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Ice-T Reveals His 5 Favorite Musician Guest Stars on ‘Law & Order: Special Victims Unit’

Ice-T may have risen to fame in the ’90s as a rapper and fronting the band Body Count, who courted controversy with their song “Cop Killer,” but these days he’s a cop himself — at least on TV. He’s Sgt. Odafin “Fin” Tutuola on NBC’s long-running police procedural Law & Order: Special Victims Unit, which kicks off its milestone 25th season on Thursday, Jan. 18, and it’s the rapper-actor’s 24th season on the Emmy-winning crime drama.

Over the show’s many seasons, it has featured countless entertainers as guest stars before they made it big (Stephen Colbert, Bradley Cooper, Adam Driver and Hayden Panettiere, for example), as well as household names (Carol Burnett, Robin Williams, Angela Lansbury and John Stamos, to name a few). But SVU has also given everything from blink-and-you’ll-miss-it guest spots to pivotal roles to musicians besides Ice, who has become a beloved staple alongside Mariska Hargitay’s Captain Olivia Benson (who one of Taylor Swift’s cats is named after).

Among them? Miranda Lambert, Heavy D, Sabrina Carpenter, Dave Navarro, Questlove (who played a dead body!) and many more.

“The one thing about [creator] Dick Wolf [and production company Wolf Entertainment] is they understand how musicians translate into acting — they have no fear of that,” Ice tells Billboard. “I think Dick Wolf’s theory is, ‘If you could be a star at something, you could be a star at anything.’”

“My whole career doing music and being on SVU, I’ve never had Dick Wolf or any people then try to talk to me about music or anything, like, ‘Oh, Ice-T did ‘Cop Killer” or this that or the other,” adds the actor-musician. “I think from the Wolf perspective, ‘The bigger the star Ice-T is elsewhere, the bigger the star I have on my show.’ So when I go win a Grammy, it’s like SVU now has a Grammy Award-wining actor. He understands power is power.”

As for his run on the procedural, Ice — who’s up for a 2024 People’s Choice Award for drama TV star of the year — tells Billboard it’s not just his acting abilities that keep Fin on the drama. “[Wolf] sits back, he watches not only a performance but what are you bringing — kind of like what I always say is he looks at a show and goes, ‘If anybody’s tuning in to see Ice-T, yes, he stays on the show.’ If you’re on the show and they don’t think they’re tuning into see you, you can get one in the back of the head in the parking lot, you know?” the Grammy winner says. “For some reason, he likes me. I think I’ve done more television with Dick Wolf than anybody in his camp. I’m on five shows; I’ve been on seven, counting crossovers.” (The Law & Order franchise has boasted a total of seven different shows to date.)

As for how much longer Ice can see himself playing Fin, the answer is a long time. “Yeah, I’ll stay on it. I have nothing better to do,” he shares. “Like I said, right now, it’s an easy gig for me. I’m still able to do Body Count, my music, I gig on the weekends; I got a daughter in school — it’s much easier. When you’re touring, you have to do 200 days a year on the road. … I said when Law & Order ends — whenever it does end — I’ll just go out and read for all Samuel L. Jackson’s parts!”

But until then, he’s happy to keep carrying Fin’s shield, and having musicians guest star on SVU alongside him. “I just love it when they bring hip-hop artists on,” Ice tells Billboard. “It’s one of those shows where if you got a fanbase and you throw your name in the hat, they might call you.”

While Ice isn’t sure which musician he’d like to see on the police procedural next, there are a few who have stood out in his mind as some of the most notable guest roles. Read on to see which five musicians are Ice-T’s favorite cameos on Law & Order: SVU.

Law & Order: Special Victims Unit airs on NBC on Thursdays. Catch up on past seasons — as well as other shows in the Law & Order franchise — on Peacock.

NMPA Hires Chris Barkley as SVP of Government Affairs

The National Music Publishers’ Association (NMPA) has hired Chris Barkley as its senior vice president of government affairs.

The NMPA’s new hire has two decades of experience working on Capitol Hill, including roles in the House of Representatives and the Senate. Most recently, Barkley served as deputy chief of staff for policy for Sen. Mitt Romney (R-UT) where he was active in advising on policy and legislation and supporting Romney’s role on the Whip Team. He has also served as the policy director for the Senate Republican Policy Committee under Sen. John Barrasso (R-WY) and as senior policy adviser for former Sen. Ben Sasse (R-NE).

Since 2022, Barkley has been an adjunct professor at the University of Pennsylvania Carey School of Law.

