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The Pretty Reckless’ Taylor Momsen Is Bit by a Bat Onstage While Singing the Most Ironic Song: Watch

The chances of Taylor Momsen turning into a vampire are slim but not impossible after the Pretty Reckless frontwoman was bit by a bat onstage during a recent concert in Spain.

In a clip posted by the Gossip Girl alum Friday (May 31), she and her band take a pause while opening for AC/DC. Ironically, the group was performing “Witches Burn” from their 2021 album Death by Rock and Roll when a bat lands on Momsen’s thigh.

She doesn’t notice it at first, but after realizing that several audience members were pointing at her, she looks down and says, “There is a f—ing flying bat on my leg right now … I must really be a witch!”

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A crew member eventually helps Momsen safely remove the bat, but not before the spooky creature nipped her leg. “So…ROCK AND ROLL MOMENT,” she captioned the video with some bat emojis for added flair. “A BAT flew onto me and clung to my leg…in the moment I was performing and had no idea until the incredible crowd kept screaming and pointing…”

The rocker also included footage of her getting an injection in a Spanish hospital, as well as a photo of her puncture wounds from the bat’s fangs. “He was cute, but yes he bit me…so rabies shots for the next two weeks,” she added. “Thanks to all the staff at the hospital who dubbed me #batgirl after seeing it on the local news that morning…more footage to come…that’s one for the books!!!!”

AC/DC’s European Power Up Tour kicked off earlier this month and will continue through mid-August. The Pretty Reckless will stay with the trek as support throughout.

See Momsen’s post below.

TikTok’s DIY Hack Transformed This Mini Lululemon Duffle Into a Designer Dupe: Shop the Look Here

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Lululemon may have initially gone viral for its Everywhere Belt Bag and Mini Shoulder Bag, but the athleisure brand has a new accessory that’s quickly becoming a coveted purse — especially when paired with a popular and easy TikTok DIY hack. Lululemon’s new Mini Barrel Duffle Bag has TikTokers obsessed with its chic design that, when paired with bows, becomes a designer-worthy handbag (and for less than $100).

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More than 10 million videos have been made about the mini Luluelmon duffle bag, with most of them showing off the bow trend that’s “so easy” to replicate. User @dallas__333 even gathered more than 11,000 likes for a video demonstrating how to get your bow to “sit perfectly” every time, which you can see below.

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All you need is satin ribbon to complete the look — here’s a white ribbon option for a contrasting look or there’s this black version if you’d prefer a monochromatic style.

Whether you plan on hitting a yoga class or are just going out with friends for drinks, this barrel bag will add a fashionable touch to all of your outfits (day or night). It comes in two shades: black and blue and features an adjustable crossbody strap that can also be removed and turned into a handbag.

Keep reading to shop the viral Lululemon Mini Barrel Duffle Bag below.

Knit Nylon Mini Barrel Duffle Bag 5L

This duffle bag comes with a barrel-shaped body complete with a zipper closure to keep your belongings safe and secure. The exterior uses a smooth nylon and water-repellent material that’ll keep you phone, wallet, sunglasses and other accessories dry. You’ll also find a mini zippered pocket on the inside for extra storage options.

The rounded shape of this mini duffle is reminiscent of luxury purses at more than ten times the price, but we like the versatility of this Lululemon version, with both a top handle and shoulder strap for easy carrying. The nylon material is also super easy to wipe clean and take care of (versus say, this leather version from Coach).

One Lululemon reviewer even wrote on the site that they returned their luxury designer purse for this mini duffle as it’s spacious yet trendy to pair with day and night looks. “So I decided to return a Marc Jacobs small tote for this bag,” the reviewer wrote. “It hits all the marks for day to evening wear. Super lightweight and quality is perfect.”

Recreate the TikTok look by picking up the Mini Barrel Duffle here and adding on black satin bows here. Just like the lifestyle brand’s other viral products, it’s not uncommon for colorways to quickly sellout, which means you’ll want to add it to your cart before it’s too late.

For more product recommendations, check out our roundups of the best gym bags, tote bags and Lululemon clothing for men.

Celebrities React to Trump’s Guilty Verdict | Billboard News

After Trump’s guilty verdict was revealed yesterday, celebrities such as Katy Perry, Bette Midler, Kathy Griffin and more took to social media to share their joy in the ruling.

