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Rapsody Reveals the Real Meaning Behind Her New Album ‘Please Don’t Cry’ & Says the Resurgence of Women in Hip-Hop Is a ‘Beautiful Beginning’

Rapsody has been in the rap game for over a decade, and she always sings the praises of the great female rappers who came before her while feeling excited to see a new generation find success.

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“This is a beautiful beginning. We’ve never seen it like this,” she said in her Billboard News interview Tuesday (May 14) about the resurgence of women in hip-hop. “I think there was a time, ’90s ‘course you know we had MC Lyte, Queen Latifah, Lauryn [Hill], Lil’ Kim, Foxy [Brown], Missy Elliott, Charlie Baltimore…. I could go on and on. But I think with social media, you just see it in such a heavy force that’s everywhere. I’m excited about it.”

The 41-year-old MC named Ms. Hill, MC Lyte and Queen Latifah as her main hip-hop influences, as well as Jay-Z, Lil Wayne, Nas, The Notorious B.I.G., DMX and Erykah Badu (“She’s hip-hop to me,” added Rapsody). But she credits Nicki Minaj and Cardi B for paving the way for a newer crop of femcees.

“Nicki coming in, doing what she did, definitely opened the door. And then when Cardi came in, you have two huge women that are very, very, very successful. And if you know the industry, you see one success, it’s like ‘Great. Let’s really pour into this,’” she told Billboard‘s executive director, R&B/hip-hop Gail Mitchell. “I think that women’s stories were needed…. And I think the way that Cardi supported so many women also helped as well. Because of who she was and the success she had and to speak people’s names, to work with the artists that she did, it definitely made room and space for other artists.”

Cardi has worked with many of the newer female rap stars like GloRilla on “Tomorrow 2,” which earned Glo her first top 10 hit on the Billboard Hot 100; Latto on the Hot 100 No. 13 hit “Put It on da Floor Again;” FendiDa Rappa on “Point Me 2,” which earned her her first Hot 100 entry; and Flo Milli on the remix of her Hot 100 No. 15 hit “Never Lose Me” (also featuring SZA).

Rapsody is set to release her fourth studio album Please Don’t Cry on Friday, May 17 via Jamla and Roc Nation. “It’s supposed to be ironic, right. It’s Please Don’t Cry, but the real message is please do cry. Allow yourself to be human, allow yourself to feel, to sit in your emotions, to grow from it. And think of all the reasons that we do cry. Of course, we cry when we’re sad, but we cry when we’re happy, too, and joyful. And we cry when we’re in love. It’s just about allowing yourself to really be imperfect and embracing the human that you are,” Rapsody said of the album’s title, adding that it’s her most vulnerable body of work to date.

Please Don’t Cry arrives five years after her album Eve, which reached No. 76 on the Billboard 200 and No. 42 on Top R&B/Hip-Hop Albums. “After Eve and I did two tours, I had an idea of where I wanted to go next with the album. And then we went into the pandemic. Everybody having to sit with themselves, be alone, the volume of the world turned down and everything internal turned up. You have some healing to do, you have a lot of growing to do and evolving,” she recalled. “And going through the process, it started in March of 2020. I started working on three albums at one time. I’m thinking Eve is done, I know which one I want to do next, but then I had this other idea, but then I’m feeling so much emotionally that I need to purge. And I think it was a week once we were in lockdown, I did 10 or 12 songs in two or three days. And I just kept going. And it took me about three-and-a-half, four years, 360 songs. I had a lot to say, I had a lot to get out. But I was relearning myself.”

Watch Rapsody’s full Billboard News interview above.

Rapsody on Why ‘Please Don’t Cry’ Is Her Most Vulnerable Album, Working With Lil Wayne, Women in Hip Hop & More | Billboard News

Rapsody shares why ‘Please Don’t Cry’ is her most vulnerable album, how her truth is incorporated throughout all of the songs and her various collaborations including: Lil Wayne, Erykah Badu, and Dixson. She also talks about the resurgence of women in hip hop and how Nicki Minaj & Cardi B helped pave the way and more!

Rapsody:

I think it’s exciting and beautiful time for hip hop, to have women at the forefront. We’re everywhere. It’s gonna stand the test of time and I think it’s going to help to even out the playing field, that may not be that we’re always at the forefront, but we won’t be in the shadow. What’s up y’all this is Rapsody and you’re watching Billboard News.

Gail Mitchell:

I’m thrilled to be sitting next to Rapsody.

Rapsody:

I’m so happy to be here with you. Legend.

