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Jerry Fuller, who wrote and/or produced hits that spanned decades and genres, died of lung cancer on Thursday (July 18) at his home in Sherman Oaks, Calif. He was 85.
Fuller wrote two songs that reached No. 1 on the Billboard Hot 100: Ricky Nelson’s “Travelin’ Man” in 1961 and Al Wilson’s “Show and Tell” in 1974. He also produced the latter song, which in addition to topping the Hot 100 reached No. 10 on what was then known as Billboard‘s Best Selling Soul Singles.

He also wrote Nelson’s “A Wonder Like You,” his follow-up to “Travelin’ Man,” which reached No. 11 on the Hot 100, as well as two subsequent Nelson singles that went top 10: “Young World” (No. 5) and “It’s Up to You” (No. 6).

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Fuller had another solid run of hits in 1968 with Gary Puckett & the Union Gap. He wrote the group’s punchy pop hits “Young Girl” and “Lady Willpower,” which spent a combined five weeks at No. 2 on the Hot 100, and the mellower, adult contemporary-oriented “Over You,” which reached No. 7. All three of those singles went gold.

“What can I say about a guy whose vision defined my musical identity and destiny,” Puckett said in a statement in the wake of Fuller’s death. “What can ANYONE say about a man who gave SO much to SO many through his talents and efforts in the world of music. Thank you, Jerry! The world was a better place with you in it.”

Fuller was born in Fort Worth, Texas on Nov. 19, 1938, and moved to Los Angeles in early 1959. In 1960, while touring with The Champs (best known for their 1958 smash “Tequila”), Fuller got to know Glen Campbell, who remained a lifelong friend.

Early in his career, Fuller worked as a demo singer, which led to a recording and songwriting contract with Gene Autry’s Four Star Music and Challenge Records.

Fuller had four Hot 100 hits as an artist from 1959-61, the highest-charting of which (a rockabilly cover version of the standard “Tennessee Waltz”) reached No. 61. But he had far more success working with other artists. He originally wrote “Travelin’ Man” for Sam Cooke — it has the pop flavor of such Cooke hits of the period as “Only Sixteen,” “Wonderful World” and Cupid” — but it made its way to Nelson instead.

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Fuller was unique among writer/producers in that he also produced songs he didn’t write, including O.C. Smith’s recording of Bobby Russell’s “Little Green Apples,” which reached No. 2 on both the Hot 100 and Billboard‘s Best Selling Rhythm & Blues Singles (as the chart was then known) in 1968.

He also produced but did not write Gary Puckett & the Union Gap’s breakthrough hit “Woman, Woman” (which was written by Jim Glaser and Jimmy Payne); Mark Lindsay’s solo hits “Arizona” and “Silver Bird” (which were written by Kenny Young, the latter in tandem with Artie Butler); and The Knickerbockers’ 1965 hit “Lies” (which was written by Beau Charles and Buddy Randell).

The power-pop hit “Lies,” which has the energy of Beatles hits of the era, also underscores Fuller’s range. From power-pop to ballads; from pop/soul to country, his hits defied easy categorization.

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In the early ’90s, Fuller co-produced (with John Hobbs) Collin Raye’s “Love, Me,” which topped Billboard‘s Hot Country Songs for three weeks in early 1992. The song brought Raye, Fuller and Hobbs a nomination for single of the year at the 1991 CMA Awards.

Elsewhere, Fuller also wrote numerous country hits for Ray Price, including “That’s All She Wrote,” “To Make a Long Story Short” and “Feet.”

In the 1970s, Fuller formed his own companies, Moonchild Productions In. and Fullness Music Company.

Fuller was never personally nominated for a Grammy, though some of the records he worked on were. And, somewhat surprisingly, he was not inducted into either the Songwriters Hall of Fame or the Nashville Songwriters Hall of Fame. But he wrote and/or produced many songs that are fondly remembered.

Fuller is survived by his wife, the former Annette Smerigan, and their two children, Adam Lee and Anna Nicole.

Last week, the Apollo theater in Harlem was selected as the first venue to receive a Kennedy Center Honor. The Apollo will receive a special award as an iconic American institution, right alongside the four individuals who are being honored — Bonnie Raitt; Grateful Dead; jazz trumpeter, pianist, and composer Arturo Sandoval; and filmmaker Francis Ford Coppola.
The prestigious honors will be presented on Dec. 8 at a ceremony at the John F. Kennedy Center for the Performing Arts in Washington, D.C. CBS will broadcast the two-hour program on Dec. 23.

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“The Apollo, one of the most consequential, influential institutions in history, has elevated the voices of Black entertainment in New York City, nationally, and around the world, and launched the careers of legions of artists,” Kennedy Center chairman David M. Rubenstein said in a statement announcing the surprise selection.

This is a rare occasion that the Kennedy Center Honors has veered from its usual practice of honoring individuals. Six years ago, the program honored four key creators of the Broadway sensation Hamilton: An American Musical (Lin-Manuel Miranda, Thomas Kail, Alex Lacamoire, and Andy Blankenbuehler). Five years ago, it honored the legendary children’s TV program Sesame Street (the award was presented to the show’s creators, Lloyd Morrisett and Joan Ganz Cooney).

It’s easy to see why the Kennedy Center chose the Apollo to receive this honor. For 90 years, The Apollo has been a beacon of the Harlem community; a platform for artists from the worlds of jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. Artists who have played The Apollo’s famed Amateur Night include Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Stevie Wonder, Gladys Knight, Luther Vandross, H.E.R., D’Angelo, Lauryn Hill and Miri Ben-Ari.

Now that The Apollo has gotten the nod, what other venues would you like the Kennedy Center Honors to consider for recognition? Here are 20 choices, in alphabetical order:

Which venue should the Kennedy Center Honors consider for recognition next?

Less than six months after winning his third Grammy Award (best gospel album for All Things New: Live in Orlando), Tye Tribbett swept the 2024 Stellar Awards, winning six awards, including artist of the year and song of the year for “Only One Night Tho (Live).” The Motown Gospel artist also received the James Cleveland Lifetime Achievement Icon Award.
The 39th annual Stellar Gospel Music Awards show taped on Saturday (July 20) at the Orleans Arena in Las Vegas. TV personality and comedian Loni Love and radio/TV personality and comedian Rickey Smiley co-hosted the show.

