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Robert ‘Kool’ Bell, Suzanne de Passe & More React to Rock Hall of Fame Induction News

“Honestly, I broke into tears when they told me,” says longtime Motown executive Suzanne de Passe about the moment she learned that she would be receiving the Ahmet Ertegun Award at this year’s Rock and Roll Hall of Fame induction ceremony, taking place Oct. 19 in Cleveland.

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That reflected the many reactions coming from inductees after the Rock Hall’s Class of 2024 was revealed on Sunday (April 21) night’s episode of American Idol on ABC. Joy, exultation and even some surprise was expressed by those headed into the Rock Hall this year, whether in the voted-on performers category or those receiving this year’s musical excellence awards.

Robert “Kool” Bell is happy to explain why Kool & the Gang, an R&B band with several pop hits, belongs in the Rock and Roll Hall of Fame. Speaking to Billboard via Zoom, with bottles of his branded champagne sitting alongside to presumably, er, celebrate the induction, Bell says that “I did 48 shows with Van Halen, 10 shows with Kid Rock, opened for the Dave Matthews Band, Elton John, Rod Stewart. I also worked with Foreigner…If you’re gonna call it a Rock & Roll Hall of Fame then, yeah, I guess you could say that I feel like a rock n’ roller.”

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Bell is, of course, the last remaining member of Kool & the Gang’s original lineup and says his departed bandmates, including his brother Ronald Bell, would be pleased with the Rock Hall honor. “We’ve been to a lot of different ones,” Bell notes, including a 2018 induction into the Songwriters Hall of Fame. “It’s great to finally be inducted into the Rock & Roll Hall of Fame. All the guys would love it.” Kool & the Gang’s Rock Hall honor comes 60 years after the band’s formation in New Jersey, and 55 years after its self-titled debut album.

Ozzy Osbourne, who was inducted with Black Sabbath in 2006, tells Billboard via email that being honored for his solo career “feels big. I’m more than honored.” He says the induction for his own work, which began with the Blizzard of Ozz album in 1980 “feels different than with Sabbath because my solo career, it’s been a much larger part of my overall music career as a whole…I feel like I was invited to a party in 1980, and it hasn’t stopped. Not bad for a guy who was fired from his last band.” Osbourne, who’s effectively retired from touring due to a variety of health issues, including Parkinson’s disease, says he’s not sure about performing at the ceremony but will be there, in attire that “most certainly will be black.”

Peter Frampton tells Billboard that he’s “a little bit shock, and speechless” after learning the news of his induction. He was also stoked about finishing second behind the Dave Matthews Band in the fan vote, with 528,000. “It’s an honor people regard me in this way. I’m just blown away,” said Frampton, who had encouraged fan voting during his recent tour by flashing a QR code for the vote on the video screen at his concerts. “It’s quite uncanny we would be touring during the public voting, so every night I could hopefully get a few hundred out of the couple of thousand, three thousand that were in the audience. And it made a difference.”

Foreigner founder Mick Jones told Billboard in an exclusive interview that, “It’s a great honor to be included amongst all these great artists that have been inducted over the years.” He added that despite waiting more than 20 years since the band became eligible, “I certainly haven’t been overly consumed by it. Every year was the same thing, so eventually I didn’t really worry about it…I’ve had a great career, and this is like the whipped cream and cherry on top.”

Jones, who’s battling Parkinson’s disease, was also “very grateful” to son-in-law Mark Ronson’s video campaign on Foreigner’s behalf, which enlisted luminaries such as Paul McCartney, Slash, Jack Black, Chad Smith of the Red Hot Chili Peppers and others to express their surprise and indignation that Foreigner hadn’t already been inducted. “I wasn’t totally aware of the extent to which he saw this through…I had a good laugh seeing Paul’s Instagram post.” Jones added that he plans to attend the ceremony in October but hasn’t decided if he’ll play or not. Original Foreigner frontman Lou Gramm previously told Billboard that he plans to be there and expects to perform the Billboard Hot 100 topper “I Want to Know What Love Is” and one other song.

