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Toxic Avengers: Blueface Leaks Alleged Texts From Lil Baby To Chrisean Rock

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Blueface and Chrisean Rock have one of the more toxic public relationships today and it looks like things are going even more off the rails. The Los Angeles rapper posted an alleged series of texts from Lil Baby that were sent to Rock, and Blueface is accusing the Atlanta star of pretending to be a “big brother.”

Blueface took to Twitter on Monday (Feb. 20) and shared the alleged DMs from Lil Baby towards Chrisean Rock writing in the caption, “Met my b*tch one time talm bout he “big brother” [crying laughing emoji] You ain’t no son to me the truth could never be a dis.”

The alleged DMs read, “It’s Baby. Why people saying I was in your DM [crying laughing emojis]. Why you ain’t tell them I’m a big brother. I hate sh*t like that.”

In a following string of tweets, Blueface made veiled threats towards Lil Baby.

“I run this sh*t on sy be mad if you want to b*tch post my messages I’m bleeding anything come thru my Territory without checking In welcome to death row,” read one tweet.

In another tweet, he added, “Anything that makes rock boom I’m all for it even if I gotta look bad I ain’t bring her to the top for you n*ggas to play fake big brother an fake like you want to work for a picture or some p*ssy let’s do business or move around it’s very simple I invested in this long time ago.”

This issue looks to have been brewing for a while after Rock shared during an Instagram Live session that she crossed paths with Baby during Super Bowl Weekend. Blueface was not approving of that exchange as well.

As it stands, many are reacting to Blueface’s tweets and assumed threats towards Lil Baby although he didn’t use direct messages to the rapper’s user name on Twitter.

On the sidelines, folks have plenty to say and we’ve got the reactions listed below.

Photo: Prince Williams / Getty

Rape trial of Moroccan Singer Saad Lamjarred Starts in Paris

The trial of Moroccan singer Saad Lamjarred, who is accused of aggravated rape and assault, started in Paris on Monday (Feb. 20).

The 37-year-old Lamjarred, who is famous on the Arab pop music scene, allegedly raped a French woman at a luxury hotel on the Champs-Elysees in October 2016 while he was under the influence of alcohol and cocaine.

He has denied the allegations. If convicted, he faces up to 20 years in prison. A verdict is expected on Friday.

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The woman, who was 20 years old at the time, said that she met Lamjarred at a Paris nightclub and accompanied him to his hotel, according to the document summarizing the conclusions of the investigation that was read out by the presiding magistrate at the court.

She said that he struck her several times as she was trying to push him back before he raped her, the document said. She managed to leave the room, and hotel staff reported seeing her crying and in distress.

The woman’s lawyer Jean-Marc Descoubes, told reporters Monday that the alleged victim remains strong, despite the trauma she sustained. “It was extremely violent… It was very traumatic for her. She’s still being treated, but she remains strong, decent and courageous,” said Descoubes.

On Monday, Lamjarred told the court that he rejects the allegations of rape and assault. He acknowledged he had “occasionally” used alcohol and drugs at the time, but has since stopped.

The court said Lamjarred respected the conditions of the judicial supervision he has been under since 2017. Lamjarred is not permitted to perform in France, but has been allowed to leave the country for shows abroad.

Lamjarred is one of the Arab world’s most popular artists. His music video “Lm3allem” has more than 1 billion views on his YouTube channel, where he has more than 14 million subscribers.

King Mohammed VI awarded him Morocco’s highest national honor in 2015.

Lamjarred has also been charged with the aggravated rape of another woman in August 2018 at a nightclub in Saint-Tropez on the French Riviera. A trial date hasn’t been set for that case.

The Roots & Live Nation Announce 2023 “Roots Picnic Weekend”, Lauryn Hill & Diddy Headlining

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Source: Live Nation / Live Nation Urban

The Roots and Live Nation Urban announced the dates on Monday (Feb. 20) and it is jam-packed with events. The two-day festival proper will once again be held at the Mann in Fairmount Park in Philadelphia, PA on Saturday and Sunday, June 3 and 4).