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“Chris joins NMPA with invaluable expertise from years of insight aiding policymakers and finding consensus to move critical legislation,” says NMPA president and CEO David Israelite. “Having him lead NMPA’s lobbying strategy across all facets of government will be hugely valuable to music creators. As AI and other evolving technologies threaten the value of music, it is more important than ever to have a strong voice in government on behalf of songwriters. As a critical advisor on influential committees and for senior lawmakers, his knowledge is virtually unmatched when it comes to understanding what it takes to make big things happen.”

“Songwriters face more government regulation than anyone else in the music industry,” says Barkley. “There is much work to be done to allow publishers and creators to achieve the full value of their work. My experience across Capitol Hill has primed me for this opportunity and I’m thrilled to advocate for people whose work I respect and admire.”

Giannis Antetokounmpo Returns To Nigeria In The WhatsApp X Rick Famuyiwa Doc ‘Ugo: A Homecoming Story’

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Giannis Antetokounmpo Returns To Nigeria In Upcoming Doc

Source: VALERIE MACON / Getty / Giannis Antetokounmpo / Ugo: A Homecoming Story

NBA champion Giannis Antetokounmpo returned home and is taking us along for the journey in a new documentary.

Spotted on Variety, Milwaukee Bucks All-Star forward Giannis Antetokounmpo teamed up with WhatsApp and director Rick Famuyiwa (DOPE, The Mandalorian) for a new documentary, Ugo: A Homecoming Story, coming to YouTube in selection markets and Prime Video on Jan.16.

The doc is also WhatsApp’s latest documentary after Naija Odyssey. It is part of its There’s No One Like Us film series, which aims to inspire its 2 billion users to embrace their identities.



In the Famuyiwa-directed film, Antetokounmpo, alongside his mother, returns to his native land of Nigeria for the first time.

The doc’s title features Giannis’ Nigerian birth name “Ugo” and will be a “fly-on-the-wall account of Antetokounmpo’s inaugural visit to his homeland, where he is accompanied by his mother, who emigrated from Nigeria to Greece 35 years ago. Together, they delve into their family’s heritage and Nigerian traditions, strengthening Antetokounmpo’s connection to his culture,” Variety reports.

The Greek Freak, WhatsApp’s chief brand officer Vivian Odior, who is also Nigerian, and Famiyuwa spoke about the doc.

Per Variety:

“Growing up in Greece, my Nigerian culture was something my mother made sure we carried with us, but I was never lucky enough to have a direct experience in my homeland,” Antetokounmpo said. “Thankfully WhatsApp helped me stay connected to my family and roots, allowing me to create my own unique version of heritage. To be able to travel back to where she was born, and build a new Nigerian family, has been one of my most rewarding experiences, and only made me more proud of the many cultures that make me who I am. I’m proud to share this journey which I hope many around the world can connect to, showing us that we all have a different meaning of ‘home,’ even when we’re far away from it.”

“Witnessing Giannis, with his mother no less, on his first journey, to connect with his homeland – Nigeria – in such a deeply personal manner evokes emotions shared by many of our billions of users on a daily basis,” Vivian Odior, chief brand officer at WhatsApp. “It’s a powerful reminder that the quest for identity and roots resonates universally, fostering a connection that transcends boundaries.”

“The first steps you take in your homeland are absolutely unforgettable,” Famuyiwa said. “They’re life-changing. It was an honor to work with WhatsApp to capture that moment for Giannis and to share a story that not only I can relate to, but so many people across the world can see themselves in, too.” 

Antetokounmpo Is Busy

Giannis: The Marvelous Journey

Source: Courtesy / Prime Video

Ugo: A Homecoming Story is not the only doc starring Giannis Antetokoumnpo.

Giannis: The Marvelous Journey “chronicles the extraordinary odyssey of NBA mega-star Giannis Antetokounmpo from an impoverished childhood in Greece as the son of Nigerian immigrants to the very top of the basketball world,” a press release reads.

Giannis: The Marvelous Journey also arrives on Prime Video on Feb.19. There was also the Disney+ biopic, Rise, which told the story of Giannis Antetokounmpo’s family’s story and is still available on the streamer.

Antetokounmpo’s story is incredible, and he is ensuring we all know about it.

Lana Del Rey Teases Unreleased Song ‘Henry, Come On’: Listen Here

From her brief stint as a Waffle House waitress in Alabama to her recent cover of “Take Me Home, Country Roads,” Lana Del Rey has been embracing a rootsier aesthetic – and her latest song teaser is no exception. 

