Awards

Songs Not in the English Language That Won Oscars for Best Original Song: Complete List

This is a clear sign of the increasing globalization of pop culture, and specifically of the Motion Picture Academy’s voting body.

“El Mal” from Emilia Pérez won best original song at the 2025 Oscars on Sunday (March 2), marking the second time in three years that the award has gone to song that was performed in the film in a language other than English.

This is the first time in the history of the best original song category, which was first presented in 1935, that two “foreign-language songs” (as we used to call them in less enlightened times) have won in such quick succession.

“El Mal” is the sixth winner that was performed in the film in a language other than English. Four of those songs have won in the last 21 years. In the first 70 years that the award was presented, just two such songs won.

This is a clear sign of the increasing globalization of pop culture, and specifically of the Motion Picture Academy’s voting body.

Three of these six songs were performed in Spanish in the films (including “El Mal,” despite the fact that all three of the song’s writers are French). One was performed in Greek, one in Hindi and one in Telugu.

One of them became a smash hit in 1950 when performed in English by one of the top recording artists of the era, the great Nat King Cole. Two others became top 15 hits on the Hot 100 when covered by hitmaking female vocal groups, The Chordettes and The Pussycat Dolls.

Here’s a complete list of songs not in the English language that won Oscars for best original song. 

RAYE Explains Why Covering Adele at the 2025 Oscars Was ‘Terrifying’

You wouldn’t have been able to tell from watching RAYE‘s performance at the 2025 Oscars Sunday (March 2) — during which she absolutely nailed Adele‘s “Skyfall” as part of the night’s James Bond tribute — but the British star was actually quite nervous.

And during a post-show interview with Entertainment Tonight, RAYE explained why paying homage to the “Rolling in the Deep” vocalist was particularly “terrifying.” “No one can sing Adele like Adele,” she said. “It’s scary.”

The “Escapism” artist added, “It was terrifying, but also so incredible at the same time.”

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RAYE closed out the Bond medley by taking the stage shrouded in fog, showing off her powerful vocals on Adele’s original theme for the franchise’s 2012 film, Skyfall. The track reached No. 8 on the Billboard Hot 100 and won best original song at the Oscars in 2013.

Before RAYE took the stage, The Substance actress Margaret Qualley performed a slinky dance number with a troupe of tuxedoed men — about which the former told ET, “She ate that up … Multi-talented and fine as hell, Jack [Antonoff] is a very lucky man.”

After Qualley’s number, RAYE’s “Born Again” collaborators LISA and Doja Cat each performed solo renditions of two other famous Bond themes, with the BLACKPINK star delivering both choreography and vocals on Wings’ “Live and Let Die” before the “Paint the Town Red” rapper commanded the spotlight singing Shirley Bassey’s “Diamonds Are Forever.” After RAYE closed out the 007 tribute, the trio came together on stage to receive the applause together. 

“We have such a beautiful chemistry together,” RAYE said of LISA and Doja. “I just love those girls, they’re so kind and hardworking and inspiring.”

The Academy Awards come a few weeks after the 2025 Grammys, where the “Oscar Winning Tears” vocalist performed in a best new artist medley alongside fellow nominees Doechii, Benson Boone, Teddy Swims and Shaboozey; winner Chappell Roan performed elsewhere in the evening. She was also up for songwriter of the year, which ended up going to Amy Allen. 

One day prior to the Oscars, RAYE won best R&B act at the 2025 BRIT Awards.

6 Best 2025 Oscars Music Moments You Didn’t See on TV

Billboard was inside the Dolby Theatre for the Wicked opening, the James Bond music tribute & more.

For an Oscars telecast that explicitly excluded performances of the five best original song nominees, Sunday night (March 2) was still a very musical affair.

The 2025 awards show opened with a performance from Wicked stars Ariana Grande and Cynthia Erivo, and also included tributes to the music of James Bond from the pop-star trifecta of LISA, Doja Cat and RAYE and to the film legacy of Quincy Jones from Queen Latifah. Then we had Selena Gomez and Miley Cyrus as presenters, plus a surprise Mick Jagger moment.

Even the night’s host Conan O’Brien wanted to get in on the action, extending his already 15-minute-plus opening monologue to sing a merry musical number declaring “I won’t waste time”… as he did just that with the jaunty tune.

We can even dig a little deeper to find a Taylor Swift connection to the night, even though the omnipresent pop star was not in the building. A Swift fan account on X noticed that five of the star’s Eras Tour dancers — Jan Ravnik, Sydney Moss, Sam McWilliams, Taylor Banks and Tori Evans – all performed as part of the Bond tribute, backing up The Substance star (and wife of Swift producer and pal Jack Antonoff) Margaret Qualley.

