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Billboard Asks Locals For The Best Get Up Anthems Of Houston | Billboard x Tres Generaciones Tequila

Billboard and Tres Generaciones Tequila are partnering to find out the Get Up Anthems of select cities, and the first stop is Houston, Texas. Ahead of the curated list, in this ‘Man on the Street,’ we tapped Houston locals to help share some of their favorite hometown hits that have inspired and energized their city, including “Savage Remix” by Megan Thee Stallion featuring Beyoncé and artists like Bun B, Pimp C and more! Be sure to check out the official Get Up Anthems for Houston presented by Tres Generaciones Tequila.

Tetris Kelly:

It’s Tetris. Billboard and Tres Generaciones Tequila have partnered up to find the biggest Get Up Anthem in each city? Today we’re in Houston, the home of barbecue and southern wraps, and we ask the locals which bops inspire and energize this city. Okay, so we’re putting together the Top 10 Get Up Anthems in Houston by people in Houston. So what do you think should be on that list?

Local #1

I think “Wanna Be A Baller” is a cult classic. 

Tetris Kelly:

Are you a baller? 

Local #1:

Oh you know it.

Tetris Kelly:

Okay I was just checking. 

Local #2:

Pimp C. It’s all Pimp C.

Tetris Kelly: 

Anything Pimp C is representing the city right?

Local #2:

Yeah!

Local #3:

My opinion, DeeBaby is killing the game right now. Him and That Mexican OT. Yea

Tetris Kelly:

This man is giving me so much knowledge right now.

Local #4:

I want to say Beyonce because she’s from Houston, Texas. Hey, no, Hold ’em.

Tetris Kelly:

I gotta know what’s your Houston anthem? 

Local #5:

“Savage” by Megan Thee Stallion and Beyonce.

Tetris Kelly:

Oh I knew it.

Local #5

H-Town hotties!

Tetris Kelly:

Oh I was told Tres is for the hotties. 

Local #6

We got Tejano, we got Spanish, RnB, it’s a little bit of everything. I’m a Bun B baby though, I’m a Bun B baby

Local #7

For me it’s gonna be that “Get throwed” 

Tetris Kelly:

Oh Bun B!

Keep watching to learn more!

Executive Turntable: Sony Music VP Gets noted.; ASM’s Sustainable Strategist; Shakeup at Latin Promoter

It’s time for another spindle around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.

Sony Music Germany appointed Jean-Sebastien Permal and Jenny Walzer to run noted. records, the label giant’s newly launched electronic music imprint. A&R and strategy at the Berlin-based label will be handled by Permal, whose day job is vp of A&R for Europe & Africa, while marketing and operations will be the purview of Walzer, also a senior product manager at Sony Music. The label’s first signing is DJ-producer Anfisa Letyago, whose first track on noted. — “Feelin” — was just released.

Germany is the fourth-biggest market for recorded music, growing 7% in 2023, according to IFPI’s latest global report. The country also has the most dance music listeners on Spotify, on a monthly basis, according to figures via the annual IMS Business Report. Another key finding in that tome: “The global dance music business is now firmly in its post-pandemic growth phase,” with 17% annual growth and a valuation of $11.8 billion.

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“Electronic music as a genre has never been as potent as it is today,” said Permal. “We recognized the need to provide a home for artists with a strong and unique musical and visual identity. We are thrilled to have Anfisa Letyago as our first signed artist and are incredibly ambitious about her project.“

Meanwhile…

ASM Global named veteran sustainability strategist Lindsay Arell as its first-ever chief sustainability officer. The company’s portfolio already boasts more than 50 green certified venues, and Arell’s appointment speaks to its “leadership and commitment to sustainability,” says chief executive and president Ron Bension. Arell said she will will continue to lead Honeycomb Strategies, her 14-year-old consulting firm advising sports and events industry leaders on sustainable strategies. “I’m thrilled at the chance to spearhead ASM’s sustainability initiatives working alongside our teams and communities across our over 400 global venues.” Arell said. “By providing our venue teams with the necessary knowledge and resources, we can accelerate the progress of our program significantly.”

