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Creepy Nuts’ ‘Bling-Bang-Bang-Born’ Holds at No. 1 as ILLIT’s ‘Magnetic’ Rises to No. 3 on Japan Hot 100

Creepy Nuts’ “Bling-Bang-Bang-Born” continues to rule the Billboard Japan Hot 100, now in its 11th straight week atop the chart released April 10.

The MASHLE season 2 opener is still at No. 1 for downloads, streaming, video views and karaoke. Downloads for the hip-hop hit are down by about 4.5% from the week before at 17,122 units, while streaming is steady at 22,797,748 streams (down 1%). Total points are at 18,799, approximately 2.2 times ahead of the track at No. 2.

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ILLIT’s “Magnetic” jumps 8-3 after debuting on the chart last week. Streaming for the new HYBE group’s single is up by about 48.6% with 10,866,450 streams, moving 7-3 for the metric, and downloads are up by about 15.4% with 2,277 units, moving 23-19. Radio moves 84-24, and the total for the song is at 6,953 points this week.

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“Tokimeki UNITED” by Real Idol Project bows at No. 5. This track by the project featuring 250 men in 38 idol groups hailing from various management companies was created as the theme song for the Real Idol Festival event being held this month at the Tokyo Garden Theater. Released Apr. 2, the CD sold 150,764 copies in its first week, topping the sales metric by a wide margin. 



The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from April 1 to 7, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Maggie Rogers Announces North American Arena Tour Dates

Maggie Rogers is heading back on the road, this time in arenas.

The star announced on Thursday (April 11) her first-ever arena tour, dubbed the Don’t Forget Me Tour Part II, to celebrate the release of her third studio album, Don’t Forget Me. The Live Nation-produced outing will kick off on Oct. 9 at Moody Center in Austin, Texas, before it hits cities like Philadelphia, Boston, New York City, Chicago, Seattle and more before wrapping up on November 2 in Los Angeles, Calif. Ryan Beatty will join Rogers as the opening act on her fall tour dates.

The previously announced first leg of the Don’t Forget Me Tour kicks off May 23 in San Diego, Calif., and wraps in Miami, Fla., on June 22. The Japanese House is slated as the supporting act.

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In addition to the arena tour, Rogers also announced Box Office Week, which will include pop-up events and special shows taking place over the course of the week at intimate venues in four U.S. cities. Additionally, Rogers will continue her commitment of in-person ticketing from April 13 to 20, where fans can go to the box office of any arena she’s playing at and buy tickets for $25 with no added fees. At her pop-up events, she’ll be selling the tickets herself.

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“On the last album, Surrender, I decided to go old school and sell tickets in-person in an effort to reduce fees, combat bots and get tickets directly into the hands of fans,” the singer explained in a press statement. “That process was so fun, this year I’m hosting ‘Box Office Week,’ where I’ve set some special prices for fans who want to come purchase tickets in person.”

See the full list of Box Office shows and Don’t Forget Me Tour Part II dates below. For ticket purchasing information, refer to Rogers’ website here.

Box Office Week/Release Shows
04-13 New York, NY – Irving Plaza        
04-14 Philadelphia, PA – Theatre of Living Arts/The Fillmore     
04-16 Boston, MA – Paradise Rock Club
04-19 Chicago, IL – House of Blues                        

Don’t Forget Me Tour Part II
10-09 Austin, TX – Moody Center
10-15 Philadelphia, PA – Wells Fargo Center
10-17 Boston, MA – TD Garden
10-19 New York, NY – Madison Square Garden
10-22 Toronto, Ontario – Coca-Cola Coliseum
10-24 Chicago, IL – United Center
10-25 Minneapolis, MN – Target Center
10-29 Seattle, WA – Climate Pledge Arena
10-30 Portland, OR – Moda Center
11-01 San Francisco, CA – Chase Center
11-02 Inglewood, CA – Kia Forum

Kendrick Lamar’s Comedy With ‘South Park’s Trey Parker & Matt Stone Gets a Release Date

He already has a Pulitzer Prize and 17 Grammys to his name, but Kendrick Lamar could be adding a couple of new film awards to his crowded mantle soon. On the final day of CinemaCon (April 11), Paramount Pictures announced the new live-action comedy from Lamar and South Park creators Matt Stone and Trey Parker begins shooting soon, and also revealed the release date.