Arguably the first guest name to grab your attention is Lauryn Hill, who will be celebrating the 25th anniversary of her landmark album, The Miseducation of Lauryn Hill. Ms. Hill will be performing the album in its entirety. Also at the top of the bill are Diddy & The Roots, Lil Uzi Vert and Dave Chappelle, who will be performing a stand-up set on Friday, June 2. Chappelle’s comedy set, with the Roots, will kick off the weekend at the Wells Fargo Center.

Other notable acts on deck include Eve returning to the stage during Black Thought’s Live Mixtape set and a State Property Reunion as well as Little Brother, Glorilla, City Girls and DJ Drama. There will also be a “Podcast Stage” that will feature live podcasts from Charlamagne Tha God, Off The Record with DJ Akademiks, Lip Service with Angela Yee, People’s Party with Talib Kweli, Questlove Supreme, and more.

If you’re getting tickets, a fan club presale launches starts Tuesday, February 21 at 12PM ET, while general on-sale ticketing starts on Wednesday, February 22 at 10AM ET. Weekend tickets and VIP packages can be found right here.

Check out the full lineup, so far, below.

Diddy w/ The Roots

Ms. Lauryn Hill

Lil Uzi Vert

Dave Chappelle w/ The Roots

Soulquarians Set featuring Roy Ayers & The Isley Bros

Black Thought Live Mixtape featuring Busta Rhymes & Eve

Ari Lennox

Lucky Daye

City Girls

Maverick City

Syd

Glorilla

DJ Drama

Uncle Waffles

Saucy Santana

DVSN

Kindred The Family Soul

Spinall

State Property Reunion (Freeway, Beanie Siegel, Young Gunz, Peedi Crakk, Oschino & Sparks)

Little Brother

Yussef Dayes Experience

Adam Blackstone w/ Coco Jones & Mary Mary

Baller Alert Presents Go Go: Backyard Band vs Rare Essence

Symba

Fridayy

Mike Phillips

Rocky

Dappa

Akin Inaj & Inutech

PODCAST STAGE:

Charlamagne Tha God

Off The Record with DJ Akademiks

Don’t Call Me White Girl

Lip Service with Angela Yee

Questlove Supreme

People’s Party with Talib Kweli

Pour Minds

Trap Nerds

The Office XIV

Love + Grit

Ashley McBryde, Eddie Vedder, Tanya Tucker & More Lead Tribute to Leslie Jordan in Nashville: ‘He Was a Light in My Life’

“Well, s—!”

It was a refrain that reverberated often throughout the Grand Ole Opry House in Nashville on Sunday evening (Feb. 19), as a cavalcade of musicians, actors and comedians gathered “reported for duty” to celebrate the life and career of the late Leslie Jordan, who died Oct. 24, 2022, at age 67.

Jordan was known for his acting roles including his Emmy Award-winning portrayal of Beverly Leslie on Will & Grace, as well as work in the American Horror Story series and most recently on the series Call Me Kat.

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But it was the COVID-19 pandemic that brought Jordan greater acclaim, as his hilarious, witty Instagram videos went viral — filled with signature sayings like “Hello, fellow hunker downers!” and “Well, s—!” — providing both comedic relief and an emotional balm to during the uncertain, anxiety-ridden early days of the pandemic. In 2020, Jordan amassed nearly six million social media followers (though Jordan would adamantly call them friends, not “followers”), and the following year, he released his debut gospel album, Company’s Comin’, which saw him team with country artists including Dolly Parton, Katie Pruitt, Tanya Tucker, T.J. Osborne, Ashley McBryde and Charlie Worsham, as well as rock music icon, Pearl Jam frontman Eddie Vedder.

Many of the artists featured on Company’s Comin’ were on hand to perform and share memories of Jordan during the event, dubbed “Reportin’ For Duty: A Tribute to Leslie Jordan,” which packed the 4,000-seat Opry House Sunday evening.

The love in the room for Jordan was palpable, whether performers and speakers had known Jordan for years or only hours.

Comedian Leanne Morgan hosted the evening, telling the audience that Jordan’s biggest accomplishment was “being unapologetically himself.”