Reservoir made a slate of key promotions at Big Life, its UK-centric artist management agency. Kat Kennedy, Colin Roberts and Claire Kilcourse were promoted to partners, with Kennedy also taking on a new role as managing director, the company said. Combined, the trio have clocked roughly 46 years at Big Life — no small fete. “They’ve all shown incredible loyalty to the company,” said Big Life co-founder Tim Parry. “The longstanding relationships they have built with their clients are testament to their dedication, thoughtfulness, and expertise as managers, and I look forward to the continuing success they will bring to the Big Life brand.”

Samantha Sklar

Position Music promoted Samantha Sklar to vp of A&R at the Virgin Music-distributed indie publisher. Sklar, who joined Position in 2022 following a fruitful tenure at Warner Chappell Music, recently found success with the signing of Jack LaFrantz, who co-wrote Benson Boone’s hit “Beautiful Things.” While at WCM the A&R exec notably signed Stephen Kirk, co-writer of BTS’ “Butter.” Position Music head of A&R Mark Chipello dubbed Sklar a “publisher through and through [who] has an incredible drive to serve writers and create opportunities for them.”

Como No‘s founder Andy Wood announced he’s stepping down as director of the U.K.-based Latin music promoter company after 40 years, with Elena Beltrami unveiled as the new director. Wood will stay on as a non-executive board member. “On a daily basis I have felt humbled by the breadth of talent from Latin America and beyond that I have had the good fortune to work with,” said Wood, who formed Como No in 1985 and founded La Linea Festival, which just wrapped its 24th edition. “It’s been a privilege to work within a culture that I love, and with artists that I love in this great city of ours, for incredible audiences and with supportive venues and partners.” –Griselda Flores

AIM and BPI appointed Roxy Erickson as project manager of its ramped-up Music Climate Pact. The pact, initiated by the two UK organizations, works to bring music businesses together to take collective action to combat the climate crisis. The pact’s signatories include BMG, Beggars Group, Ninja Tune, Partisan Records, Secretly Group and the big three majors. Erickson is co-founder of Creative Zero, a collective of like-minded professions working to “generate positive environmental and social impact throughout the creative industries,” according to its website.

ALL IN THE FAM: Pam Sturchio is Billboard‘s new regional vp of brand partnerships, effective immediately. The Chicagoan joins Billboard after more than 10 years at Conde Nast, where she oversaw Midwest sales for the media company’s sprawling portfolio of brands We also welcomed Lilian Gonzalez as our new e-commerce writer, based in Los Angeles. She was previously an associate producer at POPSUGAR, where she focused on all things beauty and fitness (including the Dance Fitsugar video series).

Joanne Hunter and Renata Muniz launched a new media and brand strategy agency called Out of Office Group. The partners, who both served as vps of media and brand strategy at Def Jam Recordings, have hit the ground running and are already working with several breakout acts, including KenTheMan, Shanae and Genia, among others. You can reach the LA-based Hunter and the NYC-based Muniz at info@outofofficegroup.com.

Dan P Carter, longtime curator of ‘The Rock Show’ on BBC Radio 1, joined Spinefarm Music Group as director of artist development. The London-based rock n’ roll evangelist will work alongside the Spinefarm team to sign and develop artists, and is set to report directly to general manager Jonas Nachsin. Other recent Spinefarm hires include Leah Devine and Tristan Pratt as marketing managers. Spinefarm’s current roster includes Bullet For My Valentine, Atreyu, Airbourne, Killing Joke, Black Label Society and While She Sleeps, among others.

Please & Thank You, an agency specializing in VIP events & experiences, hired a couple veterans of the experiential arts. Meg Pollaro is the Eddie Meehan-founded company’s new vp of business development and partnerships, following notable roles at CAA, WME/Endeavor and Superfly. At P&TY, she’ll connect the dots between brands, consumers and artists. Jason Barrett joined as vp of strategy and development following a GM role at WMX, the creative services division of Warner Music Group. At his politely named new job, Barrett will focus his efforts on creating long-term deals for artists, managers and agents.

