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Mesita, Nicki Nicole, Emilia and Tiago PZK‘s “Una Foto” holds at No. 1 on the Billboard Argentina Hot 100 chart (dated Jan. 27) for a second week.
The song earned Uruguayan Santiago Messano, better known as Mesita, his first champ on the overall Argentina songs chart, when it flew from No. 30 to No. 1 (list dated Jan. 20). While Nicki Nicole added her fourth leader and Emilia her third, Tiago PZK secured his sixth, entering into a tie with Maria Becerra for the second-most, both with six No. 1s, trailing only Bizarrap’s long-standing crown with nine rulers.
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Argentinian rapper Khea earns his first top 10 in 2024, and sixth overall, as “Hola Perdida,” with Luck Ra, rises 8-2. Luck Ra captures his fourth top 10.
Young Miko nabs her highest-charting song with her first Bizarrap collab, “Bzrp Music Sessions, Vol. 58”. The song, which gives the Puerto Rican her second top 10, picks up the Greatest Gainer honors of the week, as it climbs 55 rankings, from No. 58 to No. 3. Bizarrap ups his top 10 career count to 20. Young Miko is also set to receive the Impact Award at the 2024 Billboard Women in Music Awards, taking place March 6 and streaming on March 7.
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Elsewhere, Emilia notches her 29th entry on the Billboard Argentina Hot 100 as “Jet_Set.Mp3,” her team-up with Nathy Peluso, debuts at No. 30. The song, the Hot Shot Debut of the week, gifts Peluso her highest debut thus far, after “Argentina,” with Trueno, debuted and peaked at No. 48 in May 2022.
Further, two other songs debut this week, starting with “Tal Para Cual” by Salastkbron and Omar Varela, which starts at No. 55. The track brings back Varela to the tally, after “P Rreo,” with Kaleb Di Masi, Salas, and Alejo Isakk, took him to a No. 99 high in April 2022. Lastly, Ariana Grande secures her 11th chart entry with “Yes, And?” at No. 61.
Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana spins off a third No. 1 on Billboard’s Latin Airplay chart as “Mónaco” rises 3-1 on the Jan. 27-dated ranking. The new champ follows two other chart-toppers from the album: “Where She Goes” and “Un Preview,” both one-week rulers in 2023.
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“Mónaco” leads the overall Latin radio chart with a 7% gain in audience impressions, to 8.75 million, earned in the tracking week ending Jan. 18, according to Luminate. The track leads in its 12th week, after five weeks in the top 10, and unseats Feid and Rema’s “Bubalu” from the summit after the latter’s two-week reign.
With “Mónaco,” Bad Bunny scores his 24th No. 1 on Latin Airplay among 47 chart appearances. Aside from Nadie Sabie’s three No. 1s, the set has also tallied one more entry on Latin Airplay: “Perro Negro,” with Feid, which debuted and peaked at No. 46 in December. As Bad Bunny ups his career No. 1 count, he ties with Maluma for the fifth-most champs since the chart launched in 1994. Here’s the winner recap, with J Balvin still at the lead with 36 No. 1 hits:
36, J Balvin33, Ozuna32, Enrique Iglesias28, Daddy Yankee24, Bad Bunny24, Maluma22, Wisin
Beyond its Latin Airplay coronation, “Mónaco” concurrently lands at No. 1 on Latin Rhythm Airplay, advancing from No. 2, for Bad Bunny’s 23rd champ there.
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Venesti, Nacho & Maffio’s “No Es Normal” Rules Latin Pop Airplay: Over on Latin Pop Airplay, Venesti, Nacho and Maffio’s first team-up, “No Es Normal,” holds strong for a third week with a robust 21% increase in audience impressions, to 4.1 million during the same period.
The collab earned each of the artists their first No. 1 when it lifted 2-1 on the Jan. 13-dated list. Nacho came up short a few years back, when “Báilame” achieved a No. 2 peak in Nov. 2017. Over a year later, “Déjalo,” with Manuel Turizo, took him to a No. 7 high in April 2019.
While Nacho and Maffio have secured previous entries on the chart, the song earned newcomer Venesti his first chart visit. The Colombian, however, scored his first No. 1 on any Billboard chart with “Umaye,” which spent one week atop Latin Rhythm Airplay last October.
Over on the overall Latin Airplay list, “No Es Normal” pushes from No. 35 to No, 24, Maffio’s highest ranking there.
