State Champ Radio bbcharts
Page: 8
Noah Kahan hits the U.K. chart for six as “Stick Season” (via Republic Records) extends its reign.
The Vermont, U.S. singer and songwriter’s breakthrough folky number racks-up a market leading 8.3 million streams, the Official Charts Company reports, as it collects a sixth straight week at No. 1.
That’s the longest consecutive streak atop the Official U.K. Singles Chart since Dave & Central Cee’s “Sprinter” ran through the pack in the summer of 2023.
Explore
See latest videos, charts and news
See latest videos, charts and news
“Stick Season” leads an unchanged top three, ahead of Sophie Ellis-Bextor’s “Murder on the Dancefloor” (Polydor) and Teddy Swims’ “Lose Control” (Atlantic), respectively.
There’s change, however, for Benson Boone’s “Beautiful Things”(Warner Records) which vaults 11-5, for the U.S. artist’s first career appearance in the U.K. top 10.
Another artist on the rise is YG Marley, grandson of the late, great Bob Marley, and son of Ms. Lauryn Hill, whose independently-released “Praise Jah In The Moonlight” improves 20-9. That’s Marley’s first-ever U.K. top 10 appearance.
Ella Henderson and Rudimental’s “Alibi” (Atlantic) has a new high point, lifting 24-16 in its fourth week. “Alibi” samples the late Coolio’s 1995 hit “Gangsta’s Paradise,” which logged two weeks at No. 1 and finished the year as the U.K.’s second biggest-selling single.
It’s a great week for The Last Dinner Party, the critically-lauded London band, whose debut LP Prelude to Ecstasy (via Island) blasts to No. 1 on the Official U.K. Albums Chart. The lead single from it, “Nothing Matters,” lifts 22-19 on the Official U.K. Singles Chart, published Friday, Feb. 9, for the five-piece band’s first U.K. top 20 appearance.
Also on the rise is Justin Timberlake’s “Selfish” (up 37-29 via RCA) and Michael Marcagi’s TikTok-powered “Scared To Start” (Warner Records), up 38-31 – a new career high for the singer-songwriter and Cincinnati native.
Finally, it’s a good week for Good Neighbours, the English indie-rock duo of Oli Fox and South London-based Scott Verrill, whose debut single “Home” (Some Action) cracks the top 40 for the first time. “Home” runs 81-40.
The Last Dinner Party feasts on the U.K. chart as Prelude to Ecstasy (via Island) blasts to No. 1.
The outright leader at the midweek point, Prelude to Ecstasy clocks 32,800 chart units in its first week, the Official Charts Company reports.
That’s the biggest opening week for a debut album by a band since 2015, when electronic pop act Years & Years accumulated 55,000 with their debut, Communion.
Also, according to the OCC, the Last Dinner Party’s first-week result includes more than 14,000 vinyl copies, for the fastest-selling debut album by a group on vinyl of the century, and the highest sales week for a vinyl album since Oasis’ The Masterplan remaster dropped last November.
Explore
See latest videos, charts and news
See latest videos, charts and news
Based in London, the indie-rock five-piece (Abigail Morris, Lizzie Mayland, Emily Roberts, Georgia Davies and Aurora Nishevci) has some serious hype behind it.
The group snagged this year’s BRITs Rising Star Award and the BBC Sound Of 2024 poll, a brace that assures the Last Dinner Party status as the next big thing in music.
Prelude to Ecstasy features “Nothing Matters,” their breakthrough debut single which charted on the Billboard Hot 100 and the Official U.K. Singles Chart.
Also new to the Official U.K. Albums Chart, published Friday, Feb. 9, is Jamie Webster’s 10 For The People (Modern Sky), at No. 2. With that effort, the Liverpool, England singer and songwriter boasts a new career high, outdoing 2022’s Moments, which peaked at No. 3.
Glasgow, Scotland singer and songwriter Dylan John Thomas enjoys a top 40 debut with his self-titled debut album (via Ignition), new at No. 21, while Britpop-era psychedelic rock act Kula Shaker nabs a fourth U.K. top 40 whose latest release Natural Magick (Strange Folk), new at No. 22.
Finally, Taylor Swift fever spreads on the U.K. chart following the announcement of The Tortured Poets Department, her forthcoming 11th studio album. Several of Swift’s recordings spike on the tally, including 1989 (Taylor’s Version) (up 8-5), Midnights (up 15-6), Folklore (up 18-10), Lover (up 17-13), reputation (up 20-14), and Evermore (up 51-40), all through EMI. Announced during the 2024 Grammys broadcast, The Tortured Poets Department is due out April 19.