Kendra Whitehead

NASHVILLE NOTES: Brown Sellers Brown welcomed Kendra Whitehead as director of artist relations and day-to-day management of Joe Nichols. The veteran radio promoter previously banked 11 years with BMG, specifically with Wheelhouse Records and Red Bow Records … The Folk Alliance International named Jennifer Roe executive director of the organization after holding the post in an interim capacity. She was previously the FAI operations director.

Recording Academy veteran Jeriel Johnson is celebrating early successes following the launch of Telescope Arts & Music Group, his own artist management and consulting company. Johnson, former executive director of the Academy’s DC chapter and most recently a senior director at UMG, announced that his first signing, Bajan singer-songwriter Ayoni, signed a record deal with Def Jam Recordings earlier this month. Johnson is also co-producing the next United States Army Field Band album and, as an artist, helped write a new track on Shenseea’s forthcoming album. You can reach Johnson at jeriel@telescopearts.com.

Endeavor hired public policy executive Matt Kaplan as vp of government relations. Kaplan was most recently director of public policy at Meta, with prior experience at Instacart and Lyft. In DC, he has worked for Sen. Sherrod Brown (D-Ohio) and the Biden-Harris campaign in 2020. His appointment at Endeavor was first reported by Variety.

Greg Kastelman joined Park Avenue Artists as co-director of artist bookings, working alongside co-director Devi Reddy. Kastelman spent the last five years running his own booking agency and brings to PAA a roster that includes Brazilian singer Badi Assad and Ethio-American singer Meklit Hadero, among others. “PAA’s approach reaffirmed my confidence that artist managers and agents could be compassionate and forward thinking, affirming artists in their journey,” Kastelman notes. “I am thrilled to be working alongside Devi and the agency to tackle big challenges and embrace unique opportunities.”

BOARD SHORTS: Indie music publishers trade body IMPF elected six new members to its board at its 2024 general assembly in Dublin. They are Emily Stephenson (Downtown Music Publishing), Rosa M. Vizcaíno Gómez (Ediciones Musicales Clipper’s), Claudia Mescoli (Edizioni Curci), Tatjana Bukvić (Tin Drum Music), Cecilia Léon Rodrigo (Ediciones Joaquín Rodrigo) and Denise Andrikopoulou (D-Version Music Publishing) … The National Association of Broadcasters elected five new members to its NAB Radio Board: Mary Menna (Beasley Media), Chris Forgy (Saga Communications), Erik Hellum (Townsquare Media), Tim Swift (Bonneville) and Jerry “J” Chapman (Woof Boom Radio).

Symphonic Distribution hired BMG and UMG veteran Stephen Nightingale as vp of A&R and business development, Canada. Reporting to Symphonic’s chief creative officer, Randall Foster, Nightingale will be responsible for expanding the independent music distribution and marketing company’s roster and building up its partnerships in the region. Based in Toronto, Nightingale was most recently vp of recorded music in Canada for BMG. Earlier in his career, he was a marketing and business development exec at Universal Music Group.

ROYAL TEA: Prince Harry and Meghan, the Duke and Duchess of Sussex, have a new executive communications team in place. Charlie Gipson is director of communications and will be point of contact for all UK and European media outlets. Kyle Boulia is deputy press secretary and director of communication for US media relations and is based in Los Angeles. They replace Miranda Barbot, who has been upped to vp of programs and media operation for the D&DofS.

ICYMI:


Elliott Wilson

Gary Roden abruptly resigned as general manager of Oak View Group’s Co-op Live, the UK’s biggest arena that’s been beset with hiccups ahead of its opening … Audacy reduced its workforce by “less than 2%” … Elliott Wilson was named editorial director of UPROXX, HipHopDX and Dime magazine … Kelli Skye Fadroski joined the AEG-owned Crypto.com Arena, Peacock Theater, and L.A LIVE as Manager of Communications.

Last Week’s Turntable: ‘Tiny Desk’ Maestro Has New Job

Diddy’s Alleged “Drug Mule” Pleads Not Guilty To Possession

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Brendan Paul mugshot

Source: Miami Dade PD / Miami Dade PD

A former Syracuse athlete tied to Diddy’s alleged drug racket will need to clear his name in a court of law. Brendan Paul has pleaded not guilty to a possession charge.

