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Taylor Swift spends a record-extending 95th week at No. 1 on the Billboard Artist 100 chart (dated Jan. 27), continuing her reign as the top musical act in the U.S. thanks to 10 charting albums on the Billboard 200 and two songs on the Billboard Hot 100.

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1989 (Taylor’s Version) leads Swift’s titles on the Billboard 200, at No. 5 with 50,000 equivalent album units earned Jan. 12-18, according to Luminate. It spent six weeks at No. 1 beginning in November.

Here’s a recap of Swift’s current Billboard 200-charting albums:

No. 5, 1989 (Taylor’s Version)No. 8, FolkloreNo. 10, LoverNo. 11, MidnightsNo. 22, reputationNo. 25, Speak Now (Taylor’s Version)No. 26, EvermoreNo. 28, Red (Taylor’s Version)No. 57, Fearless (Taylor’s Version)No. 63, 1989

This is the first week that Midnights has not ranked in the Billboard 200’s top 10 since it debuted on the chart dated Nov. 5, 2022. It logged 64 consecutive weeks in the region, making it the third-longest-running top 10 album this century, after Morgan Wallen’s Dangerous: The Double Album (137 total weeks in the top 10) and Adele’s 21 (84).

On the Hot 100, Swift charts her former four-week No. 1 “Cruel Summer” at No. 3 and former one-week leader “Is It Over Now (Taylor’s Version) (From the Vault)” at No. 17.

Kali Uchis re-enters the Artist 100 at No. 2, a new high, thanks to her new album Orquídeas. The set debuts at No. 2 on the Billboard 200 with 69,000 units, becoming her highest-charting album, and second top 10.

Ariana Grande returns to the Artist 100 at No. 5, as her new single “Yes, And?” debuts at No. 1 on the Hot 100, becoming her eighth leader.

Elsewhere in the Artist 100’s top five, 21 Savage vaults 35-3, as his new album American Dream launches at No. 1 on the Billboard 200, and Morgan Wallen falls 2-4.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Two acts earn new No. 1s on Billboard’s rock-, alternative- and hard rock-based digital song sales charts dated Jan. 27, one for the first time and the other for a seventh.
Michael Marcagi’s “Scared To Start” tops the Alternative Digital Song Sales ranking, while Disturbed’s “Don’t Tell Me,” featuring Ann Wilson, rules Hard Rock Digital Song Sales.

“Scared To Start” bows with 3,000 downloads sold in the U.S. in the Jan. 12-18 tracking week, according to Luminate. It’s Marcagi’s first No. 1 on a Billboard chart, with his first song to appear as a solo artist.

Concurrently, the Warner Records-signed Marcagi opens at No. 2 on Rock Digital Song Sales. On the multi-metric Hot Rock & Alternative Songs list, the track debuts at No. 21; in addition to its download count, it earned 2.6 million official U.S. streams.

“Scared To Start” isn’t Marcagi’s first brush with Billboard charts. He previously fronted the band The Heavy Hours, which nabbed a pair of Adult Alternative Airplay entries with “Don’t Walk Away” (No. 21 peak, November 2020) and “Wildfire” (No. 33, September 2021).

His burgeoning solo career has been spurred by success on TikTok, with “Scared To Start” and additional song “The Other Side” (released in December 2023) racking up impressive metrics on the user-generated content platform.

Meanwhile, Disturbed’s “Don’t Tell Me” re-enters Hard Rock Digital Song Sales at No. 1, a new peak, thanks to 1,000 downloads, up 937%. The song debuted at No. 2 on the Dec. 3, 2022, survey; it returns thanks to the release of its official video Jan. 12.

Disturbed now boasts seven Hard Rock Digital Song Sales No. 1s, dating to the chart’s 2011 inception. The David Draiman-led rockers first reigned with “Hell” in October 2011, and prior to “Don’t Tell Me,” most recently ruled with “Unstoppable” in October 2022.

Seven No. 1s gives the band sole possession of the fourth-most in the tally’s history; Five Finger Death Punch leads all acts with 16.

Most No. 1s, Hard Rock Digital Song Sales:16, Five Finger Death Punch9, Linkin Park8, Bring Me the Horizon7, Disturbed6, Breaking Benjamin6, Falling in Reverse6, Foo Fighters

Concurrently, “Don’t Tell Me” breaks into the top 10 of the Mainstream Rock Airplay chart, jumping 13-10. It’s Disturbed’s 27th top 10, tying the band with Metallica for the sixth-most top 10s in the history of the 33-year-old ranking. Foo Fighters and Shinedown lead with 31 top 10s apiece.