Jekalyn Carr was runner-up in the awards count with four awards, including the Albertina Walker female artist of the year award. Melvin Crispell III, Ricky Dillard and Lisa Knowles-Smith & The Brown Singers each won two awards.

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Despite his sweep, Tribbett did not win male artist of the year. That award went to Crispell, who also took traditional male artist of the year.

Kim Burrell received the Aretha Franklin Icon Award.

Performers included Chandler Moore, Kierra Sheard, Anthony Brown and group therAPy, Da’ T.R.U.T.H, Israel Houghton, Karen Clark Sheard, Kelontae Gavin, Koryn Hawthorne, Lisa Knowles-Smith, Mali Music, Melvin Crispell III, Rich Tolbert Jr., Tasha Page-Lockhart, Ricky Dillard and Tamela Mann.

Kirk Franklin, Erica Campbell, and Angel Taylor also made special appearances.

The two-hour show will premiere on the Stellar Network on Aug. 3 at 8 p.m. and repeat at 11 p.m. ET. It will also air in broadcast syndication from Aug. 10-Sept. 8. In addition, BET will air the show on Aug. 4 at 8 p.m. ET/PT.

The 39th Stellar Gospel Music Awards show was executive produced by Don Jackson with Jennifer J. Jackson serving as producer and executive in charge of production; Michael A. Johnson as producer and director, Erin Johnson as talent producer and Daniel Moore as music director.

Here’s a complete list of nominations for the 39th annual Stellar Gospel Music Awards, with winners marked:

Artist of the year

Donald Lawrence; Donald Lawrence Presents Power: A Tribute to Twinkie Clark; RCA Inspiration

Erica Campbell; I Love You; My Block Inc.

Pastor Mike Jr.; Impossible; Blacksmoke Music Worldwide

WINNER: Tye Tribbett; All Things New (Live Album); Motown Gospel

Song of the year

“Able” ft. Marvin Winans; Jonathan McReynolds, Major Johnson Finley, Marvin Winans & Demetrius Terrell Wilson; MNRK

“Feel Alright (Blessed)”; Erica Campbell, Warryn Campbell, Marvin L. Winans, Juan Winans & William Weatherspoon; My Block Inc.

“It’s Morning”; Latrice Pace; Latrice Pace

WINNER: “Only One Night Tho (Live)”; Tye Tribbett; Motown Gospel

Male artist of the year

Jonathan McReynolds; My Truth; MNRK

WINNER: Melvin Crispell III; No Failure; RCA Inspiration

Pastor Mike Jr.; Impossible; Blacksmoke Music Worldwide

Tye Tribbett; All Things New (Live Album); Motown Gospel

Albertina Walker female artist of the year

Erica Campbell; I Love You; My Block Inc.

WINNER: Jekalyn Carr; JEKALYN; Waynorth Music

Kierra Sheard; All Yours; RCA Inspiration/Karew Entertainment

Maurette Brown Clark; He Loves Me; Nettie’s Child Music/MNRK

Duo/chorus group of the year

Anthony Brown & group therAPy; Affirmations; Key of A/Tyscot/FairTrade

JJ Hairston; Believe Again Vol II; Tribl Records

Maverick City Music; The Maverick Way Complete; Tribl Records

WINNER: The Walls Group; Four Walls; My Block Inc.

New artist of the year

Adam Blackstone; A Legacy Christmas; BASSic Black Entertainment Records/Anderson Music Group/Empire

Jevon Dewand & The Trapstarz; The Change Experience; Blacksmoke Music Worldwide

WINNER: Jovonta Patton; Established; Newton Street Entertainment/MNRK

Rudy Currence; Stained Glass Windows; Mike Chek / MNRK

Album of the year

WINNER: All Things New (Live Album); Tye Tribbett; Motown Gospel

Choirmaster II; Ricky Dillard; Motown Gospel

Impossible; Pastor Mike Jr.; Blacksmoke Music Worldwide

My Truth; Jonathan McReynolds; MNRK

Choir of the year

B. Chase Williams & Shabach; CHASing the Next Chapter; Mellie’s Boy Muzic Group

WINNER: Ricky Dillard; Choirmaster II; Motown Gospel

Vincent Bohanan & SOV; Live in Dallas; HezHouse Entertainment

Zak Williams & 1AKORD; Revisited; Enon Music Group

Producer of the year

Donald Lawrence; Donald Lawrence Presents Power: A Tribute to Twinkie Clark; RCA Inspiration

Pastor Mike Jr. (Michael McClure Jr.) & Jevon Hill; Impossible; Blacksmoke Music Worldwide

Tye Tribbett, Joseph Bethea, and assisted by Shante Tribbett; All Things New (Live Album); Motown Gospel

WINNER: Warryn Campbell; I Love You; My Block Inc.

Contemporary duo/chorus group of the year

WINNER: Anthony Brown & group therAPy; Affirmations; Key of A/Tyscot/FairTrade

Housefires; How to Start a Housefire (Pt. III); Housefires Music

Pastor Dalton Hill & The Tabernacle Singers; Rejoice (Live from Boston); Beulah Tabernacle/Bean House Productions

The Walls Group; Four Walls; My Block Inc.

Traditional duo/chorus group of the year

JJ Hairston; Believe Again Vol II; Tribl Records

Kevin Vasser & BLVRS; I Believe; KTV Music

WINNER: Lisa Knowles-Smith & The Brown Singers; Live in Memphis 2; EvoWorld Entertainment, Inc

Ron Summers; God Can; Emanuel Media Group/Ron Summers Music

Contemporary male artist of the year

Jonathan McReynolds; My Truth; MNRK

Jovonta Patton; Established; Newton Street Entertainment/MNRK

Pastor Mike Jr.; Impossible; Blacksmoke Music Worldwide

WINNER: Tye Tribbett; All Things New (Live Album); Motown Gospel

Traditional male artist of the year

John P. Kee; Tribute to a Legend: Rance Allen; Kee Music Group/Tyscot Records

Kelontae Gavin; Testify; RCA Inspiration

WINNER: Melvin Crispell III; No Failure; RCA Inspiration

Ricky Dillard; Choirmaster II; Motown Gospel

Contemporary female artist of the year

WINNER: Kierra Sheard; All Yours; RCA Inspiration/Karew Entertainment

Latrice Pace; Exodus: The Journey of Obedience, Vol 2; Latrice Pace

Lena Byrd Miles; Brand New; My Block Inc.

