for his best solo chart position yet.

Born Shéyaa Bin Abraham-Joseph in London, now based in Atlanta, Savage previously led the chart with the 2022 collaborative LP with Drake, Her Loss, and enjoyed a top 10 appearance for 2020’s Savage Mode II with Metro Boomin, peaking at No. 10. Among his solo works, Savage enjoyed a U.K. top 40 with 2021’s i am > i was, peaking at No. 33. Three tracks from American Dream crash the current U.K. singles chart, led by “redrum” at No. 11.

Completing an all-new top 3 on the albums tally is The Vaccines’ Pick-Up Full of Pink Carnations (Super Easy). The London indie-rock outfit now extends is streak of top 10 albums to six, a run that includes the 2012 chart leader Come Of Age. Pick-Up is the band’s highest chart appearance since 2015’s English Graffiti, which peaked at No. 2.

As Teddy Swims hit single “Lose Control” lifts into the U.K. top 5 for the first time, its parent album climbs to a new peak. I’ve Tried Everything but Therapy (Part 1) (Atlantic) rises 24-21 in its second week on the tally, the OCC reports.Finally, British singer and songwriter Bill Ryder-Jones earns his first solo top 40 album with Iechyd Da (meaning “good luck” in Welsh), his fifth LP. Released through indie label Domino Recordings, the album is new at No. 30. As a member of The Coral, Ryder-Jones landed a U.K. No. 1 in 2003 with Magic and Medicine.

Noah Kahan sticks to No. 1 in the U.K., winning a chart race that goes down to the wire.
The Vermont singer and songwriter’s folky hit “Stick Season” enters a third consecutive week at No. 1 on the Official U.K. Singles Chart, published Friday, Jan. 19, edging Ariana Grande’s “Yes, And?,” for a Republic Records 1-2.

Grande’s comeback track is the week’s top debut, entering at No. 2 for her 21st U.K. top 10, and 32nd top 40 appearance in the U.K.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Yes, And?” is the most-streamed song (8.2 million streams) during the cycle, the Official Charts Company confirms, and finishes the week just 600 chart units behind “Stick Season.”

Helmed by master Swedish producer Max Martin, “Yes, And?” is Grande’s first solo hit since “Test Drive” rode in at No. 38 in March 2021.

Completing the podium is Sophie Ellis-Bextor‘s Saltburn-fueled 2001 disco tune “Murder on the Dancefloor” (Polydor), dipping 2-3.

Teddy Swims continues to make a splash with “Lose Control” (Atlantic), which becomes the U.S. artist’s first U.K. top 5 single. It’s up 6-5 on the latest tally.

As expected, Natasha Bedingfield pens another chapter in her chart history with “Unwritten” (Phonogenic), which rebounds to No. 18, powered by its prominent sync to the romcom Anyone But You. Originally released in 2004, “Unwritten” peaked at No. 6 that year and is one of the British singer’s five career U.K. top 10s.

D-Block Europe’s “Eagle” (D-Block Europe) featuring Albanian artist Noizy becomes the British rap pair’s 30th top 40 single, new at No. 19. “Eagle” swoops in as D-Block Europe land their first No. 1 on the Official U.K. Albums Chart with Rolling Stone, an effort that extends their record tally of U.K. top 10 albums to eight – the most of any British rap act in Official Charts history.

Also new to the singles chart top 40 is Flo Milli’s “Never Lose Me” (’94 Sounds/RCA). The U.S. rapper’s viral release flies 41-24, for Milli’s first top tier appearance. “Never Lose Me” has sported a range of trends on TikTok since its release, and finally bagged top spot on the Jan. 20-dated TikTok Billboard Top 50 chart in its seventh week on the survey.