Most Top 10s, Mainstream Rock Airplay:31, Foo Fighters31, Shinedown29, Five Finger Death Punch28, Godsmack28, Tom Petty (solo and with the Heartbreakers)27, Disturbed27, Metallica26, Papa Roach26, Van Halen

The new ranking marks featured act Ann Wilson’s first on the chart as a soloist since “The Best Man in the World” peaked at No. 5 in January 1987. Heart, with Wilson as lead singer, boasts 10 top 10s, through “Black on Black II,” which peaked at No. 4 in November 1993.

“Don’t Tell Me” is the fourth single from Divisive, Disturbed’s eighth studio album, following “Hey You,” “Bad Man” and “Unstoppable.” The set debuted at No. 1 on the Hard Rock Albums chart in December 2022 and has earned 138,000 equivalent album units to date.

Justin Timberlake is back, and this time he’s in a selfish mood.
The U.S. pop star today (Jan. 25) drops “Selfish,” his first solo release in more than five years.

The former *NSync star has teased the cut several ways in recent days, including a hometown live debut and a post with what appeared to be the official cover art, shot by photographer Charlotte Rutherford.

Then, a snippet which sees JT from behind the stage curtain, paying thanks to the audience, over the sound of an old school analogue drum machine and lo-fi organ.

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JT debuted the silky, R&B-leaning track live at his concert in Memphis, TN last Friday, Jan. 19. “So if I get jealous, I can’t help it/ I want every bit of you, I guess I’m selfish,” he sings. “It’s bad for my mental, but I can’t fight it.”

“Selfish” is the first track lifted from Timberlake’s forthcoming sixth album, titled Everything I Thought It Was, the followup to his solo LP Man of the Woods, which debuted at No. 1 on the Billboard 200 back in 2018. The release date for EITIW has yet to be determined.

Though his solo music career has been in deep hibernation, Timberlake did return to his boyband roots last year when he reunited with *NSync for “Better Place,” which accompanied the animated family film Trolls Band Together. The track bowed at No. 25, for *NSync’s lucky 13th appearance on the Billboard Hot 100 and first appearance on the tally since “Girlfriend” featuring Nelly reached No. 5 — way back in 2002.

The 10-time Grammy winner will remind fans of what they’ve been missing when he serves as musical guest on Saturday Night Live this weekend, with Dakota Johnson hosting. There’s more small-screen action to come when JT stops by the The Tonight Show Starring Jimmy Fallon next Thursday.

Stream “Selfish” below.

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Diamond Dave isn’t taking a shine to Wolfgang Van Halen.
Founding Van Halen frontman David Lee Roth has taken an extraordinary swipe at Wolfgang, the band’s bass player and son of the late, great guitarist Eddie Van Halen and actress Valerie Bertinelli.

The charismatic singer posts an audio clip to YouTube, in which he fires a barrage of complaints the way of the younger Van Halen, ripping him for unpleasant behavior and poor decisions made on the road.

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“This f—in’ kid,” he says, “he’s complaining the entire tour like I’m not paying enough attention to him on stage.” Roth continues, “he’s complaining to everybody around me – the business manager, the security guy, the clothing lady – ‘Dave’s not paying enough attention to me.’”

The clip opens with a throwback to Roth’s brief stint helming The David Lee Roth Show, as he launches into an imaginary chat with a comedy-voiced “Jesus Christ,” a thinly-veiled barb at Wolfgang securing the gig with VH thanks to him being of the son of guitar “god” Eddie Van Halen.

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Unity and inter-band harmony was never Van Halen’s strong suit.

Roth himself left the band after the hit album 1984, to pursue a solo career, before returning to the fold in 1996 and again in 2001. The “Van Hagar” era saw Sammy Hagar in (from 1985), then out (in 1996), and in again (2003 to 2005). And, in 2007, Eddie Van Halen controversially replaced founding VH bass player Michael Anthony with his own son, Wolfgang. From 2007, Wolfgang was a fully-fledged member of the group until Eddie’s death in 2020, aged 65, at which point VH disbanded.

