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Saweetie Serves ‘Main Character Energy’ in True Religion Spring Campaign: Shop the Collection

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

True Religion is getting into women’s fashion and they chose none other than Grammy-nominated rapper Saweetie to spotlight their spring ’24 campaign. Based on the looks the “Best Friend” rapper shows off, it’s clear this season will have you embracing denim dresses, baggy jeans and graphic T-shirts (including the timeless band tee look).

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The partnership marks the clothing brand’s first women-focused campaign, which officially dropped on Thursday (Feb. 8) and features styles up to 30% off. True Religion was encouraged to pursue a women’s-focused campaign after seeing a major jump in sales in 2023 — to the tune of more than $21 million, according to a press release.

Saweetie x True Religion

Courtesy of True Religion

Saweetie grew up sporting the brand, making it a no-brainer to join forces.

“True Religion has always been that girl,” Saweetie said in an official press statement. “This new line stays authentic to the True Religion I grew up wearing but also has some bold and unexpected pieces.”

Saweetie x True Religion

Courtesy of True Religion

For the clothing brand, the “Shot O’Clock” rapper exudes the type of “main character energy” they encourage their shoppers to embrace.

“We very much believe that style is not just about what you wear; it’s a destination where confidence meets individuality,” said Kristen D’Arcy True Religion’s chief marketing officer. “Saweetie is the very embodiment of this main character energy, which comes across throughout every campaign asset for Spring. ’Go There’ evokes the idea of adventure and travel and serves as a call to our customers to take their style to a more extreme, rebellious, and unexpected level.”

Whether you want to channel the “Closer” artist’s style or need a wardrobe refresh, you can shop Billboard Shopping‘s favorite picks below, or view the entire campaign here.

True Religion

Denim Big T Halter Vest

Upgrade your vest collection with a white denim version that will instantly become a wardrobe staple. The design features contrast stitching and a button-up closure you can customize to your liking. Wear it alone or layer it on top of a T-shirt, turtleneck and more.

True Religion

Hunting Camo Bobbi Cargo Pants

Add some pattern to your pants collection with these camo cargo pants that will really help you blend in to the fashion scene. It’s made from a single needle stitching as well as belt loops to accessorize with and cargo pockets for storing your small essentials.

True Religion

Tiger TR Logo Baby Tee

Show off your love for the brand with a baby tee patterned with the True Religion’s iconic logo and a tiger graphic. You can pair it with your go-to jeans, joggers or cargo pants and even layer it under a bomber, leather jacket or denim jacket for added style.

For more product recommendations, check out our roundups of the best oversized leather jackets, shackets for women and knee-high boots.

Brett Favre Says Toby Keith Stopped Chemo & Felt ‘Tired’ Before His Death

Brett Favre is recalling the days leading up to his longtime friend Toby Keith’s death.

“I think in the end he was just tired,” the former NFL quarterback told TMZ Sports of Keith, who died on Monday (Feb. 5) of stomach cancer. “He did say that to me when we had our conversation, he said, ‘Brett… whatever happens, I’m okay with it.’”

Favre noted that he would call Keith every three months to check in on him, though was told upsetting news recently. “He said, ‘I quit chemo and it probably did more damage to me than the cancer did,’” Favre recalled. “And he said, ‘I just hope I didn’t quit it too late, but… I’m thankful I got a chance to play some shows. I finished them.’” 

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As for remembering his pal, the Green Bay Packers star said he’ll “remember him smiling, and had everyone hooting and hollering and having a lot of fun.”

“He was the best,” he added.

The country icon —  known for anthems like “Courtesy of the Red, White and Blue (The Angry American)” and “Made in America” — died “peacefully” after a two-year battle with stomach cancer. He was “surrounded by his family,” according to a statement on his official website. “He fought his fight with grace and courage.” Keith was diagnosed with cancer in 2021 and revealed the news to fans a year later, telling them that he was undergoing chemotherapy, radiation and having surgery.