“I’m sure he is all smiles knowing he brought together the most eclectic group of people to ever grace the Opry stage,” Morgan added. The evening was filmed for an upcoming special on Opry Entertainment Group’s Circle Network.

Tanya Tucker launched the show with renditions of “Amazing Grace” and her 1972 signature hit “Delta Dawn.”

“He was a light in my life,” Tucker told the audience. “I’ll always remember his laughter.”

Performances followed from Travis Howard (a medley of “I’ll Fly Away,” “I Saw the Light” and “When the Roll is Called Up Yonder”), McBryde (“Girl Goin’ Nowhere”), Maren Morris with Ryan Hurd (“What Would This World Do”), Fancy Haygood with John Osborne (“Go Rest High on That Mountain”), HARDY (“Give Heaven Some Hell”), ERNEST (“Songs We Used to Sing”), Brittney Spencer (“Sober and Skinny”), Ruby Amanfu (“How Beautiful You Are”), Katie Pruitt (“This Little Light of Mine”) and Jake Wesley Rogers, who turned in one of the evening’s strongest performances with a rendering of his song “Jacob From the Bible.”

Jelly Roll performed his No. 1 Country Airplay hit “Son of a Sinner,” and told the crowd, “[Jordan] gave love and he looked for love.”

Many of Jordan’s friends and television co-workers were also on hand, including Mayim Bialik, Margaret Cho, Max Greenfield, Cheyenne Jackson, Anthony Mason, Jim Parsons and Robyn Schall.

Following her solo performance, Pruitt teamed with Jackson for a song they created to pay tribute to Jordan’s well-known, “Well s—” saying. Lainey Wilson teamed with Lukas Nelson for a stirring rendition of the Parton/Kenny Rogers classic “You Can’t Make Old Friends,” with Wilson following with a rendition of her current top 10 Billboard Country Airplay hit “Heart Like a Truck.”

“I feel so honored to be here tonight,” Wilson said. “I never got to meet him, but he felt like one of those guys you just knew.”

Parton sent in a video tribute, in which she told Jordan, “Everybody loves you, but I doubt that many of them loved you more than I did.”

Worsham performed “Believe in Love,” and said of Jordan, “He only performed at the Opry a couple of times. But in that short time, he did what country music does at its best, which is to expand this circle to include everyone.”

The evening’s most powerful moments came as the evening celebrated not only Jordan’s light and laughter, but his journey as a gay man who was raised in the conservative South and went on to become a beloved celebrity, known not only for his humor, but for his love for everyone around him.

Brothers Osborne took the stage to perform “I’m Not For Everyone” (Jordan had appeared in the official video for the song), and followed with “Younger Me,” a song T.J. Osborne wrote after coming out as gay in 2021. He dedicated the evening’s performance to a gay couple in the audience who were celebrating 20 years together.

It was noted that as serious as Jordan was about his acting and comedy, he was dedicated to serving others — particularly those battling AIDS, as he took part in Project Angel Food in the 1990s, giving meals to those impacted by AIDS. It was also noted that Jordan also sat with those who were dying of AIDS, when their own families would not be present. The proceeds from the event also went to another cause close to Jordan’s heart, the EB Research Partnership, the largest global organization dedicated to funding research to treat and cure Epidermolysis Bullosa (EB).

Vedder closed the evening, teaming with Lukas Nelson for “Maybe It’s Time,” followed by the Pearl Jam classic “Just Breathe” and “The One Who Hideth Me,” Vedder’s collaboration with Jordan on the Company’s Comin’ album. For the final song, the evening’s entertainers gathered onstage for a rendition of “I Shall Be Released.”

It was comedian Schall who summed up the evening’s essence best, relaying to the crowd Jordan’s relentless support and encouragement, even when it came to making Instagram videos.

“We’d make a video, and he would call me and say, ‘Hey, Robyn, we’re gonna post this. What’s the best time to do it, so you shine the best?’ I think it’s so fitting [how] a tribute night to Leslie Jordan is just all of his friends, shining so bright.”

Rebel Wilson Gets Engaged to Ramona Agruma at Disneyland

Rebel Wilson is engaged.