Those cracks couldn’t be concealed when VH was inducted into the Rock Hall class of 2007, when Hagar and Anthony, who had recently been turfed, were the only bandmates on hand to accept the honor.

If there was a bridge to mend, Roth’s rant was a wrecking ball.

Roth recounts touring tales where, in New York, Wolfgang “commandeered a couple of monkeys to go in back, behind my back, over to the side of the stage and throw out these two great dames that I invited to be my guests to the show.”

“In fact, you aren’t gonna believe this s—. This f—in’ kid, what he doesn’t know is that these two dames work for the accounting firm that represent him, not me. But as usual, he, just like his uncle and his uncle’s brother, stiffed them for tickets.”

Roth tells a similar story, this time with Los Angeles’ Hollywood Bowl as the setting, for the end of what was presumably the Rock Hall-inducted band’s final tour in 2015. As the band was about to launch into “Ice Cream Man,” at the behest of Wolfgang, he claims, another female guest of Roth, sat in the wings, was identified, made to do “the walk of shame” and ejected from the venue.

It gets worse, apparently. “Not only is this an accountant again, and not only is she carrying the pay cheques for 82 of us on the road crew, but she’s carrying cash bonuses for everybody there. You may wanna pull over on this next one; you’re gonna pee your pants. Remember New York City? It’s the same f—kin’ lady,” he continues.

It’s unclear what ticked-off Roth. Wolfgang has yet to respond.

Now aged 32, and recently married, Van Halen has long fought his own fights. “With the name or just having the parents that I have,” he told Billboard in 2021, “people assume that I’m an unmotivated person who is just comfortable in doing nothing and coasting on what has come before with what my name entails. And I’m anything but that.”

The Billboard Women in Music Awards are back! Tracee Ellis Ross will host the awards. The annual event will feature musical performances and honor women powerhouses who are shaping the music landscape. Beyoncé’s mom, Tina Knowles, sets the record straight on if she was really shading Janet Jackson online. Lovers & Friends announced the lineup for this year’s event, and it’s stacked. The trailer just dropped for Kelly Rowland’s new Netflix film ‘Mea Culpa.’ Billboard caught up with the cast and creatives of Netflix’s ‘Griselda’ on Karol G’s acting debut and Sofía Vergara’s “challenging” new role. And more!

Tetris KellyBillboard’s Women In Music 2024 is honoring some major stars, Karol G makes her acting debut alongside Sofía Vergara, Tina Knowles says “Sorry,” Kelly Rowland’s starring role and a super nostalgic festival lineup. And we learned five things about Don Omar. Happy Hump Day, I’m Tetris Kelly it’s Wednesday, January 24 and, we’re kicking off this episode of Billboard news with an exciting announcement. Women in Music is around the corner. And I’m so excited to let you know some of this year’s superstar honorees.

Alyssa CaverleyBillboard’s Women In Music is back!

Quinta BrunsonTonight, we honor the women who have been leading the way.

Alyssa CaverleyWednesday, March 6th at the YouTube theater in Los Angeles.

Sabrina CarpenterI wanted to take a moment to say what an amazing inspiring night this has been.

Lainey WilsonThis is absolutely insane. I feel so honored and blessed to be here.

Olivia RodrigoThank you, Billboard.

Alyssa Caverley Honoring Charli XCX, Ice Spice, Kylie Minogue, Luísa Sonza, Maren Morris, NewJeans, Tems, Victoria Monét and Young Miko and soon to be announced Billboard’s Women of the Year with host Tracee Ellis Ross.

Tracee Ellis RossAnd it’s about to be an epic night. Come celebrate the start of Women’s History Month with us

Alyssa Caverley General tickets on sale January 27th with Amex card members getting early access on January 24th.

Karol GThis is me and I’m happy to be here, thank you Billboard.

Kim PetrasThis is a huge honor. Thank you so so much.

Taylor SwiftI want to first thank Billboard from the bottom of my heart.

Alyssa CaverlyGo to BillboardWomenInMusic.com for all the details.

Watch the full video above!

Ice Spice’s brother might be the superstar football player but she’s set to be involved in Super Bowl Sunday in another capacity. Starry has tapped the “Munch” rapper to star in the soft drink’s Super Bowl commercial and they released a teaser of the expensive ad on Wednesday (Jan. 24). With her “Deli” instrumental thumping […]

1999 The Future’s Warren Hue laced up some skis for the first time to hit the “SLOPES” with Offset for their snowy visual.
The 88 Rising artist recruited Offset for the thumping “SLOPES” last week, and Hue took a ski lift to cruise down the mountain for a pair of woozy verses.