But that was all part of the onscreen action Oscar viewers could enjoy from the comfort of their couches. Billboard was inside the Dolby Theatre on Sunday night and caught a few music moments the cameras missed. Below, find the six music moments you didn’t see on TV.

Snubs & Surprises at the 2025 Oscars

Diane Warren has now gone 0-16 for best original song, while A Complete Unknown was 0-8 overall.

Often, by the time the Oscars finally roll around, even people with just a casual interest in movies know who’s likely to win the big awards. All the shows that precede the Oscars (the Golden Globes, the Critics Choice Awards, the Screen Actors Guild Awards, the BAFTAs and many, many more) have taken a lot of the suspense out of the granddaddy of all award shows.

This year, however, several categories seemed to go down to the wire. Best picture, best actor and best actress were all less than certain, as were the two categories that mean the most to us at Billboard – best original song and best original score.

To be sure, some of the awards were entirely predictable. Kieran Culkin was a lock for best supporting actor for A Real Pain, and Zoe Saldaña was nearly as strong a bet as best supporting actress for Emilia Pérez.

Other categories that were never really in doubt include Wicked for best production design and best costume design; The Substance for best make-up and hairstyling; I’m Still Here for best international feature (especially after Emilia Pérez suffered a backlash after its star’s old tweets were uncovered); and Dune: Part Two for best visual effects. (The Oscars have a long history of using technical categories to honor blockbusters such as Dune: Part Two that don’t quite align with their tastes.)

But our focus here is on snubs and surprises, and there were several sprinkled throughout the show. Take a look.

Sean Baker, Adrien Brody & More Record-Setters at the 2025 Oscars

Sean Baker won four Oscars for Anora at the 2025 Academy Awards, which were presented on Sunday (March 2) at the Dolby Theater at Ovation Hollywood. This tied Walt Disney’s 1954 record for most Oscars won in one night.

Baker won best picture, best director, best original screenplay and best editing. At the Oscars in February 1954, Walt Disney won four Oscars (all for different films): best documentary feature (The Living Desert), best documentary short subject (The Alaskan Eskimo), best cartoon short subject (Toot, Whistle, Plunk and Boom) and best two-reel short subject (Bear Country).

Anora won five awards in all (Mikey Madison also won best actress), which made it the night’s most awarded film. The Brutalist was second with three awards.

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Adrien Brody, Kieran Culkin and Zoe Saldaña won the other three acting awards. But this being Billboard, let’s turn first to the winners in the music categories.

“El Mal” from Emilia Pérez won best original song. It’s the second time in three years that the award has gone to song in a language other than English. “El Mal” is sung in Spanish. “Naatu Naatu” from RRR, an Indian Telugu-language song, won in this category two years ago.

Four other such songs have won over the years – “Mona Lisa” from Captain, Carey, U.S.A. (which is performed in Spanish by a troubadour in the 1950 film, though it is best known for Nat King Cole’s smash cover version in English); “Never on Sunday” from the film of the same name (which is performed in Greek in the 1960 film); “Al Otro Lado Del Río” from The Motorcycle Diaries (which is performed in Spanish in the 2004 film); and “Jai Ho” from Slumdog Millionaire 14 years ago (which was performed in Hindi).

“El Mal” was co-written by Clément Ducol and Camille, who are a romantic couple, and Jacques Audiard, who directed the film. Ducol and Camille are the sixth romantic couple to win in this category following Alan and Marilyn Bergman, Burt Bacharach and Carole Bayer Sager, Jack Nitzsche and Buffy Sainte-Marie, Glen Hansard and Marketa Irglova, and Robert Lopez and Kristen Anderson-Lopez.

Audiard is just the second person in Oscar history, and the first in nearly 50 years, to win an Oscar for writing or co-writing a song from a film he directed. The first was Joe Brooks, who wrote “You Light Up My Life,” which won in 1978.

“El Mal” beat the latest song by Diane Warren, who has now gone 0-16 in the category, and two-time winner Elton John, who went home from an Oscar ceremony where he was a nominee without an Oscar for the first time. With her 0-16 track record, Warren ties sound and sound mixing specialist Greg P. Russell for the most nominations without a competitive win (yet).

Daniel Blumberg won best original score for The Brutalist. This was one of two awards for Brady Corbet’s film, which stars Adrien Brody as a Hungarian Jewish architect who survives the Holocaust and builds a new life in America. Blumberg, 35, is an English artist, musician, songwriter and composer. In addition to composing all the music, Blumberg served as producer and recording engineer and played piano, harmonica, keyboards and synthesizer.

Adrien Brody won his second Oscar for best actor for The Brutalist, 22 years after he won his first for The Pianist. He is just the third actor to win twice in that category since 2000, following Sean Penn (Mystic River and Milk) and Daniel Day-Lewis (There Will Be Blood and Lincoln).

