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‘American Idol’ Military Daughter Elleigh Francom Lands Ticket to Hollywood With Emotional Audition

Elleigh Marie Francom is a typical American girl, confronted by difficult circumstances.

The 20-year-old realized a years-long dream when she auditioned on American Idol Sunday night (March 19), and made fans everywhere with her appearance.

Francom is a full-time cosmetologist, a miliary daughter based in American Fork, Utah. Her mom, a singer who teaches theater and has tuned into Idol with Elleigh since the contestant was a kid, is battling multiple serious illnesses.

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“Dad was gone for much of the time,” she said in the prerecorded package. The youngster had to step up. “A lot of the responsibilities did fall on me,” she explained.

On the day of her audition, Elleigh learned that her dad will be deployed for a year, starting from April. How does she feel about that? “It really sucks,” she told the judges, as she burst into tears.

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Elleigh admitted she’s torn by choices. Chase the Idol dream, or go home and help out with her younger siblings when dad is away?

With her performance, the path ahead is now illuminated.

Elleigh channeled her emotions into a cover of Bonnie Raitt’s “I Can’t Make You Love Me”. And drained it.

As she completed the performance, the tears rolled. “Nobody’s ever hit that note at the end,” quipped Katy Perry. “It was great. You gave me the feels. You started off somewhat average, then you landed it. If you sang from that space every time, you would be in superstar territory.”

“I think she’s top 10,” Luke Bryan added. “There’s just really beautiful things going on in your voice.” When she slots into her groove, there were “classy” and “older than your years” tones. “I just loved it.”

Lionel Richie is a believer. “You went to a place that was so pure, so angelic, that it was really one of those moments where we couldn’t keep our eyes off of you.”

The family came out, the judges stood and applauded, Idol had a moment and Elleigh is going to “Hollywood Week.”

Watch below.



Beyoncé’s ‘Texas Hold ‘Em’ Logs Fourth Week at No. 1 In U.K.

Beyoncé’s “Texas Hold ‘Em” (via Columbia/Parkwood Ent) is still the one to beat in the U.K., where it clocks a fourth consecutive week at No. 1.

That’s a personal best streak for Bey, improving on the three-week peaks of 2003’s “Crazy In Love” with Jay-Z and 2007’s “Beautiful Liar” with Shakira. It also bests the two No. 1 singles she earned as a member of Destiny’s Child — 2000’s “Independent Women” and 2001’s “Survivor,” which both logged one week at the top.

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The leader at the midweek point, “Texas Hold ‘Em” is Bey’s sixth U.K. leader, and is housed by her forthcoming LP Cowboy Carter, due out March 29.

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The chart race had a tight finish, with Benson Boone’s “Beautiful Things” (Warner Records) finishing in second place, falling 1,700 chart units short.

Meanwhile, Ariana Grande completes the podium as Eternal Sunshine cut “We Can’t Be Friends (Wait For Your Love)” (via Republic Records), new at No. 3 for the week’s top debut. It’s Grande’s 22nd U.K. top 10 appearance.

With Eternal Sunshine debuting at No. 1 on the Official U.K. Albums Chart, Grande lands a maximum three songs from it on the national singles survey, published Friday, March 15. Lead single “Yes, And?” lifts 11-6 while “Bye” bows at No. 13.

After claiming the Academy Award for best original song, and performing the song on the night, Billie Eilish former leader “What Was I Made For?” (Interscope) re-enters the top 40 at No. 16.

Up-and-coming U.S. R&B singer-songwriter 4batz makes his Official U.K. Chart debut with “act ii – date @ 8” (via 4batz OVO Sound) featuring Drake, new at No. 18, while California artist Dasha makes her U.K. top 40 debut country track “Austin,” up 57-25.

Also cracking the top 40 for the first time is Colorado indie-folk act Richy Mitch & the Coal Miners with “Evergreen” (via Richy Mitch & the Coal Miners) up 41-37.

Usher’s Las Vegas Wedding Also Surprised His Family

Usher surprised fans when he got married last month. But they weren’t the only ones.

The Grammy winner told Entertainment Tonight on Saturday that his wedding to Jennifer Goicoechea also took his family by surprise.

“It was an incredible moment that we felt was great for us,” he said. “It was a button at the end of an incredible Las Vegas run. My mother was there, her mother was there, the kids were there, our immediate family was there. Matter of fact, everybody was surprised. I’m like, ‘No, no, no, we’re having a wedding right now. We’re gonna go have Elvis officiate us.’”