Jonathan Majors Sentencing Set For April, Faces 1 Year In Prison

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TOPSHOT-US-CRIME-COURT-ASSAULT-MAJORS

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The sentencing of Jonathan Majors has been moved up to April, with the potential of one year in jail for the actor looming as a possibility.

On Tuesday (Feb. 6), Judge Michael Gaffey informed the legal team defending actor Jonathan Majors and the prosecution that he expects Majors to be present in court April 8 to hear his sentence, Deadline reported. Majors was convicted Dec. 18, 2023, on the charges of reckless assault and harassment of his former girlfriend, Grace Jabbari.

The Creed III actor, originally slated to appear in person, appeared virtually in court. The delay in the sentencing was due to the defense filing a motion to set aside the verdict. The Manhattan District Attorney’s office has until March 5 to respond to the motion, known as a “330.30 motion,” referencing New York State criminal law. It’s considered a long-shot filing by legal observers.

The motion, which consists of 41 pages, was made public Wednesday (Feb. 9), according to Business Insider. In it, the actor is seeking for the verdict to be put aside citing two factors: a lack of sufficient evidence concerning the reckless assault and harassment charges and a reversible judicial error with regards to the charge of reckless assault.

Priya Chaudhry, Majors’ lead defense attorney, claims that prosecutors “bookended the trial with loud accusations of a deliberate pattern of intentional bad conduct by Mr. Majors,” also claiming that Judge Gaffney improperly gave jurors a choice of charging that Majors injured Jabbari intentionally or recklessly.

A spokesperson for Manhattan D.A. Alvin Bragg sent a statement to the press, saying: “The Court has already heard and rejected the arguments supporting this motion when the defense originally raised them during the trial. The jury then convicted Mr. Majors of Assault in the 3rd Degree and Harassment in the 2nd Degree. We will respond in detail in court papers.”

The once highly sought-after actor, who was fired by Marvel as the face of Kang the Conqueror after the verdict came down, faces one year in prison for the charges. Judge Gaffney said that he intended to make a ruling on the case by April 1 before adjourning. 

Post Malone Talks Super Bowl Pregame Performance & the Only Reason He’s Rooting for the Chiefs

It’s no surprise that superstar Post Malone loves Bud Light: “I’m the tip of the spear when it comes to consumption,” he says of the brand through an audible smirk.

Which is why it’s also no surprise that Posty will star in Bud Light’s Super Bowl commercial for his third year in a row. “Maybe it will become a tradition and we just do one every year until everyone is sick of seeing me,” he questions aloud.

“I feel very handsome in this one,” he adds, noting how this commercial feels different from his previous two. “I’m going for a Clooney vibe. You know, Clooney is a little older, but he’s still a total stud. And I think, hopefully God willing, that’s what happens to me. Because I’ve been such an awkward looking dude forever, so maybe I’ll get the Clooney effect. Maybe it’ll be me and Clooney for the next Bud Light ad.”

And yet, he jokes that the team behind the commercial wouldn’t let him in their creative meetings. “They said my ideas were too epic,” he recalls.

He’s not wrong. When speaking of his long-standing fandom of the brand, another idea rolls right out: the beer blankie. 

“I remember at the legal age of 21 I enjoyed [my first Bud Light] and I was like, ‘You know what? This is my deal. It makes me feel comfortable.’ And ever since then, it’s been kinda like my beer blankie. I still have my blankie, too. So it’s kinda like that … Me and Clooney with a beer blankie – that’s the next commercial.”

Despite being a Bud Light commercial veteran at this point, Post will also experience a major first during Super Bowl weekend: attending the big game. Post is one of three pregame performers, along with Reba McEntire and Andra Day, who will be singing the national anthem and “Lift Every Voice and Sing,” respectively.

As for Posty, he’ll be tackling “America the Beautiful.” And while he’s never performed the song publicly before, he reveals, “I sing it all the time, like, randomly in my most patriotic moments. It’s a song that’s always in the back of my head, and if I’m playing games or just walking around, I’ll sing it at the top of my lungs. So I’m very excited – and I’m definitely 100 percent not nervous at all to sing it in front of millions of people at the Super Bowl.”

