djfrosty

Alanis Morissette, Corinne Bailey Rae & More to Be Honored at Inaugural Resonator Awards: Full List

Alanis Morissette, Corinne Bailey Rae, Caroline Polachek, Catherine Marks, Laura Sisk and Jennifer Decilveo will be honored at the inaugural Resonator Awards on Jan. 30 at Beauty & Essex in Hollywood. The invite-only event is presented by We Are Moving the Needle, a non-profit organization that is working to advance gender equity for producers and engineers.

Resonator Impact Awards will also be presented to music executives Michael Goldstone of Mom+Pop Music and Christine Thomas of Dolby Labs for their commitment to advancing gender equity across the music industry. SiriusXM on-air personality and music journalist Jenny Eliscu will host the Resonator Awards, which are empowered by EqualizeHer.

The awards dinner will also recognize the first inductees to the Resonator Hall of Fame, which honors legendary producers and engineers who “paved the way.” Six of the honorees have won a combined total of 34 Grammys – Alicia Keys, Leslie Ann Jones, Darcy Proper, Trina Shoemaker, Ann Mincieli and Claudia Brant.

Other Hall of Fame inductees include Linda Perry, the most recent woman to receive a Grammy nomination for producer of the year, non-classical (five years ago) and Sylvia Robinson, the late singer, record producer and label executive who was inducted into the Rock and Roll Hall of Fame (in the non-performer category) in 2022.

More Hall of Fame inductees are Marcella Araica, Lenise Bent, Lynne Earls, Angela Piva, Susan Rogers, Trina Shoemaker, Pat Sullivan and Terri Winston.

“This inaugural Resonator Awards invites the music community to come together and connect in a profound commitment to advancing gender inclusivity in the studio,” said Emily Lazar, a Grammy-winning mastering engineer and founder of We Are Moving the Needle. “This is more than a celebration, this is an historic moment where we will shine a light on a set of phenomenal creators—not because they are women, but because they are powerful producers, engineers, and artists whose work from behind the console has inspired us all. Actions speak louder than words, and this moment not only increases visibility, access, and representation, it inspires the next generation of talent to break barriers and reinvent the future of the industry.”

Lazar made history in 2019 as the first female mastering engineer to win the Grammy for best engineered album, non-classical for Beck’s Colors. She founded We Are Moving the Needle in 2021 to help close the gender gap in the recording studio.

Since it was established, We Are Moving the Needle has awarded more than $425,000 in scholarships to women and non-binary talent to attend audio education programs globally. In addition to scholarships, recipients receive support from a WAMTN soundBoard mentor to further guide them in advancing their careers. More information at wearemovingtheneedle.org.

Here’s a quick recap of the recipients of the 2024 Resonator Awards, with presenter information where available, as well as a brief description of the award, drawn from a press statement.

Roda Osman AKA “Brick Lady” Charged With Fabricating Assault Claim

HipHopWired Featured Video

CLOSE

Gavel, hand of lawyer or judge in office for decision, attention or legal advice in justice system. Hammer, desk and person in courtroom, law firm or government agency to stop hearing in human rights

Roda Osman, a Texas woman largely referred to as “Brick Lady” on social media, has been charged with making a false assault claim where she said she was hit in the face with a brick. Osman went viral after sharing a video of injuries that were linked to the assault, raising over $40,000 on GoFundMe in the process.

Local outlet KPRC 2 reports that Roda Osman, 33, was charged with felony theft by deception after investigators discovered that Osman’s story didn’t add up. According to the report, Houston police responded to the scene of the alleged assault on Sept. 3 of last year, meeting with Osman and another woman. According to the officers, Osman was reportedly under the influence and hostile.

Osman told police that she was walking in the city when a man threw a brick at her for not giving up her phone number, according to findings from the court documents. Adding to this, Osman claimed that the driver of an Uber car service she ordered was the man who assaulted her and said that the man was part of a human trafficking scheme.

Almost two weeks later on Sept. 15, detectives attempted to contact Osman by phone but the number belonged to the woman that was on the scene of the alleged assault. The woman said she was not a native of Houston and went out drinking with Osman that night and added that Osman called male friends to provide transportation.

The woman said that when the pair entered the vehicle, Osman yelled out “why you hit me” but said she didn’t hear any sort of argument or discussion beforehand. Off the record, the woman said she didn’t think Osman was hit by a brick. The woman then said that the man suspected of hitting Osman exited the car and entered another vehicle before driving off. It was then that Osman decided to go live on Instagram with the woman suggesting she contact the authorities.