Naomi Raine; Cover the Earth; Tribl Records

Traditional female artist of the year

Eartha Edwards; It All Belongs to God; Blockbuster Records/Javel Music

WINNER: Jekalyn Carr; JEKALYN; Waynorth Music

Lucinda Moore; Lord, I Hear You; Nalah Music Group/New Day Distribution/The Orchard

Maurette Brown Clark; He Loves Me; Nettie’s Child Music/MNRK

Contemporary album of the year

WINNER: All Things New (Live Album); Tye Tribbett; Motown Gospel

I Love You; Erica Campbell; My Block Inc.

Impossible; Pastor Mike Jr.; Blacksmoke Music Worldwide

My Truth; Jonathan McReynolds; MNRK

Traditional album of the year

Choirmaster II; Ricky Dillard; Motown Gospel

Donald Lawrence Presents Power: A Tribute to Twinkie Clark; Donald Lawrence; RCA Inspiration

WINNER: JEKALYN; Jekalyn Carr; Waynorth Music

No Failure; Melvin Crispell III; RCA Inspiration

Urban single or performance of the year

“Feel Alright (Blessed)”; Erica Campbell; My Block Inc.

WINNER: “Only One Night Tho (Live)”; Tye Tribbett; Motown Gospel

“Trusting God”; James Fortune & Monica; FIYA World/MNRK

“Witness”; Dexter Walker and Zion Movement; Indieblue Music

Music video of the year

“All Things”; West Webb and Jalen Turner; Fo Yo Soul Recordings/RCA Inspiration

WINNER: “Feel Alright (Blessed)”; Rich Laru; My Block Inc.

“I Will Wait”; Avery Henley; Tyscot

“Look at God”; Damien Sandoval; RCA Inspiration

Traditional choir of the year

Kevin Lemons & Higher Calling; Destined for Greatness; HezHouse Entertainment

WINNER: Ricky Dillard; Choirmaster II; Motown Gospel

Vincent Bohanan & SOV; Live in Dallas; HezHouse Entertainment

Zak Williams & 1AKORD; Revisited; Enon Music Group

Traditional artist of the year

WINNER: Jekalyn Carr; JEKALYN; Waynorth Music

Lisa Knowles-Smith & The Brown Singers; Live in Memphis 2; EvoWorld Entertainment, Inc

Melvin Crispell III; No Failure; RCA Inspiration

Ricky Dillard; Choirmaster II; Motown Gospel

Special event album of the year

Destined for Greatness; Kevin Lemons & Higher Calling; HezHouse Entertainment

WINNER: Donald Lawrence Presents Power: A Tribute to Twinkie Clark; Donald Lawrence; RCA Inspiration

Joy Is Here; JJ Hairston; JamesTown Music/MNRK

Tribute to a Legend: Rance Allen; Various Artists; Kee Music Group/Tyscot Records

Rap/hip hop gospel album of the year

WINNER: Emanuel; Da T.R.U.T.H.; Mixed Bag Entertainment

His Glory Alone II; KB; RCA Inspiration/Provident Label Group LLC

Pray for Atlanta; 1K Phew & Zaytoven; Reach Records

The Change Experience; Jevon Dewand & The Trapstarz; Blacksmoke Music Worldwide

Youth project of the year

AMG Kidz; The Kidz Interlude; AMG Kidz/Anderson Music Group

Nina Symmone; Just Smile; AMG Kidz/Anderson Music Group

Noah Alexander; Lots of Love; AMG Kidz/Anderson Music Group

WINNER: Shout Praises Kids; Joy to the World; Integrity Music

Quartet of the year

WINNER: Lisa Knowles-Smith & The Brown Singers; Live in Memphis 2; EvoWorld Entertainment, Inc

Paul Porter & The Christianaires; Miracle EP; Porterboy Music Group/Trin Records

The Williams Singers; Reel Quartet; Deznell Music Group/Anderson Music Group

Young Men 4 Christ; Our Testimony; Independent

Recorded music packaging of the year

Brand New; JP Designs Art; My Block Inc.

Choirmaster II; Nathan Blaine; Motown Gospel

WINNER: JEKALYN; Octavia’s Holmes; Waynorth Music

Lord, I Hear You; BMO Designs & Blair Monique Walker; Nalah Music Group/New Day Distribution/The Orchard

Praise and worship album of the year

Believe Again Vol II; JJ Hairston; Tribl Records

Chapter X: See the Goodness; VaShawn Mitchell; V Man Entertainment/Tyscot/FairTrade

WINNER: The Journey; Todd Dulaney; DulaneyLand/MNRK

The Maverick Way Complete; Maverick City Music; Tribl Records

Praise and worship song of the year

“Always”; Jovonta Patton; Newton Street Entertainment/MNRK

WINNER: “Holy Forever”; CeCe Winans; Red Alliance Media

“I Just Wanna Praise You”; Maurette Brown Clark; Nettie’s Child Music/MNRK

“It’s Working ft. Hezekiah Walker”; Todd Dulaney; DulaneyLand/MNRK

Rap/hip hop song of the year

“Amen Right There” (ft. Canton Jones & Everett Drake); Emcee N.I.C.E.; Gypsy City Music

“MIA” ft. 1K Phew; Jor’Dan Armstrong; Jor’Dan Armstrong Music

“Miracles” ft. Lecrae; KB; RCA Inspiration/Provident Label Group LLC

WINNER: “Your Power” ft. Tasha Cobbs Leonard; Lecrae; Reach Records

James Cleveland lifetime achievement award

WINNER: Tye Tribbett

Aretha Franklin Icon Award

WINNER: Kim Burrell

Top market of the year

WBGX 1570 AM, Chicago

WINNER: WNZN 89.1 FM, Cleveland

WPRS Praise 104.1, Washington, DC

WPZE – MyPraise 102.5, Atlanta

Medium market of the year

WINNER: KOKA 980 AM 93.3 FM, Shreveport

KZTS 1380 AM, Little Rock

WEHA 88.7 & 100.3 FM, Atlantic City

WJYD JOY 107.1 FM, Columbus, OH

Small market of the year

WBZF-98.5 FM, Florence-Myrtle Beach

WWLD-HD2 98.3FM, Tallahassee

WINNER: WXHL 89.1 FM, Wilmington

WXOK 1460 AM, Baton Rouge

Internet station of the year

WINNER: GODRadio1.com, https://streams.radio.co/sf6241e689/listen

Sound Gospel Radio, https://soundgospelradio.com/live/

Waycrosspraise/Power 89.1, https://www.waycrosspraise.org/

WVTC Gospel Radio Network, http://www.wvtcradio.com

Syndicated gospel radio show of the year

Early Morning Praise Party, Sherry Mackey & Dre Monie

WINNER: Get Up! Mornings with Erica Campbell, Erica Campbell & Arlen “Griff” Griffin

