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How Flo Milli Landed the Biggest Hit of Her Career With ‘Never Lose Me’

Shortly before her 24th birthday last January, Flo Milli got an unexpected gift from her fans. After playing dress-up one night in her bedroom, the Alabama upstart posted an Instagram video of herself singing to her new record, “Never Lose Me.” Though she made the video in jest, the results were golden, as the clip went viral, leading to the biggest hit of Flo’s career. 

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“I saw it spreading before my birthday [in January], maybe months before that,” remembers Flo. “It was crazy, because I was promoting another song, but all that was on my mind was [“Never Lose Me”]. One day, I was at the house, and I made a video on my phone and posted it on Instagram. I was like, “Oh, they’re f–king with it.” Then, I put it on TikTok, and people started making videos immediately. It started getting bigger a few months after that.”

The success of “Never Lose Me” wasn’t originally on Flo’s birthday wish list, but the record has since peaked to No. 18 on the Hot 100, a career best. What started as an impromptu freestyle over Babyface Ray and 42 Dugg’s “Ron Artest” beat morphed into a sugary pop-rap bounce, courtesy of Flo’s entrancing hook and cheeky lyrics about staying close to her beau.  

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“I was in the studio all night, and I wasn’t really focused,” says Flo. “I was working on other stuff for my project, and then right when I was about to leave, I asked the engineer to pull up this beat — that’s when I started rapping. For the ‘Never Lose Me’ part, I’m such a perfectionist: Until I get a line right and it sounds like how it sounds in my head, I’ll do it so many times. I just kept saying, ‘You never wanna lose me.’ I wasn’t expecting it to blow. I was just doing it for me.”

Released last December, “Never Lose Me” soared into the TikTok sphere and dominated. The song topped the TikTok Billboard Top 50 chart for four weeks, becoming the longest reign yet for any track. The record’s remixes featuring Bryson Tiller and Lil Yachty also helped its growth, with both stars fanning over the song before its explosion. 

“It wasn’t really planned; Yachty had reached out — he told me he loved it and we started communicating on that end,” says Flo. “I sent it to Bryson. That happened because he was hitting me on DMs [before it was officially out], like, “Drop this shit. This song has been in my head.” I was like, “You should put a little verse on it,” and that’s how that came about. 

Despite those wins, Flo has one more trick under her sleeves: unleashing a third remix, this one with R&B and pop superstar SZA.

“I can’t give a date on [the SZA remix] right now but hopefully soon. I’ve been talking to SZA for a couple of years — she’s always been supportive towards my career, even behind the scenes.”

A version of this story originally appeared in the March 2, 2024, issue of Billboard.

Karol G & Shakira’s ‘TQG’ Video Enters YouTube’s One Billion Views Club

Karol G and Shakira’s massive breakup anthem “TQG” has surpassed one billion views, officially entering YouTube’s Billions Views Club.  

The music video, which dropped on Feb. 24, 2023, as the focus track of Karol’s Mañana Será Bonito album, features the two Colombian powerhouses delivering the empowering track that’s short for “Te Quedó Grande,” which loosely translates to “I was too good for you.” In the bop, the artists go back and forth about moving on from their past relationships and being on another level. 

“TQG” marks the eighth Billion Views Club entry for both acts as a lead, featured artist or collaborator. 

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For Karol, it follows “China,” “Tusa,” “Secreto,” “Bichota,” “Culpables,” “Ahora Me Llama” and “El Makinon.” For Shak, it follows “Waka Waka (This Time for Africa),” “Chantaje,” “La Bicicleta,” “Hips Don’t Lie,” “Can’t Remember to Forget You,” “La La La” and “Perro Fiel.” The former is No. 13 on YouTube’s Global Top Artists chart, and the latter is No. 21. 

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On the Billboard charts, the Ovy on the Drums-produced banger debuted at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. tallies, while also crowning six other Billboard listings and becoming Karol’s first top 10 hit on the Billboard Hot 100. Furthermore, the track won best collaboration at the 2023 MTV Video Music Awards. 

In other news, Karol G will be honored as the 2024 Woman of the Year at Billboard’s Women in Music awards to air Thursday at 5 p.m. PT/8 p.m. ET on billboardwomeninmusic.com.