Following the release of American Dream (Columbia), his first solo U.K. top 10 album, 21 Savage lands three cuts on the Official U.K. Singles Chart, the maximum permitted from any album under OCC rules. Leading the charge from the London-born, Atlantic-based hip-hop artist is “redrum” (No. 11), “née-nah” with Travis Scott and Metro Boomin (at No. 23), and “n.h.i.e.” featuring Doja Cat (No. 27). American Dream starts at No. 2 on the albums tally. That’s one spot behind his 2022 collaborative LP with Drake, Her Loss, which reached No. 1, and eclipses 2020’s Savage Mode II with Metro Boomin, which peaked at No. 10.

Taylor Swift’s long reign over Australia’s albums chart has come to an end, toppled by 21 Savage’s American Dream (via Epic/Sony).
The London-born, Atlanta-based rapper’s sixth studio album starts at No. 1 on the ARIA Albums Chart, published Friday, Jan. 19, for his first solo leader.

Previously, ARIA reports, Savage’s highest charting solo album was I Am > I Was, which reached No. 30 in 2018, though his collaborative albums flew into the top 10. His top chart position came with 2022’s Her Loss featuring Drake (at No. 2) and 2020’s Savage Mode II with Metro Boomin (No. 4). A handful of tracks from American Dream impact the ARIA Chart, including “Redrum” at No. 23 and “Née-Nah” (with Travis Scott and Metro Boomin) at No. 34.

Explore

See latest videos, charts and news

See latest videos, charts and news

With Savage claiming the throne, Swift’s reign with 1989 (Taylor’s Version) (via Universal) ends at 11 successive weeks. The fourth in Swift’s re-recording projects, 1989 (Taylor’s Version) was the best-seller for 2023, according to year-end data published by ARIA earlier this month. 1989 (Taylor’s Version) is one of five Swift titles in the ARIA top 10, a position of power that is unlikely to change anytime soon; Swifties will crank-up the listening frenzy when her The Eras Tour bounces into the market next month for seven stadium shows across Sydney and Melbourne.

Over on the ARIA Singles Chart, Jack Harlow logs a ninth non-consecutive week at No. 1 with “Lovin On Me” (Atlantic/Warner). That’s the longest run at the top by a solo male artist — excluding collaborations and featured artists — since The Weeknd’s “Blinding Lights” stayed at the summit for 11 weeks in 2020. It’s worth noting, “Blinding Lights” is now recognized as the most-streamed song ever on Spotify, clocking up more than 4 billion plays across the DSP’s global network.

Ariana Grande returns to the chart with “Yes, And?” (Universal), her first solo top 40 hit in Australia in almost three years. It’s new at No. 2, her 19th top 10 single — a tally that includes four No. 1s (“No Tears Left To Cry” and “Thank U, Next” in 2018, “7 Rings” in 2019, and “Positions” in 2020).

Lifted from Grande’s forthcoming seventh studio album Eternal Sunshine (due out March 8), “Yes, And?” is Grande’s first new solo hit since “POV” peaked at No. 29 in 2021.

Two early noughts pop hits from the U.K. are rocketing up the ARIA Singles Chart, thanks to the magic of movies. Sophie Ellis-Bextor’s 2001 hit “Murder On The Dancefloor” (Universal), blasts 25-12, following its sync to Emerald Fennell’s dark flick Saltburn. Also, Natasha Bedingfield’s “Unwritten” (Sony), which this year celebrates its 20th anniversary, is back in the top 20 following its inclusion in the rom-com Anyone But You. “Unwritten” reenters at No. 18, just five places below its peak position of No. 13 set back 2004.

Finally, Morgan Wallen has another notch on his chart belt as “Thinkin’ Bout Me” (Mercury/Universal) appears at No. 48 on the ARIA Chart. “Thinkin’ Bout Me” is the sixth single lifted from the country star’s chart-leading LP One Thing at a Time.

Bring Me the Horizon notches its record-breaking fifth No. 1 on Billboard’s Hot Hard Rock Songs chart, as “Kool-Aid” bows atop the Jan. 20-dated survey. The song debuts with 2.4 million official U.S. streams and 2,000 downloads sold Jan. 5-11, according to Luminate. The track is the Oli Sykes-fronted rockers’ first release since the departure […]

Natasha Bedingfield is writing another chapter to her U.K. chart story, thanks to a sync in Will Gluck’s rom-com Anyone But You.
The British pop singer and songwriter’s “Unwritten” (via Phonogenic) could return to the U.K. top 20 for the first time in 19 years.