As reported by Bleacher Report, the former basketball player has plead not guilty to a cocaine possession charge. According to NBC Miami, his lawyer, Brian Bieber, submitted the plea on his behalf to a Miami-Dade County courtroom Wednesday, April 24. Brendan Paul was also originally charged with possession of a controlled substance, but that was eventually dropped.

The shooting guard-turned music producer was arrested March 25 as per the ongoing investigation into Diddy. Officers claim they found cocaine and marijuana candy on his person. “The defendant had the contraband inside of his person travel bags, which he claimed prior to being searched,” the affidavit reads. Authorities allege Paul served as the mogul’s mule for transporting drugs and guns. Prior to working on music the 25-year-old played two seasons on the Syracuse University basketball team. He played in 16 games but did not put any big numbers with an average of 0.2 points per game.

Diddy is facing some very serious charges including sex trafficking and sexual assault. In February, producer Rodney “Lil Rod” Jones filed a lawsuit against him claiming he assaulted him, drugged him and forced him to engage in sexual activities with sex workers. The Bad Boy Entertainment founder claims he is innocent of all charges.

Mickey Guyton Announces Fall 2024 CMT On Tour Dates, Drops Emotional ‘Scary Love’ Lyric Video

Mickey Guyton is hitting the road this fall for a North American tour. The Grammy-nominated country star announced the dates for her CMT On Tour Presents Mickey Guyton 2024 dates on Friday morning (April 26), along with dropping a sweet lyric video for her new single, “Scary Love.”

The 22-date Live Nation-promoted tour is slated to kick off on Sept. 18 at Buckhead Theatre in Atlanta, followed by gigs in New York, Pittsburgh, Kansas City, St. Louis, Chicago, Columbus, Buffalo, Toronto, Boston and Philadelphia before winding down on Nov. 9 in Lexington, Kentucky at Manchester Music Hall.

Tickets for the tour will be available via a artist presale beginning on April 30 at 10 a.m. local time, with additional presales throughout the week leading up to the general on-sale beginning on May 3 at 10 a.m. local time; click here for ticketing details.

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Guyton’s new single, a gentle ballad about a mother’s fierce love, opens with the heart-touching lines, “I see pictures of my mama, hangin’ on the wall/ She’s never looked so happy, and I’ve never looked so small/ Now I’m holdin’ you and I know what they say is true/ When a baby’s born that’s when a mother’s born too.”

Guyton and husband Grant Savoy welcomed their first child, son Grayson, in Feb. 2021 and the acoustic ballad’s moving lyric video features home movie footage of Guyton in the hospital cradling her then newborn and spending time with the now toddler. “Cuz I felt it before, but it wasn’t like this/ Ain’t a thing I wouldn’t do, ain’t a thing I wouldn’t give/ It’s the kind you fall into and never hit the bottom of/ It’s a scary love,” she sings on the chorus.

Watch the “Scary Love” lyric video and check out the 2024 CMT on Tour dates below.



Sept. 18 — Atlanta, GA @ Buckhead Theatre

Sept. 20 — Charlotte, NC @ The Underground

Sept. 21 — Asheville, NC @ The Orange Peel

Sept. 26 — Washington, DC @ Union Stage

Sept. 27 — New York, NY @ The Gramercy Theatre

Sept. 28 — Pittsburgh, PA @ Thunderbird Café and Music Hall

Oct. 2 — Kansas City, MO @ Knuckleheads*

Oct. 3 — Oklahoma City, OK @ Beer City Music Hall*

Oct. 15 — St. Louis, MO @ Delmar Hall

Oct. 17 — Chicago, IL @ Joe’s on Weed St.