“With her immense talent, Karol G has created a movement for women across the globe due to her empowering lyrics and inspiring confidence,” said Hannah Karp, Billboard’s editorial director, when Karol G was announced as the honoree. “The release of her groundbreaking album Mañana Será Bonito has proven her a force to be reckoned with in both the English and Spanish charts. We are so excited to honor her as Woman of the Year.”

“Karol G has become a global superstar performing in Spanish,” added Leila Cobo, Billboard’s chief content officer, Latin/Español. “It shows that music and artistry are not bound by language or borders, and Billboard recognizes that. This is truly a historic moment for the brand and for Latin music.”

Watch the music video for “TQG” above.

Jim Beard, Steely Dan Keyboardist, Dies at 63

Jim Beard, a solo artist and touring keyboardist for Steely Dan for the past 16 years has died at age 63. The news was confirmed by a spokesperson for the group in a statement on Wednesday (March 6) that revealed the pianist, composer, keyboardist, producer and arranger died on March 2 due to complications from a sudden illness; at press time a cause of death had not been announced.

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Beard joined the live Steely Dan band in 2008 for the Think Fast Tour and in addition to performing with the long-running jazz-influenced rock group — including at his final show with the band on Jan. 20 in Phoenix, AZ — he was also a touring member of the Eagles on their Long Goodbye tour.

Born in Ridley Park, Pennsylvania on August 26, 1960, Beard took clarinet, saxophone and sting bass lessons as a teenager and studied jazz at Indiana University, where he played in a bar band that featured session drummer Kenny Aronoff (John Mellencamp, John Fogerty) and trumpet player Chris Botti.

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According to an official bio, after moving to New York in 1985, Beard set off on a prolific career of composing — on tracks by John McLaughlin, Michael Brecker and many others — and toured the world with such jazz greats as Pat Metheny, McLaughlin and Wayne Shorter. He also performed on recordings by Dizzy Gillespie, Al Jarreau, David Sandborn, Dianne Reeves, Meshell Ndegeocello and rock guitar virtuoso Steve Vai, as well as with the Metropole Orchestra, Detroit Symphony Orchestra and the Jazz at Lincoln Center Orchestra as well as composing music for TV and movie scores.

Between tours with Metheny and McLaughlin’s Mahavishu Orchestra, Beard recorded six solo CDs and taught at the Berklee College of Music in Boston, the Mason Gross School of Arts at Rutgers University, the Aaron Copland School of Music in New York and the Sibelius Academy in Finland. Beard’s productions and compositions were nominated for seven Grammy awards, with one win in 2007 for his playing on “Some Skunk Funk” by Randy and Michael Brecker.

Independent Music Publishers Could Leave TikTok in May

The National Music Publishers’ Association (NMPA) warned some of its members on Tuesday that the organizations’ license with TikTok ends April 30 and it “do[es] not anticipate” to renew, extend or form a new license with the platform, according to a letter obtained by Billboard.

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This means that a lot more music could be removed from TikTok come May, spreading the reach of recent music takedowns far beyond what users have already experienced since Universal Music Group began pulling its recorded music and publishing catalogs off the platform in the last month. The NMPA license is used by a number of independent music publishers, but the organization has previously declined to specify which ones.

“Recently, the press has highlighted concerns around TikTok’s licensing practices, concerns that NMPA has heard directly from many of our members,” says the organization in its letter to members.

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If publishers wish to continue to license their works to TikTok, the NMPA’s letter urges publishers using its license to “engage directly with TikTok to negotiate a license beyond April 30.” For those that wish to let the license lapse at the end of April, the NMPA says its attorneys are available to “discuss enforcement options.”

“It is important that all NMPA members understand that without a license in place, TikTok should not be using your musical works on its platform,” the organization wrote.

The NMPA negotiates its TikTok license an optional offering for its membership, allowing them to bypass the strain and cost of negotiating directly with the short-form video app. Though the major music publishers are part of the NMPA’s membership, they do not use the NMPA model license for TikTok and, instead, negotiate their deals directly.

David Israelite, the NMPA’s CEO and president, previously announced that the NMPA license was up for renewal in April, but this is the first time the organization has acknowledged that it will not be pursuing that renewal. “I’m only going to say two things about TikTok,” Israelite said at an Association of Independent Music Publishers’ event in Los Angels on Feb. 1. “The first is I think music is tremendously important to the business model of TikTok, and, secondly, I am just stating the fact that the NMPA model license, which many of you are using, with TikTok expires in April.”