Based on a late chart blast published by the Official Charts Company, “Unwritten” is predicted to climb 24-20, for its first appearance in the top 20.

“Unwritten” peaked at No. 6 following its release back in 2004, and is one of Bedingfield’s five U.K. top 10 hits, a tally that includes a No. 1 with “These Words” (both appeared on her debut album from that year, Unwritten).

Explore

See latest videos, charts and news

See latest videos, charts and news

In the Shakespeare-inspired Anyone But You, “Unwritten” plays a pivotal role in the narrative of Glen Powell’s character, and is played and sung by multiple characters throughout the film.

It’s not the only British pop single from the early noughts enjoying a resurgence, powered by a feature film.

Sophie Ellis-Bextor‘s “Murder on the Dancefloor” (Polydor) lifted to No. 2 on the Official U.K. Singles Chart last week, following its memorable spot late in Emerald Fennell’s dark-as-coal movie Saltburn — equaling its peak set back in 2001.

The Saltburn bump is real, and it’s happening around the globe. In the United States, “Murder on the Dancefloor” belatedly entered the Billboard Hot 100 at No. 98, and now rises to No. 58 in its second week. And in Australia, “Murder on the Dancefloor” reenters the ARIA Chart at No. 25.

As previously reported, Noah Kahan‘s “Stick Season” (Republic Records) is on track for a third successive week at No. 1 on the U.K. chart, while Ariana Grande’s “Yes, And?” (Republic Records) should be the week’s top debut, bowing at No. 2 on the midweek tally. “Murder on the Dancefloor” is forecast to complete the U.K. podium, at No. 3.

The next Official U.K. Singles Chart is published late Friday, Jan. 19.

Green Day will welcome fans to paradise on their forthcoming The Saviors Tour, by playing Dookie and American Idiot in full each night.
Just days out from the release of Saviors, the pop-punk veterans confirm they’ll perform the classic albums on each and every date of the stadium tour, along with “a bunch of your other favorites, new and old, all summer long.”

Hints have been flying left and right, though Rock Hall inductees announced details for the first time this week.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Timing is everything. Dookie this year celebrates its 30th anniversary with the release of a deluxe edition and a surprise club show in Las Vegas last October, where the trio performed the 1994 LP in full, from “Burnout” to “F.O.D.,” and, of course, the hidden track “All By Myself”.

Frontman Billie Joe Armstrong told the crowd at Fremont Country Club that 2024 would be a massive year for the band and its fans. “We are doing a big tour next year,” explained on the night. “It is going to be Green Day, Smashing Pumpkins, Rancid and Linda Lindas.”

American Idiot is enjoying its own milestone, its 20th anniversary. The band threw a lyrical grenade during their set Dec. 31 on ABC’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest, when they tweaked the politically charged lyrics to the title track, for a swipe at Donald Trump and the MAGA movement.

Released in 2004, American Idiot was the first of the band’s three No. 1 albums, logging three weeks at No. 1 on the Billboard 200, and, for a time, allowing Armstrong, Tré Cool and Mike Dirnt to authoritatively boast at being the world’s biggest rock band.

The North America leg is slated to start July 29 at Nationals Park, Washington, DC. Before that, a tour of the U.K. and Europe is locked-in with Nothing but Thieves, the Hives, Donots, the Interrupters, and Maid of Ace, kicking off May 30 at O Son Do Camiño in Monto Do Gozo, Spain.

Produced by Live Nation, this will be the band’s first major tour since the 120-date 2016–17 Revolution Radio tour and the 29-date, 2021–22 Hella Mega Tour alongside Weezer and Fall Out Boy.

The trek is announced ahead of the release of Saviors this Friday, Jan. 19. The band’s 14th studio album, Saviors is the followup to 2020’s Father of All Motherf—ers, which peaked at No. 4 on the Billboard 200 chart.