Days later on Sept. 20, Houston detectives obtained surveillance video footage and located Olan Douglas, the man Osman claimed hit her. Charging documents say that Douglas and Osman were arguing with Douglas reportedly swinging his right hand and striking Osman in the face with what appeared to be a plastic water bottle. This information has some supporters of Osman saying she was indeed assaulted but there was also an alleged account that Osman struck Douglas first.

As it stands, the issue is that the story Osman gave police neglected to reveal that she knew the man who allegedly struck her instead of it being a random person who was harassing her during her night out. This prompted Daphne Sutton, a popular TikTok user, to call Houston police and suggest that Osman made everything up because of an incident that allegedly place in Minnesota in 2020.

Sutton gave Houston police the GoFundMe link from 2020 that shared a similar bent to the Houston attack story and also obtained statements from Osman’s former roommate and friends. Minneapolis police said to Houston officials that Osman never reported the alleged assault despite launching the GoFundMe page. The roommate that Sutton spoke with also reached out to Houston police and said that Osman was scamming people out of money.

Roda Osman, who had prior criminal charges in the Virgin Islands, Minnesota, and across Texas, is currently out on bail for felony assault and domestic violence connected to an incident in Minnesota.

On X, formerly Twitter, many are reacting to the news. We’ve captured comments from all sides below.

Photo: Getty

The MLC Is Auditing Streaming Services for the First Time

The Mechanical Licensing Collective (the MLC) has issued notices of intent to audit all digital service providers (DSP) that operate under the compulsory blanket license administered by the MLC since its inception in 2021.

This includes a slew of different companies that license music, including on-demand streaming services (like Spotify, Apple Music, Amazon Music, Tidal and Deezer), internet radio companies (like Pandora, Mixcloud and iHeart Radio) and music apps (like Ultimate Guitar, PianoTrax and WeavRun). The audits are intended to ensure the accuracy of reported and paid royalties beyond the measures already taken by the MLC.

A representative for the MLC says that it will update its members on the results of any DSP audits that it conducts and will “clearly identify any monies recovered in audits on the royalty statements it provides to members.”

The right for the MLC to audit (and to be audited itself) is stipulated in the Music Modernization Act (MMA). The landmark 2018 law created a new blanket license for musical work mechanicals, replacing the previous song-by-song licensing system that proved to be complicated and ineffective for both digital services and the music business. Because of issues with the old piecemeal licensing system, a pool of $427 million in unmatched and unpaid publishing royalties had formed. The MMA also established the MLC to divvy up these royalties — often nicknamed “blackbox” royalties — and administer the new blanket license moving forward.

The news of the MLC’s auditing plans arrives a month after Bridgeport Music, the company that represents George Clinton and Funkadelic, opted to exercise its right to audit the MLC. Bridgeport Music is best known for its bullish approach to copyright enforcement, once accusing more than 800 artists and labels of infringement in one lawsuit in the early 2000s. It was also a defendant in the controversial Blurred Lines lawsuit along with Marvin Gaye‘s estate, which is believed to have greatly widened what elements of a song are considered protected under copyright law.

“Ensuring DSPs have reported royalties accurately is one of the MLC’s statutory responsibilities under the MMA,” says Kris Ahrend, CEO of the MLC. “The MLC has tapped music industry audit veteran, Jane Bushmaker, a member of the MLC’s Analytics & Automation team, to oversee DSP audits, which will be conducted by experienced outside audit firms.”

“The MLC’s audit right is a first in the 115-year history of the U.S. compulsory mechanical license and provides enhanced protection for songwriters and music publishers,” adds Alisa Coleman, chair of the board of directors at the MLC. “The audit notices filed by the MLC mark the beginning of its fulfillment of this important function.”

See below for a full list of companies the MLC intends to audit:

  • Amazon Media Venture LLC (AMP)
  • Amazon.com Services LLC (Amazon Music)
  • Anghami FZ LLC (Anghami)
  • Appcompanist, LLC (Appcompanist)
  • Apple Inc. (Apple Music)
  • Artist Technology Group DBA PANTHR Music (PANTHR Music)
  • Audiomack Inc. (Audiomack)
  • Avail LLC (The Cover Foundry)
  • Beatport LLC (Beatport)
  • Bill Graham Archives, LLC (Wolfgang’s Music)
  • Boxine GmbH (Tonies)
  • Choral Tracks LLC (Choral Tracks)
  • Classical Archives, LLC (Classical Archives)
  • Da Capo Music, LLC (Yes! Fitness Music)
  • Deezer S.A. (Deezer)
  • Fan Label, LLC (FanLabel)
  • Global Tel*Link Corporation (GTL)
  • Google, LLC (Google Play Music/YouTube)
  • GrooveFox Inc. (GrooveFox)
  • IDAGIO GmbH (Idagio)
  • iHeartMedia + Entertainment, Inc. (iHeart Radio)
  • JPay LLC (JPay)
  • M&M Media, Inc. (Trebel)
  • Midwest Tape, LLC (hoopla)
  • Mixcloud Ltd (Mixcloud)
  • MONKINGME S.L. (MonkingMe)
  • Music Choice (Music Choice)
  • Napster Group PLC (Napster)
  • Naxos Digital Services US Inc. (NAXOS)
  • Nugs.net Enterprises, Inc. (Nugs.net)
  • Pacemaker Music AB (Pacemaker)
  • Pandora Media, LLC (Pandora)
  • PianoTrax LLC (PianoTrax)
  • Power Music, Inc. (Power Music)
  • PRIMEPHONIC B.V. (Primephonic)
  • Recisio SAS (Karaoke Version)
  • Saavn Media Limited (Jiosaavn)
  • Securus Technologies, LLC (Securus)
  • Slacker, Inc. (Slacker/LiveXLive)
  • Smithsonian Institution (Smithsonian Folkways Recordings)
  • Sonos, Inc. (Sonos)
  • SoundCloud Operations Inc. (Soundcloud)
  • Spotify USA Inc. (Spotify)
  • TIDAL Music AS (Tidal)
  • Transsnet Music Limited (Boomplay)
  • TRIBL, LLC (Tribl)
  • Ultimate Guitar USA LLC (GuitarBackingTrack.com)
  • Weav Music, Inc. (Weav Run)
  • XANDRIE USA (QOBUZ)
  • Yoto Ltd (Yoto)

Ray Charles Foundation Donates $2 Million to the Grammy Museum

The Ray Charles Foundation has donated $2 million to the Grammy Museum Foundation to fund the museum’s Campaign for Music Education.

The Campaign, launched in October 2022, will expand access to the museum’s educational programs, including the Grammy in the Schools programming. Its co-chairs include Billie Eilish, Dua Lipa, Bruno Mars, Shawn Mendes, and Rosalía

“As the Grammy Museum celebrates our 15th Anniversary, more than ever we are leaning into expanding music education and access to our renowned programs,” said Michael Sticka, president/CEO of the Grammy Museum in a statement. “We are incredibly grateful to our partners, The Ray Charles Foundation, for their generosity and investment towards the Museum’s Campaign for Music Education, which will help us further our educational mission. It’s an honor to deepen that longstanding partnership.” 

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“The Grammy  Museum embodies the spirit of our mission to empower young people through education,” added Valerie Ervin, president of The Ray Charles Foundation. “We are thrilled to be able to continue our partnership with the Museum and help them achieve their goal of expanding music education and fostering a love of music in our next generation.”  

The Ray Charles Foundation provides funding in the area of hearing disorders and in empowering young people through educational institutions and non-profit education programs. 

In honor of the donation, the Grammy Museum is renaming its rooftop terrace The Ray Charles Terrace at the Grammy Museum. The renaming will take place as an official Grammy week event on Jan. 29 with a ribbon-cutting ceremony hosted by Jimmy Jam, with music curation by DJ Khalil and a performance by Aloe Blacc. The terrace, which offers views of downtown LA and the Hollywood sign and hosts more than 150 events each year. 

The Grammy Museum Terrace

The Grammy Museum Terrace

Bryan Schiller

Taylor Swift Leads 2024 iHeartRadio Music Awards Nods, With Jelly Roll, 21 Savage & SZA Close Behind: Full List

Taylor Swift is the leading nominee for the 2024 iHeartRadio Music Awards, which are set to air live from the Dolby Theatre in Los Angeles on April 1 on Fox. Swift received nine nods. Jelly Roll, 21 Savage and SZA are close behind with eight nods. Olivia Rodrigo received seven.

The nominations show the degree to which women dominated pop radio in 2023. All five nominees for pop artist of the year are women: Doja Cat, Miley Cyrus, Rodrigo, SZA and Swift.

By contrast, all five nominees for hip-hop artist of the year are men: 21 Savage, Drake, Future, Gunna and Lil Durk.