Tetris Kelly:

Donald Trump is guilty. The former president and reality star was found guilty of 34 charges of falsifying business records, and we have what celebrities are saying. Hillary Clinton seemingly reacted to the news last night. Following a seven-week trial, the verdict in Trump’s case involves covering up a $130,000 payment to adult film star Stormy Daniels in an attempt to keep her from divulging their alleged sexual encounters during his 2016 White House bid. When the news broke. Katy Perry cryptically tweeted, “LFG,” with fans not knowing if it was about new music or Trump. Bette Midler wrote, “GUILTY ON ALL CHARGES!!!!” And Barbra Streisand posted, “Convicted felon Donald Trump is blaming the judge, the jury and New York for being found guilty on 34 counts. He will never accept accountability for his crimes. Americans must not allow this felon anywhere near the White House again.” And blame everyone he did. Kathy Griffin, who has a history with Trump, cried tears of joy. We will keep you updated as this story develops.

As Subscription Streaming Dominates Revenues, Free Music Is Coming Under Pressure

This week, Sony Music Entertainment CEO Rob Stringer called on streaming companies to charge a “modest fee” for ad-supported streaming. “This would help develop this segment of the streaming business to be more than just a marketing funnel for paid subscription and still be a tremendous value for users,” he said during parent company Sony’s business segment presentations on Thursday. 

Stringer’s comments didn’t come as a surprise. In March, after the RIAA released a report on the U.S. recorded music market in 2023, Billboard asked if record labels had become too reliant on subscription services for their revenues. With consumers proving willing to pay for rising prices, free streaming options aren’t producing the royalties to match their popularity.  

Now, there’s evidence that subscriptions could become even more important for record labels, music publishers and creators. 

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This month, Spotify levied additional price increases in the United Kingdom and Australia on top of a global price hike in July 2023. An individual plan now costs 11.99 pounds in the United Kingdom, up from 10.99 pounds, while a family plan was raised to 19.99 pounds from 17.99 pounds. Spotify has not announced a second wave of price increases in the United States and other major markets, but it’s reasonable to assume the United Kingdom and Australia won’t be alone. 

The major labels have welcomed these price hikes as streaming’s importance to their bottom lines continues to increase. In the United States, subscriptions accounted for 59.3% of total recorded music revenues in 2023, up from 57.8% in 2022. Globally, subscriptions accounted for 48.9% of recorded music revenue in 2023, according to the IFPI, up from 48.3% in 2022. 

Spotify and other platforms could soon offer a high-priced tier for superfans that would make subscriptions an even more valuable component of the music industry. Spotify first mentioned the possibility of “superfan clubs” in an online post in January. The next month, CEO Daniel Ek listed “superfan things” — as well as audiobook sales — among the products Spotify could offer if Apple did not take a 30% cut of in-app purchases.  

In April, Michael Nash, Universal Music Group (UMG) executive vp of digital strategy, said during the company’s earnings call that internal research suggests 10% to 20% of subscribers would be willing to pay extra for a “super premium” tier. Nash wasn’t just thinking out loud: Given how carefully public companies choose their words, it stands to reason that he and other UMG executives are encouraging streaming companies to explore ways to offer an elevated service at a higher price. 

Recent subscription price increases could be just the beginning of the sort of regular, ongoing price appreciation already seen in the video streaming market. Warner Music Group CEO Robert Kyncl said on the company’s May 9 earnings that call that it “will continue to advocate for further increases” and “ensure that the value that music provides to these platforms is properly recognized.” Reservoir Media CEO Golnar Khosrowshahi said during the company’s earnings call on Thursday (May 30) the company expects “a regular cadence of price increases” from streaming services.  

Subscription price appreciation has put free streaming in a poor light, however. As streaming services have been raising prices, a weak advertising market has made free streaming even less valuable. Free streaming isn’t without value — it provides an opportunity to convert listeners into paid subscribers, just as marketing campaigns do. But labels clearly aren’t content with free streaming acting as a means to attract subscribers.  

