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Benson Boone’s bounce-back is in full effect, as “Beautiful Things” leads the U.K. chart race.
Following the release last Friday (April 5) of his debut full-length album Fireworks & Rollerblades (via Warner Records), Boone’s global hit “Beautiful Things” rebounds 3-1 on the midweek U.K. chart and is closing in on its third non-consecutive week at the summit.
There’s not much in it. Based on early sales and streaming data published by the Official Charts Company, “Beautiful Things” holds a lead over its closest rivals of fewer than 1,000 chart units.
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That competition includes Hozier’s “Too Sweet” (Island), which flies 9-2 on the Official Chart Update. If it holds its course, “Too Sweet” would give the Irish singer and songwriter his equal career best chart position, drawing level with his signature song “Take Me to the Church,” which peaked at No. 2 in 2013.
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Beyoncé bagged the chart double last week, though she’s set to lose both crowns. “Texas Hold ‘Em” drops 1-3 on the midweek singles tally, and Cowboy Carter (via Columbia/Parkwood Ent) looks likely to be bumped from the albums chart, with the Libertines’ latest, All Quiet On The Eastern Esplanade, all set for the title.
Meanwhile, Artemas’s “i like the way you kiss me” (Parlophone) cracked the top 10 for the first time last week. The British producer and artist’s viral track continues to climb, lifting 7-5 on the midweek singles survey.
Country came to the U.K. charts in a big way last week, thanks to Bey and her Cowboy Carter LP, which landed three singles in the top 10, including the leader with “Texas Hold ‘Em”. There’s another U.S. country song heading towards the top 10, Dasha’s “Austin” (Warner Records). It’s up 15-8 on the midweek tally, for what would be a new peak position.
The top new debut should belong to J. Cole with “H.Y.B.” featuring Bas and Central Cee. Lifted from Cole’s surprise-release mixtape Might Delete Later (Interscope), it’s predicted to arrive at No. 24 on the chart. Might Delete Later also houses the Kendrick Lamar diss track “7 Minute Drill,” which Cole has subsequently expressed regret for. “7 Minute Drill” is expected to bow at No. 28, while “Crocodile Tearz” could drop in at No. 36. If all three tracks holds their ground, Cole’s career tally of U.K. top 40 hits will lift to 14.
All will be revealed when the Official U.K. Singles Chart is published late Friday, April 12.
The Libertines are on target for the U.K. albums chart title, their first in 20 years.
Based on midweek sales and streaming data tallied by the Official Charts Company, the critically adored indie-rock outfit takes the lead with All Quiet On The Eastern Esplanade (via EMI), their fourth studio album.
The British act, comprising Carl Barât, Pete Doherty, John Hassall and Gary Powell, opened their chart account with their celebrated 2002 debut Up The Bracket (peaking at No. 35), then, following a tide of glowing features in the music press, hit No. 1 with their eponymously-titled sophomore album from 2004. Their 2015 comeback album, Anthems For Doomed Youth, also cracked the top 10, peaking at No. 3.
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All Quiet On The Eastern Esplanade leads an all-new top 4 on the chart blast.
Coming in at No. 2 on the midweek tally is British band The K’s debut LP I Wonder If The World Knows? (LAB), while U.S. singer and songwriter Conan Gray is predicted to complete the podium with Found Heaven (Island), which features production from Swedish maestro Max Martin. It’s new at No. 3 on the Official Chart Update.
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Meanwhile, British indie rock veterans Feeder is targeting an 11th top 10 appearance with Black/Red (Big Teeth), new at No. 4 on the chart blast, while U.S. blues-rockers the Black Keys’ could snag a sixth U.K. top 10 with their 12th record Ohio Players (Nonesuch), new at No. 6 on the chart blast.
J. Cole has been in the headlines of late. The U.S. rapper and songwriter surprise-dropped Might Delete Later (Interscope) last week, which included a Kendrick Lamar diss track, “7 Minute Drill,” a track he promptly apologized for. Might Delete Later might start at No. 7, based on midweek data, and should collect a third top 10 for Cole following 2018’s KOD (No. 2) and 2021’s The Off-Season (No. 2).