I wanted to get your take on the resurgence of women in hip hop and you’ve seen a lot of change, ups and downs in that arena. Is this more than just a moment? I think some people might still try to look at it as a fad. It’ll go away, but is…

Rapsody:

No. You know, this is a beautiful beginning. You know, just we never seen it like this, or no. I think there was a time. 90s of course you know we have MC Lyte, Queen Latifah, Lauryn, Lil’ Kim, Foxy, Missy Elliott, Charli Baltimore, I can go on and on. But I think with social media, you just, you see it in such a heavy force. It’s everywhere. So I mean, I’m excited about it.

Gail Mitchell:

Who were your key influences on the hip hop side coming up? 

Rapsody:

My key? Lauryn Hill, Jay Z, Lil Wayne, Nas, Biggie. Erykah Badu, she’s hip hop. To me MC Lyte, Queen Latifah. I listened, DMX heavy. What? Heavy, heavy East Coast right?

Anitta to Perform a Medley of Songs From Her New Album on ‘The Voice’

Anitta‘s Brazilian funk will take over The Voice when she performs on the singing competition Tuesday, May 14. The trilingual superstar is set to sing a medley of songs from her latest album, Funk Generation, which was released April 26.

“I can’t wait to bring the Brazilian Funk to The Voice stage tonight,” Anitta tells Billboard. “‘Ahi’ and ‘Lose Ya Breath’ are two amazing songs from my new album, Funk Generation, and I’m so excited to perform them together for everyone.”

Anitta’s performance on The Voice takes place just days before she will embark on her first-ever North American tour later this month. The trek is in support of Funk Generation, on which she sings in Spanish, Portuguese and English, doubling down on her efforts to globalize Brazilian funk. The set includes collabs with Brray, Bad Gyal, Dennis, Pedro Sampaio and Sam Smith.

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“Funk is ingrained in the culture of those who live in Brazilian favelas, where I come from, and has often been unfairly judged as lacking artistic value, even associated with organized crime,” Anitta previously said in a statement. “It reflects the classism and racism that haunt our society. I’m part of a generation that embraced the rhythm, emerged from the favelas, and conquered Brazil.”

Currently in its 25th season, The Voice features coaches Reba McEntire, John Legend, Chance the Rapper and Dan + Shay. For season 26, NBC confirmed on Monday during the upfronts in New York that Snoop Dogg and Michael Bublé are joining the singing competition’s coaching panel. McEntire and Gwen Stefani will return for the new season, set to premiere on NBC this fall.

Kendrick Lamar Hits Top Of Billboard Hot 100 With “Not Like Us”

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Chanel : Outside Arrivals - Paris Fashion Week - Haute Couture Fall/Winter 2023/2024

Kendrick Lamar and his war of words with Drake was largely expected to be a war of words but has transformed into a huge cultural moment that transcends the battle. K-Dot’s blistering “Not Like Us” landed the top spot on the Billboard Hot 100 charts and gave DJ Mustard his first No. 1 debut.

Kendrick Lamar, 36, threw the first of the most current shots in the direction of Drake (and J. Cole) on the relatively tame “Like That” track from Future and Metro Boomin’s WE DON’T TRUST YOU collaborative album. From there, the stakes were raised when J. Cole fired back but retracted his diss track “7 Minute Drill” in the name of friendship.

Drake then leaked the track “Push Ups” before officially releasing the song and egging on the beef by daring Lamar to respond. Upping the ante, the Canadian superstar then released the “Taylor Made Freestyle” using AI-generated 2Pac and Snoop Dogg voices aimed at Lamar, which the estate of the late Tupac Shakur later took down.

Lamar returned the volley with “euphoria” which is also in the top 10 of the Hot 100 and just days later with “6:16 in LA” which prompted Drake to drop “Family Matters,” a track that is currently charting in the Hot 100 top 10 along with “Not Like Us” and “Like That.”

It all went left with Lamar’s creepy “Meet The Grahams,” which sits at No. 12 on the Hot 100, and “Not Like Us” came immediately after. It was an effective one-two punch as “Meet The Grahams” is sonically darker than “Not Like Us” with the latter now becoming the song of the summer.

Drake’s final salvo, “The Heart Part 6,” was seen as him waving the white flag and moving on from the battle. And as far as fans go, Kendrick Lamar is decidedly the winner of this feud.

Photo: Getty

Obituary for Eminem’s Slim Shady Appears in Detroit Newspaper Ahead of Rapper’s Upcoming Album

It seems Eminem may be taking his upcoming album title The Death Of Slim Shady (Coup De Grâce) literally. A fake Slim Shady obituary recently ran in the Detroit Free Press, in which the piece bids farewell to the “controversial rapper.”