The actress and fashion and jewelry designer Ramona Agruma became engaged after a proposal that took place at Disneyland. Wilson posted the news on Instagram on Sunday.

“We said YES! ?? Thank you @tiffanyandco for the stunning ring ? and to Bob Iger and the incredible team at Disneyland @disneyweddings for pulling off this magical surprise!” she wrote.

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Wilson shared two photos in her post. The couple are wearing matching pink-and-white striped sweaters with a black heart on the front. One photo shows Agruma’s engagement ring, while the other shows them with Disneyland’s Sleeping Beauty castle in the background.

Wilson and Agruma first revealed they were a couple in June 2022. At the time, Wilson posted a photo on Instagram with the caption: “I thought I was searching for a Disney Prince… but maybe what I really needed all this time was a Disney Princess ???#loveislove”

Wilson welcomed her first child, daughter Royce, via surrogate in November.

The Pitch Perfect actress also recently launched a dating app, Fluid.

“This is the first dating app where you don’t have to actually define yourself or tick a box to say ‘I’m straight, I’m gay, I’m bisexual,’ and you don’t have to describe what you are looking for,” she told People of her new venture. “It’s kind of love with no labels.”

This article originally appeared in THR.com.

Miley Cyrus’ ‘Flowers’ Stands Tall On U.K. Chart

Nothing can crush “Flowers” (via Columbia) in the U.K., as Miley Cyrus’ track becomes the longest-reigning No. 1 single of 2023 so far.

The U.S. pop singer enters a fifth consecutive week atop the Official U.K. Singles Chart with “Flowers,” powered by 8.5 million streams across the cycle. That’s more than enough streams to lead all singles in that format for a fifth straight week.

“Flowers” is easily Miley’s biggest chart hit in the U.K., beating the single-week runs for her previous leaders “We Can’t Stop” and “Wrecking Ball,” both from 2013.

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After nabbing her first-ever U.K. top 10 spot earlier in the month, PinkPantheress pounces once more with “Boy’s a liar” (Warner Records), up 8-3 in its ninth week on the chart. It’s the third top 40 appearance for the British singer, songwriter and producer, and it’s helped up by a remix featuring rising U.S. rapper Ice Spice.

Linkin Park locks the highest new entry on the latest chart, published Feb. 17, with “Lost,” a previously unreleased track which features vocals from the band’s late leader singer Chester Bennington.

The nu-metal favorites bow at No. 18, for their first U.K. top 20 appearance in 14 years. “Lost” is one of six unreleased songs on Meteora 20, the 20th anniversary edition of their sophomore album. Meteora 20th Anniversary Edition will be released through Warner Records on April 7.

Further down the list, London rapper Strandz scores his first U.K. top 40 as “Us Against The World” (Relentless) jumps 42-27, while countryman Central Cee snags his 16th top 40 appearance with “Me & You” (Central Cee), new at No. 31.

Close behind is Brighton, England alternative-pop act Lovejoy with “Call Me What You Like” (Anvil Cat). It’s new at No. 32 for Lovejoy’s first top 40 appearance.

Finally, the Feb. 12 Brit Awards has juiced-up the chart performance of several winners, performers and nominees.

Among the beneficiaries is George Ezra “Green Green Grass” (Columbia), which lifts 19-14 after it was shortlisted for song of the year, eventually losing out to Harry Styles’ “As It Was” (Columbia), up 34-7 on the latest survey. Meanwhile, Lewis Capaldi’s “Forget Me” (Vertigo), which the Scotsman performed on the night, is up 44-37.

Paramore’s ‘This Is Why’ Powers to No. 1 In U.K.

Paramore stands tall atop the U.K. albums chart as This Is Why (via Atlantic) blasts to No. 1.

This Is Why had led its closest rival at the midweek point by two-to-one, and it completes the job by securing the title.

According to the Official Charts Company, This Is Why, the Franklin, Tennessee-formed band’s sixth studio LP, was a particular hit on physical formats, which accounted for 76% of its final total.