The MC5’s musical achievement Award is “bittersweet” in the wake of co-founder Wayne Kramer’s death on Feb. 2 at the age of 75, according to his widow, Margaret Saadi Kramer. “Perhaps even the exact right thing at precisely the wrong time,” noted Kramer, who manages MC5 affairs and co-founded the Jail Guitar Doors initiative with her husband. “Yet I’m certain he would have landed in gratitude for this recognition and received it like the beautiful free radical he was, an underdog victorious.” Three other MC5 members — Rob Tyner, Fred Smith and Michael Davis — have also passed, leaving only drummer Dennis “Machine Gun” Thompson.

Wayne Kramer did finish working on a new MC5 album, Heavy Lifting, which is due out later this year and features guests such as Thompson, Guns N’ Roses’ Slash, Tom Morello (Rage Against the Machine, Audioslave), Living Colour’s Vernon Reid, Alice in Chains’ William DuVall, Rise Against’s Tim McIlrath and Don Was. It will be packaged with a live recording of the all-star MC50 band during 2018 in the MC5’s hometown of Detroit.

Suzanne de Passe, who is still active as a TV and film producer since her days with Motown, said she’s “truly blown away and honored,” and that the Ahmet Ertegun Award means even more to her because she saw her mentor, Motown founder Berry Gordy Jr., receive it back in 1987. “Berry Gordy gave me the opportunity of a lifetime,” says de Passe, whose time at Motown included shepherding the careers of the Jackson 5, Lionel Richie and others as well as producing the Emmy-winning Motown 25: Yesterday, Today, Forever and specials for the company’s 30th and 40th anniversaries. She also produced miniseries about the Temptations and Jacksons as well as Lonesome Dove and other projects.

“I really learned a lot and was able to go out on a limb in some cases and either rise or fall, but never not be in a position of learning and growing,” she says. “I’m very, very grateful for the career I’ve had and the opportunities that have come my way because of that launching pad.”

She’s also happy to be honored alongside Motown songwriter-producer Norman Whitfield, whom she knew well and calls “one of the funniest people I ever met, a born comedian. We worked together a lot and I learned a lot from Norman. He really took me under his wing and taught me a lot about working in the studio. We had a great relationship.”

Berry Gordy issued a statement celebrating the honors for both of his Motown charges on April 21.

“Today marks a moment of intense pride as two members of the Motown Family will be honored at the upcoming Rock & Roll Hall of Fame Foundation Awards, Suzanne de Passe and Norman Whitfield,” reads Gordy’s statement. “I want to congratulate, Suzanne, my protégé and longtime friend, on being selected to receive the prestigious Ahmet Ertegun Award! Suzanne’s vision and passion contributed to Motown’s success. Every task I ever threw at her, she not only accomplished, but exceeded my expectations. Suzanne went from being my creative assistant, helping to launch the careers of Michael Jackson, the Jackson 5, Lionel Richie, the Commodores and more, to co-writing a screenplay for Lady Sings the Blues, for which she received an Oscar nomination. Suzanne has great instincts, a sharp wit, and a creative sense that has made her a formidable player in the entertainment world. I continue to be extremely proud of her.

“I am also so thrilled that Norman Whitfield, whom I consider a true musical genius and one of Motown’s most important creative forces, has been selected for the Rock & Rock Hall of Fame’s musical excellence award. His brilliant body of work was versatile and bold. He had early collaborations like Marvin Gaye’s ‘Pride and Joy’ and the Temptations’ ‘Just My Imagination.’ He had numerous No. 1 hits, including two with the same song, ‘I Heard It Through The Grapevine,’ back to back on two artists – Gladys Knight & the Pips and Marvin Gaye. Then, with his ear to the streets, he took the Temptations and Motown in a whole new direction. Norman’s music reflected the social consciousness of the times with songs like ‘Ball of Confusion,’ ‘War,’ ‘Papa Was a Rolling Stone.’ His incredible body of work makes him one of the most important creative forces of his time.”

Foreigner’s Mick Jones on Making It Into the Rock Hall of Fame & Whether He’ll Perform

Mick Jones could be excused for feeling a bit bitter about the Rock and Roll Hall of Fame ignoring Foreigner for more than two decades of eligibility. But now that the group will be part of the class of 2024 this October, Jones — who put Foreigner together back in 1975 in New York — says he’s feeling “quite the opposite.”

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“I think it means more to me now than perhaps 20 years ago,” Jones tells Billboard exclusively, via email due to a struggle with Parkinson’s disease that he revealed in February. “I’ve had a great career, and this is like the whipped cream and cherry on top. It’s something I will savor over the years. It’s a great honor to be included amongst all these great artists that have been inducted over the years.