“Slim Shady Made Lasting Impressions” the headline in the DFP reads with the subhead, “Fans ‘Will Never Forget’ Controversial Rapper.’”

The ad/obituary appears to be in support of Em’s upcoming 12th studio LP — titled The Death of Slim Shady (Coupe De Grâce) — and features a photo of Eminem in a white Jason Voorhees hockey mask.

“Fans ‘will never forget’ controversial rapper,” the piece reads. “A product of Detroit who began his career there as a rogue splinter in the flourishing underground rap scene of the mid to late 1990s, Shady first became a household name in 1999 with the debut of his playfully deranged single ‘My Name Is,’ which — along with its uniquely eye catching video — exposed the young artist and his lyrics to a wider audience.”

Trending on Billboard

The obituary continues: “Ultimately, the very things that seemed to be the tools he used became calling cards that defined an existence that could only come to a sudden and horrific end. His complex and tortured existence has come to a close, and the legacy he leaves behind is no closer to resolution than the manner in which this character departed this world. May he truly find the peace in an afterlife that he could not find on Earth.”

Billboard has reached out to Eminem for comment.

In April, the rapper popped up at the 2024 NFL Draft, which was hosted by his hometown of Detroit. Shortly after his appearance in support of the Detroit Lions, the rapper announced plans for his The Death of Slim Shady (Coupe De Grâce) album, which is slated to arrive this summer.

The album announcement came in the form of an Unsolved Mysteries episode featuring Em meeting his demise in search of “who killed Slim Shady?” 50 Cent even makes a cameo in the crime show-styled bloody teaser.

The Death Of Slim Shady will serve as the followup to the rapper’s 11th studio album, Music to Be Murdered By, which was released in 2020. That album debuted at No. 1 on the Billboard 200 to give Em his historic 10th consecutive leader.

It was his frequent collaborator/mentor Dr. Dre who broke the news of an Eminem album on the horizon when he made his first late-night appearance in 30 years on Jimmy Kimmel Live in March.

“Let me tell you something, let me explain something to you right now: Eminem is working on his own album which is coming out this year,” Dre said. “And I actually talked to him and he said it was OK for me to make that announcement right here on this show. So he has an album coming out, I’ve got songs on it and it’s fire. I’m actually gonna hear the entire album for the first time for tomorrow.”

See Slim Shady’s obit in the Detroit Free Press below:

The MTA Releases New Limited Edition Ice Spice MetroCards

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Ice Spice MetroCard

Source: MTA / MTA

As of late the New York City MTA has been on their Hip-Hop fix giving some of the game’s biggest artists their own MetroCards for New Yorkers to collect. After seeing the likes of The Notorious B.I.G., Cam’ron and others get their faces plastered on plastic, the MTA has decided to give the Big Apple’s latest star her own train pass.

According to Blavity, Ice Spice will be the latest Hip-Hop artist to get her own limited edition MetroCard as she gears up to drop her highly-anticipated debut album, Y2K. Unfortunately for her millions of fans and followers, the MetroCards will be limited to a mere 50,000 cards, and already, people are gobbling them up to resell them online for anywhere between $30 to $4,000 (yes, you read that right). While we’re sure some fans will cough up a few dollars to own a MetroCard which features their favorite artist, we doubt anyone will pay the price of a used car for one. Well, maybe Jordan Poole would. Just sayin’.

As to why Ice Spice decided to name her album Y2K (y’all youngn’s don’t know nothing about that particular scare), Ice Spice was actually born Jan. 1, 2000 when computers were supposed to plunge the world back into the Stone Age and everyone was going to become cannibals. That did not happen, and people actually went vegan. Go figure.

Blavity reports:

During a recent interview with Zane Lowe for Apple 1, the 24-year-old, whose birthday is Jan. 1, 2000, discussed where she garnered inspiration for the record’s title and energy.

“Thankfully, I had my mom, so growing up, I’d see her really embody the Y2K aesthetic in its truest form,” she said. “It’s duck nails. It’s a tramp stamp. It’s brown lip liner, no matter where you go. So, thankfully, I had her as my inspo growing up. And of course just like the internet, you feel me? Just like anyone else.” 

Considering the early 2000s aesthetic of Y2K, Ice Spice expressed her penchant for minimalism and how that played into the thought process behind naming the project. 

“I have a book full of pages of album names and different ideas,” she shared. “I just really find the beauty in simplicity, and I was just like, ‘You know what, I want it to be short.’ I didn’t want it to be this super long phrase.” 



We wonder what kind of numbers her debut album will do when it’s all said and done.

Did y’all got out and get an Ice Spice MetroCard? Would y’all pay $4,000 for one? What are y’all expectations for her debut album Y2K? Let us know in the comments section below.