The reunited trio of Hayley Williams, Zac Farro and Taylor York now has a third U.K. No. 1, including Brand New Eyes (from 2009) and Paramore (2013). This Is Why also leads the Official Vinyl Albums Chart, and it’s the best-seller in Australia.

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Also new to the Official U.K. Albums Chart, published Feb. 17, is You Me At Six’s Truth Decay (Underdog), the Surrey, England group’s eighth studio album. It’s new at No. 4 for the rockers’ seventh consecutive top 10 appearance.

ABBA continues to mine Gold (Polydor) with their 1992 greatest hits collection, which improves 15-10. The set has now chalked up a ridiculous 1,085 weeks on the U.K. chart, and July 2021 became the first LP to log 1,000 weeks on the survey.

The Swedish pop legends have made a home of sorts in the U.K. with ABBA Voyage. Digital avatars of the band – or ABBA-tars, as the show’s producers insist on calling them – are performing through November at the purpose-built 3,000-capacity ABBA Arena in Queen Elizabeth Olympic Park, London.

Another legendary act makes an impact on the latest chart — The Rolling Stones. Mick Jagger and Co. bow at No. 21 with live hits collection GRRR! Live (Mercury Studios), for the Stones’ 54th top 40 appearance.

Finally, two major TV broadcasts produce chart bumps for several performers.

After performing a medley of hits for her Super Bowl halftime slot, Rihanna’s ANTI (Roc Nation) returns to the top 40 at No. 39. The Barbadian pop artist’s eighth studio album enjoys a 74% week-on-week gain as it improves 69 spots, the OCC reports, while RiRi’s 2007 album Good Girl Gone Bad (Def Jam) rises 41 places to No. 42.

Harry Styles won album, artist and song of the year at the 2023 Brit Awards. He’s a winner again as Harry’s House (Columbia/Sony) lifts 6-2, and his previous, sophomore set Fine Line improves 31-20 on the latest list.

And Brighton, England alternative pop duo Wet Leg’s chart-topping, eponymously-titled Domino Recordings debut flies 83 spots to No. 29, after winning for group of the year and best new artist at the BRITs.

Karol G Kicks-Off 2023 Viña del Mar: Sings with Myriam Hernandez & More

After a two-year hiatus due to the COVID-19 pandemic, the popular Viña del Mar International Song Festival kicked off Sunday night (Feb. 19) with Karol G as its headliner. 

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Wearing a baby pink, sweetheart dress, ankle-high socks, white sneakers, and her bright red locks, the Colombian artist delivered a “Bichota”-packed one-hour and 30-minute set in front of 15,000 people. 

“Hey Chile, what’s up?” she asked the audience after kicking off the set with “Gatubela” and “El Poblado (Remix).” “What energy so chimba (cool). I was very nervous and excited for this day to come.”

Singing completely live, accompanied by a group of 12 co-ed dancers, and her all-female girl band, Karol performed hits such as “Bichota,” “200 Copas,” “Ocean,” “Tusa,” and “MAMII,” before wrapping with the EDM version of “Provenza.” 

But this was far more than just another Karol G concert—it had special guests, meaningful fan moments, and more. See the highlights below: 

SPECIAL GUESTS

Though Karol G performed many of her collaborations alone, such as “Gato Malo” with Nathy Peluso, she invited two special guests to her Viña set. First, she called Chilean newcomer Criss MJ, with whom she performed the unreleased “Noche de Medellin (Remix)” for the first time. “Unfortunately, this song never came out,” she said before the two acts sang it together. She was later joined by renowned Chilean singer-songwriter Myriam Hernandez to sing a potent duet of Hernandez’s 1988 hit “El Hombre Que Yo Amo.” “It’s been 17 years since I’ve been here [Viña]. Thank you for inviting me,” Hernandez said after the song.

DEBUTS NEW SINGLE

During her set, Karol G also surprised fans by singing the opening track of her upcoming album Mañana Sera Bonito called “Mientras Me Curo del Cora.” She dedicated the Hawaiian-inspired song to her older sister who just had a baby.