The couple wed last month in Las Vegas only hours after he performed at the Super Bowl LVIII halftime show at Allegiant Stadium.

This weekend, Usher was at the NAACP Image Awards, where he not only took home the top prize of entertainment of the year but also was honored with the President’s Award. During his speech, he gave a shout-out to his “beautiful wife, Jennifer” and his kids, saying “I’m a dad who’s just trying to get it right every day.”

The President’s Award is “presented in recognition of special achievement and distinguished public service,” says the organization.

Usher’s rep confirmed his wedding to The Hollywood Reporter last month.

Surrounded by close friends and family, “they both look forward to continuing to raise their children together surrounded by love and thank everyone for the well wishes,” the rep said at the time.

The couple’s whirlwind night saw them head from Usher’s lauded performance at Allegiant Stadium to The Fast Lane drive thru at Vegas Weddings, where they wed in an intimate ceremony.

The pop star’s very busy week included the release of his ninth studio album, Coming Home, and the announcement that he is extending his Past Present Future Tour. His Usher: My Way Las Vegas residency ended in December after 100 performances.

This marks Usher’s second marriage. The “Yeah” singer was previously wed to fashion designer Tameka Foster, with whom he shares sons Usher “Cinco” Raymond V, 16, and Navid Ely, 15.

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This article originally appeared in THR.com.

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Ariana Grande’s ‘Eternal Sunshine’ Glows at No. 1 In U.K.

Ariana Grande’s Eternal Sunshine (via Republic Records) enjoys the brightest possible start in the U.K., where it opens its account at No. 1.

The leader at the halfway mark, Eternal Sunshine is the U.S. pop star’s fifth U.K. chart-topper after 2016’s Dangerous Woman, 2018’s Sweetener, 2019’s thank u, next and 2020 LP Positions, a feat that places her equal with the likes of Celine Dion, Prince and Green Day, each with five leaders.

The only Grande titles to miss the U.K. chart throne are her 2013 debut Yours Truly (No. 7 peak) and her sophomore album from 2014, My Everything (No. 3). Eternal Sunshine was the best-seller on wax during the chart week, the Official Charts Company reports.

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Meanwhile, British heavy metal juggernauts Judas Priest nab a new chart best with Invincible Shield (Columbia), their 19th studio album. That result eclipses the No. 4 peak for their 1980 collection British Steel.

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Also scoring a new personal best in the U.K. is Bleachers, with their self-titled fourth studio album via Dirty Hit. Jack Antonoff’s New Jersey alternative rock act land at No. 5 with their new album, for Bleachers’ first U.K. chart appearance.

Leicester, England protest singer and songwriter Grace Petrie scores her own highest-charting album with Build Something Better ( Robots Need Home). It’s new at No. 28 for her second top 40 appearance, besting 2021’s Connectivity which peaked at No. 37.

It’s a glorious seventh top 40 appearance for British girl group Bananarama on the Official U.K. Albums Chart, published Marc. 15. Their career retrospective Glorious – The Ultimate Collection (Polydor/UMR) starts at No. 30.

Finally, Girls Aloud return to the top 40, at No. 35, following the re-issue of 2004 set What Will The Neighbours Say. The LP is packaged with five previously-unreleased cuts, including works featuring the vocals of late bandmate Sarah Harding. The group’s second studio, What Will The Neighbours Say peaked at No. 6 following its initial release. The surviving members of Girls Aloud will support the 20th anniversary release with an arena tour of the U.K. and Ireland.

Second Man Charged in Theft of Ruby Slippers Worn by Judy Garland in ‘Wizard of Oz’

A second man has been charged in connection with the 2005 theft of a pair of ruby slippers that Judy Garland wore in The Wizard of Oz, according to an indictment made public Sunday (March 17).

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Jerry Hal Saliterman, 76, of Crystal, Minnesota, was charged with theft of a major artwork and witness tampering. He did not enter a plea when he made his first appearance Friday in U.S. District Court in St. Paul.

The slippers, adorned with sequins and glass beads, were stolen from the Judy Garland Museum in the late actor’s hometown of Grand Rapids, Minnesota, nearly 20 years ago and their whereabouts remained a mystery until the FBI recovered them in 2018.