It has been more than a year since SZA’s SOS was released on Dec. 9, 2022, but the album continues to mine new records on the Billboard charts. Now, the album’s hit single “Snooze” earns an unprecedented 30th week at No. 1 on the R&B/Hip-Hop Airplay chart, the most by any song in the list’s 31-year history.
“Snooze” scores its record-breaking moment on the chart dated Feb. 17 through a 2% increase to 22 million in audience for the tracking week of Feb. 2 – 8, according to Luminate. With its 30th week atop R&B/Hip-Hop Airplay, the song breaks from a tie with Chris Brown and Young Thug’s “Go Crazy” to solely claim first place in the archives. “Go Crazy” dominated for 29 weeks in 2020-21.
As “Snooze” shuffles the leaderboard, here’s a recap of the songs with the most weeks at No. 1 on R&B/Hip-Hop Airplay, which launched in 1993.
Weeks at No. 1, Song Title, Artist, Date Reached No. 130, “Snooze,” SZA, July 1, 202329, “Go Crazy,” Chris Brown & Young Thug, Aug. 22, 202027, “No Guidance,” Chris Brown featuring Drake, Aug. 24, 201927, “Essence,” Wizkid featuring Justin Bieber & Tems, Sept. 4, 202123, “Adorn,” Miguel, Sept. 22, 201222, “Free Mind,” Tems, Nov. 12, 202218, “Leave the Door Open,” Silk Sonic, April 24, 202116, “Boo’d Up,” Ella Mai, June 23, 201815, “Be Without You,” Mary J. Blige, Jan. 7, 200615, “Hotline Bling,” Drake, Oct. 24, 2015
[embedded content]
Notably, the top six tunes on the list above belong to RCA Records. The label has particularly shored up its ranks in recent years; “Snooze” marks the third time in the last four years that the record for most weeks at No. 1 has changed hands, though it has remained within the RCA family. After Miguel’s “Adorn” set a then-record 23 weeks atop the radio ranking in April 2013, it held until Brown’s “No Guidance,” featuring Drake, took the title in February 2020, before its own displacement, to “Go Crazy,” in April 2021.
As with most of the preceding titleholders, “Snooze” achieved the record through its cross-format strength at both mainstream R&B/hip-hop and adult R&B stations, whose combined audience totals are what makes up the R&B/Hip-Hop Airplay chart . The single began a four-week, nonconsecutive run at No. 1 on Mainstream R&B/Hip-Hop Airplay in July 2023 and has remained in the top five each week. At the same time, “Snooze” has been steadily climbing Adult R&B Airplay and is nearing the top slots, climbing 6-5 on the newest chart.
The R&B/Hip-Hop Airplay record furthers a major week for “Snooze,” following its Grammy Award win for best R&B song on Sunday (Feb. 4). The trophy was one of SZA’s three victories, with best pop duo/group performance for her “Ghost in the Machine,” collaboration with Phoebe Bridges and best progressive R&B album for SOS.
Taylor Swift blocks-out the entire top 5 on Australia’s albums chart, as Swifties fire-up her catalog just days out from the start of her tour Down Under.
The U.S. pop superstar leads the ARIA Chart, published Friday, Feb. 9, with 1989 (Taylor’s Version) (via Universal), which clocks its 14th non-consecutive week at No. 1, tying with Midnights as her longest-running leader.
Explore
See latest videos, charts and news
See latest videos, charts and news
It’s all TayTay from there, as Midnights (Universal) holds at No. 2, Lover (Universal) lifts 8-3, Reputation (Big Machine/Universal) holds at No. 4, and Folklore (Republic/Universal) fires 8-5.
It’s not the first Swift Sweep of the ARIA Chart. The “Wildest Dreams” singer completed what was then an unprecedented lock-up of the top 5 last July, led by Midnights, followed by Lover, 1989, Reputation, and Folklore, respectively.
On that occasion, Swift-mania was triggered by the general ticket on sale for her The Eras Tour of Australia in 2024, produced by Frontier Touring.
The time has come. Swift will play her hits across seven concerts at the Melbourne Cricket Ground and Sydney’s Accord Stadium, starting from next Friday (Feb. 16) at the MCG.
No other artist has come close to commanding the ARIA top 5. The late Michael Jackson was the standard-bearer before Swift, once landing the top three albums on the chart a week following his death in 2009.
The top new release on the latest ARIA Albums Chart is Prelude To Ecstasy (Island/Universal), the debut LP from the critically-lauded British group The Last Dinner Party. It’s new at No. 35.