Jones, 79, adds that despite Foreigner fans’ very vocal frustration at the band’s exclusion, he himself has kept a measured perspective about the prospects. “Occasionally it might have entered my mind,” he says. “I certainly haven’t been overly consumed by it. Every year was the same thing, so eventually I didn’t really worry about it. My dear friend Peter Frampton had been passed over all these years; I don’t think he has been overly consumed by it either.”

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Foreigner finished third in the Rock Hall’s fan vote this year, behind the Dave Matthews Band and Frampton, with more than 527,000 total votes. That was partly assisted by a video campaign by Jones’ son-in-law Mark Ronson, who recruited musical friends such as Paul McCartney (“Foreigner? Not in the Hall of Fame? What the f–k?!”), Dave Grohl, Slash, Jack Black, the Red Hot Chili Peppers’ Chad Smith and others expressing disbelief that the group wasn’t yet in.

“I am very grateful for the time and effort Mark has put into this,” Jones says. “I wasn’t totally aware of the extent to which he saw this through. He reached out to a lot of people to post their support on social media. I had a good laugh seeing Paul’s Instagram post.”

Jones isn’t alone, of course, in celebrating Foreigner’s impending induction. Rick Wills, who was Foreigner’s bassist from 1979-1993, tells Billboard, “We’re more than thrilled. It’s been over 20 years since we’ve been waiting for this day. I suppose we were frustrated, to be perfectly honest, but we tried to hide it as best we could because we didn’t want to appear like we were sad people. (laughs). I mean what else could you do but what we’ve done already with our music, and what people have appreciated and enjoyed? We didn’t understand why we didn’t get that recognition.”

And original frontman Lou Gramm told Billboard last month that he “had given up that we would ever be considered” but would happily serve if elected. “I was not feeling good that our peers were in years ago and we were completely neglected…I didn’t even think about it anymore, to be honest with you, so (the nomination) was a big surprise to me.”

Gramm recently brought up past issues with Jones over songwriting credits and financial issues but is looking forward to being with the band and performing at the induction ceremony on Oct. 19 in Cleveland. And Jones says Gramm, with whom he was inducted into the Songwriters Hall of Fame with in 2013, will be welcomed with open arms.

“On a personal level I have no hard feelings toward Lou,” Jones says. “We did perform together at the 40th anniversary concert. It has been so many years now since Lou left Foreigner; I like to think that those ill feelings are in the past. There is power in letting go of hard feelings and getting on with your life. Why carry the burden of hard feelings? It serves nothing in the long run. I do plan to attend,” Jones adds. I’m sure my whole family will be there. As to whether I get up on stage and perform hasn’t really been decided as yet. In some ways it might be nice just to be there to soak up the atmosphere and enjoy being inducted.”

Jones says he deals with his Parkinson’s “day to day. Keeping my chin up and making the best of everything. Fortunately, my Parkinson’s isn’t debilitating like it is for some people. My friend Michael J. Fox has been such an inspiration and advocate to find a cure for this disease. I do hope they find the answer soon. Like any disease it’s a quality-of-life issue. With all the research my family and assistant has done, I’ve been able to stick with a healthy lifestyle and exercise program that I think helps stymie the progression of my Parkinson’s.”

It’s also allowed him to continue working — not on stage with Foreigner, of course, but there may be new material in the offing. “There are a number of songs that are demos I wrote with Lou,” Jones says. “A couple of them are quite promising. Some written with Marti (Frederiksen) are lying around. I’ve been going through cassette tapes of demos; some I think don’t deserve to see the light of day.” Jones adds that he’s also finished mixing and mastering a solo album, Shelter From the Storm, that he hopes to release “at some point soon.”

Foreigner, meanwhile, is in the midst of an open-ended farewell tour that will likely extend into 2025 and may even include occasional performances or residencies after the road work is done. And Jones affirms he’s still comfortable with that decision. “It’s expected that all good things must come to an end. When Foreigner does retire it’s because the guys in the band have given so much of themselves and have reached a time in their lives where they want to have an easier life and spend more time with their families. There are so many demands being in a successful rock band.”

Peter Frampton Reacts to Rock Hall of Fame Induction, Reveals Who He Wants to Perform With During the Ceremony

Peter Frampton says news of his long-awaited Rock and Roll Hall of Fame induction “hasn’t really sunk in yet.” But he’s still thrilled that the honor is upon him after 52 years of eligibility as a solo artist.