The NMPA is known for its aggressive approach to licensing negotiations with social media sites, streaming services and gaming platforms. On Tuesday, it was announced that a federal judge will allow the NMPA’s multi-million dollar lawsuit against X to go forward, although it tossed some significant elements of the case. The NMPA has also similarly fought back against Twitch, Roblox, and Pandora in recent years.

Read the full letter to NMPA members below:

If you are receiving this Member Alert you are currently participating in a license with TikTok through NMPA’s 2022 model license opt-in.

NMPA is notifying all participants that these two-year licenses are set to expire on April 30, 2024.

Recently, the press has highlighted concerns around TikTok’s licensing practices, concerns that NMPA has heard directly from many of our members.

At this time, we do not anticipate that there will be an option to renew or extend the current NMPA licenses or participate in a new license with TikTok through NMPA.

NMPA members should make their own business determination whether to engage directly with TikTok to negotiate a license beyond April 30, 2024.

It is important that all NMPA members understand that without a license in place, TikTok should not be using your musical works on its platform.

Starting May 1, 2024, any members who are not licensed with TikTok and would like to discuss enforcement options can contact attorneys at NMPA.

If circumstances change prior to the expiration of the current TikTok licenses, NMPA will promptly notify members.

We are here to answer your questions.

Eagles Stolen Notes Trial Ends Suddenly After Judge Says Don Henley ‘Manipulated’ Prosecutors

Manhattan prosecutors made the stunning decision Wednesday (March 6) to drop a criminal case against three men accused of trying to sell stolen notes linked to the Eagles’ 1976 album Hotel California, with a judge saying Don Henley had “manipulated” prosecutors.

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At a hearing Wednesday, a New York judge dismissed the charges after prosecutors alerted him that newly uncovered evidence cast doubt on whether Henley’s notes had been stolen in the first place — the core defense advanced by Glenn Horowitz, Craig Inciardi and Edward Kosinski.

The disclosures came mid-way through a closely-watched criminal trial against the three men, in which Henley and longtime Eagles manger Irving Azoff had already testified. The proceedings had already run more than two weeks and had been expected to keep going until at least next week.

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The sudden reversal was sparked by Henley producing new evidence that had been previously withheld under attorney-client privilege. The new materials touched on whether a journalist hired in the 1970s to write a book about the Eagles, Ed Sanders, had legitimately come into possession of Henley’s notes.

At a hearing in open court on Wednesday, Justice Curtis Farber sharply criticized Henley and Azoff’s conduct: “It is now clear that both witnesses and their lawyers … used the privilege to obfuscate and hide information that they believed would be damaging to their position that the lyric sheets were stolen.”

The judge said he was also troubled that prosecutors had been “manipulated” into bringing the charges, and questioned why they had not more thoroughly vetted the accusations and the evidence. But he praised them for dropping the case once new evidence had come to light.

“Albeit late, I commend the prosecution for refusing to allow itself or the courts to be further manipulated for the benefit of anyone’s personal gain,” Farber said. “District Attorney Bragg and the prosecutorial team here, while eating a slice of humble pie, are displaying the highest level of integrity in moving to dismiss the charges. I am impressed.”

In a statement to Billboard following Wednesday’s hearing, Henley’s attorney Dan Petrocelli said: “The attorney-client privilege is a foundational guardrail in our justice system, and rarely, if ever, should you have to forsake it to prosecute or defend a case. As the victim in this case, Mr. Henley has once again been victimized by this unjust outcome. He will pursue all his rights in the civil courts.”

The Manhattan District Attorney’s office declined to comment.

Horowitz, a rare book dealer, Inciardi, a curator at the Rock & Roll Hall of Fame, and Kosinski, a memoriabila auctioneer, were all charged in 2022 with conspiracy over accusations that they tried to resell and hide the origin of the handwritten notes, penned by Henley during the creation of Hotel California. Manhattan District Attorney Alvin L. Bragg, Jr. said the trio had “made up stories about the origin of the documents and their right to possess them so they could turn a profit.”

But the three men always maintained that they had done nothing wrong. Their core argument: That the alleged “thief,” Sanders, had legally obtained them in the 1970s in the process of writing a never-released book about the Eagles. If the notes were never stolen, the three argued, how could they be charged with re-selling stolen property?