On Wednesday (Jan. 17), the 38-year-old alt-pop star shared a snippet of an unreleased recording on Instagram, which she simply captioned, “Henry, come on.” “Do you think I’d really choose it?/ All this off and on, Henry come on,” she croons over folksy acoustic guitar, her sultry voice drenched in her trademark reverb. 

“Baby come on, do you think I’d really lose it on ya?/ If you did nothing wrong, Henry come on,” she continues in the clip, whispering in some places. “Last call, hey ya, hang his hat up on a wall.” 

Del Rey provided no other details about the project, although she did pair the audio with a hazy black-and-white Polaroid of her wiping her eye with her thumb. “country era is coming,” one fan commented, while another person added, “Ah, so is this what you’ve been cooking up here down south? ? Sounds absolutely beautiful!” 

Indeed, the “Summertime Sadness” singer has been spending a lot of time below the Mason Dixon Line in recent months. In addition to mysteriously serving customers at a Waffle House in Florence, Ala., she was also spotted getting her nails done at a seemingly random salon in Birmingham over the summer. And just days before she released her take on John Denver’s “Country Roads,” she stopped by Memphis, Tenn., to perform “Unchained Melody” in Elvis’ honor on the live NBC special Christmas at Graceland. 

Del Rey’s potential song teaser comes less than a month ahead of the 2024 Grammys, at which she’s nominated for five awards, including album of the year for Did You Know That There’s a Tunnel Under Ocean Blvd and song of the year for “A&W.” She was also recently announced as one of three headliners at this year’s Coachella alongside Tyler, the Creator and Doja Cat, about which she wrote on Instagram: “It’s a little bit crazy but we’re going back to Coachella! I think you should come it’ll be fun.” 

Listen to Del Rey’s “Henry, Come On” clip below: 

Green Day’s Billie Joe Armstrong Says ‘Dilemma’ Tackles Substance Use, Mental Health With Zero Filter: ‘Theres’s No Metaphor’

Green Day singer/guitarist Billie Joe Armstrong has a herculean talent for taking the personal and making it universal. The 51-year-old pop-punk icon has spent more than three decades translating his fiery thoughts and emotions into anthems that make the band’s fans feel seen as they shout along.

On the group’s latest single, the punk bossa nova “Dilemma,” Armstrong tackles his alcohol addiction and trip to rehab in such clear-eyed lyrics as, “I was sober, now I’m drunk again/ I’m in trouble and in love again/ I don’t want to be a dead man walking… Welcome to my nightmare/ Where dreams go to disappear/ Sit around in rehab/ Feeling like a lab rat.”

“It definitely deals with mental health and addiction,” Armstrong told People magazine about the song from the band’s new album, Saviors, due out Friday (Jan. 19). “When I say, ‘I was sober, now I’m drunk again,’ that could be looked at two different ways. It could be someone going, ‘F-k, yeah. I was sober, now I’m drunk again,’ at a party, or it could be someone that’s fallen. That’s what it means to me, anyway.”

Armstrong went to rehab in 2012 in the wake of a bizarre onstage meltdown at the iHeartRadio Music Festival in Las Vegas during which he ranted about the group’s time being cut and smashed his guitar. On Howard Stern’s SiriusXm radio show on Wednesday morning (Jan. 17), Armstrong said he’d been sober for “five years and I thought that I could go back and be like a normal drinker again. And I think I was for a little bit and then it just escalated. It got to a point where I was physically and mentally drained and I just felt terrible. I got tired of feeling tired.”

The singer told Stern “Dilemma” was written while he was drinking and that it’s one of the most honest songs he’s ever penned. “There’s like no metaphor or anything like that,” he said. Armstrong has been detailing his struggles with anxiety and substance use since the earliest days of Green Day’s career as a snotty, snarling trio on the Berkeley, CA underground punk scene in the early 1990s. He most famously did so on their 1994 major label debut, Dookie on the hit “Basket Case,” in which the singer chronicled his crippling anxiety attacks, as well as on “Geek Stink Breath” from their 1995 follow-up, Insomniac, in which he detailed the harsh effects of methamphetamine use on his body.

Now sober, Armstrong said he no longer drinks and did not enter a program to deal with what appears to have been a relapse following his 2012 rehab stint. “I ended up being around a bunch of really good friends that don’t drink,” he told People. “There’s a lot more sober people — I’ve noticed that, and maybe because I was the only one that was hammered before, that now I notice that people are more sober now, and it was just something that I was unaware of, because I was s—tfaced or something.”