Chuck E. Cheese Pulling Plug on Animatronic Robot Band For Good

To the likely delight of parents everywhere — as well as some seriously freaked-out kids — the Munch’s Make Believe Band is headed to the scrap heap. The animatronic group that has been a staple at the Chuck E. Cheese pizza and arcade chain for four decades is going into a permanent deep freeze by the end of this year due to changing tastes among the ball pit set.

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According to The New York Times, the mechanical animal band fronted by singers Chuck E. Cheese and Helen Henny, with Jasper T. Jowls on guitar, Mr. Munch on keyboards and Pasqually on drums, will be removed from all but two locations (Los Angeles and Nanuet, N.Y.) of the chain’s more than 400 U.S. locations amidst what CEO David McKillips described as its “most aggressive transformation” to date.

The band known for its stilted movements and blinking, shifty eyes, will be replaced by giant TV screens, digital dance floors and trampoline gyms just a few years after the chain temporarily closed a number of locations during the COVID-19 pandemic, followed by filing for Chapter 11 bankruptcy protection in the summer of 2020. “Kids are consuming entertainment differently than they were 10, 20 years ago,” McKillips told the paper. “Kids, really of all ages, are consuming their entertainment on a screen.”

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For now, the company is not saying what will happen to the hundreds of animatronic figures once they exit the stage more than four decades after Atari co-founder Nolan Bushnell had the brainstorm to match a pizza restaurant with then-novel video games. In a 2017 interview, Bushnell said he was originally inspired by watching the animatronic animal show in the Tiki Room at Disneyland, tasking his engineers with coming up with a mascot for what was then called Coyote Pizza.

After mistakenly buying a rat costume — and briefly considering the name Rick’s Rat Pizza — Bushnell went with the friendlier name Chuck E. Cheese (Charles Entertainment Cheese) for the chain that opened its first outlet in May 1977 in San Jose, California. In the decades since, the restaurant became a staple of affordable children’s birthday parties, even as the band has spawned dozens of memes as well as inspiring the 2023 horror flick Five Nights at Freddy’s, in which a security guard at Freddy Fazbear’s Pizza battled murderous animatronic characters.

Check out a message from the chain and some fond memories below.

Jason Aldean to Perform Tribute to Toby Keith on 2024 ACM Awards

Jason Aldean will pay tribute to the late Toby Keith by performing Keith’s 1993 debut hit “Should’ve Been a Cowboy” on the Academy of Country Music Awards on Thursday, May 16. The song was Keith’s first hit on Billboard’s Hot Country Songs chart. It reached No. 1 that June, his first of 20 No. 1 country hits. Keith died on Feb. 5 at age 62 following a two-year battle with stomach cancer.

Aldean’s performance will be a case of one ACM entertainer of the year paying tribute to another. Keith won the award in 2003 and 2004. Aldean won it three years running from 2016-18.

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Keith won 14 ACM Awards. Aldean has won 15, including artist of the decade for the 2010s.

Hosted by 16-time ACM Award-winner Reba McEntire, the ACM Awards will stream live for a global audience on Prime Video from Ford Center at The Star in Frisco, Texas, on Thursday, May 16, at 8 p.m. ET/5 p.m. PT. A Prime membership will not be required to watch live. The full rebroadcast will be available directly following the stream on Prime Video and available the next day for free on Amazon Freevee and the Amazon Music app.

The 2024 ACM Awards will feature collaboration performances by Kelsea Ballerini and Noah Kahan; Blake Shelton and Gwen Stefani; and Nate Smith featuring Avril Lavigne. In addition, Post Malone is booked for the show. He is expected to perform “I Had Some Help,” his new single featuring Morgan Wallen, though that has not yet been announced.

The show will also feature performances by McEntire, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Parker McCollum, Thomas Rhett, Blake Shelton, Chris Stapleton and Lainey Wilson.

The 59th Academy of Country Music Awards is produced by Dick Clark Productions. Raj Kapoor is executive producer and showrunner, with Patrick Menton as co-executive producer. Damon Whiteside serves as executive producer for the Academy of Country Music, and Barry Adelman serves as executive producer for DCP. John Saade continues to serve as consulting producer for Amazon MGM Studios.

DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.

Mike Tyson vs Jake Paul Press Conference Went Down At The Apollo

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Mike Tyson x Jake Paul Presser

Source: Sarah Stier / Getty Images for Netflix

Iron Mike Tyson is returning to the ring, and pay-per-view won’t be needed since it’s going down on Netflix. The boxing icon will be squaring up with YouTuber turned boxer Jake Paul in July, but they held their first press conference on Monday, May 13 in Harlem to promote the fight.