The Nightly Spirit, Darlene “McCoy” Jackson

Willie Moore Jr Show, Willie Moore Jr & Dwight Stone

Gospel announcer of the year

Destiny Diggs, – WXHL 89.1 FM

Neiko Flowers, WPZE – MyPraise 102.5

WINNER: Cheryl Jackson, WPRS Praise 104.1

Trey Nickelson, WBZF-98.5 F

In the past year, the Latin music industry transitioned from a singles-driven market to an albums-focused world, with both new and established artists crafting cohesive sets. The Latin Grammy for album of the year has historically prioritized daring concepts and artistry above popularity when deciding the winner, and while legacy acts have historically dominated the category, recent honorees such as Rosalía tend to return for encores. And Karol G’s triumph in 2023 with her commercial blockbuster, Mañana Será Bonito, may now allow for ultra-popular albums to take home the ultimate artistic prize.

Come Sept. 17, 10 nominees will be announced — here are five of the most likely.

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Young Miko, att. (The Wave Music Group)

In the world of reggaetón, Miko is an outlier: blonde, petite and openly gay. For a genre steeped in machismo, it’s a remarkable flip of the script. The album balances her party-girl persona with rap lyrics that aren’t afraid to put others in their place with effectively eloquent punches, having fun without ever becoming gratuitous. Plus, Miko has good taste on her side, tapping Jowell & Randy for an old-school reggaetón touch.

Fonseca, Tropicalia (Sony Latin)

Fonseca’s Tropicalia is a labor of love, designed to elevate the artistry of tropical music with its rich palette. The Colombian singer-songwriter introduced his new oeuvre with last year’s “Si Tu Me Quieres,” which won best tropical song at the Latin Grammys and features bachata star Juan Luis Guerra singing Fonseca’s pop-infused brand of vallenato. That accordion-tinged sound is the foundation of an album full of poignant moments, but Fonseca also expands: He collaborates with Gilberto Santa Rosa and Chucho Valdés on a beautiful Cuban bolero, with Alex Cuba on a contemporary song and with Colombian salsa stalwarts Grupo Niche on a jazz-tinged salsa, all united by his ability to make fans swoon with music designed for the dancefloor.

Kany García, García (5020 Records)

García has twice been nominated in this category, but the third time may be the charm with an album that expands and redefines the scope of the traditional Latin singer-songwriter. Her work has twice won her best singer-songwriter album, and her songsmith qualities shine again in her melodic lines and eloquent yet colloquial lyrics. Autobiographical opener “García,” for instance, is a master class in storytelling in under three minutes. But García also digresses, going with gusto into Mexican music territory with Eden Muñoz, Christian Nodal and Carín León on three riveting tracks. “We’re in constant evolution, and as an artist, I love that I can insert what I’m going through in each album I make,” she previously told Billboard.

Peso Pluma, Éxodo (Double P Records)

Peso Pluma continued his hit-making campaign with Éxodo, his second top five album on the Billboard 200. But unlike its predecessor, Génesis, which won the Grammy this year for best Regional Mexican music album, Éxodo is a double album highlighting the two sides of Peso. Side one is full of Mexican music featuring several collaborations with artists of his generation, including Junior H, Tito Double P and Luis R Conríquez; side two is devoted to urban and pop, featuring bilingual collaborations with Quavo and Rich the Kid. While exploration of many genres is a mainstay of Latin music today, it is rarely in these two directions, and much less with this success. And though Génesis is also eligible for this award given its release date, Billboard’s bet is on the newer, more adventurous Éxodo. It’s to be noted that Peso was not nominated in any category at the 2023 Latin Grammys, an omission that can be rectified this time around.

Shakira, Las Mujeres Ya No Lloran (Sony Latin)

At 47 years old, Shakira refused to be quietly scorned, releasing her retribution of an album, Las Mujeres Ya No Lloran, following a cheating scandal and public split from Gerard Piqué. Instead of wallowing on the full-length, Shakira gets even, famously proclaiming she makes her own money on “Shakira: Bzrp Music Sessions, Vol. 53,” which won song of the year at the 2023 Latin Grammys. The album is filled with lyrics that double as social media fodder, but it’s also clever and artistic, placing a wickedly funny song like “Puntería” with Cardi B alongside such achingly vulnerable tracks as “Acróstico” and “Ultima.” Backed by an impressive array of collaborators that also includes Karol G, Rauw Alejandro and regional Mexican groups Grupo Frontera and Fuerza Regida, Shakira has managed to stay current and return to the top on her own terms. Should she win, this would be her second album of the year trophy, following her 2006 triumph with Fijación Oral, Vol. 1.

This story will appear in the July 20, 2024, issue of Billboard.

At the Latin Grammys, there is perhaps no category as coveted as best new artist, a launching pad for future stars through the years. There’s also no category as confounding. The first winner was Ibrahim Ferrer in 2000 at the age of 72; Joaquina won it last year at 18 years old. In 2022, Angela Alvarez, 95, split the prize with 25-year-old Silvana Estrada.
And while the award has gone to talents who are relatively unknown, as well as those who have more public-facing major-label support, the rules are clear: Contenders must release a minimum of three singles/tracks or one album during the eligibility period. An artist who has previously released more than three albums and/or more than 15 singles is not eligible. Here are five contenders with a strong shot at scoring a nomination this year.

