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Mayk Launches AI Karaoke Product popstarz.ai

Artificial intelligence and user-generated content music tool company Mayk has announced the launch of its latest product, popstarz.ai. With the promise of helping anyone playfully assume the identity of a popstar and let a user sing their favorite song, the company hopes to revolutionize karaoke and strengthen the artist-fan relationship.

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To get popular songs on the service, the company licensed the library of longtime karaoke company Stingray Karaoke. All a user needs to do is sing a little, and then the service does the rest. “Instead of using auto tune, we take a three minute voice sample and create a more perfected AI version voice of your own voice. Think of it like a voice ID,” says Stefan Heinrich, founder and CEO of Mayk.

Then users take a selfie, select their song, and popstarz.ai produces a cleanly sung version of the karaoke selection using the user’s own perfected voice model and pairs it with a selfie of the user in the style of their favorite artist. The result is vertically cropped and easily sharable on social media.  

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A playful tool, Heinrich envisions his target audience as being younger Gen Z and Gen Alpha, looking for something fun to do with their friends. “Being a popstar is one of the top three dreams that kids have,” says Heinrich. “This makes it possible in a fun, easy way.”

Heinrich founded Mayk in 2020, taking his experience from years as head of global marketing at TikTok, CMO at Cameo, and product marketing at YouTube and applying it to his own vision. The company creates fun tools for music fans to further engage with their favorite artists and is largely focused on offering products for the kid-to-teen audience.

The company also has other services, including its UGC-song creator app mayk.it and covers.ai.

Hot 100 First-Timer: ILLIT Attracts With Debut Single ‘Magnetic’

South Korean group ILLIT has released only one official single so far, and that song is now officially a Billboard Hot 100-charting hit.

The act’s “Magnetic” debuts at No. 91 on the April 20-dated Hot 100 with 6.2 million official U.S. streams (up 1%) and 428,000 radio audience impressions (up 43%) April 5-11, according to Luminate.

The song is also a hit internationally. It ranks at No. 3 on the Billboard Global Excl. U.S. chart, a week after reaching No. 2, and rises 8-6 on the Billboard Global 200. It has additionally hit No. 1 on Billboard’s Hong Kong Songs, Singapore Songs, South Korean Songs and Taiwan Songs charts.

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“Magnetic” appears on ILLIT’s debut four-track EP Super Real Me, released March 25 on BELIFT LAB (a sublabel of HYBE Corporation). The set stands at No. 6 on the World Albums chart after reaching No. 5 a week earlier. It became the group’s first overall chart entry upon its debut earlier this month.

TikTok has been a significant factor in the song’s growth, as a portion of its audio has soundtracked more than 375,000 clips on the platform. The group itself boasts more than 2 million TikTok followers.

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ILLIT was formed through the Korean JTBC reality show R U Next?, and is comprised of members Iroha, Minju, Moka, Wonhee and Yunah.

ILLIT is the second K-pop group to chart on the Hot 100 in 2024, after LE SSERAFIM with “Easy” in March. Overall, ILLIT is the ninth K-pop group to reach the Hot 100, after (in order of first appearance) Wonder Girls, BTS, BLACKPINK, TWICE, NewJeans, FIFTY FIFTY, Stray Kids and LE SSERAFIM.

Diplo, Ellie Goulding & Andrea Bocelli Honored at Playing for Change Foundation’s 2024 Impact Awards

Diplo, Ellie Goulding and Italian singing legend Andrea Bocelli and his wife, Veronica, were honored at The Playing for Change Foundation’s 2024 Impact Awards, held on Saturday, April 13, at the Rubell Museum in Miami.

“It’s very humbling to receive this acknowledgment from the Playing for Change Foundation,” said Diplo. “Music has the incredible ability to break down barriers and uplift people, and I’m proud to stand alongside fellow artists in using our platforms to make a difference.”

Goulding also accepted her award in person. The Bocellis received theirs virtually.

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Diplo is a three-time Grammy winner. Goulding and Bocelli have both been Grammy-nominated, but have yet to win.

The lineup included Playing for Change Foundation (PFCF) partner program Young Musicians Unite, DJ and producer Note Marcato, as well as Hip-Hop Kidz, who performed a mashup of the honorees’ music. An afterparty, held at Superblue Miami and presented in partnership with MGM+, featured performances by Diplo and Sofi Tukker.