Coachella has the enviable reputation as a place where vintage acts put aside their differences, bands bury the hatchet, legends return to the spotlight.
Jane’s Addiction, Pixies, Pavement, Rage Against the Machine, Outkast and The Stooges all famously got the bands back together in the California desert.

Explore

See latest videos, charts and news

See latest videos, charts and news

This year it’s No Doubt’s turn to keep that reputation intact.

The lineup for Coachella 2024 is suitably stacked, with Lana Del Rey, Tyler, The Creator and Doja Cat listed as headliners; and the likes of Peso Pluma, Lil Uzi Vert, Blur, Ice Spice, J Balvin, Jhené Aiko and scores more join the bill.

The big surprise is the inclusion of No Doubt, which is set for a first reunion concert in nine years.

“We’ll see you in the desert this April!!!,” reads a statement on the band’s social accounts, an announcement that’s now trending.

Earlier, Gwen Stefani, bass player Tony Kanal, drummer Adrian Young and guitarist Tom Dumont teased a comeback with a video posted to their socials. “Just a Girl” plays over the clip, in which Stefani reminisces about the good old days. The singer fires off a text to Kanal, and the four bandmates assemble for a Zoom call. “Do you wanna do a show?,” she asks. The answer, as we now know, is a solid yes.

Next year marks the 30th anniversary of No Doubt’s hit third album Tragic Kingdom, which featured breakout singles including “Just a Girl,” “Spiderwebs” and “Don’t Speak,” and which peaked at No. 1 on the Billboard 200 in Dec. 1996, more than a year after its release.

Last year, “Don’t Speak” entered the Billion Views Club on YouTube, marking the band’s first video — and one of less than 20 released in the 1990s — to reach that milestone. Also in 2023, No Doubt issued their 1995 sophomore LP The Beacon Street Collection on vinyl for the first time.

Coachella Valley Music and Arts Festival 2024 will play out over the two weekends of April 12-14 and 19-21. Festival passes will be available at Coachella.com starting on Friday (Jan. 19).

Click here to check out tickets for either weekend. Passes are divided into three tiers and priced at $499-$549 for general admission and $1,609 for VIP. Camping passes start at $149.

Two worlds collide this Friday (Jan. 19) when Noah Kahan and Sam Fender drop the collaborative single, “Homesick.”
Fender will lend vocals to a fresh version of the song, which appears on Kahan’s third studio album, Stick Season, and shared the news on his socials. “See you then x,” he writes.

With the new cut of “Homesick,” Kahan will be keen to keep a good thing going. The Vermont singer and songwriter has reigned over the Official U.K. Singles Chart for the past two weeks with his folky number “Stick Season,” and is on track for a third.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Homesick” is the fifth official single lifted from Stick Season, following its title track, U.K. top 40 hits “Northern Attitude” (No. 16) and “Dial Drunk” (No. 32), plus “Call Your Mom” (No. 83).

In the United States, Stick Season peaked at No. 3 on the Billboard 200, and six of his singles have made impressions on the Billboard Hot 100, including “Stick Season,” peaking at No. 14. Kahan will support the album with another major tour of north America, his We’ll All Be Here Together trek, kicking off late March 2024.

Kahan is coming off a particularly busy year in 2023 during which he launched The Busyhead Project, which supports and funds mental health organizations that provide care to underserved communities; released a deluxe edition of Stick Season (We’ll All be Here Forever), which pushed the album into the U.S. top 10 for the first time; earned his first No. 1 on a Billboard airplay chart with “Dial Drunk,” following a fresh mix with Post Malone; and joined forces with Ranger Station on a Stick Season candle.

Hailing from North Shields, Fender got his career underway with the blessing of Britain’s tastemakers, as he won the Critics’ Choice Award at the 2019 BRIT Awards. Both of his full-length studio albums have gone to No. 1 on the Official U.K. Albums Chart, 2019’s Hypersonic Missiles and 2021’s Seventeen Going Under.