Finally, a string of recording are poised for top 40 berths. Among them, releases from Khruangbin (A LA SALA at No. 8 via Dead Oceans), Vampire Weekend (Only God Was Above Us at No. 9 via Columbia), Bob Vylan (Humble As The Sun at No. 11), Benson Boone (Fireworks & Rollerblades at No. 16 via Warner Records), Hawkwind (Stories From Time And Space at No. 20 via Cherry Red), Palace (Ultrasound at No. 22 via Fiction), Bryson Tiller (Bryson Tiller at No. 28 via Relentless), and Cock Sparrer (Hand On Heart at No. 33 via Cherry Red).
All will be revealed when the Official U.K. Albums Chart is published late Friday, April 12.
Beyoncé scores the U.K. chart double with Cowboy Carter and “Texas Hold ‘Em,” and, in doing so, carves out a slice of history.
According to the Official Charts Company, Bey becomes the first Black artist to snag a No. 1 on the Official U.K. Albums Chart with a country record, and the first artist to simultaneously top both the U.K.’s singles and albums charts with country repertoire.
The result was never in any doubt. Cowboy Carter (via Columbia/Parkwood Entertainment) debuts at No. 1 on the tally, published Friday, April 5, having dominated the midweek chart, when it outsold the rest of the top 5 combined.
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By week’s end, Cowboy Carter, Bey’s eight solo album, blew away the competition with 40,000 chart units, while “Texas Hold ‘Em” rebounds to the top of the Official U.K. Singles Chart for a fifth non-consecutive week.
That’s her second chart double, and first in over 20 years. The last was back in 2003 when she simultaneously led the national charts with Dangerously In Love and “Crazy In Love” featuring Jay-Z.
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Beyoncé isn’t the first female artist to land a country album at the top in the U.K., a territory not known to share a deep affection for the genre. Shania Twain was the trailblazer, when Come On Over topped the Official Albums Chart in September 1999.
Cowboy Carter is Bey’s fifth solo leader in the U.K., following Dangerously In Love (from 2003), 4 (2011), Lemonade (2016) and Renaissance (2022). As a member of Destiny’s Child, alongside Kelly Rowland and Michelle Williams, Beyoncé owns another No. 1 with 2001’s Survivor.
Meanwhile, Olivia Rodrigo’s former leader Guts (Geffen) lifts 3-2 following the release of deluxe “Spilled” edition, which features four tracks previously unavailable digitally, and a new number.
Oxford shoegaze favorites Ride cruise to a fourth career U.K. 10 with Interplay (Wichita Recordings), new at No. 8). Interplay joins 1992’s Going Blank Again (No. 5), 1994’s Carnival Of Light (No. 5) and 2019’s This Is Not A Safe Place (No. 7) in their tally of top tier efforts.
Also cracking the top 40 on debut is Sum 41’s eighth and final studio album, Heaven x Hell (Rise Records), at No. 26; and BTS bandmate j-hope‘s Hope On The Street Vol.1 (BigHit Entertainment) at No. 38.
Beyoncé lassos the chart title in Australia as Cowboy Carter debuts at No. 1.
Cowboy Carter (via Columbia/Sony) gives Bey her fourth leader on the ARIA Chart, following Beyoncé in 2013, Lemonade in 2016 and Renaissance in 2022.
According to ARIA, it’s the first country album by a woman to land at No. 1 (excluding the new versions of Taylor Swift’s country LPs) since 2017, when homegrown artist Kasey Chambers logged one week at the summit top with Dragonfly (in January) and Shania Twain’s Now spent one week at the top (in October).
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Powered by Cowboy Carter, Beyoncé’s global hit “Texas Hold ‘Em” rebounds 7-2 on the ARIA Singles Chart, its equal peak position on 2. Album cut “II Most Wanted” with Miley Cyrus is the highest debut on the singles tally this week at No. 16, and Bey’s reinterpretation of the Dolly Parton standard “Jolene” arrives at No. 24. Parton’s original peaked at No. 99 in these parts back in 1974, ARIA reports, while Olivia Newton-John’s rendition reached No. 29 two years later, in 1976.
Beyoncé’s latest LP leads a top four on the ARIA Chart, published Friday, April 5, that’s dominated by U.S. solo female artists: Ariana Grande’s Eternal Sunshine and Taylor Swift’s 1989 (Taylor’s Version) and Lover, respectively (all through Universal).