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“I think I’m a little bit in shock, and speechless,” Frampton tells Billboard with a laugh from his home in Nashville. “I never expected this. People always said, ‘You should be in.’ I said, ‘Eh, what is to be,’ y’know? So mixed emotions, because it’s something that I just never expected, whereas other people did for me. (laughs) It’s wonderful.”

Frampton is particularly stoked that he also finished second in the fan vote with 528,000 — second only to the Dave Matthews Band. “You never quite know how you are regarded,” Frampton explained. “I don’t think about that; I just do my thing. But ending up in the number two position blew me away, actually. It’s an honor people regard me in this way. I’m just honored and blown way.”

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Of course, Frampton did his part, too; during his most recent concert tour he spoke about the nomination, putting a QR code up on the video screen to take fans to the voting site in real time.

“That was wonderful,” he recalls. “Every night when I said, ‘I got this phone call a couple months ago…and my managers told me I’m being nominated for the Rock….’ I never got out ‘Fame’ — they just went berserk, the audience, every night, and it made me feel like, ‘Well, they think I deserve to be in.’ So that was very, very nice from the word go. It’s quite uncanny we would be touring during the public voting, so every night I could hopefully get a few hundred out of the couple of thousand, three thousand that were in the audience. And it made a difference.”

Frampton regards the 2024 Rock Hall lineup as “a wonderful class to be involved with,” with many personal connections. He and Foreigner founder Mick Jones, for instance, go back to sessions for French singer Johnny Hallyday when Jones was his musical director and songwriter; Jones subsequently played on “All I Want To Be (Is By Your Side)” on Frampton’s 1972 debut album, Wind of Change. And Foreigner’s lineup included Rick Wills, who also played bass in Frampton’s Camel. “I was hoping they would get in, too,” Frampton says. “I figured they would, but you never know, so I’m thrilled.”

In the musical influence category, meanwhile, Frampton played with Alexis Korner during the mid-‘60s and was also a fan of John Mayall. “I was in the front row at the Flamingo and all the clubs, watching Eric (Clapton) and so many other guitar players — Peter Green, Mick (Taylor) from the (Rolling) Stones, so that means a lot to me,” Frampton notes. “It’s just amazing that (Mayall) was a spawning ground for so many great English guitar players.”

Frampton – who began as a teen star in England before achieving worldwide fame in the band Humble Pie and especially with his Frampton Comes Alive album in 1976 — has begun thinking loosely about the induction ceremony night on Oct. 19 in Cleveland, though with no concrete plans yet. “I’m thinking about people to invite to play with me and all that kind of stuff he says,” noting that number one on the list will be Sheryl Crow, who “championed” Frampton by including him in her induction performance last year in Brooklyn.

Meanwhile, Frampton — who continues to work in defiance of the degenerative inclusion body myositis (IBM) disorder he’s been battling during the past six or so years — is continuing with his other work. He’s planning a trip to England during June as well as a filmed concert performance for the career documentary he’s been working on. He’s also writing songs for a new album, his follow-up to 2021’s instrumental set Frampton Forgets the Words. “It’s just got to be the best one I’ve ever done,” he says. Another leg of touring is also a possibility, he says, “but I don’t know when that’s going to be at this time. We’re still looking at availabilities and things like that.”

Ozzy Osbourne Says His Solo Rock Hall Induction ‘Feels Big’

All is sweetness and light between Ozzy Osbourne and the Rock and Roll Hall of Fame as the Prince of Darkness prepares for his second induction — this time as a solo artist.

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Osbourne, you may remember, tried to get Black Sabbath taken off the 1999 nominations list, calling the nod “meaningless.” But he happily went in with the band in 2006, and he tells Billboard via email that to become one of the Rock Hall’s multiple inductees “feels big. I’m more than honored.”

The honor comes after his wife and manager Sharon Osbourne called out the Rock Hall last year for not considering Ozzy as a solo artist even though he’s been eligible since 2006. Osbourne began that career after leaving Black Sabbath acrimoniously in 1979 and scoring eight consecutive multi-platinum albums starting with Blizzard of Ozz in 1980. On his own he’s also released iconic songs such as “Crazy Train,” “Flying High Again,” “Bark at the Moon,” “Shot in the Dark” and “No More Tears.”