Goldman Sachs actually beat Stringer to the idea of charging for ad-supported music streaming. In the latest Music in the Air report released in early May, its analysts recommended an “advertising light tier for a small charge” as one way of evolving the ad-supported marketplace and floated the idea of using “content or feature restrictions” to make free, ad-supported streaming tiers a less attractive option, thereby pushing free users to a paid tier.  

Concerns about free streaming carry over to short-form video platforms such as TikTok. While TikTok is a powerful promotional vehicle, the royalties it generates for rights holders and creators isn’t commensurate with the time people spend on the app. As Stringer said this week, short-form video platforms “are primary consumption sources and they need to be valued accordingly.” 

Free options have their place in the marketplace. After all, not everybody is willing or able to pay for a premium service. Mass market products like broadcast radio exist because they are free to the end user. But free music could come under pressure in the coming years. And between additional price increases and possible superfan tiers, combined with overall weakness in ad-supported streaming, subscriptions are poised to command an even larger share of the industry.  

New Van Halen Book Celebrates Rock Band’s Top 50 Historic Moments (And It’s On Sale for 22% Off)

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Its been 46 years since Van Halen blessed us with their debut self-titled album that helped skyrocket the rock band to fame. While that was one of the most pivotal moments in the band’s history, there are more events that transpired throughout the course of their music career, which fans can now relive in a new music book titled Van Halen at 50.

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Written by Martin Popoff, a longtime author of rock bios, the unofficial book charts Van Halen’s top 50 most important moments to celebrate the 50th anniversary of the formation of the band. Released on Tuesday (May 28), the book not only aims to explore some of the most historic moments, but provides fans with a precious keepsake featuring candid photos of the four bandmates on and off the stage — and it’s currently on sale for up to 22% off on Target, Amazon and Walmart.

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Keep reading to shop the Van Halen book below.

“Van Halen at 50” by Martin Popoff

$31.49

$40

21% off

$31.31

$40

22% off

$31.31

$40

22% off

Van Halen at 50 comes with 192 pages counting the top 50 most important moments in the “Eruption” band’s history. The book covers five decades of the rockers’ career, including the band’s formation, notable appearances at Texxas Jam, Farm Aid and Monsters of Rock, as well as pages dedicated to trivia-worthy topics like Eddie’s finger-tapping technique, the band’s album art, and the eternal Dave vs. Sammy question, according to the official description.

Whether you’re looking to expand your own Van Halen merch collection or are seeking a gift for music lovers, musicians or even singers in your life, this informative book will make a unique piece that they can flip through whenever while making a display-worthy coffee table book.

And if you’re looking to expand your books on the rockstars, make sure to add Eruption to your reading list, which is currently on sale for $12 and features an oral history on Eddie Van Halen that uses more than 50 hours of interviews with the guitarist to capture his history.

For more product recommendations, check out our roundups of the best country music books, female musician memoirs and books about jazz.

Afrobeats Fresh Picks: Ayra Starr, Azanti x PsychoYP, Tiwa Savage, Darkoo, Sarkodie, Fireboy DML & More

Ayra Starr started a new chapter of her life with her sophomore album The Year I Turned 21, which was released Friday (May 31) via Mavin Records and Republic Records. In a recent Billboard interview, she explained that after Giveon turned in his verse for “Last Heartbreak Song,” “I was like, ‘OK, I’m just going to trust my intuition with who I want on each song” — and one of the artists she reached out to for a feature was Seyi Vibez, for the single “Bad Vibes.”

And three years after Tiwa Savage released her Water & Garri EP, she starred in and executive produced her first film by the same name and released a 10-song soundtrack to go along with it. Those are just two of the artists who feature on this month’s roundup, which also includes new singles from Ghanaian legend Sarkodie, a teamup from two of Nigeria’s finest in Victony and Asake, a new groove from Fireboy DML and plenty more.

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We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.

Azanti & PsychoYP, “Naija Funk”  



Abuja’s finest, Azanti and PsychoYP, are back at it again on “Naija Funk” from their new joint album, YP & Azanti, Vol. 2. Producer Aykbeats puts the “Funk” in “Naija Funk” with his nostalgic, folk-inspired drums and gliding synth melody, while Azanti takes blame for a failed relationship with the bold opening line “I should’ve done you better” — and PsychoYP puffs his chest and brags about why a girl would never want to fumble him. The Apex Village members’ musical chemistry has been apparent since their 2020 project YP & Azanti, Vol. 1, with Azanti’s transcendent blend of R&B and Afropop and PsychoYP’s exhilarating fusion of alté and drill creating an even more dynamic mix here.  