The event highlighted the foundation’s global impact, with PFCF CEO Jake Groshong reminding attendees of the foundation’s work in more than 60 locations across 21 countries.

PFCF’s mission is to help youth rise up through their own culture using music education. The organization reports employing more than 300 staff, teachers and community leaders locally across program locations, including Mali, Morocco, Ghana, Rwanda, South Africa, Uganda, Jordan, Nepal, Bangladesh, Thailand, Mexico, Brazil, Costa Rica, Colombia, Panama, Peru and Argentina, as well as South Dakota and Miami.

The evening also shined a spotlight on an online charity auction. To participate in the auction, which runs through April 18, go here.

Hot 100 First-Timer: Bakar Debuts With Viral Smash & Established Radio Hit ‘Hell N Back’

Bakar’s “Hell N Back” first reached Billboard’s charts in December 2019, when the song debuted on Adult Alternative Airplay. More than four years later, it debuts on the Billboard Hot 100 (dated April 20), becoming the singer-songwriter’s first entry on the ranking.

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The song, featuring Summer Walker, starts at No. 73 on the Hot 100 with 7.4 million official U.S. streams (up 61%) and 1 million radio airplay audience impressions April 5-11, according to Luminate. (All versions of the song are combined into one listing on Billboard’s charts.) Bakar released the track’s remix with Walker in September 2023.



“Hell N Back” became Bakar’s first overall Billboard chart hit. During its initial run in 2019-20, it spent two weeks at No. 1 on Adult Alternative Airplay and reached No. 10 on Alternative Airplay and No. 16 on Rock & Alternative Airplay. Last year, the song was pushed to pop and adult pop radio and reached No. 18 on Adult Pop Airplay and No. 20 on Pop Airplay. On the all-format Radio Songs chart, it reached No. 48 in September.

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When “Hell N Back” hit No. 1 on Adult Alternative Airplay, it made history by completing the longest trip to the top: 27 weeks (passing the 25-week trek of Kings of Leon’s “Use Somebody” in 2009).

The song’s longevity can partly be attributed to multiple viral moments. Particularly, it has been a staple on TikTok. One version has soundtracked more than 120,000 clips, while the Walker remix has been used in more than 800,000. Another portion has been used in more than 60,000. The song was also featured in the trailer for the 2023 Disney/Pixar film Elemental.

Along with debuting on the Hot 100, the single re-enters Hot Alternative Songs at No. 8 and Hot Rock & Alternative Songs at No. 9 (nearly matching its No. 7 peak from last July).

Bakar has charted five other songs on Adult Alternative Airplay, all since “Hell N Back”: “1st Time” (three weeks at No. 1 in 2021), “The Mission” (No. 32 peak, 2021), “Free” (No. 39, 2022), “Good News” (No. 32, 2023) and “Alive!” (No. 7, this February). When “1st Time” hit No. 1, he became the first artist to send two initial chart entries to No. 1 since Lorde in 2013-14 (“Royals” and “Team”).

Bakar (full name Abubakar Baker Shariff-Farr) hails from Camden in North London. He has released two studio albums: Nobody’s Home in 2022 and Halo in September. He is currently on his Halo Tour, which runs through September.

Ana Bárbara to Celebrate 30 Years in Music With U.S. Tour: ‘It’s a Family Celebration’

Mexican star Ana Bárbara is set to celebrate her three decades in music with a 30-plus dates tour that will kick off Aug. 2 in Reno, Nev. Called the Reina Grupera Tour 2024, produced by Reventon Promotions and EDIM Talent in a joint effort, the stint will make stops in Houston, New York, Los Angeles, Las Vegas, Atlanta and other major cities across the United States before wrapping up in Chicago on Nov. 16.

“To be able to celebrate my 30th anniversary with the real protagonists, my fans, is special because I can be an artist, composer, singer, but if I don’t have them, then I might as well just celebrate at home,” she tells Billboard. “Those who were there at the very beginning have passed this musical taste to their children, to new generations, so it is a family celebration because Ana Bárbara’s music has always been very familiar, I feel very excited.”