He says he and longtime collaborator Louis Bell, along with others, have been making tweaks to how he will perform the classic, saying fans can expect a bit of country twang. “I’m just gonna sing my heart out the best I can and give America – no matter how s—-y it is – the love [this song] deserves.”

And while his beloved Dallas Cowboys will not be competing on Super Bowl Sunday, Post plans to represent them by wearing a “beautiful vintage bomber jacket signed by Tom Landry [the Cowboys’ first head coach]. I won’t be the only one there in a Cowboy’s jersey – because we know who’s supposed to be there. We got it next year.”

Until then, if he had to pick, he says he’ll be rooting for the Kansas City Chiefs – only because he has a KC tattoo – “not for any other reason … Pat [Mahomes] and Travis [Kelce], they’re great guys. A lot of great guys on both teams. But everyone in America knows who’s supposed to be there.”

Watch his Bud Light commercial below.


https://youtube.com/watch?v=RSLdizvZbGs&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Worldwide Independent Network Names Board, Unveils New International Structure

Worldwide Independent Network (WIN), the organization that brings together local independent music trade bodies across the globe, taps five new board members, while ratifying the reappointment of its chair and treasurer.

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Dario Draštata (Dallas Records, Croatia), Fran Sandoval (IMICHILE, Chile) and Marty Ro (Sound Republica, South Korea) are among the new directors named to the 20-strong WIN board, announced Thursday, Feb. 8. The other new faces are Alejandro Varela (S-Music, Argentina) and Sridhar Swaminathan (SIMCA, India), who are named as observers.

The trade association gives “warm thanks” to outgoing members Francesca Trainini (PMI, Italy), Jeffrey Chiang (Fluxus, South Korea) and Oliver Knust (IMICHILE, Chile).

Renewed each year, the board is comprised of independent music company and trade association representatives from around the world, appointed by WIN members on a geographical basis.

The organization rings in the changes this year by creating a new international structure based on five regional blocs: North America, Latin America, Europe, Asia and Australasia, a move that reflects “diversity of languages, genres and cultures that make up its membership,” reads a statement.

Meanwhile, Zena White (Partisan Records, U.S.) and Maria Amato (AIR, Australia) are reappointed as chair and treasurer, respectively. Melbourne-based Amato, the CEO of the Australian Independent Record Labels Assn., in 2022 became WIN’s first female chair and the organization’s first from the southern hemisphere.

“I am grateful to be given the opportunity to continue as chair of WIN and my congratulations go to our five new board members,” comments White in a statement. “Our North Star is to strengthen the sector by having an independent music trade association in all countries where there is a commercial music business. The new regional bloc structure reflects our purpose to connect as many territories as we can. I am particularly proud of WIN’s work with groups in Latin America and Asia-Pacific on their specific agendas, as well as adding associations in India, Paraguay and Bulgaria to our membership.”

The organization launched in 2006 and became a trade association in 2016, serving as a global coordination and support body for the independent sector, and representing thousands of music companies and professionals worldwide. Its focus is on long-term development and sustainability.

Each year, WIN commissions and publishes the WINTEL market report that measures the economic and cultural impact of the independent music sector globally.

Next up, White and Noemí Planas, CEO of WIN, will join reps from member associations in other Latin American countries to visit Guadalajara, Mexico in late February and early March for the FIM GDL conference and to host an independent labels summit and WINHUB networking gathering.

WIN board for 2024:

North America

Garry West (Compass Records, U.S.)

Gord Dimitrieff (Aporia Records, Canada)

Jason Peterson (GoDigital Media Group, U.S.)

Richard Burgess (A2IM, U.S.)

Zena White (Partisan Records, U.S.)

Observer: Tony Kiewel (Sub Pop, U.S.)