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Further down the list, Australian duo the Pierce Brothers arrives No. 14 with their third studio album, Everything Is Bigger Than Me (Ditto Music). It’s the Melbourne act’s sixth appearance on the ARIA Chart, including top 10s with 2015’s Into The Dirt (No. 10) and 2017’s The Records Were Ours (No. 9). Everything Is Bigger Than Me is the only Australian recording in the ARIA Top 40; the next-up LP from the land Down Under is the soundtrack to Ego: The Michael Gudinski Story (at No. 46 via Bloodlines/UMA), the documentary on the life and career of the late Mushroom Group founder, which next week premieres on Australian network TV.
Meanwhile, BTS star J-Hope (real name: Jung Ho-seok) nudges the chart at No. 62 with the EP Hope On The Street Vol. 1. J-Hope hit No. 13 in 2018 with Hope World and No. 27 in 2022 with Jack In The Box.
Over on the ARIA Singles Chart, Benson Boone’s “Beautiful Things” (Warner Records) logs a fifth week at No. 1, ahead of Bey’s “Texas Hold ‘Em” and Djo’s “End Of Beginning” (AWAL), respectively.
A U.K. chart double beckons for Beyoncé, as Cowboy Carter and its hit single “Texas Hold ‘Em” set the pace in the race to No. 1.
As previously reported, Cowboy Carter (via Columbia/Parkwood Entertainment) is strides ahead of the competition at the midweek point. According to the Official Charts Company, Bey’s country-themed collection is currently outselling the rest of the top 5 combined.
With Cowboy Carter bolting out the gate, “Texas Hold ‘Em” lifts 2-1 on the midweek chart, and is predicted to log a fifth non-consecutive week at the summit.
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Two more cuts from Bey’s new LP are set to crash the top 10, “Jolene” (at No. 5) and “II Most Wanted” with Miley Cyrus (No. 8). If both tracks hold their course, Beyonce’s career tally of U.K. top 10 hits will lift to 24.
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Meanwhile, Benson Boone’s two-week reign with “Beautiful Things” (Warner Records) is expected to end at the hands of Bey, down 2-1 on the midweek tally. The Washington-raised singer and songwriter is on the verge of a third U.K. top 40 appearance, however, with “Slow It Down” up 49-26 on the midweek chart (Boone’s 2022 single “In The Stars” reached No. 21).
Closing out the top three on the midweek tally is Teddy Swims’ “Lose Control” (Atlantic), expected to maintain control of No. 3.
British-Cypriot DJ and producer Artemas is on the brink of his first U.K. top 10 with “i like the way you kiss mem” (Parlophone), up 13-7 on the chart blast.
Further down the midweek survey, Irish DJ duo NewEra takes flight with “Birds In The Sky” (Warner Records), up 21-19 for a potential new peak position, while Jungle’s soulful throwback number “Back on 74” (Caiola) is eying a new peak position, up 47-23 peak following a viral uplift.
Several singles are on the way up, including The Blessed Madonna & Clementine Douglas’ “Happier” (up 39-25 via FFRR); and U.S. indie-pop singer, songwriter, producer and TikTok creator Mark Ambor, who is predicted to bag his first U.K. top 40 entry with “Belong Together” (Hundred Days), up 66-29 on the midweek tally.
All will be revealed when the Official U.K. Singles Chart is published late Friday, April 5.
Beyoncé’s Cowboy Carter won’t be caught in the U.K. chart race.
Based on midweek sales and streaming data published by the Official Charts Company, Cowboy Carter (via Columbia/Parkwood Entertainment) is outselling rest of top 5 combined.
The U.S. superstar’s eighth studio LP, Cowboy Carter is all set to become Bey’s fifth solo leader in the U.K., following Dangerously In Love (from 2003), 4 (2011), Lemonade (2016) and Renaissance (2022). As a member of Destiny’s Child, alongside Kelly Rowland and Michelle Williams, Beyoncé owns another No. 1 with 2001’s Survivor.
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Queen Bey could lasso a chart double, as Cowboy Carter cut “Texas Hold ‘Em” eyes a return to No. 1 on the Official U.K. Singles Chart, for what would be a fifth non-consecutive week at the top.