DARUMAS

What do you get when an Argentine bassist, a Cuban singer-guitarist and a Haitian vocalist unite? DARUMAS — an all-women U.S.-based trio comprising Aldana Aguirre, Ceci León and Vedala Vilmond — defies every stereotype of what Latin girl groups sound like. The three expert musicians play a tight mix of old-school funk, R&B and Motown, with Spanish lyrics and plenty of attitude. Named for the traditional Japanese daruma doll, DARUMAS are not cutting corners when it comes to honing their sound, resulting in an act that puts musicianship at the forefront.

Trending on Billboard

Iván Cornejo

Though Cornejo and Xavi espouse a new Mexican sound, Cornejo uses traditional Mexican instrumentation as his foundation and also leans into electric guitar for some rock’n’roll angst. The result is a sound that’s weary — his biggest hit is titled “Está Dañada” (“She’s Damaged”) — but relatable. (Cornejo writes all of his material.) He has placed 15 entries on Billboard’s Hot Latin Songs chart, and his second album, Dañado, ruled Regional Mexican Albums for 37 nonconsecutive weeks. In 2022, Cornejo became the youngest act to win new artist of the year at the Billboard Latin Music Awards.

Xavi

At 20 years old, Xavi has been making noise in the new Mexican music scene since last year. In January, “La Diabla” topped Hot Latin Songs for 14 weeks, setting a record so far this year. In May, he scored another No. 1, on Regional Mexican Airplay, with “Corazón de Piedra.” Both songs were co-written by Xavi (real name: Joshua Xavier Gutiérrez), who calls his sound tumbados románticos, a hybrid of corridos tumbados with a twist of romance and heartache. His music has a young, avid fan base that straddles both sides of the border but has the potential to expand much further.

Ela Taubert

Like labelmate (and 2023 Latin Grammy best new artist winner) Joaquina, Colombian singer-songwriter Taubert is a graduate of producer Julio Reyes Copello’s Art House Academy, signaling just how seriously she takes her craft. The 23-year-old writes convincingly about love and loss with immediately relatable lyrics set to catchy, midtempo pop arrangements reminiscent of Miley Cyrus. Following the release of her debut EP last year, Taubert is slowly but steadily gaining steam, as her new single, “Cómo Pasó?,” has reached a No. 12 high on the Latin Pop Airplay chart.

Latin Mafia

Freshly signed to Rimas Entertainment (home to Bad Bunny), Latin Mafia balances fun — with its childlike single covers — and moodiness with R&B and touches of reggaetón. Made up of twin brothers Milton and Emilio de la Rosa and their older brother Mike, the trio grew organically in Mexico as a fully independent act, amassing 6 million monthly listeners on Spotify, playing Coachella and catching the ear of Rimas vp Junior Carabaño. “I can’t wait to write their next chapter together and make history,” he previously told Billboard.

This story will appear in the July 20, 2024, issue of Billboard.

Will Beyoncé finally win album of the year at the 2025 Grammy Awards? Queen Bey has gone 0-4 in the category (as a lead artist), which has been a source of frustration for many in the BeyHive — and also those in her inner circle. Accepting an honorary award at the 2024 ceremony, Jay-Z confronted the issue head-on. “I don’t want to embarrass this young lady, but she has more Grammys than everyone and never won album of the year, so even by your own metrics, that doesn’t work.”
Jay-Z’s remark suggests that Bey’s fate in the category will be the most-watched moment at the 67th annual Grammys, which will be presented Feb. 2 at Crypto.com Arena in Los Angeles. Nominations will be announced Nov. 8. Here are Billboard’s best bets for nods in the top four categories.

It’s likely that solo women will take seven of the eight slots here. That’s comparable to the 2024 Grammys, where solo women took six of the eight slots and an all-woman group, boygenius, took a seventh. Jon Batiste was the only male artist to be nominated at this year’s ceremony. Chris Stapleton may have the best chance of repping men next year. Nominees for album and record of the year must have been released during the eligibility period (Sept. 16, 2023-Aug. 30, 2024).

Trending on Billboard

Beyoncé, Cowboy Carter

This is Bey’s eighth solo studio album and would be her fifth to be nominated in this category following I Am…Sasha Fierce, Beyoncé, Lemonade and Renaissance. She would be the first Black artist to be nominated for a country album since Ray Charles for Modern Sounds in Country and Western Music (though none of the singles from that trailblazing 1962 album appeared on Hot Country Songs). Billboard 200 peak: No. 1 (two weeks).

Sabrina Carpenter, Short N’ Sweet

Carpenter’s sixth studio album is due Aug. 23, one week before the end of the eligibility period. The album was co-produced by Jack Antonoff and Julian Bunetta. Antonoff has received eight album of the year nods — four with Taylor Swift, two with Lana Del Rey and one each with Lorde and his own pop trio, fun. He has also won producer of the year, non-classical the last three years running.

Billie Eilish, Hit Me Hard and Soft

Eilish’s third album features 10 tracks, two songwriters (Eilish and FINNEAS), one producer (FINNEAS) and no featured artists. That may appeal to traditionalists in the Recording Academy’s voting membership who are put off by this era’s collaboration-heavy approach. Eilish won in this category five years ago for When We All Fall Asleep, Where Do We Go? and was nominated three years ago for Happier Than Ever. Billboard 200 peak: No. 2.

Ariana Grande, Eternal Sunshine

This is Grande’s seventh studio album and would be her second to be nominated in this category. She was nominated five years ago for Thank U, Next. Swedish hit-makers Max Martin and ILYA, who were nominated as producers of Thank U, Next, are also among the producers of this album. Billboard 200 peak: No. 1 (two weeks).

Chappell Roan, The Rise and Fall of a Midwest Princess

The singer’s debut album arrived Sept. 22, 2023, one week after the start of the eligibility period. This is vying to become the first debut album by a woman pop artist to receive an album of the year nod since Olivia Rodrigo’s SOUR in 2022. Daniel Nigro, who has been nominated twice in this category for work with Rodrigo, co-produced the album with Ryan Linvill and Mike Wise. Billboard 200 peak: No. 5.

Chris Stapleton, Higher

This is Stapleton’s fifth studio album and would be his second to be nominated in the category. Traveller was nominated nine years ago. Stapleton is vying to become the first male country solo artist to land two nominations in this category. “White Horse,” the lead single from Higher, won two Grammys in February. Higher won album of the year at the Academy of Country Music Awards on May 16. Billboard 200 peak: No. 3.