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“I definitely wouldn’t say I was confident” about solo success, says Osbourne, adding that the 2021 induction of Randy Rhoads, his late songwriting partner, in the musical excellence category “made me feel we could be on to something. With every new music venture there’s always a certain amount of surprise that comes when you see the fans embrace it, because no one wants to make a record and have it flop. I feel like I was invited to a party in 1980, and it hasn’t stopped. Not bad for a guy who was fired from his last band.”

Comparing this induction to Sabbath’s “feels different,” Osbourne says, “because my solo career, it’s been a much larger part of my overall music career as a whole.” And after finishing fourth in the fan vote with more than 480,000 votes “feels more special, and I’m sure I’m not the only one that feels that way.”

The big question, of course, is whether Osbourne will perform at the induction ceremony on Oct. 19 in Cleveland. Though he’s effectively retired from touring due to a variety of health issues, including Parkinson’s disease, Osbourne continues to speak about performing again in some capacity. Could it be a two- or three-song set for the Rock Hall? “You never know,” he says, only promising that his outfit that night “will most certainly be black.”

Osbourne has remained prolific as a recording artist, meanwhile, releasing two albums so far this decade — Ordinary Man in 2020, Patient Number 9 in 2022 — and is intending to do more. “I’m not putting a timetable on it,” Osbourne says, “but I plan to start working on a new album sometime in the near future.”

Rock & Roll Hall of Fame Class of 2024 Revealed on ‘American Idol’

What’s more rock n’ roll than American Idol? Well, a few things, but the Sunday (April 21) episode of the long-running singing competition series found Ryan Seacrest and Rock & Roll Hall of Famer Lionel Richie revealing which artists constitute the Rock Hall of Fame’s Class of 2024. (The episode featured the 12 remaining contestants singing classics from previous Rock Hall inductees.)

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Queen of Hip-Hop Soul Mary J. Blige, stalwart pop icon Cher, roots rock jam band Dave Matthews Band, stadium rock hitmakers Foreigner, guitar pro Peter Frampton, funky R&B legends Kool & the Gang, metal god Ozzy Osbourne and alt hip-hop progenitors A Tribe Called Quest are all entering the Rock & Roll Hall of Fame this year in the performers category.

But there will actually be quite a few more people entering the Rock Hall’s ranks when the ceremony goes down on Oct. 19 at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. Three guitar-slinging blues trailblazers will be inducted in the musical influence category: the late Alexis Korner, one of the founding fathers of British blues; John Mayall, the 90-year-old blues-rock legend whose outfit John Mayall & the Bluesbreakers fostered some of the biggest names in rock history; and “Big Mama” Thornton, an R&B pioneer whose big personality, guitar tone and brash vocals helped shape early rock n’ roll.

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Four more artists make it into the Rock Hall in the musical excellence category: Jimmy Buffett, the standard bearer of laid-back, good-time rock until his death last September; MC5, the political firebrand proto-punk outfit; elegant, sophisticated pop hitmaker Dionne Warwick; and Motown Sound songwriter and producer Norman Whitfield.

And finally, Suzanne de Passe, a former Motown exec who brought the Jackson 5 to Berry Gordy and oversaw numerous music-related TV specials, will be given the Ahmet Ertegun Award.

The Rock & Roll Hall of Fame’s 2024 ceremony will stream live on Disney+ on Oct. 19, be available on Hulu the following day and air in edited form on ABC at a later date.

Jill Scott Catches Xitter Wrath After Propping Up Chris Brown & Seemingly Defending Abusers

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Jill Scott: Who is Jill Scott? Tour 2023 - Sugar Land, TX

Jill Scott might be a beloved vocalist but she is currently catching the wrath of X, formerly Twitter, after taking a moment to show love to Chris Brown. When challenged about Brown’s history of domestic violence, Jill Scott doubled down and seemingly defended her abusive stepfather because he happened to be an expert at laying concrete foundations.

On Sunday (April 21) in the wee hours, Jill Scott posted a tweet praising Chris Brown, who is currently having a war of words with Quavo of Migos fame.

From X:

@chrisbrown is amazing. How does ANYBODY sing like THAT? Dance, look, Act and Rap… like THAT? Beyond gifted. It appears, exceptional people have to go through exceptional [fire emoji]. There’s nothing to debate.