GIFTS GAVIOTA TO FAN

Karol G made history as the first female urban artist to headline Viña del Mar and along the way, received the coveted silver and gold gaviotas, the seagull-shaped trophies that are the festival’s signature and are decided upon by fans. Toward the end of her set, Karol invited a “mini Bichota” (young fan) on stage, who flaunted her amazing dance moves, to which Karol and the rest of the audience agreed she deserved the gold trophy. It an only-Karol G moment. The hosts then noted they will be sending Karol another Gaviota to her home.

GIRL-POWER SHOUT OUTS

Not only did Karol interact with her fans but at one point she shouted-out Argentine artists Nicki Nicole and Emilia Mernes, who were enjoying the show. She also expressed how proud she is of forming part of this generation of empowered female voices, which includes Paloma Mami, Tini, and more.

For the first time in its more than six-decade history, the Viña del Mar International Song Festival will be live-streamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival then continues with Tini on Feb. 20; Alejandro Fernández on Feb. 21; Fito Páez on Feb. 22; Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.

Find the rest of the week’s schedule below.

Feb. 20 — Tini Stoessel

Feb. 21 — Alejandro Fernández

Feb. 22 — Fito Páez

Thursday, Feb. 23: Christina Aguilera

Friday, Feb. 24: Camilo

Jewel Performs the National Anthem at 2023 NBA All-Star Game

Jewel, a native of Utah, performed the U.S. national anthem ahead of the 2023 NBA All-Star Game in Salt Lake City.

Jewel, introduced as a “Grammy-nominated singer, songwriter and actress from Payson, Utah,” sang her take of “The Star-Spangled Banner” at Sunday night’s (Feb. 19) matchup between Team LeBron vs. Team Giannis. Guitar in hand, she strummed along and offered a folk rendition of the national anthem.

This year’s All-Star Game took place at Salt Lake City’s Vivint Arena.

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Jewel’s latest album, Freewheelin’ Woman, was released in 2022 via her own Words Matter Media.

Watch Jewel sing the national anthem below.

P!nk Addresses Comments About ‘Shading’ Christina Aguilera and ‘Lady Marmalade’ Video Shoot

P!nk has responded to comments that she’s been “shading” fellow pop star Christina Aguilera.

The singer was recently asked by Buzzfeed UK to rank her music videos, and what she said about her apparently less-than-ideal personal experience filming “Lady Marmalade” — her 2001 single with Christina Aguilera, Mya and Lil’ Kim — got folks talking over the weekend.

“Well, there’s ‘Lady Marmalade,’” P!nk said in video interview, looking back at the supergroup collaboration from more than 20 years ago, which was a No. 1 hit on the Hot 100. “I’m gonna put that down here at 12. It wasn’t very fun to make. I’m all about fun, and it was like a lot of fuss — and there were some personalities. Kim and Mya were nice.”

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After seeing people make assumptions about her choice of words, and her choice to leave out Aguilera’s name from her list of who was “nice” on set, she replied to tweets Saturday night (Feb. 18).

“Y’all are nuts,” she wrote. “Xtina had s— to do with who was on that song. If you don’t know by now- I’m not ‘shading’ someone by telling it over and over and over what actually happened. I’m zero percent interested in your f—ing drama. If you haven’t noticed- I’m a little busy selling.”

P!nk clarified, “And by selling- I mean tickets and albums and bake sales and s—.”

“Also- I kissed xtinas mouth. I don’t need to kiss her a–,” she added.

P!nk had previously admitted that back in the “Lady Marmalade” days, the pair’s egos had clashed.

“We were super young and super new at the whole thing, and I think I’m an alpha, and she’s an alpha,” she noted in a 2017 interview with Andy Cohen. “I’m used to taking my altercations physical and she’s used to having them verbal. We’re just very different, we’re very different. And we were very young and new.”

“You have to learn — women have to learn how to support each other,” P!nk continued. “It’s not taught to each other in the playground.”

P!nk said that the two had gotten past any bad blood, in time: “We became moms. We grew up. We hugged it out. It’s that simple. I feel so good about that.”

See a Buzzfeed UK TikTok clip of her talking about the “Lady Marmalade” video here and her tweets that followed below.