The married father of two sons — fellow musicians Joey, 28, and Jakob, 25 — said his sobriety is helping him feel more present for his family, which includes his wife of 29 years, Adrienne. “For me, alcohol gets in the way of everything, from my relationship with my family to just trying to get a good night’s sleep. It gets in the way of my happiness,” he told People. “So that’s why really I wanted to quit, and I was done. So with the friends that I have, I’m still able to go out and go listen to some music, see some band or go to a party — and it’s still a fun, sexy kind of evening, even though there’s no alcohol.”

The best part for Armstrong, he said, was that he can wake up the next day and he might be a bit tired, but “now there’s no shame and hangover and all that s–t. I feel really good.”

Green Day’s visit to Stern’s studio also included Armstrong laughing as he listened to a recording of him singing a sweet song as a five-year-old and the singer’s emotional backstage meet weird with Eddie Van Halen in 2007, during which the late Van Halen guitarist cried and shredded on his guitar as they spoke.

Watch Armstrong talk about “Dilemma” with Stern and watch the video for the song below.





If you or someone you know is struggling with substance abuse or addiction, the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 800-662-HELP (4357) is available 24/7.

‘Barbie’ Snubbed in 2024 BAFTA Film Awards Nods: Full List of Nominees

There were mixed results for “Barbenheimer” in the 2024 BAFTA Film Awards nominations, which were announced on Thursday (Jan. 18). Christopher Nolan’s Oppenheimer was the most nominated film, with 13 nods, but Greta Gerwig’s Barbie received just five nods and was passed over for both best film and best director. Oddly, the BAFTAs don’t have a category for best original song, which would have boosted Barbie’s total.

Poor Things was runner-up to Oppenheimer for most nods (11), followed by Killers of the Flower Moon and The Zone of Interest, with nine each; Anatomy of a Fall, The Holdovers and Maestro, with seven each; and All of Us Strangers with six. Barbie tied with Saltburn, with five nods.

Nominees for best original score are the late Robbie Robertson for Killers of the Flower Moon, Ludwig Göransson for Oppenheimer, Jerskin Fendrix for Poor Things, Anthony Willis for Saltburn and Daniel Pemberton for Spider-Man: Across the Spider-Verse. All five of these scores are on the Oscar shortlist for best original score, announced on Dec. 21. Oscar nominations will be announced on Jan. 23.

Last year, four of the five BAFTA-nominated scores were also nominated for Oscars.

Killers of the Flower Moon was the 12th and last Martin Scorsese film that Robertson worked on. Robertson died in June at age 80.

While Killers of the Flower Moon did well in the nominations, the film’s director, Scorsese, and lead actress, Lily Gladstone, were passed over for nods.

Two music docs are nominated for documentary – American Symphony, about Jon Batiste, and Wham!, about the 1980s chart-topping pop duo.

Bradley Cooper was nominated for lead actor, director and original screenplay for his second film as a director, Maestro. He was also a triple nominee for his first film as a director, A Star Is Born (though his writing nod on that film was for best adapted screenplay). 

Fantasia Barrino is nominated for best actress for her role in The Color Purple.

Sandra Hüller was nominated for both lead actress (Anatomy of a Fall) and supporting actress (The Zone of Interest).

With both Gerwig and Emerald Fennell (Saltburn) were passed over for director nods; the only woman director in the running is Justine Triet for Anatomy of a Fall.

The BAFTA Film Awards ceremony takes place Feb. 18 from London’s Royal Festival Hall, with David Tennant, star of Doctor Who, hosting.

Here’s the full list of nominations for the 2024 BAFTA Film Awards:

Best film

Anatomy of a Fall — Marie-Ange Luciani, David Thion

The Holdovers — Mark Johnson

Killers of the Flower Moon — Dan Friedkin, Daniel Lupi, Martin Scorsese, Bradley Thomas