Latin America

Francisca Sandoval (IMICHILE, Chile)

Sandra Rodrigues (ABMI, Brazil)

Observer: Alejandro Varela (S-Music, Argentina)

Europe

Dario Draštata (Dallas Records, Croatia)

Gee Davy (AIM, UK)

Geert De Blaere (N.E.W.S., Belgium)

Jörg Heidemann (VUT, Germany)

Mark Kitcatt (Everlasting Records, Spain)

Observer: Helen Smith (IMPALA, Europe)

Asia

Marty Ro (Sound Republica, South Korea)

Takuya Yamazaki (IMCJ, Japan)

Observer: Sridhar Swaminathan (SIMCA, India)

Australasia

Maria Amato (AIR, Australia)

Observer: Dylan Pellett (IMNZ, New Zealand)

Vinyl Group Identifies Synergies, ‘Clear Path to Profitability’ Following The Brag Media Acquisition

Vinyl Group now has a fourth pillar.

Following the completion of its acquisition of The Brag Media, the Sydney-based music and tech specialist doubles-down on its mission to build revenue and integrate its new asset.

As previously reported, the transaction is funded with a new investment by billionaire WiseTech Global founder and CEO Richard White, by way of an A$11 million ($7.5 million) placement and debt facility, uniting the only music specialist company listed on the Australian Securities Exchange (ASX) with the market leader in premium youth content and events.

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“Our real mission or vision that we all have in the company is to empower and power all facets and parts of the music ecosystem,” Vinyl Group CEO Josh Simons tells Billboard.

When the group, previously known as Jaxsta, prior to a rebrand in early December, spotted an opportunity with The Brag Media, “we also knew that the company was going to evolve into more of a portfolio music company,” Simons continues.

Prior to the purchase, Vinyl Group’s portfolio was built on the three pillars of its music credits business Jaxsta; the leading music industry social-professional network and talent marketplace Vampr; and Vinyl.com, the online record store. The Brag Media, with its range of titles including Rolling Stone AU/NZ, Variety Australia, Tone Deaf and trade title The Music Network, is its fourth pillar.

Vinyl.com is a “very fast growing ecommerce platform, it speaks to the fan,” Simons continues, “but a huge part of connecting the dots here is connecting fans as creators, and media and events and everything that The Brag does, fills that gap.” When the opportunity came across the table, and “when we knew what direction they were boldly headed in, it made a lot of sense and got us excited very quickly.”

The amalgamation of both business presents “some really obvious low hanging synergies,” he explains, pointing to sales synergies between Vampr and The Brag Media as one example, “but broadly speaking, it plugged a hole in this broader flywheel of servicing all participants in the music ecosystem.”

People, product and process – “that’s really always my focus,” explains Simons.

The co-founder of Vampr, Simons was elevated from chief strategy officer to CEO in June 2023, succeeding Beth Appleton, who stepped down as CEO with immediate effect.

“Revenue, cost efficiency and profitability remain the top priorities for Jaxsta,” Simons commented at the time of his ascension, “and I look forward to building on the current momentum.”

The agenda remains the same.

“The headline KPI was four quarters of consecutive revenue growth and moving towards profitability,” Simons says. “Under my tenure, we’ve released three quarters of performance. And in each quarter, we’ve averaged 204%, quarter over quarter.” The Brag deal “turbo charges that”.

The completion of the acquisition was confirmed with a statement Feb. 1, when stock was trading at $0.063. At the close of trading today (Feb. 8), VNL stock was trading at $0.066, for a market cap of $41.73 million.

Prior to the deal going through, The Brag Media bolstered its executive team with a triumvirate of appointments. Dane Robertson returned to the company in the newly-created role as head of client and event partnerships in Australia and New Zealand, following a stretch at media firm Pedestrian Group. Also, Denise Barnes joined as client projects director following six-plus years with lifestyle site Man of Many, most recently as head of branded content, and Anan Salvarinas joined the team as senior creative strategist, following two-and-a-half years with LADbible Australia, including a recent run as senior creative (brand).

This year is an “important” one for the business “as we focus on integrating The Brag Media into Vinyl Group’s properties as well as continued strong growth of our technology products,” explains Simons in the Feb. 1 statement to the ASX. “We now have a very clear path to profitability.”