Three artists showed their versatility by being nominated as artist of the year in two genres. Jelly Roll is nominated for both country artist of the year and rock artist of the year; SZA for both pop and R&B artist of the year; and Foo Fighters for both rock and alternative artist of the year.

Jack Antonoff is the only creative who is nominated for both producer of the year and songwriter of the year.

This year’s show will include five new categories focused on pop and K-pop: pop artist of the year, pop song of the year, K-pop artist of the year, K-pop song of the year and best new artist (K-pop).

Fan voting will determine this year’s best lyrics, best music video, best fan army, social star award, favorite tour photographer, TikTok bop of the year, favorite on screen, favorite tour style and favorite debut album.

Social voting begins Thursday (Jan. 18) and will close March 25 at 11:59 p.m. PT. Fans can vote by visiting iHeartRadio.com/awards.

The 2024 iHeartRadio Music Awards will air live on Monday, April 1, from 8-10 p.m. ET live/PT tape-delayed on Fox. The event will also be heard on iHeartRadio stations nationwide and on the iHeartRadio app.

The 12th annual iHeartRadio Music Awards will celebrate the most-played artists and songs on iHeartRadio stations and the iHeartRadio app throughout 2023, while also offering a preview of upcoming hits of 2024.

“The iHeartRadio Music Awards is a night where we celebrate the biggest artists and songs fans loved listening to on the radio all year long,” John Sykes, president of Entertainment Enterprises for iHeartMedia, said in a statement. “We’ll also share stories from the artists themselves about their hard-fought journeys to the top of the charts.”

“Our iHeartRadio Music Awards are special because they’re truly reflective of what listeners love,” added Tom Poleman, president and chief programming officer for iHeartMedia.

Executive producers for the iHeartRadio Music Awards are Joel Gallen, for Tenth Planet; and Sykes, Poleman and Bart Peters, for iHeartMedia.

Most categories are listed below. Additional categories include label of the year and album of the year in each of music’s biggest genres: pop, country, alternative, rock, dance, hip-hop, R&B, Latin and Regional Mexican. For a full list of categories, visit iHeartRadio.com/awards.

All-Genre Categories

Song of the year              

“Calm Down” – Rema and Selena Gomez                                  

“Creepin’” – Metro Boomin with The Weeknd and 21 Savage                 

“Cruel Summer” – Taylor Swift                                     

“Dance The Night” – Dua Lipa                                      

“Fast Car” – Luke Combs                                              

“Flowers”- Miley Cyrus                                                

“Kill Bill” – SZA                                                          

“Last Night”- Morgan Wallen                           

“Paint The Town Red” – Doja Cat                                             

“vampire” – Olivia Rodrigo                                           

Artist of the year

Drake

Jelly Roll

Luke Combs

Miley Cyrus

Morgan Wallen

Olivia Rodrigo

Shakira

SZA

Taylor Swift

Usher

Duo/group of the year

(G)I-DLE

Blink-182

Dan + Shay

Fall Out Boy

Foo Fighters

Jonas Brothers

Måneskin

OneRepublic

Paramore

Parmalee

Best collaboration

“All My Life” – Lil Durk ft. J. Cole                                            

“Barbie World (with Aqua)” – Nicki Minaj and Ice Spice                       

“Boy’s a liar Pt.2” – PinkPantheress and Ice Spice                      

“Calm Down”- Rema and Selena Gomez                                   

“Creepin’” – Metro Boomin with The Weeknd and 21 Savage                 

“Good Good” – Usher, Summer Walker and 21 Savage

“Rich Flex” – Drake and 21 Savage                               

“Thank God” – Kane Brown and Katelyn Brown                        

“Tomorrow 2” – GloRilla with Cardi B                         

“TQG” – Karol G and Shakira

Producer of the year

Carter Lang

Dan Nigro

Jack Antonoff

Kid Harpoon

Rob Bisel

Songwriter of the year

Aldae

Ashley Gorley

J Kash

Jack Antonoff

Michael Ross Pollack

Genre-Specific Categories

 Pop song of the year (new category)

“Calm Down” – Rema and Selena Gomez                                  

“Cruel Summer” – Taylor Swift                                     

“Flowers”- Miley Cyrus                                                

“Kill Bill” – SZA                                                          

“vampire” – Olivia Rodrigo                                           

Pop artist of the year (new category)

Doja Cat

Miley Cyrus

Olivia Rodrigo

SZA

Taylor Swift                        

Best new artist (Pop)