The Philadelphia songstress was challenged by an X user who wrote, “I think the women he’s abused would disagree,” to which Scott answered, “I doubt it. My Mother’s ex husband was a mean, violent human AND he could lay foundation better than anyone in my city. What he did with cement was awe inspiring. We got away. He got a raise and praise for his ability. God dealt with the rest.”

Scott’s words sparked a flurry of criticism from fans on X who pointed out that her praise of Brown and the attempt to humanize her stepfather was a slap in the face of victims of domestic violence.

Scott continued to try and explain that she wasn’t making an excuse for her stepfather nor was she attempting to shift blame. Her stance, from what we gathered, is to note that terrible people often do terrible things but they’re also capable of change.

“Look. Years of prayer, therapy, self reflection, & making every effort to keep my feet on the ground has made me compassionate for other human beings. People go through [poop emoji] and do terrible [poop emoji]. We say we believe in God ; pray for enlightenment. We ARE a living testimony,” Scott wrote hours after her initial comment.

On X, the reactions to Jill Scott bigging up Chris Brown and pushing back against the critique had her trending near the top of the list on the social media network. We’ve got reactions from all sides below.

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The Starting Line Reacts to Taylor Swift’s ‘The Black Dog’ Lyric About the Band’s Song Being ‘Intertwined’ in Her Relationship

The Starting Line, the group behind the 2003 pop-punk classic “The Best of Me,” got a name-check on Taylor Swift’s The Tortured Poets Department album and posted a response to the pop star after hearing the song.

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Swift references The Starting Line on the emotional ballad “The Black Dog,” found on one of four deluxe editions of her Tortured Poets physical release, and as track No. 17 on Swift’s complete 31-song The Tortured Poets Department: The Anthology, made available on streaming services and via digital download on April 19.

The song begins with Swift’s realization that her former flame forgot to disable location tracking on his phone. It goes on to set the scene of what she imagines is playing out without her at a London pub.

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“I just don’t understand/ How you don’t miss me in The Black Dog/ When someone plays The Starting Line/ And you jump up, but she’s too young/ To know this song that was intertwined/ In the magic fabric of our dreaming,” Swift sings on the chorus of “The Black Dog.” “Old habits die screaming.”

Later, Swift’s hurt turns to anger as her words shift to “And I hope it’s shitty in The Black Dog/ When someone plays The Starting Line/ And you jump up, but she’s too young/ To know this song that was intertwined/ In the tragic fabric of our dreaming/ ‘Cause tail between your legs, you’re leavin’.”

In a note posted on The Starting Line’s Instagram account on Friday, the band wrote: “Dear Taylor, we heard the song, thank you for name checking our band. We feel flattered and humbled by the reverberations of love that have come back to us as a result. It’s an honor to have TSL memorialized on such a lovely song. You didn’t have to do that, but you did, and we appreciate it wholeheartedly. Respect!”



Although Swift doesn’t name the song by The Starting Line she’s hearing in her head on “The Black Dog” — nor does she identify the romantic interest the song is about — her lyric could be alluding to “The Best of Me,” the lead single from TSL’s debut album, Say It Like You Mean It.

The 1975’s Matty Healy — who by all appearances Swift briefly dated in 2023 after also briefly being linked together a decade ago — happened to play a snippet of “The Best of Me” live on tour in New Zealand on April 21, 2023, and again on May 3, in the Philippines. On May 5, Healy was spotted attending Swift’s Eras Tour in Nashville. This was the first of several times he was photographed around or with her during the time period, sparking dating rumors for the pair.



“Shout-out to people in their 30s,” Healy said with a smile after his short “The Best of Me” cover, as seen in the clip above from The 1975’s show a year ago.

Fans have pointed out signs indicating Healy as the possible muse of title track “The Tortured Poets Department,” among other songs, on Swift’s latest release.

“Tell me what you thought about when you were gone/ And so alone/ The worst is over/ You can have the best of me,” The Starting Line’s Kenny Vasoli sings on the group’s “The Best of Me.” “We got older/ But we’re still young/ We never grew out of this feeling that we won’t give up.”

See the band’s thank-you letter to Swift for the shout-out on “The Black Dog” below.