Dave East & Cruch Calhoun “All I Need,” DaBaby “Reintroduction” & More | Daily Visuals 2.7.24

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Dave East

Source: Bernard Smalls / @PhotosByBeanz

Dave East’s been doing his thing for the streets for a hot minute now, but today the man has decided to switch it up for a second and give some flowers to his significant other for holding him down in this life of sin, his girlfriend.

Collaborating with Cruch Calhoun for the visuals to “All I Need,” Dave East and Double-C spend some quality time with their wifeys both in the streets and in the studio to remind them that no matter how many groupies try to tempt them out on the road, they’ll always find their way home… eventually.

From the East to the South, DaBaby continues to attempt to recapture the popularity he held in 2020 and in his black-and-white clip for “Reintroduction,” DB spits a freestyle over Jay-Z’s “PSA” instrumental and uses a collage of footage from his past performances to remind y’all he can still get it poppin out in the club and arenas.

Check out the rest of today’s drops including work from Curren$y, Cory Gunz, and more.

DAVE EAST & CRUCH CALHOUN – “ALL I NEED”



DABABY – “REINTRODUCTION”



CURREN$Y – “REFLECTIONS”



CORY GUNZ – “3 STAXX”



YOUNGBOY NEVER BROKE AGAIN – “F*CK NI**AS”



TEE GRIZZLEY – “ONE OF ONE”



LARUSSELL, HIT-BOY & BIG HIT – “ANOTHER ONE”



BABYDRILL FT. LUH TYLER – “SCOREGOD”



Taylor Swift’s ‘The Eras Tour’ Concert Film Heading to Disney+

Swifties, get ready to stream Taylor Swift: The Eras Tour wherever and whenever.

The record-breaking concert film is heading to Disney+ on March 15, Disney CEO Bob Iger revealed on Wednesday (Feb. 7), according to The Hollywood Reporter. The movie, which is given the extended title Taylor Swift: The Eras Tour (Taylor’s Version), will include the song “Cardigan” as well as four acoustic songs not originally included in the theater or on-demand releases.

The Eras Tour has been a true phenomenon that has and continues to thrill fans around the world, and we are very excited to bring this electrifying concert to audiences wherever they are, exclusively on Disney+,” Iger said, per the publication.

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Taylor Swift: The Eras Tour opened in October with more than $92.8 million in grosses, instantly becoming the top-grossing concert film in history after just one weekend. The Eras Tour film was shot over the course of Swift’s first three shows at SoFi Stadium in Inglewood, Calif., where she performed six shows in early August. The film was directed by Sam Wrench, who received a Grammy nomination late last year for directing Billie Eilish Live at the O2, which was a contender for best music film.

Swift then unveiled an on-demand The Eras Tour extended edition film, which included performances of “The Archer,” “Long Live” and “Wildest Dreams.” The version was available on Prime VideoApple TV+Xfinity, Vudu, Google Play, YouTubeTV and SkyTV Premiere.

Warner Music Group Reports Quarterly Revenue Records for Recordings & Publishing

Warner Music Group (WMG) revenue reached a record $1.75 billion from October through December, the company announced Wednesday (Feb. 7). That’s up 17.5% from the prior-year quarter (up 15.9% at constant currency), as both the recorded music and publishing divisions posted their best-ever quarterly revenues. 

With Spotify and other streaming services having raised prices in 2023, WMG’s digital revenue increased 16% and streaming revenue grew 16.6%. The company also posted gains in physical sales, licensing revenue and music publishing performance royalties, though the company saw declines in recorded music artist services and expanded rights revenue. Net income rose 55.6% to $193 million and operating income improved 33.6% to $354 million.  

“These results reflect the impact of our chart-topping artists, hit-making songwriters, iconic catalog, and laser focus on execution by all our teams,” CEO Robert Kyncl said in a statement. “As we deliver our plan to accelerate our growth, we are becoming more efficient, increasing operating leverage, and freeing up more funds to invest in music and tech, which in turn will drive further sustainable growth.” 