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Banda Los Recoditos add an eighth No. 1 to their ledger as “Vas A Querer Volver” jumps 2-1 on Billboard’s Regional Mexican Airplay chart dated Jan. 6.
“It’s great news to start off the year this way,” Rafael Gónzalez and Santos de Jesús Pérez “JeyPi”, lead singers of Banda Los Recoditos tells Billboard. “Being No. 1 on a Billboard chart makes us happy and creates a stronger commitment to work on new music for our fans.”
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“Vas a Querer Volver,” which entered the top 10 in its eighth chart week, at No. 8, ascends from the runner-up slot with a 3% increase in audience impressions, to 6.9 million, earned in the U.S. during the Dec. 22-28 tracking week, according to Luminate. The song ejects Grupo Frontera and Junior H’s “En Altavoz” from the lead and sends it to No. 9 with a 33% decrease, to 4.9 million impressions.
As “Volver” takes the lead on Regional Mexican Airplay, UMLE claims the chart’s top four titles – a feat the company has achieved many times over the past decade. On the chart dated Jan. 6, UMLE has “Volver” at No. 1 (released via El Recodo/Fonovisa/UMLE), Julión Álvarez y Su Norteño Banda’s “Buscándole a La Suerte” at No. 2 (released via Fonovisa/UMLE), La Fiera de Ojinaga’s “La Neta Que No” at No. 3 and La Maquinaria Norteña’s “Perro Amor” at No. 4, both via Azteca/Fonovisa/UMLE.
UMLE last claimed the top four in 2022, when it held the Nos. 1-4 slots for four straight weeks on the April 2-23-dated lists. UMLE is the only label to have monopolized the top four on the chart in the last 10 years.
With “Volver” Los Recoditos score their eighth champ, dating back to “Ando Bien Pedo,” their longest-charting ruler, with 12 weeks atop in 2010. Here’s a review of the groups’ collections of No. 1s on the radio chart:
Peak, Title, Weeks at No. 1Feb. 13, 2010, “Ando Bien Pedo,” 12Dec. 28, 2013, “Mi Último Deseo, oneNov. 1, 2014, “Hasta Que Salga El Sol,” oneApril 14, 2018, “Tiempo,” fiveJuly 13, 2019, “Perfecta,” threeApril 23, 2022, “Me Siento A Todo Dar,” oneOct. 15, 2022, “Fuerte No Soy,” oneJan. 6, “Vas A Querer Volver”
Elsewhere, “Volver” repeats Los Recoditos’ last two top 10 entries on the overall Latin Airplay chart, jumping 8-7; “Me Siento a Todo Dar” and “Fuerte No Soy” also reached No. 7 high in 2022.
“We will be closer this 2024, with dates in Mexico, U.S. and Central America, performing new music,” Gónzalez and JeyPi add. “Thanks to our listeners, platforms, media, and our loyal followers.”
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Mexican American singer-songwriter Xavi starts off 2024 big, achieving his first No. 1 on a Billboard chart, as “La Diabla” crowns the Hot Latin Songs chart dated Jan. 6. The song rises 4-1 to become the first champ of the year on the multi-metric ranking.
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“Super grateful with everyone and the whole team; we’ve been doing everything with love, giving it our all to keep pushing our music and culture to new heights,” Xavi tells Billboard.
“La Diabla” takes the lead on Hot Latin Songs as the week’s Greatest Gainer in streams and sales. The song logged 11.1 million official U.S. streams in the tracking week of Dec. 22-28, according to Luminate; that’s a 24% gain from the week prior. Plus, the sum pushes the track 4-2 on Latin Streaming Songs. Although sales still account for a negligible amount, “La Diabla” jumps 10-4 on Latin Digital Songs Sales with a 43% increase.
With “La Diabla,” Xavi earns his second top 10 on Hot Latin Songs, which blends airplay, digital sales, and streaming activity. The new champ joins “La Víctima” which advances 7-5 with 7.4 million official streams during the same tracking week. Further, the singer-songwriter also makes progress through two other tracks: “Poco a Poco,” with Dareyes De La Sierra, jumps 26-18 and “Modo DND,” with Tony Aguirre, lifts to its new No. 21 peak.