Taylor Swift, The Tortured Poets Department

This would be Swift’s seventh nod in the category, which would allow her to stand alone as the woman artist with the most album of the year nods. She currently shares that distinction with Barbra Streisand, with six nods each. Swift co-produced the album with Jack Antonoff, Aaron Dessner and Patrik Berger. Billboard 200 peak: No. 1 (12 weeks so far).

Tyla, Tyla

The South African singer’s “Water” won the inaugural Grammy presented for best African music performance. It was the lead single from her self-titled debut album, which was released during the current eligibility period. Tyla features guest appearances from stars such as Tems, Gunna, Becky G and Travis Scott. Tyla won two BET Awards on June 30 — best new artist and best international act. Billboard 200 peak: No. 24.

Within Reach: Zach Bryan, The Great American Bar Scene; Charli xcx, brat; Doja Cat, Scarlet; Future & Metro Boomin, We Don’t Trust You; Post Malone, F-1 Trillion (due Aug. 16); Kacey Musgraves, Deeper Well; 21 Savage, American Dream; Kali Uchis, Orquídeas; Usher, Coming Home; Lainey Wilson, Whirlwind (due Aug. 23).

From left: Sabrina Carpenter, Benson Boone, Kendrick Lamar and Hozier.

Illustration by Eleanor Shakespeare; Jo Hale/Redferns; Dennis Leupold; Timothy Norris/Getty Images; Barry McCall

Beyoncé already holds the record for most career nominations in this category. Her total of eight includes an early record with Destiny’s Child and collaborations with Jay-Z and Megan Thee Stallion. Will she extend her lead this year? And could two Black artists — Bey and Shaboozey — be nominated for country hits in the same year? Teddy Swims’ “Lose Control,” a No. 1 hit on the Billboard Hot 100, was entered last year and thus is ineligible.

Beyoncé, “Texas Hold ’Em”

Two years ago, Beyoncé pulled ahead of Frank Sinatra for the most nominations in this category. This would give her a record-extending ninth nod. The big question: Will it compete for best solo performance honors in pop or country? “Texas Hold ’Em” wouldn’t be the first poker-themed hit to land a record of the year nod. Kenny Rogers’ “The Gambler” was nominated at the awards in 1980. Hot 100 peak: No. 1 (two weeks).

Benson Boone, “Beautiful Things”

This song is constructed like Billie Eilish’s “Happier Than Ever,” which was nominated for record and song of the year three years ago. It starts out soft and builds in intensity to a rock-inflected finish. This was Boone’s third Hot 100 entry, but his first to climb above No. 82. Hot 100 peak: No. 2.

Sabrina Carpenter, “Espresso”

Carpenter’s camp has to decide which hit to enter — “Espresso,” which topped Billboard’s staff list of The 50 Best Songs of 2024 (So Far), or “Please Please Please,” which was Carpenter’s first No. 1 on the Hot 100. The former is one of the catchiest singles of recent years; the latter, an offbeat, country-shaded follow-up. They’ll probably go with “Espresso,” but either would be a strong nominee. Hot 100 peak: No. 3.

Billie Eilish, “Lunch”

This would be Eilish’s fifth nod in this category. She won for “bad guy” and “Everything I Wanted” and was nominated for “Happier Than Ever” and “What Was I Made For?” Eilish’s brother, FINNEAS, produced all of these records. Nominations will be announced five weeks before Eilish turns 23. No one else has ever amassed five nods in this category at such a young age. Hot 100 peak: No. 5.

Ariana Grande, “We Can’t Be Friends (Wait for Your Love)”

This record could give Grande a second nod in this category. She was nominated five years ago for the Rodgers & Hammerstein-interpolating “7 Rings.” Grande produced this track with Swedish pop masterminds Max Martin and ILYA, who were among the producers of “7 Rings.” Hot 100 peak: No. 1 (one week).

Hozier, “Too Sweet”

Hozier got some Grammy love nine years ago when his breakthrough smash, “Take Me to Church,” was nominated for song of the year. He came roaring back this year with this impeccably produced record. Hozier is vying to become the fourth Irish artist to be nominated for record of the year, following Gilbert O’Sullivan, U2 and Sinéad O’Connor. Hot 100 peak: No. 1 (one week).

Kendrick Lamar, “Not Like Us”

This scathing dis track is from Lamar’s bitter and highly public feud with Drake. This would be Lamar’s fourth nod in this category following “HUMBLE.” (2018); “All the Stars,” a collaboration with SZA (2019); and “The Heart Part 5” (2023). If this is nominated, Lamar will tie Jay-Z for the most record of the year nods by a rapper. Hot 100 peak: No. 1 (two weeks).

Chappell Roan, “Good Luck, Babe!”

This song, Roan’s first Hot 100 hit, was produced by Daniel Nigro, who has been nominated in this category for his work on two Olivia Rodrigo hits. Nigro has received eight Grammy nods, all for work with Rodrigo. He won best pop vocal album as the producer of her debut album, SOUR. Hot 100 peak: No. 10.

Within Reach: Doja Cat, “Agora Hills”; Jack Harlow, “Lovin on Me”; Future, Metro Boomin & Kendrick Lamar, “Like That”; Muni Long, “Made for Me”; Post Malone featuring Morgan Wallen, “I Had Some Help”; Tommy Richman, “Million Dollar Baby”; Shaboozey, “A Bar Song (Tipsy)”; Taylor Swift featuring Post Malone, “Fortnight”; 21 Savage, “Redrum”; SZA, “Saturn.”

From left: FINNEAS, Amy Allen, Jack Antonoff, ILYA and Dan Nigro.

Illustration by Eleanor Shakespeare; Robin L. Marshall/Getty Images; David O’Donohue; Jason Koerner/Getty Images; Anna Sky; Alberto E. Rodriguez/WireImage

Last year, five of the eight nominees for record of the year were also nominated for song of the year. The year before that, six of the 10 nominees for record of the year also received song of the year nods. This year, seven of the eight record of the year nominees could double up. Taylor Swift has amassed seven nominations in this category, more than any other songwriter, but she has yet to win. Will this finally be her year?