Known as the Grupera Queen (La Reina Grupera), last year, Bárbara became the first regional Mexican songwriter to ever receive a BMI Icon Award, the highest honor presented by the society of composers and publishers. Born Altagracia Ugalde Motta in San Luis Potosí, she is one of the most consequential female artists in regional Mexican music, which has for many years been dominated by men.

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Since launching her career in the ’90s, she’s racked up 16 hits on the Regional Mexican Airplay chart and 12 on Hot Latin Songs. Earlier this year, Bárbara was honored with the Lifetime Achievement Award at Premio Lo Nuestro, where she dedicated her award to Mexican women and Mexican music.

“The idea for this production is to have a great impact because it takes us back to this era where the woman with boots and sombrero was not the common denominator, but from day one I felt very proud of my roots and that pride is what is going to be projected in the production along with the music,” she said.

Tickets will be available for general sale on April 19 at 10 a.m. local time via reventonpromotions.com  and anabarbara.com. See Ana Bárbara’s Reina Grupera Tour 2024 dates below:

  • Aug. 2 — Reno, Nev. — Silver Legacy Resort- Grand Exposition Hall
  • Aug. 3 — Santa Rosa, Calif. — Luther Burbank Center
  • Aug. 9 — Seattle — Moore Theatre
  • Aug.10 – Portland, Ore. — Newmark Theatre
  • Aug. 17 — Santa Barbara, Calif. — Arlington Theatre
  • Aug. 18 — San Jose, Calif. — San Jose Performing Arts
  • Aug. 23 — Bakersfield, Calif. — Fox Theatre
  • Aug. 24 — Oxnard, Calif. — Oxnard California Performing Arts
  • Aug. 30 — Anaheim, Calif. — City National Grove
  • Aug. 31 — Fresno, Calif. — Saroyan Theatre
  • Sept. 6 — Tucson, Ariz. — Linda Ronstadt Hall
  • Sept. 7 — Mesa, Ariz. — Mesa Arts Center
  • Sept.12 — Yuma, Ariz. — Quechan Casino Resort
  • Sept. 13 — Cabazon, Calif. — Morongo Casino
  • Sept. 14 — Las Vegas — The Pearl Theatre
  • Sept. 27 — Houston — Arena Theatre
  • Sept. 28 — McAllen, Texas — McAllen Performing Center
  • Oct. 4 — Hadden Township, N.J. — The Ritz Theatre Company
  • Oct. 5 — New York — United Palace
  • Oct. 6 — Boston — Lynn Auditorium
  • Oct. 11 — Charlotte, N.C. — Ovens Theater
  • Oct. 12 — Atlanta — Center Stage Theatre
  • Oct. 13 — Raleigh, N.C. — Raleigh Memorial Auditorium
  • Oct. 18 — San Antonio — Majestic Theatre
  • Oct. 19 — Austin, Texas — Paramount Theatre
  • Oct. 24 — Wichita, Kan. — Orpheum Theatre
  • Oct. 25 — Albuquerque, N.M. — Kiva Auditorium
  • Oct. 26 — El Paso, Texas — The Plaza Theatre
  • Nov. 1 — Los Angeles — Youtube Theater
  • Nov. 2 — San Diego — The Magnolia Theatre
  • Nov. 8 — San Juan, Puerto Rico — Coca Cola Music Hall
  • Nov. 9 — Orlando, Fla. — House of Blues
  • Nov. 15 — Minneapolis — Orpheum Theatre
  • Nov. 16 — Chicago — Rosemont Theatre

Killer Mike, Steve Aoki & Vince Staples Set to Headline the Inaugural Elsewhere Fest in Kansas 

Killer Mike, Steve Aoki and Vince Staples are set to headline the inaugural Elsewhere Festival and Conference this summer in Wichita, Kan. The genre-agnostic festival will also see performances from Lane 8, Snow Tha Product, BADBADNOTGOOD, Sudan Archives, TOKiMONSTA and more.

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Created and produced by Midtopia, a Wichita-based artist and music-worker collective striving to build new models for the music industry, the new event will aim to build community and opportunity for musicians and music workers in the Midwest and be held June 21-22.