Oppenheimer — Christopher Nolan, Charles Roven, Emma Thomas

Poor Things — Ed Guiney, Yorgos Lanthimos, Andrew Lowe, Emma Stone

Leading actress 

Fantasia Barrino, The Color Purple 

Sandra Hüller, Anatomy of a Fall 

Carey Mulligan, Maestro 

Vivian Oparah, Rye Lane

Margot Robbie, Barbie

Emma Stone, Poor Things

Leading actor

Bradley Cooper, Maestro

Colman Domingo, Rustin

Paul Giamatti, The Holdovers

Barry Keoghan, Saltburn

Cillian Murphy, Oppenheimer

Teo Yoo, Past Lives

Supporting actress

Emily Blunt, Oppenheimer

Danielle Brooks, The Color Purple

Claire Foy, All of Us Strangers

Sandra Hüller, The Zone of Interest

Rosamund Pike, Saltburn

Da’Vine Joy Randolph, The Holdovers

Supporting actor

Robert De Niro, Killers of the Flower Moon

Robert Downey Jr., Oppenheimer 

Jacob Elordi, Saltburn

Ryan Gosling, Barbie

Paul Mescal, All of Us Strangers

Dominic Sessa, The Holdovers

Director                                                                              

All of Us Strangers, Andrew Haigh

Anatomy of a Fall, Justine Triet

The Holdovers, Alexander Payne

Maestro, Bradley Cooper

Oppenheimer, Christopher Nolan

The Zone of Interest, Jonathan Glazer

Original screenplay

Anatomy of a Fall — Justine Triet, Arthur Harari

Barbie — Greta Gerwig, Noah Baumbach

The Holdovers — David Hemingson

Maestro — Bradley Cooper, Josh Singer

Past Lives — Celine Song

Adapted screenplay

All of Us Strangers, Andrew Haigh

American Fiction, Cord Jefferson

Oppenheimer, Christopher Nolan

Poor Things, Tony McNamara

The Zone of Interest, Jonathan Glazer

Original score

Killers of the Flower Moon, Robbie Robertson

Oppenheimer, Ludwig Göransson

Poor Things, Jerskin Fendrix

Saltburn, Anthony Willis

Spider-Man: Across the Spider-Verse, Daniel Pemberton

Outstanding debut by a British writer, director or producer

Blue Bag Life — Lisa Selby (Director), Rebecca Lloyd-Evans (Director, Producer), Alex Fry (Producer)

Bobi Wine: The People’s President — Christopher Sharp (Director) [also directed Moses Bwayo]

Earth Mama — Savanah Leaf (Writer, Director, Producer), Shirley O’Connor (Producer), Medb Riordan (Producer)

How to Have Sex — Molly Manning Walker (Writer, Director)

Is There Anybody Out There? — Ella Glendining (Director)

Film not in the English language

20 Days in Mariupol — Mstyslav Chernov, Raney Aronson Rath

Anatomy of a Fall — Justine Triet, Marie-Ange Luciani, David Thion

Past Lives — Celine Song, David Hinojosa, Pamela Koffler, Christine Vachon

Society of the Snow — J.A. Bayona, Belen Atienza

The Zone of Interest — Jonathan Glazer

Animated film

The Boy and the Heron — Hayao Miyazaki, Toshio Suzuki

Chicken Run: Dawn of the Nugget — Sam Fell, Leyla Hobart, Steve Pegram

Elemental — Peter Sohn, Denise Ream

Spider-Man: Across the Spider-Verse — Joaquim Dos Santos, Kemp Powers, Justin K. Thompson, Avi Arad, Phil Lord, Christopher Miller, Amy Pascal, Christina Steinberg

Outstanding British film

All of Us Strangers — Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey

How to Have Sex — Molly Manning Walker, Emily Leo, Ivana MacKinnon, Konstantinos Kontovrakis

Napoleon — Ridley Scott, Mark Huffam, Kevin J. Walsh, David Scarpa

The Old Oak — Ken Loach, Rebecca O’Brien, Paul Laverty

Poor Things — Yorgos Lanthimos, Ed Guiney, Andrew Lowe, Emma Stone, Tony McNamara

Rye Lane — Raine Allen-Miller, Yvonne Isimeme Ibazebo, Damian Jones, Nathan Bryon, Tom Melia