Darkoo feat. Dess Dior, “Favourite Girl”  



British-Nigerian rapper/singer Darkoo and American rapper Dess Dior will have the girls whining on somebody’s son or daughter all summer long to “Favourite Girl.” The booming horns in the beginning and Diwali Riddim will have booties bouncing instantly — and Darkoo wants in on the action when she asks, “Would you come do it slowly?/ Girl, dutty whine/ Would you bend it for me?” Meanwhile, featured guest Dess Dior makes an irresistible case for why a starboy should “make me your star girl.” It’s safe to say “Favourite Girl” will be in rotation — just like our hips — all season.  

Qing Madi & Chlöe, “Vision” (Remix)



Nigerian singer-songwriter Qing Madi adds Chlöe for a sultry remix of “Vision,” originally from her eponymous debut EP last year. Qing describes the paralyzing feeling of unexpectedly falling hard for someone, while Chlöe loses even more control over her body when she sings, “Got my temperature comin’ high, oh.” But even if their vision’s in a blur, no man could ever impair their honeyed harmonies over the track’s scintillating percussion.  

Tiwa Savage, “Lost Time”  



Tiwa Savage prepared an official soundtrack to accompany her debut Prime Video film Water & Garri — which follows fashion designer Aisha, who returns to her native Nigeria after spending the last 10 years away in the U.S. and reconnects with family, friends and an old flame. On the standout single “Lost Time,” Savage recalls what life was like before she met her love, singing, “Feels like I missed you before we met/ Not meeting you sooner, I regret,” and yearns to spend forever and ever with that person. Produced by Needlz and Poo Bear, “Lost Time” evokes the heart’s pitter-patter feeling when someone’s with their other half with the subtle plucking of a guitar in this romantic ode.  

TitoM, Yuppe & Burna Boy feat. S.N.E, “Tshwala Bam (Remix)” 



Burna Boy adds more fuel to the fire created by the viral TikTok-driven success of TitoM, Yuppe and S.N.E’s amapiano smash “Tshwala Bam.” After hopping on the remixes of Master KG and Nomcebo Zikode’s “Jerusalema” and Asake’s “Sungba,” the African Giant continues sharpening his ear for the continent’s next biggest hit so he can make his mark on it – and he further touts his greatness when he sings, “Better recognize/ Greatest of all time/ No other name, them go call mine.”  

“To surpass the success of the original, we sought a collaborator with both global appeal and a commitment to enhancing the song’s original vibe. Burna Boy was the perfect fit,” TitoM says in a press release; Burna Boy adds, “Jumping on the ‘Tshwala Bam’ remix was a no-brainer for me. It’s a track that resonates with everyone, and I’m thrilled to bring my energy to it and connect with fans in a whole new way.” 

Ayra Starr feat. Seyi Vibez, “Bad Vibes”



For a song called “Bad Vibes,” there’s something extremely smooth and calming about this track, a single off the Beninese-Nigerian “Commas” hitmaker Starr’s debut album, The Year I Turned 21, which dropped today. And Seyi Vibez, known much more for his scrappy street cuts that vividly bring the underground of Lagos to life, shows off a gentler side of himself, too, as the duo croon about deflecting the negativity life throws a person’s way.

Fireboy DML, “Everyday”



Over a fantastic laid-back groove set by producer Blaisebeatz, Fireboy shows off his melodic flow in this ode to a woman he wants by his side. The young Nigerian star, who broke out in a major way over the past few years with crossover hit “Peru” and a string of high-profile singles and guest spots, puts his own twist on this R&B-inflected cut, one perfect for late nights and low lights.

Sarkodie feat. Beeztrap Kotm, “Amen”



Ghanaian rapper Sarkodie is one of the most celebrated artists in his home country, and his skills are still at the highest level on this latest track. He flips through languages and flows, while Beeztrap Kotm comes through as the perfect complement, putting his stamp over this soulful production that comes straight from the church.