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“Midtopia was created to serve a need in Wichita, but really applies, well, elsewhere,” says Midtopia CEO and director Jessie Hartke in a release. “There are so many talented artists and music workers alike, and such wonderful local scenes, but industry support is really lacking and systematically flawed.”

The event will take place across local Wichita venues with one free stage open to the public. In addition to music and panel discussions, there will also be various art experiences, an immersive light and sound stage, and will act as a platform for community-based artists of all kinds.

Killer Mike will lead the conference with a discussion on freedom of expression, while speakers from City Winery, Stand Together, No Depression, Berklee College of Music, Union Stage, Primary Wave and more will share their experiences and best practices for those in the music industry.

Midtopia is on a mission to keep admission prices low in order to allow musicians as well as practicing and potential career music workers the opportunity for one-on-one meetings with industry professionals. Other participating organizations include Empower North End, Learning Lab Wichita, The Phoenix and Create Campaign, with local entrepreneur and philanthropist Chase Koch’s support.

“Midtopia is an opportunity to reimagine the traditional industry structure and its ability to positively impact society, and create a new framework that puts artists and music workers first,” added Hartke. “We want to do the same thing with Elsewhere and create a new kind of music event that is truly built to support the community and artists, both local and from afar.”

Check out the full lineup below. Tickets are available here.

Elsewhere Fest & Conference 2024 Lineup

KAABOO Festival Investor Wins $2M Verdict for Breach of Contract

An eccentric Florida real estate mogul who lost millions investing in two West Coast festivals linked to Virgin Group co-founder Richard Branson won a bittersweet legal victory Friday (April 12) when a Delaware judge awarded him a $2 million breach of contract verdict over the collapse of KAABOO festival — but rejected larger fraud claims that could have netted him millions in damages.

Delaware judge Paul Wallace found that KAABOO’s previous owners had lied and misrepresented the financial health of the festival to investor Marc Hagle, who bought KAABOO in 2019, but ruled that Hagle likely knew the projections were fake because one of the festival’s board members had been sharing confidential data with Hagle during sales negotiations.

All told, Hagle, a 75-year-old Orlando commercial real estate developer, is estimated to have lost approximately $23 million investing in the festival business, including spending $10 million to buy the ill-fated KAABOO festival in September 2019, before going on to lose millions more unsuccessfully developing the Virgin Fest in Los Angeles.

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While the loss certainly stung, Hagle isn’t hurting for cash, having made his fortune building shopping centers for Walmart. In 2020, he donated $10 million to his alma mater, Purdue University, and two years later pledged $5 million to the University of Central Florida. In 2022, Hagle and his wife became the first married couple to travel to space on a flight from Amazon founder Jeff Bezos’ Blue Origin and are currently constructing a massive $33 million, 45,000-sq.-ft home in Winter Park, Fla., that will include a basement gun range and an indoor pool.

Friday’s ruling, absent an appeal, likely represents the end of Hagle’s attempt to recoup his $23 million loss through the court system. Earlier this year, a California appeals court refused to overturn a 2022 Los Angeles Superior Court decision allowing Lizzo, Ellie Goulding and Kali Uchis to keep millions in fees Hagle had advanced the artists in February 2020 to secure their performances at Virgin Fest. Weeks after the artists were announced, much of the United States went into lockdown due to the COVID-19 pandemic, forcing the cancellation of the festival.

Former Bear Stearns investment banker Bryan Gordon launched KAABOO in 2015, modeling the event’s high-end food and hospitality offerings around Napa’s BottleRock festival with headliner talent that included Pink, Red Hot Chili Peppers and the Foo Fighters.

Marketed to an older, more affluent audience, KAABOO quickly grew in popularity, but behind the scenes, Gordon’s brash style led to lawsuits from former investors, ex-employees and former partner Brett Mosiman, a Kansas promoter who won a $7 million judgement against Gordon in 2020.

While Gordon allegedly presented himself to Mosiman and others as a highly successful businessman who “owned so many hotels” he couldn’t “even count them” and regularly bought “$400 bottles of wine like they’re Chiclets,” financial documents obtained by Billboard showed Gordon had lost $30 million on KAABOO in less than five years.