David Kushner

Doechii

Jelly Roll

Rema

Stephen Sanchez

Country song of the year

“Fast Car” – Luke Combs                                              

“Heart Like a Truck” – Lainey Wilson                                      

“Last Night” – Morgan Wallen                                      

“Rock and a Hard Place” – Bailey Zimmerman                          

“Thank God” – Kane Brown and Katelyn Brown            

Country artist of the year

Jason Aldean

Jelly Roll

Lainey Wilson

Luke Combs

Morgan Wallen

Best new artist (country)

Corey Kent

Jackson Dean

Jelly Roll

Megan Moroney

Nate Smith

Hip-Hop song of the year

“All My Life”- Lil Durk ft. J. Cole                                            

“fukumean”- Gunna                                                     

“Just Wanna Rock” – Lil Uzi Vert                                             

“Rich Flex” – Drake and 21 Savage                               

“Tomorrow 2”- GloRilla with Cardi B                          

Hip-Hop artist of the year

21 Savage

Drake

Future

Gunna

Lil Durk

Best new artist (hip-hop)

Doechii

Ice Spice

Lola Brooke

Sexyy Red

Young Nudy

R&B song of the year

“Creepin’”- Metro Boomin with The Weeknd and 21 Savage                  

“CUFF IT”- Beyoncé                                       

“Good Good” – Usher, Summer Walker and 21 Savage  

“On My Mama” – Victoria Monét                                             

“Snooze”- SZA                                                

R&B artist of the year

Beyoncé

Brent Faiyaz

Chris Brown

SZA

Usher

Best new artist (R&B)

Coco Jones

Fridayy

Kenya Vaun

October London

Victoria Monét

Alternative song of the year

“Lost” – Linkin Park                                         

“Love From the Other Side” – Fall Out Boy                                          

“One More Time”- Blink-182                                       

“Rescued”- Foo Fighters                                               

“This Is Why”- Paramore                                              

Alternative artist of the year

Blink-182

Fall Out Boy

Foo Fighters

Green Day

Paramore

Best new artist (alt and rock)

Bad Omens

HARDY

Jelly Roll

Lovejoy

Noah Kahan

Rock song of the year

“72 Seasons” – Metallica                                               

“Dead Don’t Die”- Shinedown                                      

“Lost” – Linkin Park                                         

“Need A Favor” – Jelly Roll                                          

“Rescued” – Foo Fighters                                              

Rock artist of the year

Disturbed

Foo Fighters

Jelly Roll

Metallica

Shinedown

Dance song of the year

“10:35”- Tiësto ft. Tate McRae

“Baby Don’t Hurt Me” – David Guetta, Anne-Marie and Coi Leray                        

“Padam Padam” – Kylie Minogue                                                          

“Praising You” – Rita Ora ft. Fatboy Slim                                              

“Strangers” – Kenya Grace                                                        

Dance artist of the year

Anabel Englund

David Guetta

Illenium

Kylie Minogue

Tiësto

Latin pop / urban song of the year

“La Bachata” – Manuel Turizo                                                  

“La Bebe (remix)” – Yng Lvcas and Peso Pluma                                    

“Lala”- Myke Towers                                                   

“Shakira: Bzrp Music Sessions, Vol. 53”- Shakira and Bizarrap                                      

“TQG”- Karol G and Shakira                                        

Latin pop / urban artist of the year

Bad Bunny

Feid

Karol G

Manuel Turizo

Shakira

Best new artist (Latin pop / urban)

 Bad Gyal

 GALE

 Mora

 Yng Lvcas

 Young Miko

Regional Mexican song of the year

“Bebe Dame”- Fuerza Regida and Grupo Frontera                     

“Ella Baila Sola” – Eslabon Armado and Peso Pluma                              

“Indispensable” – Carin León                                                    

“Qué Onda Perdida” – Grupo Firme ft. Gerardo Coronel                         

“Qué Vuelvas”- Carin León and Grupo Frontera                         

Regional Mexican artist of the year

Calibre 50

Carin León

El Fantasma

Grupo Frontera

Peso Pluma

Best new artist (regional Mexican)

Gabito Ballesteros

Gerardo Coronel

Grupo Frontera

Junior H

Peso Pluma

K-pop artist of the year (new category)

(G)I-DLE

Jung Kook

NCT Dream

Seventeen

Stray Kids

K-pop song of the year (new category)

“Bouncy (K-Hot Chilli Peppers)” – ATEEZ                                                                   

“Cupid (Twin Version)”- FIFTY FIFTY                                                            

“S-Class” – Stray Kids                                                  

“Seven” Jung Kook ft. Latto                                         

“Super Shy” – NewJeans                                                          

Best new artist (K-pop) (new category)