British shoegaze champions Ride could nab a career-best chart position with Interplay (Wichita Recordings), their seventh studio set. Interplay bows at No. 2 on the Official Chart Update, and should become the band’s fourth top 10 entry, alongside 1992’s Going Blank Again and 1994’s Carnival Of Light, both of which peaked at No. 5; and 2019’s This Is Not A Safe Place (No. 7).
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Olivia Rodrigo’s Guts (Geffen) should grab the glory with a top three finish, thanks to the release of the deluxe “Spilled” edition. The one-time U.K. chart champion, Guts lifts 4-3 on the chart blast.
Canadian punk-rock outfit Sum 41 is eyeing a top 10 debut with Heaven :x: Hell (Rise Records), their eighth and final studio album. It’s predicted to start at No. 10, for Sum 41’s second top tier effort and highest charting record since their 2001 debut All Killer, No Filler hit No. 7.
Finally, new releases from While She Sleeps (Self Help at No. 18 via Spinefarm), BTS’s J-Hope (Hope On The Street Vol.1 at No. 20 via BigHit Entertainment) and Sheryl Crow (Evolution at No. 30 via Big Machine) are heading for top 40 berths.
All will be revealed when the Official U.K. Albums Chart is published this Friday, April 5.
Elbow pushes its way to the top of the U.K albums chart with Audio Vertigo (via Polydor).
The Bury band blasts to No. 1 on debut with Audio Vertigo, their 10th studio album and the market’s best-seller on wax.
The leader at the midweek stage, Audio Vertigo is Elbow’s fourth leader on the all-genres survey – joining previous No. 1s The Take Off And Landing Of Everything (from 2014), Little Fictions (2017) and Giants Of All Sizes (2019).
The veteran British alternative rock act beats Future and Metro Boomin‘s first collaborative album We Don’t Trust You (Epic/Freebandz), new at No. 2. That effort matches Future’s previous chart peak, set with 2022’s I Never Liked You; and gives Metro Boomin a new career best, eclipsing the No. 3 peak for 2022’s Heroes & Villains. Three tracks from We Don’t Trust You crack the top 40 on the national singles survey, led by “Like That” at No. 6.
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Completing the podium on the latest Official U.K. Albums Chart, published Friday, March 29, is Olivia Rodrigo’s former leader GUTS (Geffen), which rebounds 15-3 following the release of the deluxe “Spilled” edition. The reissue includes one brand-new track, “So American,” which debuts in the U.K. top 40, at No. 24; plus a further four songs previously available across vinyl releases, including the track “Obsessed,” new at No. 10 on the singles tally.
Scottish alternative rock favorites The Jesus and Mary Chain bag their highest-charting album in 37 years this week with Glasgow Eyes (Fuzz Club), new at No. 7 on the Official Albums Chart. It’s the band’s third U.K. top 10 after 1987’s Darklands (No. 5) and 1988’s Barbed Wire Kisses (No. 9).
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Johannesburg, South Africa breakout star Tyla ties up her first U.K. top 20 album with her eponymously titled debut. Tyla (Since 93/RCA) starts at No. 19. The Billboard cover star won the 2024 Grammy Award for best African music performance, for her amapiano hit “Water.”
British indie rock act Starsailor glides into the chart with Where The Wild Things Grow (Starsailor), their first full-length release in seven years. It’s new at No. 25 for the Warrington, England formed band’s and sixth U.K. top 40.
Finally, new releases from FLETCHER (In Search Of The Antidote at No. 26 via Capitol), The Staves (All Now at No. 32 via Communion) and Big Thief band member Adrianne Lenker (Bright Future at No. 35 via 4AD) and Waxahatchee (Tigers Blood at No. 38 via Anti) enter the top 40 on debut.
Taylor Swift and K-pop set the benchmark for global album sales in 2023, new data published by the IFPI reveals.
Following the release last week of its Global Music Report 2023, the IFPI published three year-end albums charts, breaking down the biggest titles by sales and formats (vinyl and streaming).
The K-pop phenomenon continues to power ahead, proof of which can be seen on the IFPI Global Album Sales Chart 2023. SEVENTEEN’s FML leads an all-K-pop top five on the tally, which measures global unit sales – or “pure sales” – across all physical formats, as well as full album downloads.