The trial kicked off last month, with Inciardi’s attorney telling the judge that prosecutors had “distorted the history” to charge innocent men and the DA’s office would be “apologizing at the end of this case.” Henley later testified that the he had not willingly given away the notes, saying they were “something very personal, very private.”

But at Wednesday’s hearing, Justice Curtis said that Henley had recently handed over more than 6,000 new pages of emails and other disclosures that contained new information about how Sanders came to own the notes. Such “jarringly late disclosures” violated Horowitz, Inciardi and Kosinski’s constitutional rights, the judge said.

“A review of these newly disclosed materials has demonstrated and highlighted Mr. Henley and Mr. Azoff’s use of the privilege to shield themselves from a thorough and complete cross-examination,” Justice Farber said at the hearing.

“Accordingly, indictment 72426 of ’22 against each defendant, Glenn Horowitz, Craig Inciardi and Edward Kosinski is dismissed,” the judge said.

In a statement to Billboard, Horowitz’s attorney Jonathan Bach said: “We are glad the DA’s office made the right decision and finally dropped this case. It never should have been brought. Mr. Horowitz looks forward to carrying on with his important work.”

Attorneys for the other two defendants did not return requests for comment.

Kid Cudi Announces Insano World Tour With Pusha T & Jaden Smith: Here Are the Dates

Kid Cudi is hitting the road this summer. Mr. Rager will be traveling across the globe for the Insano World Tour, which he officially set in motion with an announcement on Wednesday (March 6).

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Cudder will kick off the tour in Austin, Texas, on June 28 and will hit select arenas across the country throughout the summer.

The Ohio native won’t be at it alone, as his “EVERYBODY LIKE” collaborator Pusha T will be joining him on the trek. Jaden Smith, EARTHGANG, Chelsea Pastel and Siena Bella will also be popping up to assist the tour on a handful of dates.

Among the 43 shows, Cudi is slated to bring the rage to New York City, Nashville, Philadelphia, Toronto, Montreal, Boston, Detroit, his hometown of Cleveland, Denver, Phoenix, San Diego, Las Vegas and Seattle, and wraps up the North American leg in Los Angeles on Aug. 30 at the Crypto.com Arena.

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Kid Cudi will head overseas for a slew of shows in quarter one of 2025, where he’ll hit London’s O2 Arena, Germany, Italy, France, Ireland and other cities in the U.K.

American Express pre-sale tickets are set to go on sale starting on March 12 at 10 a.m. local time, and March 13 for those looking to attend European shows. The general public will get in on the ticketing action on March 15 at the Insano Tour website.

Kid Cudi unleashed what he described as his most “powerful” project to date with INSANO in January, which featured guest appearances from Travis Scott, A$AP Rocky, Young Thug, Lil Wayne, Lil Yachty, Pharrell and the late XXXTentacion.

The LP debuted at No. 13 on the Billboard 200. He boosted INSANO with a deluxe edition of sorts where he added a handful of new songs last month for the NITRO MEGA version.

Find all of the dates for the Insano World Tour below.

North American Dates

  • June 28, 2024 – Austin, TX @ Moody Center +^
  • June 30, 2024 – Dallas, TX @ American Airlines Center +^
  • July 3, 2024 – Nashville, TN @ Bridgestone Arena +*
  • July 5, 2024 – Sunrise, FL @ Amerant Bank Arena +*
  • July 6, 2024 – Tampa, FL @ Amalie Arena +*
  • July 9, 2024 – Duluth, GA @  Gas South Arena +*
  • July 11, 2024 – Raleigh, NC @ PNC Arena +*
  • July 13, 2024 – Washington, DC @ Capital One Arena +*
  • July 14, 2024 – Philadelphia, PA @ Wells Fargo Center +*
  • July 17, 2024 – Newark, NJ @ Prudential Center +^
  • July 19, 2024 – Toronto, ON @ Scotiabank Arena +^
  • July 20, 2024 – Montreal, QC @ Bell Centre +^
  • July 23, 2024 – New York, NY @ Madison Square Garden +^
  • July 24, 2024 – Boston, MA @ TD Garden +^
  • July 27, 2024 – Detroit, MI @ Little Caesars Arena +*
  • July 28, 2024 – Rosemont, IL  @ Allstate Arena +*
  • July 31, 2024 – Cleveland, OH @  Rocket Mortgage FieldHouse +*#!
  • Aug. 2, 2024 – Cincinnati, OH @ Heritage Bank Center +*#!
  • Aug. 7, 2024 – Minneapolis, MN @ Target Center +*
  • Aug. 9, 2024 – St. Louis, MO @ Enterprise Center +*
  • Aug. 11, 2024 – Denver, CO @ Ball Arena +*
  • Aug. 14, 2024 – Phoenix, AZ @  Footprint Center +*
  • Aug. 16, 2024 – San Diego, CA @ Pechanga Arena +*
  • Aug. 17, 2024 – Las Vegas, NV @ MGM Grand Garden Arena +*
  • Aug. 20, 2024 – San Francisco, CA @ Chase Center +*
  • Aug. 22, 2024 – Portland, OR @ Moda Center +*
  • Aug. 24, 2024 – Vancouver, BC @ Rogers Arena +*
  • Aug. 25, 2024 – Seattle, WA @ Climate Pledge Arena +*
  • Aug. 28, 2024 – Sacramento, CA @ Golden 1 Center +^
  • Aug. 30, 2024 – Los Angeles, CA @ Crypto.com Arena +^