Future & Metro Boomin’s ‘We Still Don’t Trust You’ Debuts at No. 1 on Billboard 200

Future and Metro Boomin’s second collaborative album, We Still Don’t Trust You, debuts at No. 1 on the Billboard 200 chart (dated April 27), with 127,500 equivalent album units earned in the U.S. in the week ending April 18, according to Luminate. It’s the sequel project to the pair’s We Don’t Trust You, which opened at No. 1 on the April 6-dated chart (with 251,000 units in its first week).

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With We Still Don’t Trust You arriving atop the Billboard 200 only three weeks after We Don’t Trust You debuted at No. 1, that marks the shortest gap between new No. 1s by an artist since Future replaced himself at No. 1 in 2017 in successive weeks with his self-titled album (March 11, 2017, chart) and HNDRXX (March 18, 2017), both of which debuted at No. 1.

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On the latest Billboard 200, We Don’t Trust You rises 4-3 with 83,000 equivalent album units earned (down 17%). In the last 20 years, there have only been seven instances of acts charting two albums in the top three at the same time. Prince did it twice following his death in 2016 (The Very Best of Prince and the Purple Rain soundtrack on the May 7-14, 2016 charts), Future did so once in 2017 with his back-to-back No. 1s (Future and HNDRXX on the March 18, 2017, chart), Taylor Swift achieved the feat three times (Dec. 26, 2020, with Evermore and Folklore; and Dec. 9 and 23, 2023, with 1989 [Taylor’s Version] and Midnights) and now Future and Metro Boomin on the latest chart with We Don’t Trust You and We Still Don’t Trust You.

Future’s total No. 1 count on the Billboard 200 now rises to 10, while Metro Boomin collects his fifth leader. Only 10 acts have earned at least 10 No. 1s: The Beatles (a record 19), Jay-Z (14), Drake and Swift (13 each), Bruce Springsteen, Barbra Streisand and Ye (formerly Kanye West) (11 each), Eminem, Future and Elvis Presley (10 each).

Also in the top 10 of the new Billboard 200, Linkin Park’s first hits compilation, Papercuts, debuts at No. 6, marking the 11th top 10-charting effort for the rock band.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 27, 2024-dated chart will be posted in full on Billboard‘s website on April 23. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of We Still Don’t Trust You’s first-week unit sum of 127,500, SEA units comprise 124,500 (equaling 162.57 million on-demand official streams of the set’s 25 tracks), traditional album sales comprise 2,500 (the album was only available to purchase as a digital download) and TEA units comprise 500.

A CD configuration of We Still Don’t Trust You is due for release on April 26, while its vinyl is scheduled to drop in July. We Don’t Trust You, meanwhile, was issued on CD on April 19, while its vinyl is also due in July.

Beyoncé’s Cowboy Carter slips to No. 2 after spending its first two weeks atop the Billboard 200. It earned 98,000 equivalent album units in its third week (down 24%). Morgan Wallen’s former No. 1 One Thing at a Time rises 5-4 with 71,000 (down 1%). Noah Kahan’s Stick Season jumps 8-5 with 51,000 (up 14%), following the release of the Stick Season (We’ll All Be Here Forever) deluxe edition across four vinyl variants and on CD. The deluxe set was originally released on June 9, 2023, as a digital download and streaming album.

Linkin Park’s first hits compilation album, Papercuts, debuts at No. 6 with 44,000 equivalent album units earned. Of that sum, SEA units comprise 23,000 (equaling 32.04 million on-demand official streams of the set’s 20 songs), album sales comprise 20,500 and TEA units comprise 500. The album’s sales were bolstered by its availability across eight vinyl variants, as well as a CD, cassette and digital download.

Papercuts boasts 14 of the band’s 19 top 10s on Billboard’s Alternative Airplay chart, including 10 of its 12 No. 1s on the list.

In total, Link Park has achieved 11 top 10s on the Billboard 200 albums chart: Hybrid Theory (No. 2 in 2002), Reanimation (No. 2, 2002), Meteora (No. 1, 2003), MTV Ultimate Mash-Ups Presents: Collision Course (with Jay-Z, No. 1 in 2004), Minutes to Midnight (No. 1, 2007), A Thousand Suns (No. 1, 2010), Living Things (No. 1, 2012), Recharged (No. 10, 2013), The Hunting Party (No. 3, 2014), One More Light (No. 1, 2017) and Papercuts (No. 6, 2024).