Prelude To Ecstasy zoomed ahead on the midweek U.K. chart, and should give the London five-piece group a No. 1 there, adding to their growing collection of trophies which includes the BRITS Rising Star Award and the BBC Sound of… 2024 poll.
Over on the ARIA Singles Chart, Noah Kahan sticks a second week at No. 1 with “Stick Season” (Universal), ahead of Jack Harlow’s former leader “Lovin On Me” (Atlantic/Warner), holding at No. 2.
U.S. viral star Benson Boone has a new career high with “Beautiful Things” (Warner), which improves 9-3. Until “Beautiful Things,” his ARIA Chart best was No. 34 for 2022’s “Into The Stars.”
Finally, Dom Dolla marches into the top 10 for the first time with “Saving Up” (Sony). A standout on the triple j Hottest 100 poll, where it dropped in at No. 3, “Saving Up” lifts 11-10 on the ARIA Chart.
“Saving Up” is one of 11 homegrown recordings in the top 100, ARIA reports, including cuts by Royel Otis, Troye Sivan, Vance Joy, Ocean Alley, FISHER with Kita Alexander and Flume with Kai.
Even among the many riches of the 1990s R&B boom – ripe with legendary male and female vocal groups, a wave of solo superstars and endless, now-classic crossover hits – Usher’s rise stands out as bringing forth one of the era’s most impactful careers. Shortly after his 1997 breakthrough, Usher had become a near-automatic hitmaker, culminating in a catalog that has led many critic and cultural commentators to position him as a frontrunner for the “King of R&B” title.
The hits, however, didn’t automatically flow. Usher’s self-titled debut, executive produced by Puff Daddy, arrived in 1994 when the singer was just aged 15, and though it sent two songs onto the Billboard Hot 100 – “Can U Get Wit It” and “Think of You” – neither cracked the top 50. For his sophomore effort, My Way, in 1997, the singer switched to another crew of proven hitmakers, collaborating mostly with Jermaine Dupri and Babyface, which started his path to the top of the charts. The album’s lead single, “You Make Me Wanna…” and title track both reached No. 2, while “Nice & Slow” went one further, becoming the first of Usher’s nine Hot 100 champs.
And they just kept coming. 2001’s 8701 sparked two more No. 1s – “U Remind Me” and “U Got It Bad,” and the blockbuster Confessions launched four leaders – “Yeah!,” featuring Lil Jon and Ludacris, “Burn,” “Confessions Part II” and “My Boo,” a duet with Alicia Keys – from its standard and deluxe editions in 2004. Usher continued to pump out more hits in the ensuing years, and proving his longevity, became the first artist to top the Hot 100 in the 1990s, 2000s and 2010s, thanks to “OMG,” featuring will.i.am, in 2010.
As the superstar prepares to headline the Super Bowl XLV halftime show and mark 30 years in the business, Billboard recaps Usher’s biggest Hot 100 hits. Like the multi-talented singer, actor and dancer himself, his top 30 hits illustrates his range, with uptempo dancefloor jams, searing ballads and guest spots on pop, dance and hip-hop hits all in the mix.
Usher’s biggest Hot 100 hits are based on actual performance on the weekly Billboard Hot 100 (through Feb. 3, 2024). Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.
“Love in This Club Part II” (feat. Beyoncé & Lil Wayne)
Benson Boone is about to complete the jump from viral star to the U.K. top 10.
The 21-year-old Washington native has three appearances on the Official U.K. Singles Chart, the standout with “Beautiful Things” (via Warner Records), which last week reached No. 11.
Prior to its release, Boone built buzz for the song by teasing it on TikTok and Instagram. Now, Boone is on the brink of his first top tier hit, as “Beautiful Things” lifts to No. 8 on the midweek tally.
Explore
See latest videos, charts and news
See latest videos, charts and news
Boone recently announced his forthcoming album, Fireworks and Rollerblades, and its namesake world tour, and performed the single last week on Jimmy Kimmel Live!
Also on the rise is of Bob Marley’s grandson YG Marley, whose debut “Praise Jah In The Moonlight” (YG Marley Music) vaults 24-12 on the chart blast. “Praise Jah In The Moonlight” is co-written with Marley’s mom, Ms. Lauryn Hill.
Critically-lauded British newcomers The Last Dinner Party are heading for the U.K. albums chart title with Prelude to Ecstasy (Island), their debut album. And a new chart peak awaits for their single “Nothing Matters,” which last week entered the top 40 for the first time and is predicted to climb further, to No. 19.