“I’m excited to announce that we’re going into production this summer on a [comedy] from the creators of South Park, Matt Stone and Trey Parker,” Paramount film chief Brian Robbins revealed to the audience about the currently untitled film, according to The Hollywood Reporter. “This script is one of the funniest and most original scripts we’ve ever read, and it’s certain to create some fireworks when it hits theaters on July 4, 2025.”

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The Independence Day theatrical release for the film is apt considering its plot. Previously announced in 2022, the upcoming movie will “depict the past and present coming to a head when a young Black man, who is interning as a slave re-enactor at a living history museum, discovers that his white girlfriend’s ancestors once owned his,” according to a press release at the time.

During the presentation, Robbins also confirmed that the movie is set to begin shooting this summer. Lamar, along with Grammy winner Dave Free, will produce the picture through pgLang, a multidisciplinary communications company specializing in music and visual media that the two founded in 2020. Stone and Parker will produce via Park County, a media and entertainment company the two Emmy winners founded in 2012.

While Stone and Parker — who have been dabbling in musicals since 1993’s Cannibal! The Musical — await the debut of season 27 of South Park, the official announcement of their forthcoming film with Lamar follows a particularly active few months for the “Humble” rapper.

In March, Lamar teamed up with Future and Metro Boomin for the Billboard Hot 100-topping “Like That,” which include a fiery verse that found him throwing direct shots at fellow blog era superstars Drake and J. Cole. That musical battle has dominated headlines since, with J. Cole responding (“7 Minute Drill) and quickly retracting his reply, while Drake continues to keep fans waiting for his response to Lamar’s call-outs.

Although Lamar boasts four consecutive Billboard 200 chart-toppers and an eye-popping 72 career entires on the Hot 100 — including the No. 1 singles “Humble” (one week), “Bad Blood” (with Taylor Swift, one week) and “Like That” (two weeks) — he’s not the only collaborator on the forthcoming film with some Billboard chart success. On the chart dated July 24, 1999, the South Park: Bigger, Longer & Uncut soundtrack peaked at No. 28 on the Billboard 200.

Drake vs. Kendrick Lamar: Who You Got? The Case for Each Rapper in the Ongoing Beef

After J. Cole entered and then publicly stepped away from the ongoing “Battle of the Big 3” last weekend, all eyes have turned to Drake for his response to Kendrick Lamar’s pot-stirring “Like That” verse from March. With Drake rumored to finally be weighing in with a new song on Friday — the same release day as We Still Don’t Trust You, sequel to the album that originally unleashed “Like That” on the world — the beef between the two rap legends seems to be coming to a head. Billboard R&B/Hip-Hop writer Michael Saponara and deputy ed. director Damien Scott present the cases for each rapper to be considered the fight’s favorite.

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Why Drake Will Win 

“As long as there’s competition, there will never be peace. Everyone wants to be the one,” reads a Kurupt quote that was plastered backstage to fuel Drake at every stop of his It’s All A Blur – Big as the What? Tour with J. Cole. 

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It’s clear only one of the co-headlining rappers on the trek took that proverb to heart. With J. Cole bowing out of the bout, Drake and Kendrick Lamar appear to be headed for a blockbuster war that’s been over a decade in the making. 

While most have been afraid of stepping into the ring with hip-hop’s boogeyman hailing from Compton, Drake is the way more battle-tested rapper – a part of the rap repertoire that gives him the upper hand to defeat K. Dot in the main event.

The 6 God has sparred with a range of adversaries over the years. Whether he was scorching Common on “Stay Schemin,” knocking out Diddy with “4PM in Calabasas” or most notably putting Meek Mill in the ground for good on “Back to Back,” Drake has proven to be a formidable opponent amid his massive commercial success and pop crossover capabilities. 