Oct. 18 — Minneapolis, MN @ First Ave*

Oct. 19 — Des Moines, IA @ Wooly’s

Oct. 22 — Madison, WI @ Majestic Theatre

Oct. 23 — Ann Arbor, MI @ Blind Pig

Oct. 25 — Grand Rapids, MI @ The Stache at The Intersection

Oct. 30 — Columbus, OH @ The Bluestone

Nov. 1 — Buffalo, NY @ Iron Works*

Nov. 2 — Toronto, ON @ Velvet Underground

Nov. 4 — Boston, MA @ Brighton Music Hall

Nov. 6 — Philadelphia, PA @ World Cafe Live*

Nov. 8 — Indianapolis, Indiana @ The Hifi*

Nov. 9 — Lexington, KY @ Manchester Music Hall

*Not a Live Nation Date

Eminem Takes Stage On First Night of 2024 NFL Draft in Detroit to Hype Hometown Lions: ‘Make Some Noise!’

The only thing more Detroit than hometown heroes the Lions is D-town legend Eminem. So it was fitting that on the first night of the 2024 NFL Draft at an absolutely jam-packed Hart Plaza on Thursday (April 25), Slim Shady was on hand to help kick off the proceedings. The reclusive hip-hop icon took the stage alongside NFL commissioner Roger Goodell to open the prime-time proceedings that aired on the NFL Network and ESPN, with both men walking onto the massive, neon-lit stage to the strains of Em’s 2010 hit “Not Afraid.”

Marshall looked absolutely jacked as he made his way out, pumping his arms and appearing to shout as he strutted to center stage wearing a black Lions hoodie and 2024 playoff hat, punching his chest and waving his fist in front of a throng of 275,000. Before they hyped the crowd, though, Shady and Goodell appeared in a 90-second filmed bit in which the commish practiced his introductory speech, with beloved Lions running back Barry Sanders asking if he was nervous and wondering what was on the boss’ sweater.

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“Mom’s spaghetti,” they said in tandem as a series of Lions greats debated who should join him on stage. “We only have one shot to nail this, one shot,” Goodell said urgently, in yet another Eminem reference. Cue a lurking Shady, who popped up from behind a magazine to razz Goodell with the pointed reminder of fans’ traditional greeting for him: “you know you’re still gonna get booed right?,” Marshall asked.

“I’m not afraid,” Goodell assured him, tripling down on the Eminem references. “I’m afraid for you.” The pair then were seen slow-walking to the stage as Em asked what the plan was. “Two words: rap battle,” Goodell said as the rapper looked on in confusion.

After the traditional Goodell boos indeed rained down like a monsoon, Eminem shouted, “Detroit, what up! It’s here! Make some noise for the Detroit Lions,” as he welcomed current team stars Aidan Hutchinson, Amon-Ra St. Brown and quarterback Jared Goff, as well as Hall of Fame veterans Sanders and Calvin Johnson to the stager amid rapturous cheers. 

Watch footage from Em’s appearance below.

Big Sean Plays Classics, Teases Sixth Album During 2024 NFL Draft Concert

Past, present and future stars of the football world were in Detroit on Thursday (April 25) for the 89th annual NFL Draft. But some of the city’s music superstars — specifically rappers Eminem and Big Sean and Motown legend Smokey Robinson — made sure the throngs of fans attending the festivities didn’t forget the Motor City’s rich musical heritage. 

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And Eminem added to the celebration by announcing his next album, The Death of Slim Shady (Coup de Grace), for summer release via an ad during the draft broadcast. 

Big Sean was charged with opening the nightly NFL Draft Concert Series, delivering parts of 11 songs during a half-hour long set. Backed by a DJ, drummer and keyboard player, Sean prowled the opulent Draft Theater stage sporting a bandana and a Detroit Lions jersey with the number 97, worn on game days by popular homegrown defensive lineman Aiden Hutchinson. “If you’re excited about the NFL Draft. let me hear you,” he called to a sea of super fans inside the theater and tens of thousands gathered in a public area just beyond – a record-setting crowd of more than 275,000 that forced the NFL to close gates early in the evening. 

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Playing his first home town show in nearly two years, Sean — who now resides in Beverly Hills — marveled at “the fact I went to school right around the corner from here… I used to record right around the corner at my homie’s studio, and this was all I ever wanted to do, man. So I just gotta say thank you for anybody who’s ever heard a song of mine, sang it at a bar, purchased a song.”