Saltburn — Emerald Fennell, Josey McNamara, Margot Robbie

Scrapper — Charlotte Regan, Theo Barrowclough

Wonka — Paul King, Alexandra Derbyshire, David Heyman, Simon Farnaby

The Zone of Interest — Jonathan Glazer, James Wilson, Ewa Puszczyńska

Documentary

20 Days in Mariupol — Mstyslav Chernov, Raney Aronson Rath

American Symphony — Matthew Heineman, Lauren Domino, Joedan Okun

Beyond Utopia — Madeleine Gavin, Rachel Cohen, Jana Edelbaum

Still: A Michael J. Fox Movie — Davis Guggenheim, Jonathan King, Annetta Marion

Wham! — Chris Smith

Casting

All of Us Strangers — Kahleen Crawford

Anatomy of a Fall — Cynthia Arra

The Holdovers — Susan Shopmaker

How to Have Sex — Isabella Odoffin

Killers of the Flower Moon — Ellen Lewis, Rene Haynes

Cinematography

Killers of the Flower Moon, Rodrigo Prieto

Maestro, Matthew Libatique

Oppenheimer, Hoyte van Hoytema

Poor Things, Robbie Ryan

The Zone of Interest, Łukasz Żal

Editing

Anatomy of a Fall, Laurent Sénéchal

Killers of the Flower Moon, Thelma Schoonmaker

Oppenheimer, Jennifer Lame

Poor Things, Yorgos Mavropsaridis

The Zone of Interest, Paul Watts

Costume design

Barbie, Jacqueline Durran

Killers of the Flower Moon, Jacqueline West

Napoleon, Dave Crossman, Janty Yates

Oppenheimer, Ellen Mirojnick

Poor Things, Holly Waddington

Makeup & hair

Killers of the Flower Moon — Kay Georgiou, Thomas Nellen

Maestro — Sian Grigg, Kay Georgiou, Kazu Hiro, Lori McCoy-Bell

Napoleon — Jana Carboni, Francesco Pegoretti, Satinder Chumber, Julia Vernon

Oppenheimer — Luisa Abel, Jaime Leigh McIntosh, Jason Hamer, Ahou Mofid

Poor Things — Nadia Stacey, Mark Coulier, Josh Weston

Production design

Barbie — Sarah Greenwood, Katie Spencer

Killers of the Flower Moon — Jack Fisk, Adam Willis

Oppenheimer — Ruth De Jong, Claire Kaufman

Poor Things — Shona Heath, James Price, Zsuzsa Mihalek

The Zone of Interest — Chris Oddy, Joanna Maria Kuś, Katarzyna Sikora

Sound

Ferrari — Angelo Bonanni, Tony Lamberti, Andy Nelson, Lee Orloff, Bernard Weiser

Maestro — Richard King, Steve Morrow, Tom Ozanich, Jason Ruder, Dean Zupancic

Mission: Impossible — Dead Reckoning Part One — Chris Burdon, James H. Mather, Chris Munro, Mark Taylor

Oppenheimer — Willie Burton, Richard King, Kevin O’Connell, Gary A. Rizzo

The Zone of Interest — Johnnie Burn, Tarn Willers

Special visual effects

The Creator — Jonathan Bullock, Charmaine Chan, Ian Comley, Jay Cooper

Guardians of the Galaxy Vol. 3 — Theo Bialek, Stephane Ceretti, Alexis Wajsbrot, Guy Williams

Mission: Impossible — Dead Reckoning Part One — Neil Corbould, Simone Coco, Jeff Sutherland, Alex Wuttke

Napoleon — Henry Badgett, Neil Corbould, Charley Henley, Luc-Ewen Martin-Fenouillet

Poor Things — Simon Hughes

British short animation

Crab Day — Ross Stringer, Bartosz Stanislawek, Aleksandra Sykulak

Visible Mending — Samantha Moore, Tilley Bancroft

Wild Summon — Karni Arieli, Saul Freed, Jay Woolley

British short film

Festival of Slaps — Abdou Cissé, Cheri Darbon, George Telfer

Gorka — Joe Weiland, Alex Jefferson

Jellyfish and Lobster — Yasmin Afifi, Elizabeth Rufai

Such a Lovely Day — Simon Woods, Polly Stokes, Emma Norton, Kate Phibbs

Yellow — Elham Ehsas, Dina Mousawi, Azeem Bhati, Yiannis Manolopoulos

EE rising star award (public-voted)

Phoebe Dynevor

Ayo Edebiri

Jacob Elordi

Mia McKenna-Bruce

Sophie Wilde

EU Parliament Calls for Major Overhaul to Boost Streaming Pay for Music Creators

LONDON — European regulators are calling for sweeping new laws to help fix the “imbalance in revenue allocation” from music streaming and deliver higher rates of pay for artists and songwriters. 

On Wednesday (Jan. 17), Members of the European Parliament (MEPs) voted overwhelmingly in favor of new legislation being drawn up to ensure creators are fairly compensated from music streaming with 532 votes for, 61 against and 33 abstentions. 

The resolution is non-binding, meaning there’s no legal requirement for its recommendations to come into force, but the report’s endorsement by MEPs puts pressure on policy makers to address long-held complaints from musicians about low returns from streaming. The adopted text now passes to the European Commission for consideration. 

“The Parliament is giving voice to the concerns of European creators, who are at the heart of the music streaming market,” MEP and rapporteur Ibán García Del Blanco said following Wednesday’s vote. Ensuring that authors are “credited and fairly paid has always been our priority,” he said. 

The EU proposals state that current “pre-digital royalty rates” must be brought in line with “modern rates” and call on the industry to explore “fairer models of streaming revenue allocation” for artists and creators, including pro-rata and user-centric models “or totally new ones.”