“Man, we wrote the book on calculated thinking,” Drake reminded listeners while taking a Meek Mill victory lap on More Life’s “Lose You” in 2018. 

For those who have doubts and may have forgotten, press play on “Back to Back” again. The hit record was ubiquitous in nightclubs for the summer of 2015 and reached No. 21 on the Hot 100, while also serving as a definitive knockout punch and crushing blow to Meek Mill’s legacy that still sizzles to this day. Drake is the rare breed of a rapper who can craft a scathing diss track that damages another artist’s career trajectory and doubles as a song of the summer contender. 



There’s no doubt Kendrick and Drake are going to exchange potent lyrical haymakers, but when it comes to bringing the commercial appeal to a solo diss record – advantage: Drake. The OVO camp should be working overtime attempting to dig up dirt on the elusive K. Dot, and if the feud gets messy and spills onto social media, that’s a playground Drake will fare well in too, since Drizzy’s as petty as they come. 

Drake will always be a super calculated artist so it will be interesting to see if he focuses on strictly flaming Kendrick or raises the stakes by bringing his “Like That” hosts Future and Metro Boomin into the line of fire. That strategic decision would separate him from the pack, while redesigning the rap food chain and have collaborators in the industry forced to choose allegiances with a line in the sand dividing hip-hop’s elite. Drake is rumored to be dropping on Friday (April 12) which is the same day Future and Metro Boomin’s We Still Don’t Trust You is slated to arrive. The bold move would put him in direct competition with the Atlanta duo, where he could put a halt to their momentum and even top them on the charts.

With Kendrick mainly aiming at Drake on “Like That” to revive their long-simmering feud, which dates back to Lamar’s atomic “Control” verse, the stage is set for the OVO honcho to erase the stench that still lingers from the 2018 Pusha T feud which gave him the only loss on his otherwise unblemished résumé. Drake backed down from that beef, following Pusha’s “Story of Adidon” exposing his child Adonis, at the advice of Rap-A-Lot co-founder and consigliere J. Prince – who claimed his response would have “hurt families.” 

Drake holding his own in a Kendrick battle would go a long way to making up for that legacy-tarnishing moment. And reining supreme over K. Dot, with Drake holding up the figurative championship belt in the battle of the “Big Three,” would give even the biggest OVO haters no choice but to bend the knee to the 6 God. — MICHAEL SAPONARA

Why Kendrick Lamar Will Win

Let’s get this concession out of the way: The only true battle-tested rapper in this entire ordeal is Drake. He’s the only one who has gone past sneak dissing and slick one-off verses, and made songs with the intention of causing career-ending damage. The highlight is, of course, 2015’s “Back to Back,” the song that sincerely made everyone relitigate a once-ascendent Meek Mill’s place in rap’s pantheon.  

That said: Kendrick’s got this.  

Yes, the well-worn joke is that Kenny appears like the Boogie Man and drops a verse that sends the game into a tizzy only to disappear again until he’s ready to drop his next project. That’s not untrue. But, to wit: What other rapper not named Shawn Carter could drop a verse every few years that makes every rap fan stop what they’re doing and pay attention? And, yes, fine — Kendrick has yet to really dig in for a full-on battle, though, if we’re being fair that’s more to do with his opponents than him. Regardless, if there’s any rapper working today who should get the benefit of the doubt in this regard it’s Kendrick Lamar Duckworth. Here’s why.  

To borrow a quote from the late astronomer Carl Sagan, the “absence of evidence is not the evidence of absence.” Put another way, just because we’ve yet to see Kendrick take a rapper’s head off for a full song doesn’t mean Compton’s favorite son is incapable of doing so. If anything, the warning shot he sent to Cole and Drake proves that he’s been ready and willing to dismember a rapper.  

While “f–k the Big 3, n—a, it’s just big me” is the bar from Future and Metro Boomin’s “Like That” that caught everyone’s attention, there are a bunch more on that verse that let it be known Kendrick is able to get it going. Bars like, “I’ll crash out, like ‘F–k rap,’ diss Melle Mel if I had to,” or, my personal favorite, “I hope them sentiments symbolic, my temperament’s bipolar, I choose violence.” Take your pick. Whichever door you choose ends up at the same place: Kendrick is ready.  