The indictment says that from August 2005 to July 2018 Saliterman “received, concealed, and disposed of an object of cultural heritage” — specifically, “an authentic pair of ‘ruby slippers’ worn by Judy Garland in the 1939 movie ‘The Wizard of Oz.’” The indictment says Saliterman knew they were stolen, and that he threatened to release a sex tape of a woman and “take her down with him” if she didn’t keep her mouth shut about the slippers.

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Saliterman was in a wheelchair and on supplemental oxygen during his Friday court appearance. His oxygen machine hummed throughout the hearing and he bounced his knee nervously during breaks in the proceedings. He responded with “yes,” when U.S. Magistrate Judge Elizabeth Cowan Wright asked whether he understood the charges against him, but he said nothing about the allegations.

The case was not openly discussed in court. The magistrate ordered Friday that the indictment be unsealed, but it did not become publicly available until Sunday.

Saliterman’s attorney, John Brink, said after Friday’s hearing that he couldn’t say much about the case, but: “He’s not guilty. He hasn’t done anything wrong.” Saliterman, who was released on his own recognizance, declined to comment to The Associated Press outside the courthouse.

The man who stole the slippers, Terry Jon Martin, 76, pleaded guilty in October to theft of a major artwork, admitting to using a hammer to smash the glass of the museum’s door and display case in what his attorney said was an attempt to pull off “one last score” after turning away from a life of crime. He was sentenced in January to time served because of his poor health.

Martin’s laywer said in court documents that an old associate of Martin’s with connections to the mob told him the shoes had to be adorned with real jewels to justify their $1 million insured value.

Martin, who lives near Grand Rapids, said at an October hearing that he hoped to take what he thought were real rubies from the shoes and sell them. But a person who deals in stolen goods, known as a fence, informed him the rubies weren’t real, Martin said. So he got rid of the slippers.

Defense attorney Dane DeKrey wrote in court documents that Martin’s unidentified former associate persuaded him to steal the slippers as “one last score,” even though Martin had seemed to have “finally put his demons to rest” after finishing his last prison term nearly 10 years earlier.

“But old habits die hard, and the thought of a ‘final score’ kept him up at night,” DeKrey wrote.

According to DeKrey’s memo, Martin had no idea about the cultural significance of the ruby slippers and had never seen The Wizard of Oz.

The documents unsealed Sunday do not indicate how Martin and Saliterman may have been connected.

In the classic 1939 musical, Garland’s character, Dorothy, had to click the heels of her ruby slippers three times and repeat, “There’s no place like home,” to return to Kansas from Oz. She wore several pairs during filming, but only four authentic pairs are known to remain.

The FBI never disclosed exactly how it tracked down the slippers. The bureau said a man approached the insurer in 2017 and claimed he could help recover them but demanded more than the $200,000 reward being offered. The slippers were recovered during an FBI sting in Minneapolis the next year. Federal prosecutors have put the slippers’ market value at about $3.5 million.

Hollywood memorabilia collector Michael Shaw had loaned the pair to the museum before Martin stole them. The other pairs are held by the Academy of Motion Picture Arts and Sciences, the Smithsonian Museum of American History and a private collector. According to John Kelsh, founding director of the museum, the slippers were returned to Shaw and are being held by an auction house that plans to sell them.

Garland was born Frances Gumm in 1922. She lived in Grand Rapids, about 200 miles (320 kilometers) north of Minneapolis, until she was 4, when her family moved to Los Angeles. She died in 1969. The Judy Garland Museum, which includes the house where she lived, says it has the world’s largest collection of Garland and Wizard of Oz memorabilia.

Kacey Musgraves Releases ‘Deeper Well’ Album Variant With Bonus Track ‘Ruthless’

Kacey Musgraves has released a digital version of Deeper Well with an exclusive bonus track, “Ruthless.”

Musgraves shared the news about “Ruthless” on Sunday (March 17), pointing fans to her official webstore to purchase a digital download of her new album that includes the extra song. This 15-track version of Deeper Well, which has an alternate album cover, is priced at $6.

“When I love I love f—ing hard. BONUS TRACK ADDED TO THE RECORD,” she announced on Instagram, where she posted an image of handwritten lyrics.

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“I don’t believe in violence but you know I won’t be silent/ I’m a lover, not a fighter/ But if anyone tried to hurt you, I would be ruthless for you/ Do something crazy — you know I would, baby/ I swear I’ve got your heart and if it came down to it/ I would be ruthless,” the lyric preview shows.