Thanks to “La Diabla,” released Nov. 30 via Interscope, the record label returns to No. 1 on Hot Latin Songs for its first champ of the year. Karol G and Peso Pluma’s “Qlona” was the label’s last leader, completing a fifth week at No. 1 on the Oct. 14-dated ranking.
On a global scale, “La Diabla” takes Xavi to his highest-charting effort on Billboard Global Excl. U.S., peaking at No. 23. While the track dips 32-33 on Billboard 200, “La Víctima” climbs 79-64.
Elsewhere, Xavi stands strong leading the Latin Songwriters chart for a fourth consecutive week, tying with Ivan Cornejo for the fifth-most weeks in charge among regional Mexican soloists. Both rank behind Peso Pluma’s 20 weeks at No. 1, Eslabon Armado’s Pedro Tovar with a 10-week domination, and DannyLux with six weeks atop.
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Mexican social media superstar and singer Kim Loaiza earns her first entry on a Billboard album chart as her debut set, X Amor, opens at No. 9 on the Latin Pop Albums chart (dated Dec. 30). X Amor released Dec. 14 via Warner Latina, debuts in the top 10 with 2,000 equivalent units earned in […]
Emilia and TINI’s “La_Original.Mp3” holds steady atop the Billboard Argentina Hot 100 chart for a fourth week at No. 1 on the chart dated Dec. 9. The song enters a tie with Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” for the eighth-most weeks in charge in 2023. Singer-songwriter Abel Pintos nabs his first top […]
After their first collab reached the top 20 on Billboard’s Hot Latin Songs chart, Kali Uchis and Karol G linked up for “Labios Mordidos,” which debuts at No. 10 on the chart dated Dec. 9. Karol G extends her record for the most female pairings to debut in the top 10 in the list’s 37-year-old history, with five all-women collaborations.
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“Labios Mordidos” is the third preview from Uchis’ fourth studio album Orquídeas, the all-Spanish-language set due Jan. 12. The Colombian now repays the favor, after “Me Tengo Que Ir” — from Karol G’s No. 1 album Mañana Será Bonito (Bichota Season) — placed the pair at No. 19 on Hot Latin Songs last August.
“Labios Mordidos” which translates to “Bitten Lips,” arrives at No. 10 on the strength of streaming activity. The song logged 5.6 million official U.S. streams on latest tracking week of Nov. 24-30, according to Luminate. The seven-figure sum sparks a No. 9 start on the Latin Streaming Songs chart.
Further, “Labios” also begins with 500 downloads sold in the same period, enough for a No. 3 arrival on Latin Digital Song Sales.
With “Labios,” Uchis ups her career top 10 count on Hot Latin Songs to two and her first equal-billed top 10 debut. The new top 10 follows the eight-week ruler “Telepatía” (2021). The ranking blends weekly streaming, sales, and radio airplay data.
Karol, meanwhile, collects her 25th top 10, extending her second-most among women, trailing only Shakira who leads with 35 top 10s. Plus, as“Labios” debuts on the upper tier, la bichota captures her fifth all-women pair-up top 10 debut, the most by a woman in the history of Hot Latin Songs, which dates to 1986. Only one other female pair has racked up a top 10 launch without Karol G as one of the collaborators, Becky G and Natti Natasha with “Sin Pijama” in May 2018.
Here’s the full list of top 10 debuts by two co-billed women:
Debut Date, Debut Position, Title, ArtistMay 5, 2018, 10, “Sin Pijama,” Becky G & Natti NatashaNov. 23, 2019, No. 1, “Tusa,” Karol G & Nicki MinajApril 10, 2021, No. 9, “El Makinon,” Karol G & Mariah AngeliqFeb. 26, 2022, No. 1, “MAMIII,” Becky G & Karol GMarch 11, No. 1, “TQG,” Karol G & ShakiraDec. 9, No. 10, “Labios Mordidos,” Kali Uchis & Karol G
Elsewhere, “Labios” gives Uchis her second all-Spanish-language entry on the all-genre Billboard Hot 100, at No. 97. For Karol, it becomes her 29th career entry – still the most for a Latin female artist with all-Spanish-language songs.
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Enrique Iglesias and Maria Becerra unite atop Billboard’s Tropical Airplay chart as “Así Es La Vida” advances from No. 2 to lead the Dec. 9-dated ranking. The move brings back Iglesias to the lead after a nine-year break, for his eighth champ. Becerra captures her second No. 1.
