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‘Helldivers 2’ Players on Windows PC Are BIG MAD About Having To Need A PlayStation Network Account To Play

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'Helldivers 2' Players React To Sony's Bonehead Decision

Source: Arrowhead Game Studios/Sony Interactive Entertainment / Helldivers 2

Sony might have put on a masterclass regarding self-sabotage with its latest decision, which has Helldivers 2 players on PC BIG MAD.

Arrowhead Game Studios’ Helldivers 2 quickly became one of the biggest releases of the year, but now, thanks to a move by Sony, it quickly hit a sour patch with its loyal players.

Players who spread democracy by playing Helldivers 2 via Windows PC via Steam learned today that they will now need a PlayStation Network account to maintain access to the game.

Sony Interactive Entertainment, the game’s publisher, relayed the head-scratching news to players on the game’s Steam page.

“Due to technical issues at the launch of Helldivers 2, we allowed the linking requirements for Steam accounts to a PlayStation Network account to be temporarily optional,” Sony wrote. “That grace period will now expire. See details below in this post.”

Sony claims account-linking with the PlayStation Network is “critical” to the “safety and security” of Helldivers 2.

“This is our main way to protect players from griefing and abuse by enabling the banning of players that engage in that type of behaviour,” Sony said. “It also allows those players that have been banned the right to appeal.”

New players will be required to connect their Steam and PlayStation Network accounts beginning May 6 before they can begin playing the game.

Current players will see a mandatory log-in beginning May 30. They will have until June 4 to link their accounts, allowing them to sign up for a free PlayStation Network account if they don’t already have one.

Gamers Are BIG MAD

The reactions to Sony’s move with Helldivers 2 were instant, with the game’s rating on Steam taking a hit.

One user on X, formerly Twitter pointed out why the decision could be potentially bad saying in a post, “To folks wondering why mandating linking your Sony account to Helldivers 2 on PC is such a big deal, players in many countries, such as Belarus, Phillipines and nearly the entirety of Africa don’t have PSN support, so those Helldivers will be defacto banned in a few weeks.”

Another user pointed to the former Xbox exclusive Sea of Thieves requiring the something similar, and players not overeacting.

“Helldivers 2 backlash seems fake. Steam players need a Microsoft account to play Sea Of Thieves and no one bat an eye,” another X user wrote. 

In response to the outrage, Arrowhead Game Studios CEO Johan Pilestedt told gamers to direct their anger at Sony and directed them to PlayStation Support.

Lol, bruh.

There is a good chance that Windows PC players will bully Sony into changing their minds. Until then, you can see more reactions in the gallery below.

2. Damn shame

3. Tsk Tsk Tsk

5. The accuracy

The 15 Best Lines from Kendrick Lamar’s ‘6:16 in LA’

They say styles make fights.

What we’re seeing here are two rappers standing on top of the game at different sides of the spectrum. There’s Drake, the hitmaking machine who’s never backed down from a challenge. Then there’s Kendrick, the more complicated lyricist who’s managed to collect plaques without chasing commercial appeal, but someone who hasn’t been battle-tested like the person he’s currently in the ring with. This doesn’t mean Kung Fu Kenny isn’t familiar with the “Secretz of War“; he’s a student of the game, after all.

On “Taylor Made Freestyle” — the diss track Drake was forced to take down — Drake goes on a rant at the end, telling Kendrick he hopes he’s in the lab cooking up quintuple entendres. That’s just what Kendrick did on this latest diss track “6:16 in LA.” If you let the chatter online tell it, the title is a play on numerous things. One is an obvious play on Drake’s timestamp series. Another is a nod to Ice-T’s “6 ‘N the Mornin’.” But once you get into numerology games, you slowly start to resemble that Always Sunny meme with Charlie losing it in front of an evidence board trying to tie everything together.

Here’s a list of all the things the song title could maybe refer to:

  1. – June 16 is Tupac’s birthday
  2. – June 16 is Canadian Father’s Day
  3. – June 16 was the series premiere of Euphoria
  4. – June 16 was Nicole Brown’s funeral
  5. – 6:16 can also be applied to various bible verses (see Ephesians 6:16)
  6. This tweet
  7. – The song features a sample of Al Green’s “What A Wonderful Thing Love Is”
    • – Al Green once got hot grits poured on him in the morning.