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Deeper Well, recorded at New York City’s historic Electric Lady Studios and featuring singles “Deeper Well” and “Too Good to Be True,” was released on March 15 through Interscope/MCA Nashville.

“It was truly an amazing experience,” Musgraves recalled of recording at Electric Lady Studios in a segment for Sunday TODAY With Willie Geist.

“Every studio has its own energy, but this one has such a storied past. This building — and it literally being Jimi Hendrix’s apartment — right here, that’s some seriously good mojo. I just know so many amazing creatives are drawn to creating here, and there’s a reason,” she said.

Deeper Well is the singer-songwriter’s follow-up to Star-Crossed, which debuted at No. 3 on the Billboard 200 albums chart in 2021.

Billboard ranked the 14 tracks from the standard version of Deeper Well.

“Ruthless” is available with Musgraves’ digital version of Deeper Well here.

North West Gives First On-Camera Interview About ‘Elementary School Dropout,’ Her Debut Album

North West was interviewed about her debut album, Elementary School Dropout, at Rolling Loud 2024.

North is the 10-year-old daughter of Ye — formerly known as Kanye West — and Kim Kardashian. Ye took the stage on opening night (Thursday, Mar. 14) of the festival at Hollywood Park in Inglewood, Calif., with North and friends joining him at one point during the set.

In a clip shared by Rolling Loud on Instagram on Saturday, North is seen spending a few minutes with young reporter Jazlyn, aka Jazzy, the 13-year-old behind Jazzys World TV.

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The interview was short and sweet.

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First, North was asked how she was doing, to which she politely replied, “Good, how are you?”

The next question posed was about Elementary School Dropout — specifically, how the young artist feels about releasing an album, and what people should expect from it.

“It’s gonna be great,” North said.

When will Elementary School Dropout be released? Well, that’s apparently still up in the air.

“Like… I don’t know,” said North.

And when asked whether the project would have any collaborations with Ye, North continued to keep things cryptic: “Maybe! We don’t know yet!”

“Thank you Ms. @kimkardashian for helping out,” Jazzy captioned the video. In another post, she shared photos with both North and Kim.

North announced her album during a Vultures listening party in Phoenix on March 10, joining her dad on stage for “Talking,” the Vultures track on which she’s featured. “Talking” debuted at No. 30 on the Hot 100 with 12.33 million official U.S. streams in its first week of tracking; the Hot 100 entry made her one of the youngest artists to ever appear on the chart.

“I’ve been working on an album,” she shared with the crowd. “And it’s called Elementary School Dropout.”

Elementary School Dropout is an homage to her father’s 2004 album The College Dropout.

Watch North’s brief interview from Rolling Loud below.

Fans Choose Justin Timberlake’s ‘Everything I Thought It Was’ as This Week’s Favorite New Music

Justin Timberlake‘s latest album, Everything I Thought It Was, has topped this week’s new music poll.

Music fans voted in a poll published Friday (March 15) on Billboard, choosing the 42-year-old pop star and actor’s as their favorite new music release of the past week.

Everything I Thought It Was brought in 61% of the vote, beating out new music by Kacey Musgraves (Deeper Well), Cardi B (“Enough (Miami)”), Zayn (“What I Am”), Willow (“Symptom of Life”), PARTYNEXTDOOR (“Real Woman”), and others.

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Timberlake’s Everything I Thought It Was arrived six years after his 2018 album, Man of the Woods. The new set, his sixth, features previously released singles “Drown” and “Selfish,” which debuted at No. 19 on the Billboard Hot 100 chart, earning the superstar his highest debut in six years on the tally. The lead single from the project also marked his 29th top 40 hit as a soloist.

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Everything I Thought It Was also includes a long-awaited reunion from *NSYNC, called “Paradise,” and the full band performed the track onstage at Timberlake’s one-night-only concert at Los Angeles’ Wiltern on March 13.

In support of his new LP, Timberlake is set to embark on a headlining North American arena tour. The trek launches April 29 at Rogers Arena in Vancouver and will visit major cities such as Las Vegas (May 10-11), New York (Jun. 25-26) and Atlanta (Nov. 16), before concluding Nov. 20 at KFC Yum Center in Louisville.

Trailing behind Everything I Thought It Was on the poll is Musgraves’ Deeper Well, which brought in 18% of the vote.