Without an immediate capital infusion, Gordon would have to cancel the 2019 version of the festival, bankrupting KAABOO and prompting dozens of class-actions lawsuits from ticketholders that could have spread to Gordon’s other festival investments, like Virgin Fest, which Gordon co-owned with KAABOO’s chief marketing officer Jason Felts.

At the time, Virgin Fest was a holding company that owned the rights to license the Virgin trademark for music events and festivals from Branson. Running out of options for saving KAABOO, Gordon entered negotiations with Hagle for a deal that would eventually see Gordon resign from his position at Virgin Fest and sell his controlling shares in KAABOO to Virgin Fest in a $10 million deal financed by Hagle. As part of the agreement, Gordon would continue to produce KAABOO on behalf of Virgin Fest.

While the last-minute acquisition averted cancellation, it wasn’t long before both sides ended up in court, kicking off a five-year legal battle over the sale of KAABOO, which has been defunct ever since.

Gordon fired the first shot in the legal battle, filing suit against Virgin Fest weeks after the sale closed, alleging that Hagle and Virgin Fest had failed to pay KAABOO’s invoices in retaliation for Gordon’s decision to fire most of the KAABOO staff and place his daughter in charge of the company. Hagle and Virgin Fest countersued, arguing that Gordon had misled them about the festival’s financial outlook and falsified KAABOO’s financial records.

After a seven-day trial took place in a Delaware courtroom in January, Judge Wallace issued his ruling on Friday, finding that email evidence in the case indicated Gordon and company officers Robert Walker and Seth Wolkov spent hours systematically deleting expenses and overstating revenue so that KAABOO’s 2019 financial projection would show a modest $275,000 profit for the year instead of the more accurate $3 million loss company officials had previously forecast.

Wallace wrote that “KAABOO management made knowingly false representations” to Hagle and his attorneys and accused Gordon, Wolkov and Walker of “deliberate acts of concealment” and having “a clear motive to commit fraud.”

That wasn’t enough to win a fraud ruling, however, Wallace wrote in his 70-page decision. That’s because Hagle didn’t adequately prove he relied on the financial documents handed over by Gordon’s team and likely knew the claims were fake, Wallace explained. Emails produced during the trial showed that Felts — who was on the board of KAABOO at the same time his company, Virgin Fest, was trying to buy KAABOO, had been sending updates about the festival’s worsening financial health to Hagle, encouraging the real estate investor to play hardball with KAABOO and win concessions to sweeten the deal.

Wallace did, however, find that Gordon’s misrepresentations breached a transparency clause in the asset purchase agreement between KAABOO and Virgin Fest. According to the asset purchase agreement’s own guidelines, damages resulting from the breach of the document are capped at $2 million. Wallace thereby ordered KAABOO to pay Virgin Fest $2 million in damages, plus attorney fees.

For his part, Gordon was awarded a $360,000 consulting fee that Virgin Fest never paid him after he resigned from the company.

It’s unclear if Hagle plans to appeal the verdict. Without a legal option for recouping his investment, Hagle’s chances of recovering his investment hinge on the success of a group of new investors who have reportedly begun trying to raise money to license the KAABOO brand from Hagle as part of a brand revival. The investment group has not yet announced whether they will be reviving the festival brand in 2024 or 2025.

Childish Gambino Announces 2 New LPs, Debuts Unreleased Music

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2024 Vanity Fair Oscar Party - Arrivals

Childish Gambino, the rap nom de plume of Donald Glover, made an appearance at Coachella over the weekend and later shared news that should excite his fans. The actor, rapper, and writer announced that he’s releasing two new albums with the second of the pair being the official retirement for the Chidlish Gaombinio moniker.

Taking to X, formerly Twitter, this past Sunday (April 14), Childish Gambino announced the details of a livestream to his legion of fans.

“GILGA Radio tonight @ 11pm pst,” wrote the artist also known as Donald Glover. “[L]ive streamed on instagram @donaldglover.”

During the stream, Glover shared that his 2020 album 3.15.20 will be rereleased under the new title, Atavista. After Atavista, the final Childish Gambino album, Bando Stone & the New World. The album is said to be a soundtrack for a movie of the same name.

Glover also announced news of an upcoming video directed by Hiro Murai for “Little Foot, Big Foot,” a song that was formerly known as “35.31” and features Young Nudy. The visuals are slated to drop in a couple of weeks according to the livestream.