“Beautiful Things”Songwriters: Benson Boone, Jack LaFrantz, Evan Blair

This song touches on themes that have long been attractive to Grammy voters — gratitude for life’s blessings and awareness of how quickly in life fortunes can change. Other philosophical songs that have been nominated here in recent years include “Live Like You Were Dying,” “Bless the Broken Road,” “7 Years” and “God’s Plan.” In addition to co-writing “Beautiful Things,” Blair produced Boone’s single.

“Espresso”Songwriters: Sabrina Carpenter, Amy Allen, Julian Bunetta, Steph Jones

This confection may seem a little light for a song of the year nod, but the irresistible tune has been inescapable in recent months. Even Adele was caught up in the hooky line “I’m working late/’Cause I’m a singer,” praising the song during her Las Vegas residency. (And being light didn’t prevent Bruno Mars’ “That’s What I Like” from winning in 2019.) Allen was nominated for the inaugural songwriter of the year, non-classical award two years ago.

“Fortnight”Songwriters: Taylor Swift, Post Malone, Jack Antonoff

All three writers are past nominees in this category: Swift has been nominated a record seven times, Antonoff four times and Post Malone once. Alternatively, Swift could enter “Is It Over Now? (Taylor’s Version),” which she also co-wrote with Antonoff. Both songs topped the Hot 100, for two and one weeks, respectively.

“Good Luck, Babe!”Songwriters: Chappell Roan, Justin Tranter, Daniel Nigro

Tranter and Nigro are past nominees in this category — Tranter for co-writing Julia Michaels’ “Issues,” Nigro for co-writing Olivia Rodrigo’s “drivers license” and “Vampire.” “Good Luck, Babe!” is about a woman parting ways with a woman who is denying her true sexual orientation. The next song on the list is about a woman accepting and embracing her own.

“Lunch”Songwriters: Billie ­Eilish, FINNEAS

The siblings have been nominated four times in this category, winning twice. If they win again, they’ll become the first three-time winners in the history of the category. They won most recently this year with “What Was I Made For?” They have another very pretty ballad (“Birds of a Feather”) that they could enter here instead, but “Lunch” feels like the more likely option.

“Not Like Us”Songwriter: Kendrick Lamar

As with record of the year, this would be Lamar’s fourth nod in this category following “Alright” (2016), “All the Stars” (2019) and “The Heart Part 5” (2023). And, as with record of the year, if this is nominated, Lamar will tie Jay-Z for the most song of the year nods for a rapper.

“Texas Hold ’Em”Songwriters: Beyoncé, Brian Bates, Nathan Ferraro, Raphael Saadiq, Elizabeth Lowell Boland, Megan Bülow

This would be Beyoncé’s sixth nomination in the category. That would put her in a tie with Paul McCartney and Lionel Richie for second place on the list of all-time nominees in this category. Swift leads with seven nods. Saadiq has been nominated for best R&B song five times, winning twice, but this would be his first song of the year nod.

“We Can’t Be Friends (Wait for Your Love)”Songwriters: Ariana Grande, Max Martin, ILYA

This would be the first nomination in this category for Grande and ILYA and the fifth for Martin, following nods for Backstreet Boys’ “I Want It That Way,” Katy Perry’s “Roar” and Taylor Swift’s “Shake It Off” and “Blank Space.” Martin, a Swede, and U2, from Ireland, are the only songwriters who hail from somewhere other than America or England to amass four or more nods in this category.

Within Reach: “Agora Hills” (artist: Doja Cat); “A Bar Song (Tipsy)” (Shaboozey); “Deeper Well” (Kacey Musgraves); “I Had Some Help” (Post Malone featuring Morgan Wallen); “Made for Me” (Muni Long); “Obsessed” (Olivia Rodrigo); “Pink Skies” (Zach Bryan); “Redrum” (21 Savage); “Saturn” (SZA); “Too Sweet” (Hozier).

Clockwise from top: Chappell Roan, Shaboozey, Sexyy Red, Teddy Swims and Megan Moroney.

Illustration by Eleanor Shakespeare; Ryan Clemens; Daniel Prakopcyk; Chris Allmeid; CeCe Dawson; Aaron Marsh

According to the rules, “This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness.” Artists with previous Grammy nominations are generally not allowed, nor are artists who have previously been entered in the category three times (whether or not they were nominated). That latter rule disqualifies Tate McRae. The last seven winners in this category have been solo women, which tied the record established in 1997-2003. If another solo woman wins next year, a new record will be set.

Benson Boone

Boone, 22, is the youngest of this year’s likely best new artist nominees. He is vying to become the first male artist to win in this category since Chance the Rapper in 2017. Boone could also become the second winner in this category with that surname. Debby Boone won in 1978.

Sabrina Carpenter

Short N’ Sweet is Carpenter’s sixth studio album, so how can she be considered new? Prior to this eligibility year, she had never climbed higher than No. 48 on the Hot 100. The Grammys aren’t charts-based, but they do think in terms of “public consciousness” and achieving “prominence.” Carpenter, 25, is vying to become the second winner in this category with that surname. Karen and Richard Carpenter won in 1971.

Megan Moroney

Moroney, 26, was passed over for a best new artist nod two years ago, when “Tennessee Orange” became a top 30 hit on the Hot 100. But she has continued to build. Moroney was nominated for the Country Music Association’s new artist of the year prize last year and won the Academy of Country Music’s new female artist of the year honor (on her second try) in May. Her second album, Am I Okay?, arrived July 12.

Chappell Roan

Atlantic Records dropped Roan, born Kayleigh Rose Amstutz, following the release of a 2017 EP, School Nights. Her smash debut album was released through Island Records last September. Roan, 26, supported Olivia Rodrigo (who won in this category in 2022) on two major tours. She also opened for Vance Joy and Ben Platt, among others, and performed at Coachella in April.

Sexyy Red

The rapper, 26, reached the top 20 on the Billboard 200 with her third mixtape, In Sexyy We Trust. The tape spawned the top 20 Hot 100 hit “Get It Sexyy.” Sexyy Red was nominated in five categories, including best new artist, at the 2024 BET Awards, but was shut out.