The current global streaming model pioneered and dominated by Spotify, Apple, YouTube and Amazon Music leaves a majority of authors and performers with very low rates of pay and often means they are unable to sustain careers in music, say MEPs.

Over the past year, the standard pro-rata streaming model has been a major topic of consideration throughout the industry, leading to several of the leading streaming platforms to trial alternative models. 

In September, Deezer announced that it was piloting a new “artist-centric” system in France in partnership with Universal Music Group that rewards artists and songs that actively driving listener engagement. 

A few months later, Spotify announced that it too was looking to introduce changes to its streaming royalty model, including a new listening threshold that tracks must reach in order to qualify for royalties and a targeted clamp down on streaming fraud.

The EU report — titled “Cultural diversity and the conditions for authors in the European music streaming market” — does not reference those industry-led reforms. Instead, it calls on all stakeholders in the music business to take “all necessary steps” to overcome the current imbalances in the allocation of streaming royalties.  

The report also strongly condemns the use of so-called payola schemes that force artists to accept lower royalty rates — or forgo them entirely — in exchange for greater visibility on streaming platforms.  

One of its other key recommendations is that the EU takes action to protect the long-term prominence of European musical works on global streaming platforms by taking “concrete measures,” including the possibility of introducing quotas for European songs or artists. 

Details on what form these quotas would take or how they would be implemented are not specified in the text, although quotas already exist in many European countries for domestic content broadcast on national radio and television stations. 

“EU legislation should include diversity indicators to assess the array of genres and languages available and the presence of independent authors,” say MEPs, noting that the majority of streaming revenues go to major labels and big global stars, while less popular styles and less common languages are streamed less frequently. 

On the subject of transparency and artificial intelligence (AI), the report says platforms should be obliged to make their algorithms and recommendation tools transparent to prevent unfair practice, such as the manipulation of streaming numbers.

In line with the terms outlined in the EU’s Artificial Intelligence Act — which was provisionally passed in December and forms the world’s first comprehensive set of laws regulating the use of AI — MEPs said music works generated by AI must be clearly labelled as such and unauthorized use of an artist’s voice or likeness banned. 

Responding to the EU report, Helen Smith, executive chair of European independent labels trade body IMPALA, representing almost 6,000 music companies, said its adoption by MEPs “comes at a decisive time for the music sector.”

“The idea that artists should receive a fair contemporary digital rate reflects the independent sector commitment made almost ten years ago,” she said in a statement.  

John Phelan, director general of international music publishing trade association ICMP, thanked rapporteur Ibán García Del Blanco for his “diligence and determination” in defending artists’ rights, while Jess Partridge, executive director of European Music Managers Alliance (EMMA) said the report “underlines the barriers faced by artists and their teams.” 

“The music streaming market needs to properly reward those who are at the core of its success,” echoed Véronique Desbrosses, general manager of European Authors Society GESAC. “We count on the European Commission to take the next step and table the needed legislative proposals.”

Ice Cube, Beastie Boys & More Reflect on Run DMC’s Impact in ‘Kings From Queens’ Documentary Trailer

Walk this way for the kings from Queens! The trailer for Peacock’s three-part docuseries Kings From Queens: The Run DMC Story about the influential hip-hop trio of Joseph Simmons (aka Rev Run), Darryl McDaniels (DMC) and Jason Mizell (Jam Master Jay) has arrived, and Billboard has the first look.

In the teaser for the documentary — which reflects on Run DMC beginnings in the ’80s in New York City’s Queens, the group’s successes, struggles and more — hip-hop heavyweights discuss the impact the iconic act has had on the musical landscape.

“They’re the reason that hip-hop is as big as it is right now,” Ice Cube explains in the trailer of Run DMC, who was the first rap group on MTV.

“They changed the sound of music, the audience for rap music,” Mike D of the Beastie Boy asserts.

And as Run DMC’s Billboard Hot 100 hit “It’s Tricky” — which peaked at No. 57 in April 1987 — plays, rapper-actor Ice-T notes, “That was the moment I knew hip-hop was going to be huge — they brought more people to the genre.”

Other exclusive interviews featured in the Peacock docuseries include LL Cool J, Chuck D, Rage Against the Machine’s Tom Morello, Questlove, Jermaine Dupri and more. Kings From Queens, Billboard can also exclusively report, will premiere Thursday, Feb. 1, exclusively on Peacock. The series is also executive produced by Rev. Run and DMC. (Jam Master Jay was fatally shot at his Queens, NYC, studio in October 2002.)

“I am very happy that the world is going to see our great story,” Rev. Run said in a statement. “So thankful for all that participated in helping us over the years. I started out as a young DJ Run and ended up impacting the world with my group RUN DMC. I am blessed to have been on this amazing journey.”