Victony & Asake, “Stubborn”



Victony has established himself as one of the most soulful singers in Nigeria over the past few years, and this link-up with amapiano-inflected sensation Asake adds to the canon of each. The two weave a tale of coming up to success by staying true to their own respective vision, even before success and fame eventually found them. 

Shenseea feat. Wizkid, “Work Me Out”



A standout track on the new Shenseea album, this cut sees the Jamaican singer tap one of Nigeria’s resident superstars to craft a song that combines the standout vocal abilities of both to meet somewhere in the cultural middle, with a sultry jam that sets the right tone. It’s another reminder of Wizkid’s chameleonic ability to fit into any style, and Shenseea’s multi-genre approach to her music.

John Legend Says Allegations Against Diddy Are ‘Shameful,’ Hopes That ‘Reparations Can Be Made’

John Legend is speaking out against Diddy, less than a year after the duo collaborated on a track that appeared on Legend’s The Love Album: Off the Grid.

“I was horrified by the descriptions that I read before the video evidence came out,” Legend told CNN this week of the devastation accusations against Diddy, as well as the video that was released that featured the hip-hop star appearing to assault his then-girlfriend, Cassie Ventura. “And absolutely it’s something that needs to be brought to light when it happens.”

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The duo collaborated with Babyface on 2023’s “Kim Porter,” which was named after Combs’ late partner who died in 2018 of pneumonia.

Noting that that allegations against Diddy are “shameful,” Legend added, “My default stance is to believe women when they make these accusations and to make sure that we do whatever we can to support women,” hoping “that they’re heard and that any kind of accountability and reparations can be made to make these women whole again.”

In the video, obtained by CNN earlier this month and dated March 5, 2016, Combs appears to shove Ventura to the ground near an elevator bank, kick her several times while she lies on the ground and drag her down a hallway. The contents of the video mirror an assault allegation Ventura made in a now-settled lawsuit she filed against Diddy in November.

Shortly after, on May 19, Diddy took to social media to share a video of himself taking responsibility and apologizing for his actions in the disturbing clip. “It’s so difficult to reflect on the darkest times in your life, but sometimes you got to do that,” Diddy says in his Instagram video. “I was f—ed up. I mean, I hit rock bottom. But I make no excuses. My behavior on that video is inexcusable. I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, I’m disgusted now.”

He continued, “I went out and sought professional help. Had to go into therapy, into rehab. Had to ask God for his mercy and grace. I’m so sorry. But I’m committed to being a better man each and every day. I’m not asking for forgiveness. I’m truly sorry.”

“The gut-wrenching video has only further confirmed the disturbing and predatory behavior of Mr. Combs,” said Ventura’s attorney, Douglas Wigdor, in a statement sent to Billboard. “Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light.”

Ventura was the first to accuse Diddy of sexual assault, filing a lawsuit in November in which attorneys for Cassie claimed she “endured over a decade of his violent behavior and disturbed demands,” including repeated physical attacks and forcing her to “engage in sex acts with male sex workers” while he masturbated. According to the complaint, after she attempted to separate from him in 2018 after an on-and-off public relationship for 11 years, Combs allegedly “forced her into her home and raped her while she repeatedly said ‘no’ and tried to push him away.” The case was soon settled, but Combs was then sued by multiple other women who claimed they were sexually abused by the hip-hop mogul. 

“ENOUGH IS ENOUGH,” Diddy wrote on Instagram in December. “For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”

A Love Letter to ‘Inside the NBA,’ Hip-Hop’s Favorite Sports Show  

We very well may be nearing the end of basketball’s most legendary studio show, Inside the NBA — and what a ride it’s been.

The 2024-2025 NBA season will likely be the last for hosts Ernie Johnson, Charles Barkley, Kenny Smith and Shaquille O’Neal together on TNT, with all signs pointing to NBC replacing Turner Sports as the league’s primary TV partner starting with the 2025-26 season. Barkley was on The Dan Patrick Show and revealed that “morale sucks, plain and simple,” when asked how the vibe was on the set.

And after last night’s series-clinching win by the Dallas Mavericks, eliminating the Minnesota Timberwolves and punching Dallas’ ticket to the NBA Finals, Mavs guard Luka Dončić brought the drama up — telling the guys they have to figure something out, to which Ernie confirmed they don’t know their fate past the next season.