All that, plus Jack Antonoff (frequent collaborator of Taylor Swift, oft-mentioned by Drake throughout this feud) produced the song alongside Sounwave — and the streets are even saying the cover art is a picture of Drake’s Maybach driving gloves.

We haven’t even gotten to the bars yet. We have to mention a line from “euphoria” first, though. Remember when Kenny spit, “‘Back To Back,’ I like that record/ I’ma get back to that, for the record”? Who knew he was talking about himself surprising everyone with another diss track so soon? The guy is an acrobat, the Simone Biles of Rap.

Below, we compiled a list of what we thought were the best lines off “6:16 in LA.” This was a diabolical showing from the King of the West. With rumors of a Whoo Kid disstape on the way, we await the King of the North’s next move. God, I love this game.

Beartooth Earns Second Mainstream Rock Airplay No. 1 With ‘I Was Alive’

After notching its first No. 1 on Billboard’s Mainstream Rock Airplay chart last November, Beartooth scores its second on the May 11-dated survey with “I Was Alive.”

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The song follows the group’s one-week rule with “Might Love Myself.”

The two No. 1s mark new heights for the band from Columbus, Ohio, on Mainstream Rock Airplay, which the act first hit with the No. 33-peaking “Beaten In Lips” in 2015. It logged two initial top 10s with “Hated” (No. 6, April 2017) and “Disease” (No. 9, December 2018). Beartooth boasts 12 total career entries on the chart, all on Red Bull Records.

Concurrently, “I Was Alive” ranks at No. 15, after reaching No. 13, on the all-rock-format, audience-based Rock & Alternative Airplay chart, up 5% to a new weekly-best 2.6 million audience impressions April 26-May 2, according to Luminate. The track is Beartooth’s second-highest-ranking hit on the list, after “Might Love Myself” rose to No. 11 in November.

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On the most recent multimetric Hot Hard Rock Songs chart (dated May 4, reflecting data April 19-25), “I Was Alive” placed at No. 19, after reaching No. 10 in April. In addition to its radio airplay, the song earned 306,000 official U.S. streams in that span.

“I Was Alive” is the second single, after “Might Love Myself,” from The Surface, Beartooth’s fifth studio LP. It debuted at No. 1 on the Top Hard Rock Albums chart in October 2023 and has earned 91,000 equivalent album units since its release.

All Billboard charts dated May 11 will update on Billboard.com Tuesday, May 7.

Al Green Reacts to Kendrick Lamar Sampling Him on ‘6:16 in LA’ Drake Diss

Kendrick Lamar went back-to-back with the release of “6:16 in LA” taking aim at Drake once again on Friday (May 3).

Produced by Sounwave and Jack Antonoff, fans quickly picked up that the eviscerating diss track sampled Al Green’s “What a Wonderful Thing Love Is.”

The Willie Mitchell-produced song originally landed on Green’s I’m Still in Love With You Album, which was released in October 1972 and peaked at No. 4 on the Billboard 200.

The soul singer took advantage of the spotlight by tweeting out the YouTube link to his sampled track. “What a Wonderful Thing Love Is,” he simply wrote to X on Friday.

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Plenty of fans flooded Al Green’s replies urging the “Let’s Stay Together” artist to clear the sample so “6:16 in LA” could properly land on streaming services. It’s still unclear if he cleared the sample for further commercial use.

Kendrick isn’t the only rapper to sample “What A Wonderful Thing Love Is,” as Kanye West previously used it on “Out the Game,” which landed on Consequence’s Take ‘Em to the Cleaners mixtape om 2004.

There’s even a deeper Drake connection to “What a Wonderful Thing Love Is.” As pointed out by Complex, the original 1972 track’s credits find Mabon “Teenie” Hodges playing the guitar, who is a relative of Drake’s.

Kendrick Lamar continues to be well-calculated while throwing punches in Drake’s direction as he’s now dropped a pair of nuclear bombs on the 6 God. Three days after his scathing “Euphoria” diss, Kendrick unleashed the “6:16 in LA” track firing away at Drake and accusing him of having a leak in the OVO camp.