BOYNEXTDOOR

NewJeans

RIIZE

xikers

ZEROBASEONE

Best African music artist

Burna Boy

Rema

Tems

Tyla

Wizkid

Socially voted categories

Best lyrics 

“Dial Drunk”- Noah Kahan

“Flowers”- Miley Cyrus

“Greedy”- Tate McRae

“Houdini”- Dua Lipa

“Is It Over Now? (Taylor’s Version)”- Taylor Swift 

“Last Night”- Morgan Wallen 

“Lovin On Me”- Jack Harlow

“Nonsense”- Sabrina Carpenter

“Paint The Town Red”- Doja Cat 

“vampire”- Olivia Rodrigo

“Water”- Tyla

 “What Was I Made For?”- Billie Eilish

Best music video

 “3D”- Jung Kook ft. Jack Harlow 

“Dance The Night”- Dua Lipa

“FLOWER”- JISOO 

 “Flowers”- Miley Cyrus 

 “I’m Good (Blue)” – Bebe Rexha and David Guetta

 “Kill Bill”- SZA

  “La Bebe (Remix)”- Yng Lvcas and Peso Pluma 

 “Paint The Town Red”- Doja Cat 

 “Seven”- Jung Kook ft. Latto  

  “TQG”- Karol G and Shakira

“vampire”- Olivia Rodrigo

“What Was I Made For?”- Billie Eilish 

Best fan army 

Agnation

ATINY

Barbz

Beyhive

BTS Army

Harries

Livies

Louies

Niallers

Rushers

Selenators

Swifties

Social star award

Alex Warren

David Kushner

Flyana Boss

Gracie Abrams

Jessie Murph

Megan Moroney

Natalie Jane

Noah Kahan

Favorite tour photographer 

Alfredo Flores – Sabrina Carpenter

Anna Lee – Coldplay

Carianne Older – Charlie Puth

Catherine Powell – Kelsea Ballerini

Cynthia Parkhurst – Jonas Brothers

David Lehr – Morgan Wallen

Joshua Halling – Louis Tomlinson

Mason Poole – Beyoncé

Matty Vogel – Misterwives

Ravie B – Adele

Ryan Fleming – 5 Seconds of Summer

Sanjay Parikh – Shinedown

TikTok bop of the year

“Boy’s a liar Pt. 2”- PinkPantheress and Ice Spice

“Collide (Sped Up Remix)”- Justine Skye

 “Cruel Summer”- Taylor Swift

 “Cupid (Twin Version)”- FIFTY FIFTY

 “Daylight”- David Kushner

 “Her Way (Sped Up)”- Party Next Door

 “If We Ever Broke Up”- Mae Stephens 

 “Paint The Town Red”- Doja Cat

 “Water”- Tyla 

 “What It Is (Solo Version)”- Doechii 

 “What Was I Made For?”- Billie Eilish

Favorite on screen (new category) 

 j-hope IN THE BOX

 Love To Love You, Donna Summer

Louis Tomlinson, “All of Those Voices”

 Prince: The Final Secret

 Renaissance: A Film by Beyoncé

Jelly Roll, “Save Me”

Taylor Swift: The Eras Tour

TLC Forever

Favorite tour style

Beyoncé

Carrie Underwood

Doja Cat

Elton John

Harry Styles

Jonas Brothers

Madonna

Måneskin

Sabrina Carpenter

Shania Twain

SZA

Taylor Swift

Favorite debut album (new category) 

Jung Kook, GOLDEN

Chlöe, In Pieces

V, Layover

Megan Moroney, Lucky

Lauren Spencer Smith, Mirror

Raye, My 21st Century Blues

Bailey Zimmerman, Religiously

Reneé Rapp, Snow Angel  

Tyler Hubbard, Tyler Hubbard

Post Malone, Reba McEntire and Andra Day to Headline Super Bowl LVIII Pregame

The NFL unveiled the lineup for the pregame entertainment for Super Bowl LVIII in Las Vegas on Thursday morning (Jan. 18). Before Usher takes the stage for the Apple Music Super Bowl Halftime show, country icon Reba McEntire will sing the National Anthem, while Post Malone will tackle “America the Beautiful” and Andra Day will sing “Lift Every Voice and Sing.”

The National Anthem and “Lift Every Voice and Sing” will be produced and arranged by Emmy-winning musical director/producer Adam Blackstone. Both the pregame and halftime shows will feature American Sign Language performances, with Coda actress Daniel Durant performing the National Anthem in ASL, actress/model/singer Anjel Piñero signing “America the Beautiful” and actor/choreographer Shaheem Sanchez signing “Lift Every Voice and Sing”; Sanchez will also perform the ASL rendition of the halftime show.