At the top of the Official Chart Update is Noah Kahan’s “Stick Season” (Republic Records), which is cruising to a sixth consecutive week at No. 1.
Finally, Cat Janice is expected to make an impact on the Official U.K. Singles Chart with “Dance You Outta My Head.”
Behind the upbeat dance tune is a touching story.
The 31-year-old singer, from Washington, D.C., was diagnosed with sarcoma, a type of rare malignant tumor, in 2021. After going through chemotherapy and radiation treatment, the cancer returned, and she released this song as a final tune for her 7-year-old son, just after entering hospice care. “Dance You Outta My Head” (Cat Janice) debuts at No. 74 on the chart blast. All proceeds from the song will go to her son.
The Official U.K. Singles Chart will be published late Friday, Feb. 9.
Madonna justifies her Queen of Pop status once again, as “Popular,” her collaboration with the Weeknd and Playboi Carti, creates an impressive piece of U.K. chart history.
Explore
See latest videos, charts and news
See latest videos, charts and news
“Popular” (via Interscope/Republic Records/XO) rises 14-10, a new high on the Official U.K. Singles Chart, published Friday, Feb. 2, for Madonna’s 64th top 10 single, extending her lead as the female artist with the most top 10s in Official Chart history.
Only the late Elvis Presley (with 76) and legendary English singer Cliff Richard (with 68) have more.
Fifteen years have passed since Madonna’s last cracked the top tier on the U.K. chart. The last time was with “Celebration” in 2009, which peaked at No. 3.
“Popular” is the Weeknd’s 16th U.K. top 10 single, and Playboi Carti’s first.
Madonna sets chart records for fun. According to the Official Charts Company, the U.S. pop superstar has racked-up 12 U.K. No. 1 albums — a record for a female solo artist. Taylor Swift is close behind with 10, a figure that will likely lift to 11 when she releases her next album The Tortured Poets Department, announced during the 2024 Grammys broadcast.
At the top of the latest U.K. tally, Noah Kahan sticks a fifth week at No. 1.
The Vermont singer and songwriter’s folky hit “Stick Season” (via Republic Records) reigns over the Official U.K. Singles Chart, and is the most-streamed song in the U.K. over the chart cycle with 8.8 million plays, the OCC reports. The leader at the midweek stage, “Stick Season” completes the longest consecutive run at No. 1 since Doja Cat’s “Paint The Town Red” also logged five weeks at the summit in 2023.
Meanwhile, U.S. singer-songwriter Teddy Swims nabs a new career peak with “Lose Control” (Atlantic), up 6-3.
The highest climber this week belongs to YG Marley, with his debut single “Praise Jah in the Moonlight,” (YG Marley Music) up 51-20. Marley is the son of Ms. Lauryn Hill (who is credited as co-writer of the song) and the grandson of the late reggae hero Bob Marley.
Also nabbing a first U.K. top 40 appearance is the Last Dinner Party, winner of the BRITs Rising Star award and BBC Sound of 2024 Poll. The quintet’s “Nothing Matters” (Island) flies 41-22 on the tally, for their first top 40 appearance. The Last Dinner Party made their American late night TV debut last month with a performance of “Nothing Matters” on The Late Show. “Nothing Matters” appears on the debut LP Prelude To Ecstasy, released last Friday.
The highest new entry on the latest list belongs to Houston rapper Megan Thee Stallion with “Hiss” (Hot Girl Productions), new at No. 31, for her sixth top 40 hit. Close behind is British hip-hop artist Skepta, with “Gas Me Up (Diligent)” (Big Smoke/Epic), new at No. 32 for his 22nd U.K. top 40 single.
Finally, Justin Timberlake marks his return as a recording artist with his 27th top 40 appearance on the U.K. singles tally. Timberlake’s “Selfish” (RCA) bows at No. 37, and is the first track lifted from his sixth solo album, titled Everything I Thought It Was. EITIW is slated for release on March 15.
As the calendar flips over to February, Australia finds itself in stick season.
Noah Kahan earns his first No. 1 single in Australia as “Stick Season” (via Universal) climbs 2-1 on the ARIA Chart, published Friday, Feb. 2. “Stick Season” gets there in its 15th week on the tally.
Last month, Kahan completed his We’ll All Be Here Forever Tour, which included dates across Melbourne, Brisbane, Sydney and Perth — his first Australia trek since 2019. According to reps from Universal Music Australia, Kahan performed to more than 50,000 people on the jaunt, produced by Live Nation, and made his breakfast TV debut on Channel 7’s free-to-air Sunrise, for an in-studio performance of the hit single.