Mikey Madison won best actress for playing the title role in Anora.  The 25-year-old actress won in what was seen as a close race with Demi Moore, 62, nominated for The Substance. Madison is the youngest winner in this category since Jennifer Lawrence won at age 22 in 2013 for Silver Linings Playbook.

Kieran Culkin won best supporting actor for A Real Pain. He’s the first winner in that category from a movie that wasn’t nominated for best picture since Christopher Plummer won in 2012 for Beginners. His co-star in the film, Jesse Eisenberg, was nominated for best original screenplay, but lost to Sean Baker for Anora.

Zoe Saldaña won best supporting actress for Emilia Pérez, becoming the fifth actress to win in this category for a musical performance since 2000. She follows Catherine Zeta-Jones for Chicago (2003), Jennifer Hudson for Dreamgirls (2007), Anne Hathaway for Les Misérables (2013) and Ariana DeBose for West Side Story (2022).

Saldaña performed the best original song winner, “El Mal,” in Emilia Pérez. This is only the fifth time an actor has won a competitive acting Oscar for a performance that included singing an Oscar-winning song.

Emilia Pérez won just two awards from its 13 nominations – best original song and best supporting actress. Netflix’s crime musical holds an unwelcome Oscar record: It won fewer Oscars than any other film that received 13 or more nominations. The old record was held by The Curious Case of Benjamin Button, which won three awards from its 13 nods in 2009.

Paul Tazewell won best costume design for Wicked. He’s just the second Black costume designer – and the first Black man – to win in this category. Ruth E. Carter is the only other Black costume designer to win here. She won for both Black Panther and its sequel, Black Panther: Wakanda Forever.

Flow won the Oscar for best animated feature, becoming the first indie film to win in this category.

‘The Brutalist’ Wins Best Original Score Oscar

At the 97th Annual Academy Awards on Sunday night (March 2), Daniel Blumberg took home the Oscar for best original score for composing the music of the towering drama The Brutalist.

Blumberg won his first Academy Award on his first nomination, after the 35-year-old previously won the Ivor Novello Award for best original film score for The World To Come in 2022. The Brutalist entered the Oscars with 10 total nominations, and director Brady Corbet’s film won one award prior to Blumberg’s victory, for best cinematography.

“I’ve been an artist for 20 years, since I was a teenager,” Blumberg said during his acceptance speech, “and when I met Brady, I met my artistic soulmate.” The musician also thanked, among others, the “hard-working, radical musicians” who helped perform his score for the film.

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Blumberg’s work for The Brutalist was nominated alongside the scores for Conclave, Emilia Pérez, Wicked and The Wild Robot. In the evening’s other musical category, “El Mal,” from Emilia Pérez, won best original song.

The film — which runs three and a half hours long — was also nominated for best picture, best actor (which star Adrien Brody won), supporting actor, supporting actress, director, original screenplay, cinematography (which the film won), editing and production design.

The 2025 Oscars were hosted by comedian Conan O’Brien — who helmed the A-list ceremony for the first time — at the Dolby Theatre at Ovation Hollywood. The show aired live on ABC, and also livestreamed on Hulu for the first time.

Queen Latifah Sings ‘Ease on Down the Road’ in Tribute to Quincy Jones at 2025 Oscars

The 2025 Oscars turned out to be a big night for more than one movie inspired by L. Frank Baum’s Wizard of Oz series. Sure, Wicked got plenty of attention – Oscar-nominated stars Cynthia Erivo and Ariana Grande opened the 97th annual Academy Awards with a performance of Oz-related songs, and yes, Wicked nabbed the Oscars in the production design and costume design categories.

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But the real surprise was how much airtime was devoted to The Wiz, Sidney Lumet’s 1978 adaptation of a Broadway musical. Not only did Erivo sing “Home” from that film, but Queen Latifah hit the stage to deliver a rousing, bouncy take on “Ease on Down the Road,” another of the film’s classic numbers (which Michael Jackson and Diana Ross took to No. 41 on the Billboard Hot 100).

The Oscar-nominated actress’ performance — which she delivered rocking a billowy silver cape — was in tribute to Quincy Jones, who died in Nov. 2024 at the age of 91. Jones was nominated for seven Oscars over the course of a lengthy career that saw him score many films and contribute to plenty of others, including The Wiz, on which he served as the musical supervisor and music producer.

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Prior to the performance, Oprah Winfrey and Whoopi Goldberg — who worked together on 1985’s The Color Purple, which Jones wrote the score for and co-produced – said a few words in honor of the beloved figure in the film, TV and music industries. “Quincy was love in human form,” Winfrey said.