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Following its release in 2023, FML landed at No. 1 in South Korea and Japan, debuted at No. 2 on the Billboard 200 and went on to sell 6.4 million units globally, sending the title to No. 1 on the previously-announced IFPI Global Album Chart. FML also smashed the record for most pre-orders ever for an album in South Korea, according to the Federation.
An “unprecedented” 19 of the top 20 titles on the IFPI Global Album Sales Chart were created by South Korean acts, demonstrating the K-pop genre’s “global dominance of the physical album format,” reads a statement from the IFPI, issued Thursday, March 28.
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The one only non-Korean act to crack the top 20 (at No. 6) was reigning, four-time IFPI global recording artist of the year Taylor Swift, whose album 1989 (Taylor’s Version) also topped the IFPI Global Vinyl Album Chart. Indeed, 1989 (Taylor’s Version) leads an all-TayTay top 3 on the wax tally, ahead of Speak Now (Taylor’s Version) and Midnights, respectively. Swift snags seven of the top 20, including folklore (at No. 7), Lover (No. 9), evermore (No. 13) and Red (Taylor’s Version) (No. 15).
U.S. country star Morgan Wallen lassos his first IFPI Global Chart No. 1 with One Thing at a Time, his Billboard 200 leader. The 36-track double LP tops the IFPI Global Streaming Album Chart, which counts global streams from both ad-supported and subscription platforms. The streaming list calculates a weighted global unit number taking into account differing economics across regions. Wallen also appears at No. 9 with Dangerous: The Double Album, released in 2021.
“As highlighted in IFPI’s Global Music Report,” comments Lewis Morrison, director of global charts & certifications at IFPI, revenues from both digital and physical music formats continue to see healthy growth, and the combination of fantastic artistry, format variety and the tireless work of record labels is the foundation on which this growth is built.
The charts, he continues, “are a great summary of a fantastic year for global recorded music.”
IFPI Global Album Sales Chart 2023
PositionArtistAlbumUnits1SEVENTEENFML6.4m2Stray Kids5-STAR5.3m3NCT DREAMISTJ4.6m4SEVENTEENSEVENTEENTH HEAVEN4.5m5Stray KidsROCK-STAR4.2m6Taylor Swift1989 (Taylor’s Version)2.8m7Jung KookGOLDEN2.7m8EXOEXIST2.3m9IVEI’ve MINE2.2m10VLayover2.2m11ZEROBASEONEYOUTH IN THE SHADE2.2m12aespaMY WORLD2.1m13TOMORROW X TOGETHERThe Name Chapter : FREEFALL2.0m14(G)I-DLEI feel2.0m15NCT 127Fact Check1.9m16ENHYPENDARK BLOOD1.7m17IVEI’ve IVE1.7m18JiminFACE1.7m19ENHYPENORANGE BLOOD1.7m20aespaDrama1.5m
IFPI Global Vinyl Album Chart 2023
PositionArtistAlbumUnits1Taylor Swift1989 (Taylor’s Version)1,400k2Taylor SwiftSpeak Now (Taylor’s Version)684k3Taylor SwiftMidnights562k4Travis ScottUTOPIA415k5Pink FloydThe Dark Side of The Moon402k6Olivia RodrigoGUTS398k7Taylor Swiftfolklore377k8Lana Del ReyDid you know that…352k9Taylor SwiftLover323k10Fleetwood MacRumours323k11The Rolling StonesHackney Diamonds305k12Lana Del ReyBorn To Die256k13Taylor Swiftevermore237k14QueenGreatest Hits227k15Taylor SwiftRed (Taylor’s Version)225k16Tyler, The CreatorIGOR218k17Michael JacksonThriller217k18Metallica72 Seasons206k19Harry StylesHarry’s House204k20boygeniusthe record200k
IFPI Global Streaming Album Chart 2023
PositionArtistAlbum1Morgan WallenOne Thing At A Time2SZASOS3Taylor SwiftMidnights4Bad BunnyUn Verano Sin Ti5Metro BoominHEROES & VILLAINS6Taylor SwiftLover7The WeekndStarboy8KAROL GMañana Será Bonito9Morgan WallenDangerous: The Double Album10Taylor Swift198911Miley CyrusEndless Summer Vacation12Travis ScottUTOPIA13Harry StylesHarry’s House14Taylor Swiftfolklore15Drake & 21 SavageHer Loss16DrakeFor All The Dogs17The WeekndAfter Hours18Taylor Swiftreputation19Zach BryanAmerican Heartbreak20Olivia RodrigoSOUR
Elbow turns up the volume with Audio Vertigo, the leader on the midweek U.K. chart.