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The winner of 19 Emmys, Inside the NBA is like family to most basketball-obsessed households; especially for those who came of age during the late ‘90s and early ‘00s. This was a time when rap, basketball and sneakers were exploding. We watched and played whenever we could. We read SLAM magazine, tried to buy the latest basketball sneakers, listened to rap music, and stayed up late on Thursday nights during the NBA season to watch Inside the NBA

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To keep it a buck, to us basketball is just as much a part of hip-hop as rapping and graffiti. So, when we got a show starring an NYC basketball great like Smith and NBA and sneaker legend like Barkley, we had to tune in. And while shaky at first, Shaq’s addition at the start of the 2011-2012 season further ingratiated the crew to a generation that grew up buying his rap albums and signature Reeboks, watching his movies, and playing Shaq Fu on Sega Genesis. Inside the NBA is so hip-hop, its hosts were known to kick a few flows. Kenny Smith kicked a freestyle on BET’s Rap City back in 2001.



And Shaq was recently featured on a Rick Ross and Meek Mill song with Damian Lillard, and had arguably the best verse in the whole song.



I have to also acknowledge the show’s music selection. They’ve always seemed to be tapped into rap music, new and old. I remember hearing A Tribe Called Quest’s “Electric Relaxation” instrumental during breaks — and there’s this medley of rap songs Street Cred EJ knew off top. 


https://youtube.com/watch?v=5v_YqhW9Nvg&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Shaq, Kenny and Chuck come from the hip-hop generation and helped take the culture mainstream. Even Kenny would sometimes find himself impressed and surprised with a producer’s music picks. When they first played Kendrick’s recent Drake diss tracks, he was saying they shouldn’t pick sides, that they should play Drake’s songs too. They may be older, but the three former players are tapped in. They took what the late, great Stuart Scott was doing at ESPN in the early ‘90s and perfected it, carrying on his legacy of bringing hip-hop culture into households across the country. 

During these playoffs. The producers have been in their bag playing the hits. “Like That” and “Not Like Us” have been TNT favorites during the Kendrick and Drake beef. They also played the “No Vaseline” instrumental — an absolutely insane thing to hear during a national sports broadcast. And just last night they played Don Toliver’s “Attitude” featuring Cash Cobain and Uncle Charlie Wilson faintly in the background. It doesn’t get more tapped-in than that. 

A friend and I had a routine back in the early 2000s. We were fresh out of high school, and worked the same part-time job while taking classes at local colleges in North Jersey. After we got off work, we would cop some trees on the way home and link up later that night to watch the NBA on TNT. We did this every Thursday night during the NBA season. Sometimes we would catch both the 8 p.m. game and the 10:30 p.m. game — but we always made sure to watch Inside the NBA afterwards, even if it meant staying up until 1:00 or 2:00 in the morning. 

Now that I’m older, whenever I’m able to stay up to watch the best sports show on TV, I think about those days. Appointment television is a rarity in the age of streaming, and for 24 years, the guys over at Inside the NBA have made you regret falling asleep and missing not only their veteran basketball analysis and arguments with one another, but also all the jokes and shenanigans. “Elevator” Ernie Johnson deserves some love as well. He brings it all together by controlling the chaos while also letting Kenny, Chuck, and Shaq be themselves.

https://www.youtube.com/watch?si=47jriBjlxT_WXAYc&v=G1ZMviEik3U&feature=youtu.be

If next season really is their last, they deserve to have a legit farewell tour. Bringing back John Tesh’s “Roundball Rock” isn’t worth losing these four family members. Prime Bob Costas isn’t walking through that door. The only way NBC can get back into our good graces after forcing Inside the NBA to hang it up early, is to bring back NBA Inside Stuff without making it corny. 

Inside the NBA had one of the greatest runs in sports TV history these past 24 years. I’m looking forward to having one last NBA season with my guys. Now that I think about it, ending things at 25 just sounds right. 

Now I leave you with some Yo Momma jokes from the crew. 



Nate Smith’s ‘Bulletproof’ Hits Country Airplay Top 10

Nate Smith rolls up his third consecutive career-opening top 10 on Billboard’s Country Airplay chart as “Bulletproof” pushes to No. 10 on the survey dated June 8. During the May 24-30 tracking week, the single increased by 7% to 18.6 million audience impressions, according to Luminate.