Mike Tyson x Jake Paul Presser

Source: Sarah Stier / Getty Images for Netflix

Tyson (50-6, 44 KOs) and Jake “El Gallo de Dorado” Paul (9-1, 6 KOs) came face to face at The Apollo Theater in Harlem for a lighthearted press conference hosted by combat sports journalist Ariel Helwani. The two friends, who have been calling each other out for years, traded relatively tame shots, but Tyson was clear that once they enter that ring, they are not homies. “Once he’s in that ring, he has to fight like his life depends on it, because it will be,” said Iron Mike, who also drew laughs when he admitted he felt terrible and was “sore” from training.

With Mike pushing 60, Paul is no slouch, and is plenty confident. “I’m going to show the world that I can outbox Mike Tyson, prove everyone wrong, and show that I will be the one doing the killing,” said Paul.

Good luck with that.

Paul and Tyson are scheduled to go eight, two-minute round for their pro bout. The fight will be streaming live globally on Netflix on Saturday, July 20, 2024 from the home of the Dallas Cowboys, AT&T Stadium in Arlington, Texas.

Also in attendance was the top tier “undercard” match up of super lightweight world champion Katie Taylor (23-1, 6 KOs) and Amanda “The Real Deal” Serrano (46-2-1, 30 KOs), the unified featherweight world champion. In this rematch, Taylor will be defending her undisputed title in a scheduled 10, two-minute rounds.

Check out photos from the event in the gallery.

1. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Katie Taylor, Mike Tyson, Jake “El Gallo de Dorado” Paul,  Amanda “The Real Deal” Serrano

2. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Katie Taylor,  Amanda “The Real Deal” Serrano

3. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Mike Tyson, Jake “El Gallo de Dorado” Paul

4. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Mike Tyson

5. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Jake “El Gallo de Dorado” Paul

6. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Mike Tyson, Ariel Helwani, Jake “El Gallo de Dorado” Paul

7. Mike Tyson x Jake Paul Presser

Mike Tyson x Jake Paul Presser

Source:Getty Images for Netflix

Jake “El Gallo de Dorado” Paul,  Amanda “The Real Deal” Serrano

Childish Gambino Wins Appeals Court Ruling Ending Lawsuit That Claimed He Stole ‘This Is America’

A federal appeals court has rejected a lawsuit accusing Donald Glover of ripping off his chart-topping Childish Gambino hit “This Is America” from an earlier song.

In a ruling Friday, the U.S. Court of Appeals for the Second Circuit upheld a judge’s decision last year dismissing the lawsuit, which claimed that Glover’s 2018 song was “practically identical” to a 2016 track called “Made In America” by a rapper named Kidd Wes.

The earlier ruling said Glover had done nothing wrong because the two songs were “entirely different.” But in Friday’s decision, the appeals court rejected the case for even simpler reasons: that Wes (Emelike Nwosuocha) had failed to secure the proper copyrights on his track.

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“Nwosuocha’s problem is that his copyright registration is simply for the wrong work,” the appeals court wrote. “That distinction is important.”

Released in 2018, “This Is America” spent two weeks atop the Hot 100 and eventually won record of the year and song of the year at the 61st Annual Grammy Awards. It was accompanied by a critically acclaimed music video, directed by Hiro Murai, that touched on issues of race, mass shootings and police violence.

Nwosuocha sued in May 2021, claiming there were “unmissable” similarities between the song and his own “Made In America,” including the “flow” — the cadence, rhyming schemes, rhythm and other characteristics of hip hop lyrics. But in March 2023 ruling, Judge Victor Marrero sharply disagreed with the lawsuit’s allegations.

“A cursory comparison with the challenged composition reveals that the content of the choruses is entirely different and not substantially similar,” the judge wrote. “More could be said on the ways these songs differ, but no more airtime is needed to resolve this case.”

Nwosuocha appealed that ruling, seeking to revive his lawsuit against Glover. But in rejecting that appeal on Friday, the Second Circuit ruled that it didn’t even need to decide whether the songs were similar. Instead, it said the case also failed because Nwosuocha had secured a federal copyright registration only for the recording of the song, not for the underlying composition that he claimed Glover had copied.

“The distinction between a sound recording and a musical work is not just an administrative classification,” the judge wrote. “That statutory distinction is important because sound recordings and musical works are different artistic works that can be copyrighted by different creators and are infringed in different ways.”

Barring an unlikely trip to the U.S. Supreme Court, Friday’s ruling will permanently end Nwosuocha’s lawsuit against Glover. Neither side immediately returned a request for comment on Tuesday.