Europe

  • Feb. 25, 2025 – Oslo, Norway @ Spektrum +
  • Feb. 27, 2025 – Hamburg, Germany @ Barclays Arena +
  • Feb. 28, 2025 – Berlin, Germany @ Uber Arena +
  • March 2, 2025 – Oberhausen, Germany @  Rudolf Weber-ARENA +
  • March 3, 2025 – Amsterdam, Netherlands @ Ziggo Dome +
  • March 5, 2025 – Milan, Italy @ Forum Milano +
  • March 8, 2025 – Paris, France @ Accor Arena +
  • March 9, 2025 – Brussels, Belgium @ ING Arena +
  • March 12, 2025 – Dublin, Ireland @ 3Arena +
  • March 14, 2025 – Birmingham, UK @ Resorts World Arena +
  • March 15, 2025 – Manchester, UK @ Co-op Live +
  • March 18, 2025 – London, UK @ The O2 +

+ PUSHA T
* EARTHGANG
^ Jaden
# Chelsea Pastel
! Siena Bella

Queen Latifah Returns As NAACP Image Awards Host

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54th NAACP Image Awards - Show

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Multi-hyphenate entertainer Queen Latifah will once again host the NAACP Image Awards, which is set to air in two weeks on BET.

On Tuesday (March 5), the NAACP along with BET and CBS announced that Queen Latifah will be back to host the esteemed 55th NAACP Image Awards. The prestigious ceremony will air live on BET and be simulcast on Saturday, March 16 at 8:00 P.M. ET. The Grammy Award-winning musician, Emmy, and Golden Globe Award-winning actor and producer hosted the event last year and recently received the Governor’s Award in addition to kicking off the fourth season of her highly acclaimed CBS series The Equalizer which she stars in and produces.

The award-winning writer and poet Amanda Gorman, who performed at the inauguration of President Joe Biden, will be presented with the Chairman’s Award which honors those who use their platforms to effect positive change. Creative director and designer June Ambrose, who has been a creative director at PUMA in addition to being responsible for many of the significant looks in Hip-Hop culture, will also be presented with the Vanguard Award at the Image Awards’ Fashion Show on Friday, March 15. Other honorees at the awards will be recognized in a non-televised separate dinner which will take place on March 14.

“We are thrilled to collaborate with groundbreaking megastar Queen Latifah and are elated to welcome her again as this year’s host! We also look forward to honoring changemaker and poet Amanda Gorman and fashion icon June Ambrose for their tremendous impact on culture,” said BET EVP Specials, Music Programming & Music Strategy director Connie Orlando. “Queen Latifah, NAACP, and Pastis have been such incredible partners in amplifying Black culture, excellence, creativity, and ingenuity, and this year’s unforgettable show will be no different.”

“The NAACP Image Awardsis an important celebration for our community and industry every year, the group’s President and CEO Derrick Johnson said. “We get the opportunity to highlight the major accomplishments of artists, writers, entertainers, activists, and other change makers that push Black excellence forward in a powerful way.” The 55th NAACP Image Awards will take place at the Shrine Auditorium in Los Angeles, California. More information can be found on their website.