Sean reached all the way back to his first album, 2011’s Finally Famous, for “My Last” and dotted the set with career-spanning hits including “Paradise,” “Blessings” and “Bounce Back.” He also touched on collaborations with Kanye West (“Mercy” and “Clique”) and Drake (“All Me”) and dedicated a rendition of YG’s “Big Bank” to Lions wide receiver Amon-Ra St. Brown, who signed a four-year contract extension with the team on Thursday.

Sean also featured his latest single, “Precision,” and told the crowd he was working on his sixth album, the follow-up to 2020’s Detroit 2. In addition, he shouted out his nearly year-and-a-half year old son with Jhene Aiko, saluted this year’s draft prospects — who he called “all my future multi-millionaires” — and gave props to fans from other teams. But Sean made his own rooting interest clear. “I know the Lions are gonna get their shot, you feel me?” he said. “Sooner or later… I can feel it, though.” 

The Lions won the NFC’s North division last season, but lost to the San Francisco 49ers in the conference finals, one game shy of reaching the Super Bowl. Ironically some fans held up a “You’re in 49ers” banner in front of Sean throughout the performance. 

Robinson was not at the draft in person, but provided a voice-over for the prime time broadcast on ESPN and the NFL Network, with a new mix of the Temptations’ “Get Ready” — which Robinson wrote and produced — playing behind him.

Devout Lions fan Eminem then helped to kick off the draft itself with NFL Commissioner Roger Goodell, first taking part in a filmed segment in which Goodell proposed a rap battle — to Eminem’s obvious bewilderment. Then, he joined Goodell on stage to turn the crowd’s boos (a ritual when it comes to the commissioner) to cheers. “Detroit, what up! It’s here!” Eminem shouted. “Make some noise for the Detroit Lions,” he added before ushering on current team stars Hutchinson, St. Brown and quarterback Jared Goff and Hall of Fame veterans Barry Sanders and Calvin Johnson to more rapturous cheers. 

The NFL Draft, as well as the Concert Series, continues through Saturday. The celebrated Detroit Youth Choir performs on Friday, while “Mine” hitmaker Andrew Bazzi, who hails from nearby Canton, Mich. wraps things up on Saturday.

‘THE WIZ’ 2024 Broadway Cast Recording Is Coming This Summer

This year, Wicked isn’t the only Wizard of Oz-inspired musical that’s eliciting standing ovations on Broadway. A new revival of THE WIZ at the Marquis Theatre in Manhattan has been playing to sold-out crowds since its official opening night on April 17. And on July 12, the 2024 Broadway cast recording of this version of THE WIZ will come out on Immersive/Interscope Recordings, Billboard can reveal.

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Starring Emmy winner Wayne Brady as The Wiz, Nichelle Lewis as Dorothy and Deborah Cox as Glinda, this update of the 1975 Broadway musical (which was conceived as an adaptation of L. Frank Baum’s 1900 children’s book The Wonderful Wizard of Oz through the lens of Black culture in America) is directed by Schele Williams and features choreography by JaQuel Knight, a previous Billboard cover star who worked on Beyoncé’s iconic “Single Lades (Put a Ring On It)” video.

The latest staged version of the soul, gospel and funk-fueled musical brings elements of ballet, contemporary popular music and jazz to the proceedings. Rounding out the cast of beloved characters are Melody A. Betts as Aunt Em and the villainous Evillene, Kyle Ramar Freeman as the Cowardly Lion, Phillip Johnson Richardson as the Tin Man and Avery Wilson as the Scarecrow. The producers of this version of THE WIZ are Kristin Caskey, Mike Isaacson, Brian Anthony Moreland, Ambassador Theatre Group, Kandi Burruss and Todd Tucker.

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In addition to becoming a perennial stage classic, The Wiz was adapted into a movie in 1978 starring Diana Ross as Dorothy and a young Michael Jackson as the Scarecrow. The Sidney Lumet-directed film received mixed reviews and was a commercial failure, though it’s grown in stature over the years and is now regarded as a cult and family classic. In 2015, NBC’s The Wiz Live! starring Queen Latifah, Ne-Yo and Amber Riley pulled in a whopping 11.5 million viewers.