“Have you ever thought that OVO was working for me?/ Fake bully, I hate bullies/ You must be a terrible person/ Everyone inside your team is whispering that you deserve it/ Can’t Toosie Slide up out of this one, it’s just gon’ resurface,” he raps.

Following the release of “Push Ups” and the “Taylor Made” freestyle, Drake has now received a two-pack combination of disses courtesy of K. Dot. The ball’s now in Drizzy’s court with the rap world awaiting his rebuttal in what will be a pivotal moment in the boiling feud.

Listen to “6:16 in LA” below.

Ghostface Killah & Nas Collaborate On A New Cut “Scar Tissue”

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Ghostface Scar Tissue

Source: Ghostface / Mass Appeal

It’s been ages since we’ve heard Hip-Hop legends Nas and Ghostface Killah on the same track, but two of the best MC’s from Hip-Hop’s golden era have once again reunited to give us some new work that gives us that OG feeling of what the rap scene in New York City was like back in the 1990s.

Collaborating for the new cut “Scar Tissue,” Ghostface Killah and Nas got into their bag of bars, but there wasn’t anything sweet in there. The two MC’s laid out the murder game and bodied the track with Ghost spitting, “Payback’s a b*tch ain’t it? That’s why I don’t talk to ni**as, I’m good, I ain’t gettin’ acquainted/Middle finger to the judge, we still killin’ the plaintiff! We Staten Island ni**as, we ain’t gotta explain it!”

Of course, Nas put in some work as well with his rhymes saying, “Nothing bigger than Ghostface and Esco/Legal Mexican cartel money, call me Arnesco/Guzman, Lopez, Garcia, gold-plated AKs lethal when you see us/Between the fingers, smoking on thousand dollar blunts, tell these suckas I got everything they want.”

Man, we need another Wu-Tang album with a Nas feature or two.

Check out “Scar Tissue,” and let us know your thoughts on the track in the comments section below.



Cam’ron & Ma$e Mad Over Backlash To Kendrick Lamar Criticism

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Ma$e, Cam'ron And Jadakiss Live At The Apollo

Source: Johnny Nunez / Getty

Cam’ron and Ma$e spoke out about the backlash they’ve received for their criticism of Kendrick Lamar’s recent beef with Drake.

As the beef between Kendrick Lamar and Drake heated up after the former dropped the scathing diss track “Euphoria” on Tuesday (April 30), Cam’ron and Ma$e felt that Drake still had the upper hand. That assessment wound up getting the public riled up, directing comments at both rappers and calling them out noting the two sporting jackets from Drake’s OVO imprint in a photo. It led to the two to addressing the situation on the latest episode of their Come And Talk 2 Me podcast on Thursday (May 2).

“Do you realize that n-ggas is mad because of our opinion on the beef between Drake and Kendrick Lamar?” Cam’ron said to Ma$e at the 2:25 mark of the episode. “I’m like, ‘yo, bro. Why we can’t have our opinion?’ I don’t get that! I don’t really get why we can’t have our opinion!” He continued by downplaying any coastal rivalry. “Secondly, this is what I wanted to say. And this is not to start a problem with anybody. West Coast people: East Coast n—-s is not as big on the ‘coast’ shit as y’all are on the coast s–t.”

Ma$e went on to express that he feels that the tracks from Drake and Kendrick Lamar that the public has heard so far aren’t the impactful tracks they’d be impressed by. “I think Kendrick got something else that he’s really been holding onto, and that’s what I’m speaking to. Don’t waste our time, and just go crazy, man.”

The Harlem natives’ previous take from their Wednesday (May 1) episode saw them go for Drake over Kendrick for various reasons. “I think Drake is winning. ‘Euphoria’ didn’t really move me,” Cam’ron stated. “I’m expecting lyrics from Kendrick, you’re expecting certain things. The song was kinda long, it took too long to come out — pause. I’m not saying it’s bad.” Ma$e agreed, “It took a while for us to get the record from Kendrick and when you wait a while it gotta be outta this world. I think if Kendrick dropped this record right after ‘[Push Ups] Drop and Give Me 50,’ it would have been crazy.”

Danny Ocean’s ‘Reflexa’ & More: Which Is Your Favorite New Latin Music Release This Week? Vote!

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new albums from artists such as Danny Ocean, Kany García, Eladio Carrion and Fonseca, to name a few.