Stephen A. Smith Says Jay-Z Checked Him On Rihanna Comment

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If we’ve learned anything about Jay-Z over the years it’s that he isn’t one to play about his family whether it be immediate or business related. So when Stephen A. Smith threw a tad bit of shade at Rihanna’s Super Bowl Performance, Hova had a little something to say.

Recently, during a sit-down interview on the Connect The Dots podcast, the sports journalist icon revealed that when he implied that Rihanna’s 2023 Super Bowl Halftime performance couldn’t measure up to that of Beyoncé’s in 2016, not only did some celebrities take issue with his comments, but Jay himself chimed in when the two spoke on the phone.

Saying “people who will remain nameless” and “Hollywood stars,” Smith said people were so mad at him that they never spoke to him again. And it had him wondering what was so taboo about his opinion. Ultimately, things came to a head when Stephen A. spoke to the GOAT himself, Jay-Z.

Recalling a conversation the two had some time later, Smith said, “Months later, Hov and I were on the phone. Hov was like – simple and plain, ‘My dawg, you family, that’s family. That’s too close to say that.’ I said, ‘I didn’t know.’ He said, ‘I know.’ Done! In other words, it’s a business, it’s a part of it, you don’t know how she’ll receive it, etc. etc. etc. That’s all he had to say. I appreciated that.”

We don’t know much, but what we do know is that you do not want Jay-Z in your ear telling you how you F’d up. Either personally or in a business sense. Good thing he didn’t say the opposite and imply that Rihanna was superior to Beyoncé. Things could’ve gotten hella ugly. Just sayin’.

Check out Stephen A. Smith tell his side of the story below, and let us know your thoughts on the situation in the comments section.

Ice Spice Confirms Debut LP ‘Y2K’ Is Complete

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2024 People's Choice Awards

Ice Spice began teasing the release of her debut studio album starting last year, and now her millions of fans can breathe a sigh of relief. The “Munch (Feelin’ U)” star says she’s done recording her Y2K album, sharing the news via social media.

Ice Spice, who turned 24 at the top of the year, burst onto the scene in 2022 with “Munch” dominating airwaves and social media channels. Ice’s drill-influenced flow endeared her to listeners within her generation and propelled her as a star to watch.

After gaining success with producer RiotUSA, the pair connected again with the hit tracks “In Ha Mood” and “Princess Diana” which all appeared on Ice Spice’s 2023 EP, Like..?

Via Instagram, Ice shared a pair of images as she showed off her signature red curls, jean skirt, and platform heels. The post’s caption reads, “i finished recording y2k the album ^.^” but gave no other indication of what to expect on the project. Ice is currently enjoying the run of her new single “Think U The Sh*t (Fart)” although it isn’t known if it will be featured on the full-length project.

A release date for Y2K wasn’t revealed but should be expected soon.

Congratulations to Ice Spice.

Photo: Axelle/Bauer-Griffin / Getty

Millie Bobby Brown Is a ‘Hardcore Swiftie’ Who Knows Exactly Where Taylor Swift Is ‘At All Times’

Sure, most 20-year-olds have not starred in a globally beloved Netflix sci-fi series as well as half a dozen big-budget films. But like seemingly everyone on the planet these days, Stranger Things star Millie Bobby Brown is totally obsessed with Taylor Swift.

During a visit to the Kelly Clarkson Show on Wednesday (March 6), MBB fessed up to not only being a “hardcore Swiftie,” but to knowing “exactly where she [Swift] is at all times.” While Clarkson joked that “some might call that a stalker,” Brown promised that her surveillance is “loosely based” and not at all creepy.

“No, I love Taylor… I went to the Eras Tour and it was just… it was the most amazing experience,” Brown said, struggling to find the words to describe the career-spanning extravaganza that is currently in Singapore for a few more days before moving on to four nights in Paris. “The fans there are just so… they’re the same as me we love her that much,” Brown said.

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How deep is Brown’s affection? She and her sister have a tally board on which they cross out the surprise songs Swift has performed on each date so far so they know which tracks the singer might bust out next. “So when I went to my show — I went to Ohio, I flew there solely for Taylor — and she played ‘Evermore’ and I collapsed to the ground. It was pretty crazy,” Brown said.

The actress is out and about promoting her upcoming Netflix swords and dragons movie Damsel, which drops on Friday (March 8).

Watch Millie Bobby Brown on the Kelly Clarkson Show below.