When Ross brought her The Music Legacy Tour to New York City’s Radio City Music Hall last summer, she trotted out not one but two songs from The Wiz, “Home” and “Ease on Down the Road,” speaking to the musical’s staying power over the decades.

Swifties Did Quick Math and Believe ‘Tortured Poets Department’ Will Be Taylor Swift’s New Era on Euro Tour

We are just two weeks away from Taylor Swift hitting the road again for a summer swing of European Eras Tour shows. And, as you may have heard, since the last time she played an Eras show Swift has dropped her fastest-selling album of all-time, The Tortured Poets Department, a sprawling, 31-track collection that has been racking up record after record in its first week.

So, naturally, inquiring Swifties want to know if TTPD will be added to the Eras roster when the already jam-packed three-plus hour extravaganza revs up again on May 9 with the first of four shows at the Paris La Défense Arena in Paris? If you’ve been playing this game long enough you know there are always Easter eggs.

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While Swift has not commented, on Thursday night (April 25) Swift uploaded a 15-second YouTube Shorts clip in which it appeared that TTPD has, indeed, been slipped into rotation. Cued to the album’s first single, the Post Malone-featuring “Fortnight,” it finds Swift singing, dancing and playing piano in what look like Lover and Folklore set-ups, one quick-cut caught a lot of attention. In a brief shot, Swift is seen standing next to a silver railing that eagle-eyed fans quickly surmised was in the shape of the TTPD logo. There was no chill about this news.

“GUYS THE RAILING LITERALLY SAYS TTPD!?!;);$!; ITS THE TTPD LOGO WE’RE GETTING TTPD AT THE ERAS TOUR,” tweeted one Swiftie. Another pointed out that Swift appeared to be wearing the same shoes from the “Fortnight” video in the rehearsal clip and another proved that there is no one in the game better at the long game than Taylor.

“tHIS is what she means when she says she plans easter eggs far in advance. AHHHHH!!!!,” they wrote, noting that another Swiftie spotted that Swift had seemingly teased this new era before the tour even began when she posted an image of a box containing all her different-colored Eras microphones, including a white one that “hasn’t had a place in the show… until now!!!” It was hard to tell if Swift was wielding this white mic in the video because the clip is in grayscale, but that didn’t stop the breathless speculation about what’s next on the singer’s stadium-packing outing.

Others also noted that the video appeared to feature new choreography and costumes that have not yet been rolled out, further proof that a new Era is potentially on the horizon. At press time a spokesperson for Swift had not returned Billboard‘s request for comment on whether TTPD will be included in the upcoming run of shows.

Check out the Shorts clip and the Easter egg hunt below.

Taylor Swift Creates History on Australia’s Charts

It’s a Taylor Swift sweep on Australia’s charts, as The Tortured Poets Department (via Universal) and “Fortnight” blast to No. 1.

Tortured Poets opens at the summit of the ARIA Albums Chart, published Friday, April 26, for her lucky 13th leader in these parts.

With that result, Swift boasts the most No. 1 albums for a solo female artist in ARIA chart history, moving ahead of Madonna to claim outright third place.

The all-time leader among acts with the most chart-topping albums in Australia is Jimmy Barnes with 15 as a solo act (he had another five with Cold Chisel), followed by the Beatles with 14.

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Meanwhile, Swift scoops the chart double with “Fortnight” featuring Post Malone opening at No. 1 on the ARIA Singles Chart, for her 12th leader on that tally. With a dozen singles chart leaders, Swift sits third on the all-time list of artists here, trailing Elvis Presley (No. 14) and The Beatles (No. 26).

At the same time, she becomes the first artist to hold the entire top 10 on the singles chart, and establishes a new mark for the most singles in the top 50, with 29 on the current frame. That creams the old record of 20, set by Drake in 2021 and by herself in 2023.