See the final results of this week’s new music release poll below.

Ariana Grande Scores Sixth No. 1 Album on Billboard 200 With ‘Eternal Sunshine’

Ariana Grande achieves her sixth No. 1 on the Billboard 200 albums chart as Eternal Sunshine bows atop the list (dated March 23), launching with 227,000 equivalent album units earned in the U.S. in the week ending March 14, according to Luminate. Eternal’s opening frame also marks the largest week of 2024 for any album.

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Grande previously led the tally with Positions (in 2020), Thank U, Next (2019), Sweetener (2018), My Everything (2014) and Yours Truly (2013).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 23, 2024-dated chart will be posted in full on Billboard‘s website on March 19. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

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Of Eternal Sunshine’s 227,000 units earned in the tracking week ending March 14, SEA units comprise 148,000 (equaling 194.92 million on-demand official streams of the set’s songs), album sales comprise 77,000 (it’s the top-selling album of the week) and TEA units comprise 2,000. Eternal’s first-week start is the largest of 2024 so far, surpassing the debut of Ye (formerly known as Kanye West) and Ty Dolla $ign’s Vultures 1, which bowed with 148,000 (chart dated Feb. 24).

Eternal’s first-week sales were bolstered by the set’s availability across 12 physical configurations (six vinyl and six CD offerings, all with the same tracklist), a standard digital download (in clean and explicit versions) and a “slightly deluxe” digital download (clean and explicit, which added four bonus tracks – all remixes and alternative versions of songs on the standard album).

All six of the vinyl editions were ruby red-colored, and five offered alternate cover art. (Of the latter five editions, four were sold exclusively through Grande’s official webstore, and one of them was exclusive to Target.) Combined, her vinyl sales totaled 33,000 — her largest week on vinyl ever, surpassing the 32,000 first-week sales of Positions in 2021. As for the CD editions, there was a widely available standard CD, four variants (all with alternate cover art) sold in Grande’s webstore, and a signed edition (also sold via her webstore).

Eternal was released March 8 and led by the Billboard Hot 100 No. 1 hit “Yes, And?,” which debuted atop the tally dated Jan. 27. Grande announced the new album on Jan. 17 and ushered in the set’s release as the musical guest on NBC’s Saturday Night Live (March 9) and appeared as a presenter at the Academy Awards (March 10).

Morgan Wallen’s One Thing at a Time is pushed down to No. 2 on the new Billboard 200, despite a gain (less than 1%) to 68,000 equivalent album units earned. Noah Kahan’s Stick Season dips 2-3 (48,000; down 9%), Ye and Ty Dolla $ign’s chart-topping Vultures 1 falls 3-4 (45,000; down 14%) and SZA’s former No. 1 SOS descends 4-5 (nearly 45,000; down 3%).

The rest of the top 10 on the new chart comprises former No. 1s: Zach Bryan’s self-titled set rises 8-6 (41,000 equivalent album units; up 8%), Drake’s For All the Dogs slips 5-7 (39,000; down 6%), Taylor Swift’s 1989 (Taylor’s Version) falls 6-8 (38,500; down 2%), Swift’s Lover drops 7-9 (nearly 38,500; down less than 1%) and Wallen’s Dangerous: The Double Album falls 9-10 (just over 38,000; up 2%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Byron Janis, One of the Great Pianists of the 20th Century, Dies at 95

Byron Janis, the celebrated classical pianist who studied with Vladimir Horowitz, recorded previously unknown Chopin waltzes from manuscripts he unearthed and became a cultural hero in the U.S. after performing in the Soviet Union during the Cold War, has died. He was 95.

Janis died Thursday (March 14) at The Mount Sinai Hospital in New York, his wife, Maria Cooper Janis, daughter of two-time Oscar-winning actor Gary Cooper, announced.

“I have been blessed with the privilege for 58 years of loving and being loved by not only one of the greatest artists of the 20th century, but by an exceptional human being who took his talents to their highest pinnacle,” she said in a statement.

During his 85-year career, Janis covered composers from Bach to David W. Guion and performed major piano concertos from Chopin, Mozart, Rachmaninoff, Liszt and Prokofiev. He occupied two volumes of the 1999 Mercury Philips series Great Pianists of the 20th Century and recorded for Philips, EMI, Sony and Universal as well.