The last time we saw Kendrick this animated in song going at a rapper was back on 2017’s “The Heart Part 4,” when it’s believed he sent a bunch of shots at Big Sean who he was reportedly beefing with since 2013’s “Control” fiasco. (And, yes, all the shots being subliminals is a knock on Kendrick.) 

“My fans can’t wait for me to son ya punk-ass/ And crush ya whole lil’ s–t/ I’ll Big Pun ya punk-ass, you a scared lil’ b—h/ Tiptoein’ around my name, n—a, you lame/ And when I get at you, homie/ Don’t you just tell me you was just playin’.”  

The second half of the song was so scathing that Big Sean reportedly called TDE’s Top Dawg and asked him if Kendrick was talking about him. That lead to Top putting Sean and Kendrick together for a private conversation that resulted in Sean saying, “the respect is mutual.”  

That wasn’t an apology, but the two never even got into a proper battle, with Big Sean saying they peaced things up after Nipsey Hussle was murdered in 2019. That was all probably for the best — because in 2023, an alternate version of Kendrick’s song “ELEMENT.” from DAMN. leaked, and it featured the following lines directed squarely at the Detroit rapper.  

“Big Sean keep sneak dissin,’ I let it slide/ I think his false confidence got him inspired/ I can’t make them respect you, baby, it’s not my job/ You finally famous for who you date, not how you rhyme (boy).” He kept going, “Cute-ass raps, get your puberty up/ Then make you a classic album before you come at us/ Drake and Meek Mill beef might got you gassed up/ But I’m a whole ‘nother beast, I really f—k you up.” 

Sean, when asked, said the song was “ain’t no diss” and kept it moving. The track also mentioned Jay Electronica and French Montana, both of whom opted to just let it slide.  

That’s just what happens when Kendrick goes at rappers: They get quiet or start making excuses or just completely opt out altogether. There’s a reason for that — most, if not all, rappers know that Kendrick is, as he says on the Future and Metro track, “really like that.” He’s been able to disrupt the game multiple times with verses aimed at numerous targets, imagine what happens when he focuses his pen on one opponent. It’s silly to believe the results would be less devastating.  



But that’s all offense: Let’s talk defense. We already saw Cole take aim at Kendrick’s catalog and general lack of productivity. What will Drake focus on? Other than “I helped you break into the game” — which he’s not wrong about — what else can Drake really say about Kendrick? He’s a critically acclaimed, award-winning rapper who has been adored by hip-hop culture for well over a decade. After being utterly discountenanced by Pusha T with “The Story of Adion,” Drake surely learned a lesson or two: one likely being that to really land a big blow in 2024, you need to spring a surprise on unsuspecting fans and rappers. Joe Budden says Drake has a nuke. Perhaps he’s learned something we don’t know. But even then, it depends the validity and quality of the dirt. As we saw on his last album, Mr. Morale & the Big Steppers, Kendrick’s been pretty forthcoming with his failings.  

We’re a long way from, “You underestimated greatly, the most No. 1s ever, how long did it really take me?” Kendrick doesn’t underestimate Drake. And the talk of chart success is seemingly null and void after his pre-emptive “Prince outlived Mike Jack” bar.  

But, we’ll see. The excitement is in the suspense. As Kenny said, “Let’s get it, bro.” — DAMIEN SCOTT

Billy Joel’s 10 Best Billboard Hot 100 Hits

In February, much ado was made about “Turn the Lights Back On,” the first newly released song by Billy Joel in 17 years, and his first Billboard Hot 100 hit since 1997.

Fans certainly missed Joel during that interim, though he continued to perform — monthly at Madison Square Garden from January 2014 to July 2024 (minus the pandemic) and in stadiums, co-headlining with pals such as Stevie Nicks and Sting. Besides keep us entertained, those shows also reminded us that despite the absence of fresh material, the “Piano Man” was hardly a stranger to us. There was, after all, a legacy of 13 studio albums (including the 2001 classical outing Fantasies & Delusions), assorted movie soundtrack contributions and material from compilations.