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“Así Es La Vida” leads Tropical Airplay with a 14% improvement in audience impressions, to 4.8 million, earned in the U.S. in the week ending Nov. 30, according to Luminate.
The song was released Sept. 28 via Sony Music Latin and lands at No. 1 on Tropical Airplay in its ninth week. It unseats Chayanne’s “Bailando Bachata” from the penthouse after 15 weeks in charge, the third-most this decade and the longest-leading song in 2023.
“Así Es La Vida” propels Iglesias back to the top spot after “Bailando,” featuring Descemer Bueno and Gente de Zona, hit No. 1 in 2014. With over nine years to take over Tropical Airplay, it becomes the third-longest gap between No. 1s. Chayanne holds the second-longest span with a 15-year break between “Amor Inmortal” (2008) and “Bailando Bachata” (August 5-dated list). Jennifer Lopez continues to lead with the longest-break between champs — both Marc Anthony collaborations — with a 17-year wait between “No Me Ames” (1999) and “Olvídame y Pega La Vuelta” (2016).
Thanks to the new champ, Iglesias collects his eighth No. 1 on Tropical Airplay. Here’s his collection:
Peak, Title, Artist, Weeks at No. 1May 31, 2003, “Para Que La Vida,” oneJune 2, 2007, “Do You Know? (The Ping Pong Song),” oneDec. 19, 2009, “Gracias A Ti,” with Wisin & Yandel, oneSept. 11, 2010, “Cuando Me Enamoro,” featuring Juan Luis Guerra, sixDec. 31, 2011, “Ayer,” oneMarch 22, 2014, “El Perdedor,” featuring Marco Antonio Solis, oneJuly 5, 2014, “Bailando,” featuring Descemer Bueno & Gente De Zona, fourDec. 9, 2023, “Así Es La Vida,” with Maria Becerra
For Becerra, the new achievement gives her a second No. 1 on the tropical ranking. The Argentinian earned her No. 1 in her first chart visit through another bachata, “Te Espero,” with Prince Royce, in May 2022.
Beyond its Tropical Airplay coronation, “Vida” makes progress on the overall Latin Airplay tally, pushing 24-17.
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Emilia and TINI unite atop the Billboard Argentina Hot 100 chart as their team-up, “La_Original.Mp3,” bursts in at No. 1 on the Nov. 18-dated ranking. It’s the second song to launch at the summit in 2023, after another Emilia collaborative track, “Los Del Espacio,” with the all-star team comprising LIT killah, Maria Becerra, FMK, Rusherking, Duki, Tiago PZK and Big One (seven weeks in charge).
“La_Original.Mp3” sends Luck Ra’s “La Morocha,” featuring BM, to No. 2 after the latter’s seven-week domination.
“La Original,” which also scores the Hot Shot Debut of the week, belongs to Emilia’s sophomore album, .Mp3.
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Further, three other .Mp3 tracks debut this week. With those new recruits, Emilia boasts 10 concurrent tracks on the tally this week — seven from her new set, including a re-entry. Here’s a look at her song collection on this week’s Billboard Argentina Hot 100.
No. 1, “La_Original.Mp3”, along with TINI (debut)No. 5, “GTA.Mp3”No. 13, “Los del Espacio”, along with LIT Killah, Tiago PZK, Maria Becerra, Duki, Rusherking, Big OneNo. 22, “No_Se_Ve.Mp3”, along with Ludmilla and ZeccaNo. 35, “Salgo a Bailar”, along with FMKNo. 36, “Exclusive.Mp3” (debut)No. 41, “En la Intimidad,” with Big One and Callekero FinoNo. 58, “Jagger.Mp3”No. 67, “Iconic.Mp3” (debut)No. 71, “Facts.Mp3” (debut)
The Greatest Gainer honors goes to Tan Bionica’s “La Melodía De Dios,” which climbs 25 places from No. 88 to No. 63.
Finally, one other song debuts: Jung Kook’s “Standing Next to You” at No. 97.
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Luck Ra’s “La Morocha,” featuring BM, logs a seventh week atop the Billboard Argentina Hot 100 chart as the song leads the Nov. 11-dated list. With a new week in charge, “La Morocha” ties with Emilia, Big One and Callejero Fino’s “En La Intimidad” and LIT killah, Maria Becerra, FMK, Rusherking, Duki, Emilia, Tiago PZK […]