Explore
See latest videos, charts and news
See latest videos, charts and news
Kahan has more to come. Next Friday, Feb. 9 sees the release of Stick Season (Forever), the “final pieces” of his release strategy, says a UMG rep, following the rollout of the Stick Season album in 2022 and, in late July 2023, Stick Season (We’ll All Be Here Forever).
It’s mid-summer in Australia, another scorcher where heatwaves or storms are the forecast for any given day. The hottest months here never pass without an edition of Triple J’s Hottest 100 poll, which was counted down last week, and saw Doja Cat’s “Paint The Town Red” (RCA/Sony) crowned the winner.
A string of entries in the Hottest 100 enjoy bumps on the ARIA Chart, led by “Paint The Town Red,” up 10-6.
Also, Aussie EDM producer Dom Dolla’s flashes the cash with “Saving Up” (Sony), which vaults 44-11 on the ARIA Chart. “Saving Up” came in at No. 3 on the triple j poll, which raked in 2,355,870 votes. That result is easily Dom’s highest-charting single in Australia, eclipsing the No. 32 best for “Rhyme Dust.” After blasting in at No. 4 on the Hottest 100 poll, “Rhyme Dust” reenters the ARIA Chart this week at No. 41.
G Flip had a record-breaking result as seven of their songs appeared on the Hottest 100. Less than a week later, G Flip’s former No. 1 LP Drummer (Future Classic/Universal) returns at No. 42.
There’s no moving Taylor Swift from the top of the ARIA Albums Chart, as Taylor’s 1989 (Taylor’s Version) (via Universal) holds at No. 1 for a 13th non-consecutive week. If it logs one more week at No. 1, the latest Taylor’s Version would tie with Midnights as her longest reigning album in Australia, at 14 weeks.
According to ARIA, Swift chalks up 55 total number of weeks at No. 1 across 12 albums, starting with Speak Now in 2010.
The top debut on the albums tally is the Smile’s Wall Of Eyes (XL/Inertia), new at No. 7. It’s the second album from the Radiohead side project, following 2022’s A Light For Attracting Attention, which peaked at No. 15 on the ARIA Chart.
And just like that, James Arthur is the frontrunner in the race for the U.K. albums chart crown.
Arthur, the former X Factor U.K. champion, enters the lead with Bitter Sweet Love (Columbia), his fifth studio album, following the release of a “Digital Deluxe” version on Saturday (Jan. 27), including three live recordings cut in Hamburg with the Lufthansa Orchestra, and four bonus tracks.
The pop singer promoted his new release on the weekend, performing the title track for Michael McIntyre’s Big Show on BBC One.
Explore
See latest videos, charts and news
See latest videos, charts and news
What a difference a day makes. Prior to the Official Chart Company’s latest update, Radiohead spin-off the Smile was in pole position with Wall of Eyes (XL Recordings), which held a lead of just 200 chart units over indie rockers the Reytons’ Ballad of a Bystander (The Reytons), in second spot.
[embedded content]
Now, Arthur’s Bitter Sweet Love roars ahead with an additional 5,000 chart units collected overnight, mostly physical sales, the OCC reports. With its rocket boosters on full blast, Bitter Sweet Love moves 4,000 chart units ahead of its nearest competition, the Smile’s Wall of Eyes.
The winner of X Factor back in 2012, Arthur has cracked the top 3 with all his previous releases including a leader with 2016’s Back From the Edge, a collection that featured his No. 1 single “Say You Won’t Let Go.”Arthur also entered the U.K. top 10 with his 2013 self-titled debut (at No. 2), 2019’s You (No. 2) and his most recent LP, 2021’s It’ll All Make Sense In The End (No. 3).
As it stands, a slew of new releases are on track for top 10 berths, including Future Islands‘ People Who Aren’t There Anymore (at No. 6 via 4AD), Frank Carter and The Rattlesnakes‘ Dark Rainbow (No. 8 via International Death Cult), New Model Army’s Unbroken (No. 9 via Ear Music), and Super Furry Animal Gruff Rhys‘s Sadness Sets Me Free (No. 10 via Rough Trade).
All will be revealed when the Official U.K. Albums Chart is published Friday, Feb. 2.
Noah Kahan season isn’t winding down anytime soon in the United Kingdom. Based on sales and streaming data published by the Official Charts Company, Kahan’s “Stick Season” (via Republic Records) is on track for a fifth straight week at No. 1. Should the Vermont singer and songwriter’s standout single hang on for another week at […]