Joel has logged 43 singles on the Hot 100 since 1974. (“Turn the Lights Back On” peaked at No. 62.) A baker’s dozen of those were top 10 hits, with three (“It’s Still Rock and Roll to Me,” “Tell Her About It” and “We Didn’t Start the Fire”) making it all the way to No. 1.

Along the way, Joel has won five Grammys, been inducted into the Rock & Roll Hall of Fame and the Songwriters Hall of Fame (which also gave him the prestigious Johnny Mercer Award) and received a Kennedy Center Honor. Talking about that success, however, Joel acknowledged to Music Connection in 2022, “Part of me thinks it’s absurd; I’m 73 years old and I’m doing the same gig I was doing when I was 16! This is a job for a young person. I am now considered elderly, and I’m still doing the same crazy-ass job, so that part of it is kind of absurd.”

But, he added, “The other part it means to me is it’s wonderful. I picked a great job to have. They’re paying me all kinds of money. The audiences are bigger than they ever were. People are still coming to see me, and there’s a lot of young people out in the crowd who still know my stuff. That’s wonderful. I’m a lucky guy.”

We’re lucky to have the music, too, even if it’s damn near impossible to pick a favorite. That being said, we’re rounding up Joel’s 10 best songs among his Hot 100 hits. It’s a daunting task, to be sure, but if it means listening to all those hits once again, we’re more than up to the challenge.

Editor’s note: The years listed for each song are the year that single reached its peak on the Hot 100.

‘Get It,’ Sexyy Red: Rapper Earns Her First Lead Top 10 on Hot R&B/Hip-Hop Songs Chart

Sexyy Red gets her first top 10 in a lead role on Billboard’s Hot R&B/Hip-Hop Songs chart as “Get It Sexyy” walks 15-6 on the list dated April 13. The track, which continues to gain in streaming and radio airplay, likewise brings the rising rapper to a similar milestone on the Billboard Hot 100, where it jumps 28-20 to become her first lead top 20 hit.

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For the tracking week of March 29-April 4 on Hot R&B/Hip-Hop Songs, which combines streaming, radio airplay and sales data for its results, “Get It Sexyy,” released on Open Shift/gamma, pulled 17.2 million official U.S. streams, according to Luminate, up 11% from the prior week. The growth pushes “Sexyy” 11-5 on the R&B/Hip-Hop Streaming Songs chart and secures it the Greatest Gainer honor, given weekly to the song with the largest streaming increase. While streaming expands, the song’s sales suffer a slight hit: “Sexyy” sold 1,000 downloads in the same period, down 12% from the previous tracking period, and falls 6-9 on R&B/Hip-Hop Digital Song Sales.



“Sexyy” gives its creator her second top 10 on Hot R&B/Hip-Hop Songs and first as a lead artist. She previously reached the tier with her and SZA’s featured roles on Drake’s “Rich Baby Daddy,” which peaked at No. 4 in November. As a lead, Sexyy Red’s prior best was the No. 17 result for “SkeeYee” in September.

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In the radio realm, “Sexyy” registered 6 million in total airplay audience in the same period, a 61% surge from the prior week’s 3.7 million count. “Sexyy” finds its strongest welcome on the Mainstream R&B/Hip-Hop Airplay format, where it rockets 32-23 on the radio ranking, with a 58% increase in plays for the latest tracking week compared with the previous one. The rhythmic format also contributes significant activity, as “Sexyy” debuts at No. 35 on Rhythmic Airplay through a 110% weekly spin improvement.

By reaching No. 6, “Sexyy” bests the peak position of its prominent sample track, Hurricane Chris’ “Halle Berry (She Fine),” featuring Supastaar, which achieved a No. 7 best in 2009.

Elsewhere, “Sexyy” rebounds 13-5 on the Hot Rap Songs chart and likewise rallies eight spots on the all-genre Hot 100 (28-20), for new peaks on each ranking.