All of the meatier details of the livestream were broken down in a Reddit community group in support of Donald Glover. You can check that out here.

Photo: Christopher Polk / Getty

Here’s Who Katy Perry Would Pick as Her ‘American Idol’ Replacement: ‘I Want a Truth Teller’

Katy Perry is on her way out of American Idol, with season 22 being her last before another musical sensation steps in to take over her role as a judge alongside Lionel Richie and Luke Bryan.

And in an interview with E! News posted Tuesday (April 16), the pop star revealed who she would choose to take the reins following her exit: a certain breakout country superstar with face tattoos and a heart of gold. “I gotta say Jelly Roll was crazy when he came on the show,” she told the publication. “I was convinced at anything he said.”

“He could run for president, he could be my pastor, I might go back to church for him,” she added. “He could sell me anything … To have any of these guys plus Jelly on the show would be amazing. I love you, Jelly!”

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The interview comes about a week after the “Son of a Sinner” singer appeared on the April 8 episode of Idol, serving as a guest mentor and coaching the show’s top 24 contestants in Hawaii. “I realized how life-changing this is for these kids,” he told Billboard at the time. “Even if they go on and don’t have music careers, they have this story forever and I felt it on them. I took away the spirit of genuine happiness to be where you are, because it happens so fast that sometimes you don’t realize how special a moment it is.”

Even if it isn’t Jelly, Perry said she hopes that her successor shares her knack for being straightforward with the singing show’s competitors. “I want a truth teller,” she told the publication. “I want someone that is not afraid to tell the truth in a graceful way.”

“Unfortunately, when you’re a woman and you have an opinion or you’re a boss, sometimes you’re also considered a B-I-T-C-[H],” she added. “So just someone that has a strong sense of self, that listens to their intuition.”

The “Firework” singer has been a part of Idol since 2018, when the show was rebooted after three years off the air. She now has her sights set on recording a followup to her 2020 LP Smile, telling Jimmy Kimmel in February that she wants to “go see the world and maybe bring new music.”

“I just have yet to make a record from a place of feeling really happy and whole and full of love,” Perry, who shares 3-year-old daughter Daisy Dove with fiancé Orlando Bloom, said in an April interview with Access Hollywood. “Sometimes artists are like, ‘Oh, that’s boring, you want to make music from kind of like a tougher place,’ but actually it’s very bright and joyful, like pure joy and fun and playful and celebratory and a party.”

G. Dep Opens Up About His Murder Confession In First Post Release Interview

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Don Pooh's Birthday Party - August 21, 2003

Source: Johnny Nunez / Getty / G. Dep

G. Dep is wasting no time speaking about his murder confession following his release.

G. Dep sat down with The Art of Dialogue for his first interview since his release earlier this month, touching on why he confessed to the crime almost 20 years after he committed it.

The rapper signed to embattled music mogul Sean P. Diddy Combs’ Bad Boy Records label in the 90s and finally gained some notoriety for his 2001 hit record “Special Delivery.”

He attempted to rob a man at gunpoint in 1993 but, during a scuffle, shot and killed John Henkel, and that crime went unsolved until 2010 when the rapper, born Trevell Coleman, confessed to the murder, leading to his 15 years to life prison sentence.

Now 49, he is a free man after Governor Kathy Hochul granted him clemency and is speaking on that faithful day when his life was forever changed.

Per HipHopDX:

In his first interview since regaining his freedom, G. Dep spoke to The Art of Dialogue about why he confessed to the crime long after it happened.

“In order to restore balance to my life and someone’s family, I wanted to turn myself in and see what happened,” he said. “I was willing to put myself on the line, whether or not he passed on. I just needed to get that off my mind.”

G. Dep continued: “I did the right thing.”

G. Dep Says He Has No Regrets About His Confession

During the interview, G. Dep also denied having any regrets about his decision to turn himself in, even though he was never considered a suspect in the case initially.

While Dep is opening up about his confession and his time behind bars, his former boss is potentially looking at a long prison stint, being that he is the subject of an ongoing federal investigation that he was involved in sex trafficking. 

You can watch the entire interview below.