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Dubbing it the “pop of the future,” Danny Ocean presents his third studio album, Reflexa. Navigating through heartbreak, lust, love and the desire to live authentically, the 12-track set is perhaps Danny’s most personal album yet, but it’s also his most sonically experimental — in it he fuses his signature pop sound with electro and Middle Eastern influences. 

In “García,” the title track of Kany García’s new album, the Puerto Rican singer-songwriter pens a letter to herself, addressing the young, vulnerable Kany and the present day star, equally vulnerable (“Tengo miedo de meterme en esta ola de ficción/I’m afraid of losing myself in this wave of fiction”).

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Other new releases include Piso 21 and Wisin’s “La Misión”; Silvestre Dangond and Carlos Vives’ “Tú o Yo,” and more.  

Last week, music fans voted for Belinda and Natanael Cano’s new single “300 Noches” as their favorite music release of that week. Coming in closely behind was Anitta’s new album, Funk Generation, which had 41 percent of the vote. Beli and Cano’s heartbreak track — produced by Marcelo Rivera Levy, Mr. Naisgai and Ángel Sandoval — beat out other new releases such as Yuridia and Los Ángeles Azules’ “Felicítalo”; Rels B and Junior H’s “Un Desperdicio”; Bruses and Humbe’s “Bestia”; Aitana and Sebastián Yatra’s “Akureyri”; Danny Ocean’s “Ley Universal” and Marc Anthony’s new album, Muevense.

Who should win this week? Vote among other new releases:

Ryan Gosling Says He ‘Cried Too Hard’ to Taylor Swift’s ‘All Too Well’ While Shooting ‘Fall Guy’

Even Ryan Gosling isn’t immune to the tear-jerking powers of Taylor Swift‘s “All Too Well.” In a new interview with Entertainment Weekly published Thursday (May 2), the actor opened up about shooting a scene in Fall Guy in which his character, Colt, has a good crying session in the car while listening to the pop star’s Red ballad, revealing that he ended up sobbing a little too much for the upcoming film’s final cut.

“I remember I cried too hard, and they cut it out,” he told the publication. “There were so many tears. It was a moment for Colt to really get it out. ‘All Too Well’ came on, and he had a good car cry. I mean, he’d been through a lot. He was jet-lagged.”

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“So yeah, that song comes on, you’re going to let it rip,” the Barbie star continued. “A little Taylor Swift comes on, you’re alone in your car in the parking lot …”

Gosling’s costar Emily Blunt added, “The amount of tears they cut in post was almost hysterical, actually.”

A snippet of the scene in question appears in one of the Fall Guy trailers. Colt, a stunt double in love with Jody (Blunt), the director of a film he’s working on, takes a moment alone to let out some tears in his car as Swift’s Billboard Hot 100-topping breakup track plays on the radio. All of a sudden, Jody approaches the car and knocks on the window, startling Colt.

“Have you been crying to Taylor Swift?” she asks, to which Gosling’s character replies, “Doesn’t everyone?”

In another recent interview, the Canadian thespian revealed that “All Too Well” also happens to be his own personal favorite Swift track, telling Fandango that it “has a real soft spot in [his] heart.” Meanwhile, Blunt said she prefers “Cruel Summer.”

Shortly afterward that interview, the two stars performed a spoof version of “All Too Well” on Saturday Night Live, earning Swift’s praise. “All Too Well (Ryan and Emily’s Version)!!!” the pop superstar wrote on Instagram after the Gosling-hosted episode aired. “Watch me accidentally catch myself singing this version on tour. This monologue is everything.”

UFC 301 Livestream: How to Watch Pantoja vs. Erceg Online

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UFC 301 will be a special mixed martial arts fighting event, as Alexandre Pantoja will defend his champion flyweight title for the first time on his home soil, Brazil. Going up against the titleholder is Steve Erceg who is hoping to defeat the champion and take home the title himself. The main card event will take place Saturday (May 4) at 10 p.m. ET and you can stream UFC 301 live at home through PPV on ESPN+.

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The UFC 301 card also features a co-main event between Hall-of-Famer Jose Aldo vs. Jonathan Martinez as well as early preliminaries and preliminaries beginning at 6 p.m. ET.