Ice Spice Lands Role In Spike Lee’s Upcoming “High and Low’ Starring Denzel Washington

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Ice Spice Joins Cast of Spike Lee's Upcoming Film 'High and Low'

Source: Christopher Polk / Getty

Well, that was fast; Ice Spice is going Hollywood.

Variety exclusively reports that Ice Spice is joining the cast of Spike Lee’s High and Low, an English reinterpretation of the Japanese crime thriller of the same name by Akira Kurosawa.

The original 1963 film starring Toshiro Mifune, based on the Ed McBain novel King’s Ransom, follows a businessman whose life is ruined after making a ransom payment to kidnappers.

The “Munch” rapper will make her acting debut alongside Academy Award-winning actor Denzel Washington and recently Academy Award-nominated Jeffrey Wright in the upcoming Apple Original Films and A24 project.

What her role will be in the project remains a mystery.

Per Variety:

“High and Low” will mark Ice Spice’s acting debut, and she’s already begun shooting for the project starring Denzel Washington.

The rapper skyrocketed to fame following the release of her breakthrough single, “Munch (Feelin’ U),” and subsequent collaborations with Pink Pantheress, Nicki Minaj and Taylor Swift. She was nominated for four Grammys this year, including best rap song and best new artist. Ice Spice’s first studio album, “Y2K,” is due out this year.

The film will be Lee and Washington’s fifth theatrical collaboration. The actor has also starred in Mo Better Blues, Malcolm X, He Got Game, and Inside Man.

Apple Original Films confirmed the film was in production by sharing a photo of Lee and Washington.

Social Media Reacts To The News

The reactions to the news of Ice Spice’s involvement in the film have been met with confusion and some excitement.

“This movie gonna be lit asf,” one person X, formerly Twitter, said in response to Variety’s reporting.

Another person added, “Words can’t describe how badly I want this movie to succeed.”

“This is hilarious but we need to issue a fatwa on spike lee remaking classic asian films,” another post read.

Whether you like it or not, Ice Spice is coming to a big screen near you. We trust Spike Lee, so we can’t wait to see what he cooks up with High and Low.

Selena Gomez’s New Movie ‘Emilia Pérez’ Will Premiere at Cannes Film Fest: ‘Beyond Grateful’

Selena Gomez is headed to France this spring. After the Cannes Film Festival revealed that its 2024 lineup includes Jacques Audiard’s upcoming film Emilia Pérez, in which the singer-actress stars, she excitedly confirmed the news and shared a few first-look posters for the project on Instagram.

“I’ve been waiting to show you guys this one!!” she wrote. “I’m beyond grateful Emilia Pérez, directed by Jacques Audiard, will premiere at @festivaldecannes in May!”

In one of the posters, Gomez rocks bleached short hair and a floral blazer, standing in a dark room dimly lit by colorful neon fixtures. A second portrait shows the “Love On” singer’s costar Karla Sofía Gascón, who leads the cast as the film’s titular role, shot from behind as she sits on a bed in a bra and skirt. A third finds Zoe Saldana striking a dynamic pose in a bright crimson pantsuit.

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According to Variety, Emilia Pérez is a musical crime melodrama centered around Gascón’s character, a cartel leader who evades the law by having a sex change and, in doing so, embracing her true identity as a woman. Also on the docket for this year’s Cannes Film Festival are Yorgos Lanthimos’ Kinds of Kindness starring Poor Things‘ Emma Stone and Willem Dafoe; Paul Schrader’s Oh Canada featuring Richard Gere; Paolo Sorrentino’s Parthenope led by Gary Oldman; and Coralie Fargeat’s The Substance with Demi Moore and Margaret Qualley.

Auidard’s new film is just the latest onscreen endeavor Gomez has undertaken recently. The Rare Beauty founder is currently working on the fourth season of Hulu’s Only Murders in the Building with costars Steve Martin and Martin Short, as well as co-producing a reboot of the Disney Channel series on which she got her start, Wizards of Waverly Place.