DMC also shared his thoughts on the purpose of the project. “This documentary series will reach, teach and educate people on the RUN DMC dynamic,” he said in a statement. “I know people will see themselves in our journey and I am hopefully that the next 50 years of hip-hop will be a movement of positive improvement and creativity, in the same way we changed music and the world.”

Over the course of the group’s career, Run DMC had three albums that reached the Billboard 200‘s top 10: Raising Hell (No. 3, 1986; the album also earned a Grammy nod for best R&B performance by a duo or group with vocal), Tougher Than Leather (No. 9, 1988) and Down With the King (No. 7, 1993). Over on the Hot 100, the trio placed five songs, including the hit cross-genre cover/collab of Aerosmith’s “Walk This Way” (No. 4) and “You Be Illin’” (No. 29).

Watch Billboard‘s premiere of the Kings From Queens: The Run DMC Story trailer below:



The Glorious Sons, TALK & More to Perform During NHL All-Star Weekend Skills Competition

The National Hockey League revealed on Thursday (Jan. 18) that rock band The Glorious Sons and multi-instrumentalist TALK will be headlining this year’s NHL All-Star Skills presented by DraftKings Sportsbook.

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The event, which will take over Scotiabank Arena in Toronto, Canada, on Feb. 2 during the 2024 All-Star weekend, will also feature Dinah Jane and Chxrry22 performing the U.S. and Canadian national anthems, respectively. The Glorious Sons and TALK performances will be televised as part of the broadcasts on Sportsnet and TVA Sports in Canada and on ESPN and ESPN+ in the United States.

The weekend will kick off with NHL All-Star Thursday on Feb. 1, before NHL All-Star Skills presented by DraftKings Sportsbook will take place on Friday, Feb. 2, and the Honda (U.S.) / Rogers (Canada) NHL All-Star Game wraps up the weekend on Saturday, Feb. 3. 

This year’s NHL All-Star Skills will introduce a revamped format with 12 NHL All-Stars competing for points in eight events, with the all-star who accumulates the most points taking home a prize of $1 million. Additional news around NHL All-Star Weekend will be announced in the coming weeks.

Tickets to the NHL All-Star Thursday are available at Ticketmaster.com while tickets for the 2024 NHL All-Star Skills presented by DraftKings Sportsbook are available via Ticketmaster Verified Resale.

Diddy and Diageo Settle Legal Dispute, Officially Part Ways

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The dispute between Diddy and Diageo is now over as the two parties have reached a settlement, and are no longer partners.

According to reports, Diddy and global liquor giant Diageo ended a highly combative legal battle in which Diddy accused Diageo of not honoring its commitment to his liquor brand, claiming it was due to racism. The two parties confirmed the settlement in a joint statement issued on Tuesday (January 16). The liquor brands at the heart of the settlement were Ciroc vodka and DeLeon tequila.

“Sean Combs and Diageo have now agreed to resolve all disputes between them. Mr. Combs has withdrawn all of his allegations about Diageo and will voluntarily dismiss his lawsuits against Diageo with prejudice,” the statement from both parties reads. “Diageo and Mr. Combs have no ongoing business relationship, either with respect to Cîroc vodka or DeLeón tequila, which Diageo now solely owns.” Diageo, which also owns such renowned brands as Guinness, Tanqueray and Johnnie Walker, had first entered into a partnership with Diddy’s Combs Wines and Spirits in 2007 to handle marketing and distribution of Ciroc. In 2013, the two entities purchased DeLeón.

Things soured in May 2023 as Diddy sued Diageo in Manhattan Supreme Court in New York City, alleging that the brand purposely neglected his liquor brands compared to others under their umbrella. He also claimed that Diageo belittled the value of Ciroc and DeLeón by marketing them as “urban” brands and not for the general market. Diageo would file a countersuit in June, claiming that Diddy had failed to live up to obligations stipulated in their partnership agreement. “Mr. Combs’ bad-faith actions have clearly breached his contracts and left us no choice but to move to dismiss his baseless complaint and end our business relationship,” their filing read at the time.

The severing of ties with Diageo is another blow to the artist and mogul within the past few months. Diddy is currently facing several lawsuits accusing him of sexual assault which he denies inflicting. Last November, his former girlfriend Casandra “Cassie” Ventura filed a lawsuit against him accusing him of sex trafficking and rape. The two settled the lawsuit the next day. Diddy has also stepped down from his position as chairman of REVOLT TV and has seen an upcoming reality series with Hulu scrapped in the wake of the lawsuits.