“I need a crib up in Soho, New Yorkie like Biggie/ I trеated ‘Chella like that sh– no biggiе/ Still got the pac, hella smoke in my city/ Hit from the back, now you texting you miss me/ B—h, I got bands and it’s stuck in my pants, woah/ Feel me? Pockets they dancin’ like Britney,” he raps with a salute to the “Toxic” singer.

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Hue gave fans a peek behind the curtain of the Mamesjao-directed video, which finds the use of a green screen allowing him to execute all kinds of flips and ski tricks without having to lift a foot.

The Indonesian rapper then passes his skis to Offset who doesn’t appear in the trippy visual but still delivers a pair of hard-hitting verses. The Migos rapper predicts his next album will top the Billboard charts and manifests an upcoming arena tour.

“Album going number one, I could taste it (Number one)/ I was born up a star, I’m an alien (Star)/ I’ma sell out arenas and the stadiums/ I got my gang and my family, I ain’t trading ’em,” he boasts.

While it remains to be seen about the prospects of his next LP, Offset is hitting the road for his first solo tour sans Migos running mates Quavo and the late Takeoff.

The Set It Off Tour will kick off in Philadelphia in March and make stops in New York City, Boston, Toronto, Detroit, Chicago, Denver, Phoenix, Los Angeles, Dallas and Houston before wrapping up in his hometown of Atlanta.

1999 Write The Future has set the stage for the collective’s debut album later this year with singles like “MiNt cHoCoLaTe” featuring BADBADNOTGOOD and Griselda’s Westside Gunn and Conway the Machine. Last week, they followed up by teaming Rick Ross a.k.a Ricky Ravioli with Rich Brian for the starry “LiGhT rAiLs.”

Watch the “SLOPES” video below.

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The Black Keys aren’t just coming to Texas for a talk.
Dan Auerbach and Patrick Carney, founding members of the six-times Grammy Award winning blues-rock outfit, are already locked-in as keynote speakers for the 2024 edition of South by Southwest. When the annual live music bonanza rolls around this March, the dynamite duo will also join the lineup of performers.

Organizers today (Jan. 24) announce the third wave round of showcasing artists for the 38th annual edition of the SXSW Music Festival, set for March 11-16 in Austin, TX.

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As previously reported, Auerbach, the band’s singer and guitarist, and Carney, the Black Keys’ drummer, will lend their support to the new documentary, This is a Film About The Black Keys, which enjoys its world premiere at the SXSW Film & TV Festival.

The Black Keys lead a list that’s predictably stacked with heavyweights and hot newcomers from around the globe.

Among the highlights are U.S. funk legend Bootsy Collins; ARIA Award-winning, chart-topping indie Sydney act Lime Cordiale; and Finland’s Eurovision Song Contest 2021 reps Blind Channel.

Other performers in the latest wave include include Angélica Garcia (El Monte, CA), The Black Keys (Akron OH), Boza (Panama), Chase Shakur (Atlanta, GA), Fabiana Palladino (London, U.K.), Flyana Boss (Los Angeles CA), and GOKUMON (UchikubiGokumonDoukoukai) (Tokyo Japan).

They following a first round that included British indie band Dry Cleaning, New York punk rockers Bodega, and Swedish alternative act Waterbaby, and a second announcement with Glasser, SPRINTS, GRÓA, Gruff Rhys, Ho99o9, Holly Macve and many others.

Founded in 1987 in Austin, TX, SXSW has grown to encompass tech, film and TV, music, education and culture. The entirety of the 2024 conference and festival will run from March 8-16.

In April 2021, it was announced that SXSW signed a “lifeline” deal with P-MRC, a joint venture between Penske Media Corporation and MRC, making P-MRC a stakeholder and long-term partner with the Austin festival. P-MRC is the parent company of Billboard.

SXSW 2024 is sponsored by Porsche, C4 Energy, Delta, and The Austin Chronicle.

Visit SXSW.com for more.

Please, please, please stop. Johnny Marr, the iconic guitarist with British ‘80s indie icons the Smiths, has called out Donald Trump’s campaign for using the band’s “Please, Please, Please, Let Me Get What I Want” during rallies.