See Gomez’s post below.

Feid & Yandel Unleash Joint EP ‘Manifesting 20-05’: Vote For Your Favorite Track

Feid and Yandel have further solidified their bromance with a joint EP called Manifesting 20-05 out today (April 11). The album’s name was inspired by a real-life manifestation that Feid made in 2005, Billboard can confirm.  

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The five-track set finds hard-hitting reggaeton beats that perfectly lace both the Medellín and Puerto Rican flows, as well as the two artist’s smooth and melodious vocals. Flaunting their experimental side, “De Negro” is fused with electronic house beats while “Pa Janguiar” has sensual reggae undertones. 

“Thank you, Yandel, working with you and your team has been one of the coolest experiences that I’ve had in the industry,” Ferxxo expressed on his Instagram account, also thanking a number of hitmakers, including Wain, Jowan, Rolo, Sky Rompiendo and Tainy, to name a few. “We had a great time from the day we created the dia until the day we finished the video. Thank you for joining me on this album that had to happen.” 

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Feid and Yandel previously collaborated on “Yandel 150,” part of the latter’s Resistencia album, which reached No. 1 on Billboard’s Latin Airplay and Latin Rhythm Airplay charts in April last year, and earned Yandel his first Billboard Hot 100 chart entry. The song—which later had a remix with Daddy Yankee—was nominated at the 2023 Latin Grammys for best urban song and best urban fusion/performance. The pair also has a track on Feid’s 2022 album, Feliz Cumpleaños Ferxxo Te Pirateamos el Álbum, called “XQ Te Pones Así.”

On April 2, when they first announced the project on social media, Yandel promised that it would be “the best music you’ll hear all of 2024.”

Listen to the EP and vote for your favorite track below: 

Texas Eclipse Festival Insists Last-Minute Cancelation Was ‘Not … for Insurance Money’

Organizers of the Texas Eclipse Festival have released a lengthy statement addressing various aspects of the event that came under online scrutiny after the final two days of the festival in Burnet, Texas, were canceled earlier this week.

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On Monday (April 8), attendees were notified that the remainder of Texas Eclipse Festival had been canceled due to severe weather hours before the eclipse, with Texas governor Greg Abbott directing the Texas Division of Emergency Management (TDEM) to activate state emergency response resources ahead of a storm system that moved across the state that afternoon.

In the wake of the cancellation, the event was subject to sharp online criticism and rumors, leading to the statement that addressed myriad facets, including the decision-making process around the cancellation, attendance numbers and safety protocols.

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In terms of the decision to cancel, organizers outline a day-by-day timeline of the meetings that took place, saying that the final decision was ultimately made in conjunction with the festival team, local agencies, law enforcement and a weather expert. “The choice to cancel was unanimous.” reads the statement, “and driven by the level of risk of the forecasted weather and severity of the associated outcomes.”

“We did not cancel for insurance money,” the statement highlighted. “We made a hard decision to put safety first and avoid a far worse situation. Texas Eclipse festival will take a significant financial loss.”

In regard to rumors about the event being oversold, the statement says that “the show was not oversold / over capacity. Burnet County approved our permit with capacity at 40,000 people. We were well under that number.”

The statement goes on to say that “rumors of multiple deaths circulating on social media are inaccurate. One person passed away at the hospital after being transported from the festival.” The statement did not provide further details on the death, with respect to “the family’s privacy as well as following HIPAA guidelines.”

In regard to partial refunds for the canceled days, organizer say they are “are working diligently with our ticket provider to provide more information. We are committed to resolving this quickly and will update everyone very soon. A significant number of guests purchased using a payment plan which complicates the process. 

Texas Eclipse was organized by a newly formed alliance of independent promoters including longtime EDM promoter James Estopinal and his recently rebranded concert outfit Disco Presents; technologist, entrepreneur and Texas Eclipse festival founder and “head of alignment” Mitch Morales; and California-based festival organizer, curator and producer Gwen Gruesen from Symbiosis Gathering.

Read the full statement below.