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Keep reading to learn more about the streaming options available to watch UFC 301 live online.

How to Watch UFC 301 Online

Pantoja vs. Erceg will be a PPV match streaming exclusively live on ESPN+. Current ESPN+ subscribers can watch UFC 301 when you log into your account and purchase the PPV match for $79.99. If you don’t have an ESPN+ subscription, the streaming platform offers a bundle deal for $134.98, which gets you instant access to the PPV match on top of an annual ESPN+ membership — a 29% off discount.

Early preliminaries will be aired on ESPN+ and UFC Fight Pass starting at 6 p.m. following preliminaries at 8 p.m. ET on ESPN 2 and ESPN+. If you have cable you can watch the preliminaries on any channel that gets ESPN. Cord cutters can still watch ESPN without cable through a few live TV streamers including Hulu + Live TV, which can be bundled with ESPN+ and Disney+ for more content streaming options.

Don’t need live TV options? ESPN+ can be bundled with just Hulu and Disney+ starting at just $14.99 a month.

Along with access to exclusive UFC events, an ESPN+ subscription gives you access to more live events for other sports as well as original content and archived games. You can also watch live sports like football, soccer, hockey and baseball, plus game recaps and analyses hosted by Peyton Manning, a shorter version of NFL Primetime, as well as full replays of historic NFL games.

Can You Watch UFC PPV Without ESPN+?

In order to watch UFC 301 and more UFC PPV events that are aired exclusively on ESPN+, you’ll need a subscription to the sporting events streamer. While not every fight will require a separate PPV purchase, any major events and title matches will most likely require an ESPN+ membership to get access to the PPV match.

Is UFC Only PPV?

Numbered UFC fights are typically going to be PPV matches as they’re usually special or highly-anticipated events. You can watch the weekly UFC Fight Night events without a PPV purchase.

What Is the UFC 301 Fight Card?

Check below to see the full fight card for UFC 301.

  • Pantoja vs. Erceg (flyweight)
  • Aldo vs. Martinez (bantamweight)
  • Anthony Smith vs. Vitor Petrino (light heavyweight)
  • Ihor Potieria vs. Michel Pereira (middleweight)
  • Paul Craig vs. Caio Borralho (middleweight)
  • Joanderson Brito vs. Jack Shore (featherweight)
  • Karolina Kowalkiewicz vs. Iasmin Lucindo (strawweight)
  • Elves Brener vs. Myktybek Orolbai (lightweight)
  • Jean Silva vs. William Gomis (featherweight)
  • Joaquim Silva vs. Drakkar Klose (lightweight)
  • Jamie Mullarkey vs. Mauricio Ruffy (lightweight)
  • Dione Barbosa vs. Ernesta Kareckaite (women’s flyweight)
  • Ismael Bonfim vs. Vinc Pichel (lightweight)
  • Alessandro Costa vs. Kevin Borjas (flyweight)

13 Musicians Who Have Cooking Shows

From Selena Gomez to Snoop Dogg and beyond, here are musicians who’ve hosted their own cooking shows.

While cooking and making music might seem like an unlikely pairing, quite a few musicians have been able to turn their love of working in the kitchen into a side career, adding hosting their own cooking shows to their resumes.

Among the more established musicians turned cooking show hosts are country superstar Trisha Yearwood, who has been hosting her own program on the Food Network for the better part of the last 10 years.

Other musicians are eager to learn. This is the case for rapper and restauranteur Ludacris, whose awareness for his lack of cooking skills led him to host Luda Can’t Cook to, well, become Luda can cook. On his show, Ludacris enlists the help of master chefs to teach him tips and tricks in the kitchen. Selena Gomez‘s show, Selena + Chef, follows a similar premise, as viewers witness the singer and actress meet with chefs via video call so they can help her maximize her skills in the kitchen.

While most of these shows appeared on television networks — like Snoop Dogg and Martha Stewart’s VH1 show Martha & Snoop’s Potluck Dinner Party — a lot of musicians have taken advantage of streaming to share their favorite recipes. BTS‘ show, BTS Recipe is shared on YouTube, as was Adam Gardner‘s Quarantine Kitchen.

See some of the artists who have transferred their skills at entertaining to their own cooking shows.