In a new interview with Vogue, Usher said he has been in intense rehearsals for his Apple Music halftime show, saying the 13-minute trip through his career “has to be perfect.” The “Yeah!” singer explained, “I’ve been doing this for 30 years. I want people who have been a part of that journey to feel like it’s a celebration for everybody, for all of us, from the beginning up until this point.”

The tightly-held specifics of the show have not yet been revealed, but Usher did promise that he would show off some of his signature dance moves and roller skating skills and that there would be a costume change and special guests.

“I’m literally speaking to every woman. I want to make it feel like that,” the singer said of his goal to make provide an intimate, steamy show in the 65,000-capacity stadium. “I want the world to smile when they look at me. I want them to feel something, and feel my passion, my love, feel like I was the right person to sit in this position, and I was the right person to bring this kind of energy and love and connection to the entire world.”

Super Bowl LVIII will take place on Feb. 11 at Allegiant Stadium in Las Vegas.

Sophie Turner’s ‘Wrongful Retention’ Lawsuit Against Ex Joe Jonas Dismissed After Couple Reach Custody Agreement

Former Games of Thrones actress Sophie Turner dropped her “wrongful retention” lawsuit against ex-husband Joe Jonas over the custody of their two daughters after the former couple signed a co-parenting consent plan approved by a U.K. judge last week.

According to The New York Times, a judge in the U.S. District Court for the Southern District of New York dismissed the suit on Wednesday (Jan. 17) with both stars’ consent. Turner sued the Jonas Brothers band member in September several weeks after the couple announced their plans to divorce; Jonas filed for divorce in Florida on Sept. 5 stating that the “marriage between the parties is irretrievably broken.”

Shortly after, Turner, 27, sued Jonas for “wrongful retention,” claiming that the 34-year-old singer was withholding the girls’ passports and requesting the “immediate return of children wrongfully removed or wrongfully retained.” The suit claimed that despite their “peripatetic lifestyle,” the couple agreed that their “forever home” would be in England, but that following the split Jonas allegedly “refuses to return the passports to the Mother and refuses to send the children home to England with the Mother.”

At the time, a rep for Jonas said that turning over the passports to Turner would have violated a Florida court order that restricted both parents from relocating the children. The Times reported on Wednesday that Judge Katherine Polk Filla said in court that Turner and Jonas both signed a memorandum of understanding and a “parenting plan” for the children in October, as well as a consent order with a British court that was approved on Jan. 11.

The former couple met in 2016, and married in two ceremonies in 2019. The first was a surprise Las Vegas wedding in May that they held immediately after attending the Billboard Music Awards, where the Jonas Brothers had just performed. They then threw a lavish wedding at the end of June in Southern France. Their two daughters were born in the U.S. in 2020 and 2022 and have dual American/British citizenship.

Talking Heads’ ‘Stop Making Sense’ to Hit Theaters Again

If you missed last year’s big screen re-release of the Talking Heads‘ landmark 1984 concert film Stop Making Sense you’re in luck. The movie will be back in select theaters in the U.S., Canada and U.K. starting Jan. 27 after its well-received 2023 4K re-release.

The latest reboot is thanks to independent film company A24 (Everything Everywhere All At Once, Uncut Gems), which snagged the worldwide rights to the film to coincide with its 40th anniversary. According to Variety, the film will have residencies in a number of cities during the run, including Atlanta, Austin, Boston, Chicago, London, Los Angeles, Milwaukee, New York, Portland, San Francisco, Seattle, Toronto and others.

Click here to find tickets for a screening near you.

A24 is releasing a special collection of merch that will be on sale at select theaters, including a collector’s edition 4K and Blu-ray release of the Jonathan Demme-directed movie that is considered by many to be one of the greatest concert films of all time. The studio will also release a Talking Heads tribute album later this year, which has been teased with a Paramore cover of “Burning Down the House.” The album will also feature 15 other as-yet-unannounced artists covering songs that will recreate the film’s setlist.

The New York rock band fronted by singer David Byrne and featuring bassist Tina Weymouth, drummer Chris Frantz and keyboardist/guitarist Jerry Harrison formed in 1975 and released eight albums before splitting in 1991. They reformed fro one night at the Heads’ 2002 induction into the Rock and Roll Hall of Fame and came back together last year to promote the re-release of the film, which Variety reported pulled in $5 million at the box office during the A24 re-release, besting the haul for the initial 41-week run ($4.95 million) of the movie in 1984.