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In 1944, Janis became Horowitz’s first student and made his orchestral debut with conductor Arturo Toscanini’s NBC Symphony Orchestra. At 18, he was signed by RCA Victor Records as its youngest artist.

He performed at Carnegie Hall on Oct. 29, 1948, and Olin Downes in The New York Times wrote: “Not for a long time had this writer heard such a talent allied with the musicianship, the feeling, the intelligence and artistic balance shown by the twenty-year-old pianist, Byron Janis … Whatever he touched, he made significant and fascinating by the most legitimate and expressive means.”

During the Cold War, Janis became the first American artist chosen to participate in the 1960 Cultural Exchange between the U.S. and the Soviet Union. Later, he was the first American concert pianist to be asked back to Cuba, 40 years after his previous performance there.

Byron Yanks (shortened from Yankilevich) was born on March 24, 1928, in McKeesport, Pennsylvania, a suburb of Pittsburgh. His father, Samuel, owned several Army-Navy stores in the area but lost all but one of them during the Depression.

Janis started out playing the xylophone before moving with his mother, Hattie, and sister in 1936 to New York to study piano with Josef and Rosina Lhévinne and then Adele Marcus.

Horowitz saw Janis perform Rachmaninoff’s “Concerto No. 2” at a concert in Pittsburgh and went on to give him lessons at his home on the Upper East Side in New York for three years. “Can you imagine how exciting it was? I was the very first person he worked with,” Janis recalled in the 2009 PBS documentary The Byron Janis Story.

“He said something very interesting to me: ‘You play a bit in watercolors, but you could play more in oils.’ What he was saying was, you could be a bigger, romantic, virtuoso concert pianist.”

(Only two other pianists, Gary Graffman and Ronald Turini, were ever acknowledged by Horowitz as his students.)

In 1967, Janis accidentally discovered two previously unknown manuscripts of Chopin waltzes in France and later found two others while teaching at Yale University. The discoveries provided new insight into Chopin’s creative process, and EMI would release his Chopin Collection in 2012.

Janis performed six times by four sitting presidents at the White House, and among his awards were the Commander of the French Legion d’Honneur for Arts and Letters, the Grand Prix du Disque, the Stanford Fellowship from Yale and the gold medal from the French Society for the Encouragement of Progress (he was the first musician to receive that honor since its inception in 1906).

He composed the scores for major musical productions of The Hunchback of Notre Dame and Hans Brinker, or The Silver Skates and wrote one for The True Gen, a 2013 documentary on the 20-year friendship between Gary Cooper and Ernest Hemingway.

His trip to the Soviet Union was important, he noted, “because the Russians were saying America can only produce cars. The total propaganda was we were totally uncultured.” He impressed the audience there and returned home a hero. (Watch him perform in 1965 on The Ed Sullivan Show here.)

Another performance that year was released in 2018 as Live From Leningrad, 1960.

“According to Janis,” John Von Rhein of the Chicago Tribune wrote, “he was unaware a recording had been made until a vinyl disc transfer sent by an anonymous source turned up in a mailbox of his sound engineer. The pianist is in peak form (his Chopin ‘Funeral March’ sonata is positively hair-raising), and the restoration captures the frisson of a live performance the Russian audience obviously savored.”

A selection of original compositions from Janis will be released this year.

He published his memoirs, Chopin and Beyond: My Extraordinary Life in Music and the Paranormal, in 2010.

His son, Stefan, whom he had with his first wife, June Dickson Wright, died in 2017.

When he was 11, Janis tore tendons when he accidentally put his left hand through a glass door, forcing him to alter his playing. “I had to learn a way of using my eye instead of my finger so I knew where I was going,” he once told Barbara Walters. “People thought I was finished.”

And in 1973, he developed painful psoriatic arthritis in both hands but kept it secret until 1985 when, after a performance at the White House, Nancy Reagan made his condition public when she announced his role as spokesperson for the Arthritis Foundation. He underwent several surgeries to fix the problem.

“In spite of adverse physical challenges throughout his career, he overcame them, and it did not diminish his artistry,” Maria Cooper Janis, 86, wrote. “Music is Byron’s soul, not a ticket to stardom, and his passion for and love of creating music informed every day of his life of 95 years.

“The music world, if it knows how to listen, will be constantly enriched and educated by the music created by Byron Janis, my best friend, companion, LOVE — what gratitude I have lived with every day and shall continue to do so all the rest of my days.”

This article originally appeared on The Hollywood Reporter.