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All 31 tracks from the double album impact the top 100, with “Robin” the lowest at No. 55. Three older songs sit in the top 100 (“Cruel Summer,” “Anti Hero” and “Lover”), meaning Swift has more than one-third of all songs in the top 100 (34). The previous record was 32 in one week, ARIA reports, held by Michael Jackson and Taylor.

Swift, whose The Eras Tour visited Australia in late 2023 for seven shows, is the only artist in ARIA history to replace themselves at No. 1 on the national albums tally. She has done it three times, including this month with Tortured Poets replacing Lover (earlier, in 2023, Speak Now (Taylor’s Version) replaced Midnights; and in March 2024, Lover replaced Midnights).

According to a statement issued late Friday by Universal Music Australia, Tortured Poets is the most-sold album on vinyl in ARIA history, the market’s most-streamed LP in its opening week, and the biggest album debut since Adele’s 25 in 2015.

Remarkably, only two of the U.S. pop superstar’s studio or re-recorded albums have failed to reach the summit in Australia — her self-titled debut, Taylor Swift (peaking at No. 33 in 2006) and Fearless (No. 2 in 2008). Fearless (Taylor’s Version) did, however, climb the summit in 2021.

In non TTPD-related ARIA Chart news, Pearl Jam bows at No. 2 with Dark Matter, the Seattle rock legends’ 12th studio album. Pearl Jam has had eight No. 1 albums in Australia: Vs. in 1993, Vitalogy in 1994, No Code in 1996, Yield in 1998, Binaural in 2000, Riot Act in 2002, Backspacer in 2009 and Lightning Bolt in 2013. Dark Matter is the followup to 2020’s Gigaton, which peaked at No. 3.

Eminem Announces New Album ‘The Death Of Slim Shady’ With Bloody Teaser

Shady’s back, and he’s hinting that it’s for the last time.

Eminem teases The Death Of Slim Shady (Coup De Grâce), a new album due out in summer 2024.

The Rock Hall-inducted emcee breaks the news by way of a viral video in the style of real crime show Unsolved Mysteries, which tells a narrative of how Em meets his end and asks the question, “who killed Slim Shady?”

It’s a tongue-in-cheek job, and features fellow rapper 50 Cent (who declares “he’s not a friend, he’s a psychopath”), vintage footage of the Detroit rapper, a bloody knife, and a pixelated, bearded Em in the hot seat.

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“Through his complex, tongue twisting and oft criticized rhymes, the blonde anti-hero known as Slim Shady has had no shortage of enemies,” explains the trench-coated narrator of the parody program, Detroit Murder Files. “The same rude lyrics and controversial antics might have ultimately led to his demise.”

The Death Of Slim Shady is the followup to the rapper’s 11th studio album from 2020, Music to Be Murdered By. That album landed at No. 1 on the Billboard 200, for Em’s historic 10th consecutive leader. Prior to that Eminem delivered another surprise with Kamikaze, which dropped in 2018 without any warning.

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Eminem was inducted into the Rock And Roll Hall of Fame in 2022, in a class that included Duran Duran, Eurythmics, Dolly Parton, Pat Benatar and Neil Giraldo, Lionel Richie and Carly Simon.

Em’s longtime collaborator Dr. Dre did the honors at the Rock Hall, and it was Dre who announced that a new Eminem album was on the way, spilling the beans on late night TV last month.

“Let me tell you something, let me explain something to you right now: Eminem is working on his own album which is coming out this year,” Dre said to cheers from the studio audience for Jimmy Kimmel Live, for his first late night appearance in 30 years. “And I actually talked to him and he said it okay for me to make that announcement right here on this show. So he has an album coming out, I’ve got songs on it and it’s fire. I’m actually gonna hear the entire album for the first time for tomorrow.”

The Rap God has dominated our news feeds in recent days. With the 2024 NFL draft upon up, Em, a Detroit Lions superfan, teamed up with commissioner Roger Goodell for a new ad hyping the 89th annual draft, taking place in Marshall’s hometown from April 25-27.

Also, the official video for Eminem’s 2004 song “Mockingbird” flew past 1 billion views earlier this week on YouTube, and the MC posted a single, powerful image on Instagram on Sunday honoring his 16th sober anniversary.