Natasha Bedingfield’s ‘Unwritten’ on Track For U.K. Top 20, Thanks to ‘Anyone But You’

Natasha Bedingfield is writing another chapter to her U.K. chart story, thanks to a sync in Will Gluck’s rom-com Anyone But You.

The British pop singer and songwriter’s “Unwritten” (via Phonogenic) could return to the U.K. top 20 for the first time in 19 years.

Based on a late chart blast published by the Official Charts Company, “Unwritten” is predicted to climb 24-20, for its first appearance in the top 20.

“Unwritten” peaked at No. 6 following its release back in 2004, and is one of Bedingfield’s five U.K. top 10 hits, a tally that includes a No. 1 with “These Words” (both appeared on her debut album from that year, Unwritten).

Explore

See latest videos, charts and news

See latest videos, charts and news

In the Shakespeare-inspired Anyone But You, “Unwritten” plays a pivotal role in the narrative of Glen Powell’s character, and is played and sung by multiple characters throughout the film.

It’s not the only British pop single from the early noughts enjoying a resurgence, powered by a feature film.

Sophie Ellis-Bextor‘s “Murder on the Dancefloor” (Polydor) lifted to No. 2 on the Official U.K. Singles Chart last week, following its memorable spot late in Emerald Fennell’s dark-as-coal movie Saltburn — equaling its peak set back in 2001.

The Saltburn bump is real, and it’s happening around the globe. In the United States, “Murder on the Dancefloor” belatedly entered the Billboard Hot 100 at No. 98, and now rises to No. 58 in its second week. And in Australia, “Murder on the Dancefloor” reenters the ARIA Chart at No. 25.

As previously reported, Noah Kahan‘s “Stick Season” (Republic Records) is on track for a third successive week at No. 1 on the U.K. chart, while Ariana Grande’s “Yes, And?” (Republic Records) should be the week’s top debut, bowing at No. 2 on the midweek tally. “Murder on the Dancefloor” is forecast to complete the U.K. podium, at No. 3.

The next Official U.K. Singles Chart is published late Friday, Jan. 19.

Green Day Will Play ‘Dookie’ And ‘American Idiot’ Each Night on ‘The Saviors Tour’

Green Day will welcome fans to paradise on their forthcoming The Saviors Tour, by playing Dookie and American Idiot in full each night.

Just days out from the release of Saviors, the pop-punk veterans confirm they’ll perform the classic albums on each and every date of the stadium tour, along with “a bunch of your other favorites, new and old, all summer long.”

Hints have been flying left and right, though Rock Hall inductees announced details for the first time this week.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Timing is everything. Dookie this year celebrates its 30th anniversary with the release of a deluxe edition and a surprise club show in Las Vegas last October, where the trio performed the 1994 LP in full, from “Burnout” to “F.O.D.,” and, of course, the hidden track “All By Myself”.

Frontman Billie Joe Armstrong told the crowd at Fremont Country Club that 2024 would be a massive year for the band and its fans. “We are doing a big tour next year,” explained on the night. “It is going to be Green Day, Smashing Pumpkins, Rancid and Linda Lindas.”

American Idiot is enjoying its own milestone, its 20th anniversary. The band threw a lyrical grenade during their set Dec. 31 on ABC’s Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest, when they tweaked the politically charged lyrics to the title track, for a swipe at Donald Trump and the MAGA movement.

Released in 2004, American Idiot was the first of the band’s three No. 1 albums, logging three weeks at No. 1 on the Billboard 200, and, for a time, allowing Armstrong, Tré Cool and Mike Dirnt to authoritatively boast at being the world’s biggest rock band.

The North America leg is slated to start July 29 at Nationals Park, Washington, DC. Before that, a tour of the U.K. and Europe is locked-in with Nothing but Thieves, the Hives, Donots, the Interrupters, and Maid of Ace, kicking off May 30 at O Son Do Camiño in Monto Do Gozo, Spain.

Produced by Live Nation, this will be the band’s first major tour since the 120-date 2016–17 Revolution Radio tour and the 29-date, 2021–22 Hella Mega Tour alongside Weezer and Fall Out Boy.

The trek is announced ahead of the release of Saviors this Friday, Jan. 19. The band’s 14th studio album, Saviors is the followup to 2020’s Father of All Motherf—ers, which peaked at No. 4 on the Billboard 200 chart.