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Marr and frontman Morrisey co-wrote the melancholy number, which originally appeared as the b-side of the 1984 single “William, It Was Really Nothing,” and was later included in compilations Hatful of Hollow and Louder Than Bombs.

The song, however, should never be included in Trump rallies, Marr insists.

“Ahh…right…OK,” he writes on social media, responding to video confirmation captured at a Trump rally last year in South Dakota. “I never in a million years would’ve thought this could come to pass. Consider this s— shut right down right now.”

Ahh…right…OK. I never in a million years would’ve thought this could come to pass. Consider this shit shut right down right now. https://t.co/M6eYROedOy— Johnny Marr (@Johnny_Marr) January 23, 2024

Others posters on X (formerly Twitter) claim that the Smiths’ music has been used to warm-up crowds at multiple Trump rallies recently, including at his event in Laconia, New Hampshire on Monday (Jan. 22).

Across his political career, Trump has fallen foul with a growing list of recording artists. The Rolling Stones, Phil Collins, Linkin Park, John Fogerty, Neil Young, R.E.M., Rihanna, Pharrell, Guns N’ Roses, Steven Tyler and the estates of Leonard Cohen and Tom Petty are among the many artists who’ve issued cease and desist letters to Trump and the former president’s team for using their works at rallies and for campaigns without consent.

The Smiths released just four albums from 1984 until their acrimonious split in 1987: The Smiths (1984), Meat Is Murder (1985), The Queen Is Dead (1986) and Strangeways, Here We Come (1987). Each is considered a classic.

Marr, with his jangly guitar style that influenced a generation of indie artists, has been busy ever since, as bandleader with Johnny Marr and the Healers, working with Neil Finn, the Cribs, Modest Mouse and other creative projects. He belatedly launched his solo career in 2013 with The Messenger, the first of his five successive top 10 appearances on the Official U.K. Albums Chart.

The Kid LAROI’s next release is direct from the heart.
Spreading its wings this Friday (Jan. 26), “Heaven” is a ballad that studies the Kid’s graduation into a man, and some of the painful experiences along the way. “This one’s super personal for a lot of different reasons,” he writes in a social post. “It’s about evolving and leaving the past behind. Changing the way you once thought and perceived the world. Growing up!”

LAROI’s post is accompanied with an image of the youngster, bags packed in an urban winter wonderland.

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Aged just 20, the Gadigal-born artist with Kamilaroi roots has had more highs — and lows — than many of us experience in a lifetime.

Raised in inner-city Sydney, now based in Los Angeles, LAROI (real name Charlton Howard) has led the singles and albums charts in the United States and Australia, logged a record-setting stay at the top tier of the Billboard Hot 100 with “Stay,” his collaboration with Justin Bieber, and accumulated a towering collection of awards.

Among them, ARIA Awards, APRA Music Awards, NIMAs, and, in 2022, the singer and rapper landed a brace of Grammy Award nominations, for best new artist and album of the year.

Those painful experience he writes of include the death of his good friend and collaborator Juice WRLD. During his teens, LAROI endured the trauma of watching Juice die after suffering a seizure at Midway Airport in Chicago, a moment the Aussie recounted for Tommy Oliver’s documentary Juice WRLD: Into the Abyss.

“I don’t wanna ramble too much about it,” LAROI continues in his post announcing “Heaven,” because “it’s better if you just listen lmao but I wanna remind you that it’s never too late to be who you want to be and whatever you may be going through or feeling won’t last forever.. trust me!

The new single arrives some two-and-a-half months after the release of The First Time, his debut studio album, which bowed at No. 3 in his homeland, and cracked the top 40 in the U.S. and U.K.

“Heaven” appears on the deluxe release of The First Time, and was first teased almost a year ago. On it, he sings: “‘Cause I was reckless, drinking every night/ And gettin’ high, nothin’ there behind my eyes/ I was numb inside, and I can’t believe that I even stayed alive ’til you walked up in my life.”

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The Kid has several records under his belt. As his mixtape F–k Love (Savage) hit No. 1 on the ARIA Albums Chart in 2021, LAROI made history as the youngest Australian solo artist to rule the national survey — at 17 years, 5 months and 22 days.

More prizes await. When he tours Australia this October in support of The First Time, LAROI will play stadiums, a feat that will see him join the likes of homegrown stars AC/DC, Sia and Rüfüs Du Sol.