Moments after WMG released the quarter’s results — an earnings call will take place Thursday morning (Feb. 8) — news broke that the company will eliminate its staff by 10%, primarily through the sale of owned and operated media companies such as Uproxx and HipHopDX. The company will also eliminate its in-house ad sales function and plans to wind down its podcasting brand, The Interval, as well as social media publisher IMGN. The reductions will free up $200 million in cost savings that can be reinvested elsewhere, Kyncl wrote in a memo to staff obtained by Billboard.

WMG shares were up 6.4% to $36.19 in after-hours trading following the late afternoon release of earnings results and staff reductions.

Excluding three extraordinary items, WMG’s revenue growth was 12.1% (10.6% at constant currency). A previously disclosed licensing agreement extension for an artist’s catalog added $68 million of revenue and a digital licensing agreement renewal added $27 million to the quarter. The termination of a distribution agreement with BMG resulted in $13 million less revenue than the prior-year quarter.  

Recorded music revenue improved 16.6% to $1.45 billion on the success of Zach Bryan, Bruno Mars, the Barbie soundtrack and Jack Harlow, whose track “Lovin on Me” first reached No. 1 on the Billboard Hot 100 singles chart in December and recently spent its fourth non-consecutive week atop the chart dated Feb. 3. The segment’s digital revenue grew 13.1% to $908 million while physical revenue climbed 15.8% to $154 million. Licensing revenue jumped 84.5% to $179 million. 

Music publishing revenue grew 21.6% (19.7% at constant currency) to $304 million thanks to a 32.2% improvement in streaming revenue and a 31.5% gain in digital revenue. Mechanical royalties — which are tied to downloads and physical purchases — rose 7.1% to $15 million. Publishing’s synch revenue was flat at $39 million as lower commercial licensing activity in the United States was offset by the timing of some legal settlements.  

WMG’s margins improved nearly across the board in the quarter. Company-wide, the company’s operating margin rose 2.5 percentage points to 20.3% and its adjusted operating income before depreciation and amortization (OIBDA) margin rose 3.3 percentage points to 25.8% (and was flat excluding BMG’s termination, the license extension and digital license renewal). Recorded music’s adjusted OIBDA margin rose 4.4 percentage points to 28.5% and its operating margin improved 3.1 percentage points to 25.9%. The publishing division’s operating margin rose 1.1 percentage points to 20.7% while its adjusted OIBDA margin declined 0.5 percentage points to 28.3%, due primarily to the impact of exchange rates. 

Landon Barker & Charli D’Amelio Have Split: ‘We Are Still Friends & Have So Much Love for Each Other’

Landon Barker and Charli D’Amelio have called it quits after a year of dating.

Barker took to his Instagram Stories on Tuesday (Feb. 6) to announce the news. “Hey everyone, I would like to let you guys know that Charli and I are no longer together,” he wrote against a black background. “We broke up to focus on ourselves. We are still friends and have so much love for each other. I am incredibly grateful for the time we shared and hope you can respect our decisions. Thank you, love you all so much!”

The 20-year-old son of Blink-182 drummer Travis Barker and the 19-year-old TikTok star first sparked romance rumors in June 2022, when they were spotted together out in Los Angeles. The duo went official on social media a month later.

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In June 2023, Landon got a tattoo of D’Amelio’s eye, before she appeared in his “Friends With Your Ex” music video in September. He previously told Billboard that the song is “about falling in love with somebody you’re not supposed to but still seeing things through and having a good outcome.” 

Looking forward, Landon told Billboard that he’s working on new music. “Honestly it’s amazing, and especially all the stuff that I have saved up for everybody and the stuff in the vault … I’m glad I got this one out, but I’m excited to share so much,” he shared.

D’Amelio, meanwhile, is working hard on her fashion brand, Social Tourist, which she shares with sister Dixie, and stars alongside her family in the Hulu reality series, The D’Amelio Show.