Benson Boone’s Fireworks & Rollerblades skates 6-7 in its second week with 43,000 equivalent album units earned (down 25%). Three former No. 1s round out the top 10, as SZA’s chart-topping SOS rises 10-8 with just over 40,000 (up 1%), Morgan Wallen’s Dangerous: The Double Album climbs 11-9 with 40,000 (up 1%) and Ariana Grande’s Eternal Sunshine falls 7-10 with nearly 40,000 (down 17%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Fans Choose Taylor Swift’s ‘The Tortured Poets Department’ as This Week’s Favorite New Music

Taylor Swift‘s The Tortured Poets Department has topped this week’s new music poll.

Music fans voted in a poll published Friday (April 19) on Billboard, choosing the pop superstar’s new double album as their favorite new music release of the past week.

The Tortured Poets Department brought in nearly 75% of the vote, beating out new music by DJ Snake featuring Peso Pluma (“Teka”); Nicki Minaj featuring Travis Scott, Chris Brown and Sexyy Red (“FTCU (Remix)”); Pearl Jam (Dark Matter); and Cloud Nothings (Final Summer).

The Tortured Poets Department is Swift’s eleventh studio album and her her first release of new music since 2022’s Grammy-winning Midnights. The 31-track double album features collaborations with Florence + the Machine and Post Malone, as well as writing and production contributions from Jack Antonoff and Aaron Dessner.

On Instagram, Swift described the project as “an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time – one that was both sensational and sorrowful in equal measure. This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.”

Trending on Billboard

Although The Tortured Poets Department is Swift’s first album of new music since Midnights, she has steadily pumped out her re-recorded Taylor’s Version albums in the interim. In between the two aforementioned albums, Swift topped the Billboard 200 with both Speak Now (Taylor’s Version) and 1989 (Taylor’s Version), the latter of which became the star’s record-extending sixth album to debut with over one million pure sales in its first week.

The Tortured Poets Department is already off to a stellar start in the U.S. Upon its first day of release on Friday (April 19), the set sold 1.4 million copies in traditional album sales, according to initial reports to data tracking firm Luminate. That marks Swift’s biggest sales week ever for any album in the U.S.

The Tortured Poets Department had also broken numerous Spotify records at press time, including becoming the first album in the streaming service’s history to have more than 300 million streams in a single day. The set’s first single, “Fortnight” featuring Post Malone, also became Spotify’s most streamed song in a single day.

Trailing behind The Tortured Poets Department on the poll is DJ Snake and Peso Pluma’s dance floor hit “Teka,” which dropped just in time for Peso’s performance at Coachella weekend two. The team-up brought in 10% of the vote.

See the final results of this week’s new music release poll below.

Interpol Plays Biggest Show of Its Career in Mexico City: 5 Best Moments

Interpol celebrated the biggest concert of its career with a free show on Saturday (April 20) at the Zócalo in Mexico City, where the band gathered over 160,000 fans, according to figures provided by local authorities.

In the words of vocalist Paul Banks, it was the “most special night” and “a great honor” to perform at a historic site for a country with which they have maintained a very close relationship for two decades. The band — also comprising guitarist Daniel Kessler and drummer Sam Fogarino (who is recovering from surgery and was covered by Chris Broome) — has the visited the country just over 20 times. Banks lived and studied in Mexico when he was 17. This partly explains why he feels like he’s in his “second home,” as he told Billboard Español hours before Saturday’s performance.

After moving to New York for college, the vocalist returned in 2005 to Mexico City and gave one of his most memorable concerts. That night, in the Salón Mexica, he says he felt the “terrifying” beauty of the Mexican audience, when the venue was about to collapse due to the number of people gathered (about 7,000, according to promoter Iguapop).

This time around, at the Zócalo — the main public square in the country and the second largest in the world after Tiananmen in China — everything was impeccable, including the sound, the lights, and the logistics. The Government of Mexico City deployed an operation with hundreds of police officers who watched over the main plaza and surrounding streets, where huge screens were installed so that more people could enjoy the show without venturing into the crowd. Although there was a slight drizzle hours before, spirits did not falter.

Interpol joins a list of international stars who have performed at the Zócalo, including Paul McCartney, Roger Waters, Justin Bieber, Shakira, Rosalía, Café Tacvba, and Vicente Fernández, among others.

Here are some of our favorite  moments from Interpol’s Mexico City concert, including the complete setlist.