Shaboozey

Shaboozey, 29, is at the forefront of bringing more diversity to the world of country music. His third album, Where I’ve Been, Isn’t Where I’m Going, reached No. 5 on the Billboard 200. Its smash single, “A Bar Song (Tipsy),” has made it to No. 1 on the Hot 100. Shaboozey is also featured on two tracks on Beyoncé’s Cowboy Carter.

Teddy Swims

Swims’ debut studio album, I’ve Tried Everything but Therapy (Part 1), reached the top 20 on the Billboard 200. “Lose Control,” the smash single from the album, topped the Hot 100. Before becoming a headliner, Swims opened for Zac Brown Band, which won in this category in 2010, and Greta Van Fleet, which was nominated in 2019. Swims, 31, is the oldest of this year’s likely best new artist nominees.

Within Reach: The Beaches; Dasha; Djo; 4Batz; Knox; October London; Tommy Richman; Nate Smith; Brittney Spencer; Tigirlily Gold

This story will appear in the July 20, 2024, issue of Billboard.

We are a deeply divided country, as we keep hearing, but there’s one thing we can all agree on – Bob Newhart was a national treasure, and one of the most talented and original comedy stars who ever lived. Newhart who died on Thursday (July 18) at age 94, starred in two long-running sitcoms, The […]

This morning’s announcement that the Grateful Dead will receive the Kennedy Center Honors in December is the latest sign that that the Kennedy Center has finally gotten the memo – In music, sometimes people do their best and most lasting work in groups.

The Kennedy Center Honors was set up in 1978 to honor individuals. It wasn’t until 2008 that the Center recognized its first musical group: The Who. Before that, they had singled out the most famous member of a group or duo for honors – Paul Simon (2002), Tina Turner (2005), Smokey Robinson (2006), Diana Ross (2007) and Brian Wilson (2007).

Even after 2008, the Kennedy Center often opted to single out a member of a group rather than honor the entire group. The Beatles should certainly have been honored by the Kennedy Center, but the Center selected Paul McCartney for a solo honor in 2002. (McCartney was unable to attend that year due to a family commitment and was finally honored in 2010.)

Other group members who were honored as individuals instead of as part of the groups with which they first achieved fame are Carlos Santana (2013), Sting (2014), Mavis Staples (2016), Gloria Estefan (2017), Lionel Richie (2017), Cher (2018), Gladys Knight (2022) and Barry Gibb (2023). In some cases, it made more sense to honor the individuals. In other cases, it made less sense. Even Barry Gibb would doubtless say that his best and most lasting work was done in the Bee Gees alongside his brothers Robin and Maurice.

Both of Gibb’s brothers had died by 2023, and the Kennedy Center generally doesn’t honor people posthumously — though it made an exception for Glenn Frey, who had died by the time the Eagles were honored in December 2016. (He was alive when the group was selected in 2015. Miranda Lambert performed the Eagles classic “Desperado” on the 2015 show as a mini-tribute.)

The rule about not honoring group members posthumously needs review. To honor Earth, Wind & Fire, as the Kennedy Center did in 2016, without honoring its mastermind Maurice White is hard to fathom. Likewise, to honor Grateful Dead without recognizing its principal songwriter and lead guitarist Jerry Garcia just seems off.

This year’s other honorees are Bonnie Raitt; jazz trumpeter, pianist and composer Arturo Sandoval; filmmaker Francis Ford Coppola; and the legendary Apollo Theater in Harlem, which is the first venue to be honored.

Here’s a complete list of the groups that have been received Kennedy Center Honors, together with the dates they were inducted into the Rock and Roll Hall of Fame and that they received lifetime achievement awards from the Recording Academy.

The Who (2008)

Image Credit: Ron Sachs-Pool/Getty Images

Selena Gomez finally has a Primetime Emmy nomination in an acting category, and it couldn’t be sweeter. That’s why the 31-year-old star is celebrating the news with a cake, writing on Instagram Stories Wednesday (July 17) that she couldn’t be more thankful for the recognition.  After receiving word that she’d received a nod for outstanding […]

The Latin Recording Academy announced on Thursday (July 18) that artistas Albita, Lolita Flores, Alejandro Lerner, Los Ángeles Azules, Draco Rosa and Lulu Santos will receive this year’s Lifetime Achievement Award, as part of its annual Special Awards presentation. Additionally, Puerto Rican composer Ángel “Cucco” Peña and Mexican guitarist Chucho Rincón will receive the Trustees Award.

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“It is with great pride that we honor these musical legends who continue redefining our Latin music and heritage, said Manuel Abud, CEO of The Latin Recording Academy, in a statement. “We look forward to celebrating them as part of our Latin GRAMMY® 25th anniversary festivities in November.”

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According to the Latin Academy, the Lifetime Achievement Award is presented to performers who have made creative contributions of outstanding artistic significance to Latin music and its communities. Meanwhile, the Trustees Award is given to artists who have made “significant contributions to Latin music during their careers in ways other than performance.” Both are voted on by the Latin Recording Academy’s Board of Trustees.

Renowned for her fiery vocal delivery, Albita has been championing Cuban music and tradition since the late ’80s. Daughter of Spanish legends Lola Flores and Antonio “El Pescaílla” González, Lolita Flores has made significant contributions to modern flamenco with her stunning voice and diverse repertoire. Hailing from Buenos Aires, Alejandro Federico Lerner was a trailblazer in Argentine rock during the ’70s and is celebrated as a seminal figure in the genre.

From Iztapalapa to the world, Los Ángeles Azules have been instrumental in propelling Mexican cumbia to international acclaim since the ’70s, continually infusing the genre with a Latin alternative twist that keeps it vibrant and relevant. Puerto Rican multi-hyphenate Draco Rosa has evolved from boy band stardom to becoming a rock en español icon and global hitmaker. Lastly, Lulu Santos, a gifted Brazilian guitarist, singer and composer, has enchanted audiences for over five decades with his distinctive contributions to Brazilian music.

The honorees will be celebrated at a private event on Sunday, Nov. 10, in Miami during Latin Grammy Week. As in previous years, Latin Grammy Week will include the Latin Grammy Person of the Year gala, which this year honors Colombian sensation Carlos Vives, the Special Awards ceremony and a Leading Ladies of Entertainment luncheon, among other events.

Nominations for the 2024 Latin Grammys will be announced on Sept. 17, and the awards ceremony will take place on Nov. 14 at the Kaseya Center in Miami.