Audio Vertigo is the Bury, England band’s 10th studio album. And if it holds its position, the collection will give Guy Garvey and Co. their fourth U.K. leader after 2014’s The Take Off And Landing Of Everything, 2017’s Little Fictions and 2019’s Giants Of All Sizes.
Based on sales and streaming data captured at the midweek point, the British alternative rock outfit holds off Future and Metro Boomin’s collaborative collection, We Don’t Trust You. It’s at No. 2 on the midweek chart, and should become Future’s fourth and Metro Boomin’s third U.K. top 10 album. Three tracks from it are aiming for top 20 debuts on the national singles survey.
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Veteran Scottish alt-rock act the Jesus and Mary Chain could snag a career-best with Glasgow Eyes. It’s forecast to complete an all-new top 3, at No. 3, for the group’s third top 10 title.
Following the release of a deluxe edition, Olivia Rodrigo’s former leader GUTS should spill into the top 10 once again. It’s up 15-4 on the chart blast. The LP, which originally logged a single week at No. 1 in 2023, should yield the week’s highest new Official Singles Chart entry, with “Obsessed” predicted to bow at No. 6. The “Spilled” version of GUTS includes five more songs, including a new cut, “So American”; the other four songs were the “secret” tracks that appeared on a variety of GUTS vinyl releases: “Obsessed,” “Scared of My Guitar,” “Stranger” and “Girl I’ve Always Been”.
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Finally, new titles from Starsailor (Where The Wild Things Grow), Fletcher (In Search Of The Antidote) and The Staves (All Now) are cruising for top 10 berths, while LPs from Waxahatchee (Tigers Blood at No. 12), a project led by Alabama-born singer-songwriter Katie Crutchfield, and Gossip (Real Power at No. 18) could bag top 20 debuts.
All will be revealed when the Official Charts are published late Friday, March 29.
Another beautiful week is unfolding for Benson Boone in the U.K., where his global hit “Beautiful Things” (via Warner Records) is on track for a second week at No. 1.
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The Washington-born singer-songwriter’s breakthrough song has led both of Billboard’s Global singles tallies and, for the first time, lifted to No. 1 in the U.K. last week.
Based on early sales and streaming data published by the Official Charts Company, “Beautiful Things” should nail another cycle at the top in the U.K.
Thanks to the release of the deluxe GUTS (spilled) edition, Olivia Rodrigo should bag the highest new entry with “Obsessed.” It’s new at No. 6 on the chart blast, and should give the U.S. pop phenomenon her 12th U.K. top 10 single.
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Rodrigo has set several U.K. chart records in her young career. When her debut album SOUR hit No. 1 on the U.K.’s Official Chart in May 2021 in the same week her single “Good 4 U” led the national singles survey, she became, at 18 years and 3 months, the youngest solo artist to snag the U.K. chart double.
Along the way, SOUR set the U.K. mark record for the most first-week streams for a debut album, and, in June 2021, Rodrigo became the first female solo artist to land three simultaneous U.K. top 5 singles: “Good 4 U,” “Déjà vu” and “Traitor.” SOUR logged five total weeks at No. 1, and GUTS completed one week at the top.
Meanwhile, Future and Metro Boomin’s collaborative LP We Don’t Trust You should drop the maximum three tracks into the U.K. singles chart, all impacting the top 20. Based on early predictions, “Like That” is poised to enter at No. 7, “Type Shit” could start at No. 11 and the title track could bow at No. 14.
Finally, Irish singer-songwriter Hozier is targeting a No. 16 with his new song, “Too Sweet.” It’s on target for a No. 16 start.
All will be revealed when the Official Charts are published late Friday, March 29.