The song, which Ashley Gorley, Ben Johnson and Hunter Phelps wrote, is the lead single from the 38-year-old Smith’s seven-song set Through the Smoke, which opened at its No. 34 high on Top Country Albums in April.

Smith, from Paradise, Calif., crowned Country Airplay for 10 weeks starting in December with “World on Fire” – tying Morgan Wallen’s “You Proof” in 2022for the longest reign in the chart’s history, which dates to 1990. His rookie entry “Whiskey on You” led for two weeks in February 2023.

Smith won for best new male vocalist at the 59th Academy of Country Music Awards in Frisco, Texas, on May 16 and performed “Bulletproof” with Avril Lavigne at the festivities.

‘Ends’ Continues

Bailey Zimmerman tops Country Airplay second week with “Where It Ends,” which gained by 1% to 33.6 million in reach.

The 24-year-old from Louisville, Ill., adds his second multi-week dominator among his four consecutive career-opening Country Airplay No. 1s, joining “Rock and a Hard Place,” which led for six frames beginning in April 2023.

Zimmerman’s debut hit “Fall in Love” commanded Country Airplay for a week in December 2022, while his third No. 1, “Religiously,” notched a week on top in September 2023.

Of the 12 songs that have hit No. 1 on Country Airplay in 2024, “Where It Ends” is just the second to rule for multiple weeks, joining Sam Hunt’s three-week leader “Outskirts” beginning in April. In contrast, 12 of the chart’s 19 No. 1s in 2023 each led for more than one frame.

UMG Nashville Signs Tucker Wetmore in Partnership With Back Blocks Music

Tucker Wetmore has inked a record deal with UMG Nashville, in partnership with Back Blocks Music. Wetmore is managed by Back Blocks Music and is signed to WME for global booking representation. 

Earlier this year, Wetmore broke through with the hits “Wine into Whiskey” and “Wind Up Missin’ You.” “Wine Into Whiskey” earned Wetmore his Billboard Hot 100 debut in March, while both songs reached the top 20 on Billboard‘s Hot Country Songs chart.

He follows with his latest release “What Would You Do?” while “Wind Up Missin’ You” will go to country radio with an impact date of June 10, via EMI Records Nashville.

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“Before I moved to Nashville, I sat down and made a list of goals for myself,” Wetmore said in a statement. “And for the last four years, I have been working toward them every single day. Today I have checked off one of the biggest I set for myself… signing a record deal. My new family at UMG Nashville checked all of my boxes. The drive, dedication, love and respect we all have for each other outside of music is the real reason why I’m so proud to now call them partners, along with my team at Back Blocks Music. With the fire that has already been started, I couldn’t pick better people to pour gasoline on it. I couldn’t be more excited and confident about this next chapter in my career. I love you all, thank you for continuing to make my dreams come true. God is so good.”

“The world has only seen a glimpse of what Tucker is going to do for country music,” UMG Nashville Chair & CEO, Cindy Mabe, said in a statement. “His strong connection to his purpose shines a light on what has helped build him: his family, his faith, his team and his fans. Representing country music from the Pacific Northwest, Tucker’s distinctive sound, soulful lyrics and his instantly likable personality bring the perfect ingredients to nurture and grow a lasting career. UMG Nashville is so honored to work with Tucker, Rakiyah and Back Blocks Music in building the next era of country music history.”

“I’m honored to continue working with Tucker as he expands his team with the brilliant minds at UMG,” shared Back Blocks Music founder/CEO Rakiyah Marshall. “What Tucker and our Back Blocks team have built together in less than three years has been incredible, but it’s just the beginning. I am blown away by the character, talent and work ethic that make up who Tucker is as an artist and human, and am so thankful to be on this ride with the newest UMG Nashville artist.”

Wetmore, who was named Billboard‘s Country Rookie of the Month for May, recently opened shows for Kameron Marlowe‘s Strangers Tour and is set to join Luke Bryan‘s Farm Tour in September. Wetmore also has two songs featured on the soundtrack to the movie Twisters, including “Already Had It” and “Steal My Thunder” (with Conner Smith).