Actors Who Have Won Oscars for Performing a Song That Won an Oscar: Full List

And we haven’t forgotten Judy Garland and James Baskett, who received honorary Oscars.

Zoe Saldaña won best supporting actress at the 2025 Oscars on Sunday (March 2) for her role in Emilia Pérez. Her performance included performing the song “El Mal,” which won best original song. This is only the fifth time in Oscar history that someone has won a competitive Oscar for a performance that included singing the song that won best original song.

In addition, two actors received honorary Oscars for performances that included singing the best original song winner. Honorary awards are lovely, but winning in a competitive race is everything, especially at EGOT-level award shows.

Still, let’s give those two recipients of honorary Oscars a shout-out. In 1940, Judy Garland received an honorary Oscar inscribed “To Judy Garland for her outstanding performance as a screen juvenile during the past year.” Her unforgettable performance that year was playing Dorothy in The Wizard of Oz, in which she sang the best original song winner “Over the Rainbow” (which was co-written by Harold Arlen and E.Y Harburg).

In 1948, James Baskett received an honorary Oscar “for his able and heart-warming characterization of Uncle Remus, friend and story teller to the children of the world in Walt Disney’s Song of the South.” That performance included singing the Oscar-winning song “Zip-A-Dee-Doo-Dah” (which was co-written by Allie Wrubel and Ray Gilbert). The film is now seen as racist, but it’s not fair to discredit the song for the shortcomings of the film.

Here are the five actors who won Oscars in competitive categories for a performance that included singing a song that won an Oscar. The years shown are the years of the Oscar ceremonies. We also show excerpts from the actors’ Oscar acceptance speeches.

Conan O’Brien Makes a Joke About the Drake & Kendrick Lamar Feud at the Oscars: Watch

Midway through the 97th Annual Academy Awards on Sunday (March 2), host Conan O’Brien fired off a Kendrick Lamar one-liner that once again made Drake the butt of the joke — this time at the Oscars.

Coming out of a commercial break, O’Brien took the stage at the Dolby Theatre at Ovation Hollywood and quipped, “Well, we’re halfway through the show — which means it’s time for Kendrick Lamar to come out and call Drake a pedophile!”

After a few seconds of audience laughter, O’Brien added, “Don’t worry, I’m lawyered up!” The line was a reference to the fact that Lamar did not say the word “pedophile” during his halftime performance of his smash “Not Like Us” at Super Bowl LIX.

O’Brien’s joke at the Academy Awards followed a tumultuous month in the Kendrick-Drake feud. After “Not Like Us” won record of the year and song of the year at the Grammys, giving Lamar his first career Big Four wins, the rap superstar took the halftime stage at the Super Bowl, performing a medley of smashes alongside guests such as SZA, Mustard and Serena Williams.

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While the Super Bowl performance sent “Not Like Us” back to the top of the Billboard Hot 100, Drake topped the Billboard 200, alongside PARTYNEXTDOOR, with their collaborative R&B album $ome $exy $ongs 4 U. And Lamar and SZA sent their team-up “Luther” to the top of the Hot 100 during the same week $$$4U debuted at No. 1 on the Billboard 200.

Watch Conan O’Brien joke about the Kendrick-Drake beef below:

Mick Jagger Makes Surprise Oscars Appearance, Reveals ‘El Mal’ Wins Best Original Song Oscar

A surprise appearance from Mick Jagger had the Dolby Theatre audience on their feet and applauding Sunday (March 2) night at the 97th annual Academy Awards.

“You’re so kind. I’m greatly honored to be invited to give this award,” said the Rolling Stones frontman. “Much as I love doing it, I wasn’t the first choice. The producers really wanted Bob Dylan to do this. But Bob Dylan won’t do it because he said the best songs in a movie this year were in A Complete Unknown,” Jagger joked before adopting a pretty fair Dylan impersonation. “Bob said, ‘You should find somebody younger.’” Jagger laughed. “Hey, I’m younger than Bob Dylan!” For the record: Dylan is 83, Jagger is a sprightly 81.

After it was a revealed that the Emilia Pérez song “El Mal” had nabbed the trophy, Clément Ducol, Camille and Jacques Audiard took the stage, with Camille nodding to Jagger’s presence by singing out a bit of the “woo-woo” portion of the Stones’ “Sympathy for the Devil.”

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“We wrote ‘El Mal’ as a song to denounce corruption,” Camille said. The trio wrapped their acceptance speech with Camille and Ducol, who are a couple, blending their voices to sing one of the songs from the film, harmonizing together as they crooned the name “Emilia Pérez.” Folks in the audience offered some puzzled chuckles and applause.

The other songs nominated for the best original song Academy Award were: “The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren; “Like a Bird” from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada; “Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol; and “Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin.