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Lil Wayne & Ludacris to Headline Kevin Hart’s Hartbeat Weekend in Las Vegas

Kevin Hart’s Hartbeat Weekend is returning to Las Vegas, where he’ll mesh the world of music and comedy for a Sin City takeover

Slated for Labor Day weekend (Aug. 29 – Sept. 1), Billboard can reveal that Lil Wayne and Ludacris will be headlining performers at the Zouk Nightclub afterparties on the music side, while Kevin Hart will bring his Acting My Age Tour to the Resorts World Theatre to close out the festivities.

“Hartbeat Weekend is all about celebrating the very best in comedy, culture, and music, and this year we’re taking it to a whole new level,” Hart relayed to Billboard in a statement. “I can’t wait for everyone to join us for a weekend packed with laughter, entertainment and unforgettable moments.”

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From exclusive events to poker tournaments and live performances, the weekend will have it all in Las Vegas. Tickets for Hartbeat Weekend are slated to go on sale starting on Friday (July 19) at 10 a.m. PT.

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Vibee is offering fans various VIP package deals with the premiere Zero F–ks Given package, including tickets in the first six rows to Hart’s headlining show, pre-show party access, entry into the celebrity poker invitational, three nights at the Crockfords at Resorts World Las Vegas and more.

“We are thrilled to partner with Resorts World and AEG Presents again to bring audiences an exciting lineup of events during Hartbeat Weekend,” said Jeff Clanagan, Hartbeat president. “We are dedicated to creating impactful live experiences that unite audiences through laughter and joy, and this year’s action-packed, multi-day event promises to be unforgettable.”

The second-annual Hartbeat Celebrity Poker Invitational takes place over two days on Aug. 30 and Aug. 31, with fans having the chance to compete against 50 handpicked celebrities in the high-stakes game going down at the new Allē Lounge on 66.

There will also be a slate of half-hour comedy specials from various acts throughout the weekend as part of the LOL Live stand-up series.

“We’re looking forward to welcoming Hartbeat Weekend back this year,” added president of Resorts World Las Vegas Peter LaVoie. “We’ve enjoyed partnering with Kevin and his team on this iconic weekend and his shows in the theatre throughout the year. Hartbeat Weekend 2024 will be another incredible experience for our guests.”

Hartbeat Weekend

Hartbeat Weekend

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Harry Styles & Stevie Nicks Perform ‘Landslide’ in Honor of Christine McVie’s Birthday

Harry Styles, Stevie Nicks and thousands of people at London’s BST Hyde Park gave the most touching birthday salute to the late Christine McVie Friday (July 12). 

In honor of her friend — who would’ve turned 81 that day — the Fleetwood Mac frontwoman invited the “As It Was” pop star to join her on stage for an emotional duet of her 1975 masterpiece “Landslide.” “I asked Harry to do this,” she told the crowd at the festival. “It’s always heavy to ask someone to come and sing the song with you when you’re singing about your best friend that died so suddenly and so sadly.” 

“What I want you to know is that Christine was Harry’s girl, she was my girl, she was your girl,” Nicks continued as Styles, wearing a songbird pin on his lapel, nodded solemnly. “She was from here. And she loved all of us. And today was her birthday.” 

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The pair performed the ballad while making sustained eye contact, the “Edge of Seventeen” musician taking the lead as the One Direction alum sang harmony. “And if you see my reflection in the snow-covered hills,” their intertwining voices belted. “Well, the landslide will bring it down.” 

The tribute comes over a year and a half after McVie died at the age of 71 in November 2022, having suffered a stroke with her secondary cause of death being listed as cancer. “She was truly one-of-a-kind, special and talented beyond measure,” wrote Fleetwood Mac in a joint statement at the time. “She was the best musician anyone could have in their band and the best friend anyone could have in their life. We were so lucky to have a life with her.” 

Nicks has been open about her grief since losing her bandmate, telling Vulture last fall that she doesn’t anticipate full-band activities continuing in McVie’s absence. “She was like my soul mate, my musical soul mate, and my best friend that I spent more time with than any of my other best friends outside of Fleetwood Mac,” she told the publication. “Christine was my best friend… Who am I going to look over to on the right and have them not be there behind that Hammond organ? When she died, I figured we really can’t go any further with this. There’s no reason to.” 

Styles also previously honored McVie on his own by singing “Songbird” at his December 2022 concert in Chile. He and Nicks have performed together several times in the past, including at his 2019 One Night Only show at Los Angeles’ The Forum.  

Watch Styles and Nicks perform “Landslide” in McVie’s honor below. 

5 Must-Hear New Country Songs: Charley Crockett, Drew Parker, Dasha & More

In this most recent crop of new country releases, Charley Crockett issues a somber look at “the American Dream,” while Drew Parker draws on his traditional country roots. “Austin” hitmaker Dasha makes a bid for her latest hit with “Didn’t I,” while Russell Dickerson and Wynn Williams also offer up new music.

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Check them out in our roundup below.

Charley Crockett, “America”



For years, musical troubadour and Americana Music Awards winner Crockett has crisscrossed the country, rising from busking on the streets of small towns to selling out headlining shows. Along the way, he’s gleaned keen perceptions from across America’s heartland, and he distills the stories and views into this swaggering, pleading track from his recently-released $10 Cowboy album. Soulful horns, bluesy guitar and Crockett’s distinct, commanding voice are front and center, adding a sonic lift to the song’s somber petition of a man who spends his days laboring in the fields and hopes to be seen and heard, and that the dreams that he’s toiled for will come to fruition. Another well-crafted, thoughtful outing from this musical luminary.

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Drew Parker, “Tomorrow”



Georgia native Drew Parker is known for co-writing hits for Luke Combs (“Doin’ This”) and Jake Owen (“Homemade”), but for the past four years, he’s etched his own artist path as a singer-songwriter steeply influenced by traditional-minded country artists such as Alan Jackson and Ronnie Dunn. “Tomorrow” gleams with a radio-friendly, softly enhancing production, and lyrics packed with sentiments of gratitude for life and love, all led by Parker’s muscular twang, placing him squarely in the path of today’s new crop of country neo-traditionalists. “Tomorrow” is featured on Parker’s newly-released Warner Music Nashville project Camouflage Cowboy, which released July 12.

Dasha, “Didn’t I”



Dasha saw a surge in her pursuit of stardom this year with her boot-stomping, ex-lover-skewering sensation “Austin.” With her latest, “Didn’t I,” she’s out to prove she has plenty more ammo in her musical arsenal. This plucky mix of acoustic guitar and crisp production elevates the underlying tension in Dasha’s vocal, as she sings of a couple who toss aside their previous pledges to end the relationship, as neither can deny the mutual draw to one another during a boozy night of passion — or, as Dasha sings, “We’re backsliders/ Bad liars.” The production here is leaner and sparse when compared to “Austin,” but retains the dancefloor-ready (and TikTok-ready) grooves that pair deftly with the singer’s throaty, sultry voice. Dasha wrote the song with Ben Johnson and Emily Weisband, with production from Johnson.

Russell Dickerson, “Bones”



Tennessee native Dickerson is known for a string of No. 1 Country Airplay hits including “Love You Like I Used To” and his top 5 hit “God Gave Me a Girl.” He returns with this gracefully sung romantic vow of enduring devotion. On this personal track, he recounts key moments in his relationship with his wife Kailey, before asserting that his is a love that will last a lifetime. Dickerson wrote “Bones” with Chase McGill, Chris LaCorte and Parker Welling and seems aimed at further building his reputation as a top-notch vocalist and earnest songwriter.

Wynn Williams, “Country Therapy”



Texas native and former steer wrestler Williams has already released four projects to date and on his latest, brings a mesh of acoustic guitars and fiddle to this slice of ’90s country nostalgia, which he wrote with Ryan Tyndell and Jeff Hyde. He takes a respite from the workweek via what he calls “old-school country therapy”: enjoying fishing and the outdoors, or downing shots of liquor while absorbing classic country music at a local bar. Williams sings this lively honky tonk track with believability, while the swirling production makes this a summertime jam.

RAYE, Willie ‘Prophet’ Stiggers & More to Be Honored at 2024 SONA Warrior Awards

RAYE, Willie “Prophet” Stiggers, Thomas Scherer, Ross Golan and the late songwriter Andrea Martin will be honored at the fourth annual SONA Warrior Awards gala on Oct. 6, at 7 p.m. at Herscher Hall at the Skirball Center in Los Angeles. The awards are presented by Songwriters of North America (SONA).

British singer-songwriter RAYE made history at the BRIT Awards in March with six wins and seven nominations, the most anyone has ever received in one year. Her global smash “Escapism” was the largest selling single by a female British artist in 2023, becoming her first No. 1 on the Official U.K. Singles chart and landing at No. 22 on the Billboard Hot 100.

Stiggers is the co-founder, CEO and president of the Black Music Action Coalition (BMAC), which advocates for racial equity and justice within the music industry on behalf of Black artists, songwriters, producers, managers, agents, executives, lawyers and more.

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Scherer has been with BMG and its parent company Bertelsmann for almost three decades as an artist, songwriter, music publisher, music producer, label owner, and executive. Under his leadership, BMG has signed and re-signed writers in the U.S., among them Diane Warren, Bebe Rexha, and Lewis Capaldi, and has secured more than 50 acquisitions, among them Mötley Crüe, Paul Simon, Five Finger Death Punch, and Gucci Mane. In January, Scherer was appointed president of global catalog recordings, while retaining his responsibilities as president of music publishing in North America.

Songwriter and advocate Golan is the host of the podcast And the Writer Is, where he interviews top songwriters. His advocacy assisted in passing The Music Modernization Act. In addition, he served as the first songwriter on the board of the National Music Publishers Association.

Martin is best known for composing En Vogue’s “Don’t Let Go (Love)” as well as Angie Stone’s “Wish I Didn’t Miss You” and Leona Lewis’ “Better in Time.” She also wrote “I Love Me Some Him” for Toni Braxton and “Before You Walk Out of My Life” for Monica, and “It Kills Me” by Melanie Fiona. Martin was also a recording artist, whose singles in the late 1990s included “Let Me Return the Favor” and “Share the Love.”

Tickets for the event cost $241.94 or $535.38, with the latter option including a four-course dinner. Tickets are on sale now.

SEVENTEEN’S Woozi Denies Claims Group Used AI to Write Songs: ‘Written and Composed By Human Creators’

SEVENTEEN singer/producer WOOZI has responded to a British news feature claiming that the K-pop group is using artificial intelligence when recording its music. WOOZI, who also co-writes the group’s songs, reportedly had thoughts after a BBC News story posted last week claimed that SEVENTEEN’s most recent single, “Maestro,” was an example of the group’s dive into using artificial intelligence in the creative process.

The piece entitled “Will K-pop‘s AI Experiment Pay Off?” noted that the song’s video has AI-generated scenes, with the outlet quoting WOOZI reportedly saying that he was “experimenting” with AI when making new music and that the group “practiced making songs with AI, as we want to develop along with technology rather than complain about it.”

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According to NME, WOOZI posted a response on his Instagram Story on Sunday in which he said, “All of SEVENTEEN’s music is written and composed by human creators.” Korean outlet Newsis claimed that WOOZI’s original comments were taken out of context and what he said was: “I’ve tried writing and composing lyrics with AI, of course. Rather than complaining, I’ll practice in step with it. I’m looking for shortcomings and thinking about what strengths there are. Technology is advancing rapidly. I’m thinking about how to maintain our unique identity in that context. I thought that we had good chemistry because we were able to form a good sense of empathy while filming the music video with the directors.”

Newsis also quoted SEVENTEEN’s Pledis Entertainment label supporting WOOZI, saying, “It is not true that AI was used in Seventeen’s song lyrics, and we have conveyed our position to the foreign media outlets that reported on this to correct the content.”

In April, Soompi reported that while promoting the band’s new greatest hits album, 17 Is Right Here, WOOZI talked about practicing songwriting using AI to understand its pros and cons, but stressed that he was not using it at this time.

At press time a spokesperson for SEVENTEEN had not responded to Billboard‘s request for comment.

The BBC later added an editor’s note to its story that refuted the claim about SEVENTEEN which reads: “This article was amended to confirm that while AI is being experimented with in K-pop, it was not used to write songs for the latest Seventeen album.

Billboard Launches Exclusive Pinterest Boards Celebrating the Best of Latin Music

Billboard is excited to partner with Pinterest to reveal an exclusive board featuring editorial content curated by Billboard’s editors. The boards, brought to you by Pinterest, aims to showcase the multifaceted nature of Latin music, highlighting both its traditional roots and the journey that has resulted in Latin music genres being among the most popular in the world. 

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Latin music is known for its ability to evoke emotion and capture the essence of its culture. From the passionate rhythms of salsa to the heartfelt ballads of bachata and the infectious beats of reggaetón, each genre tells a story of its own. 

The boards offer a comprehensive look at Billboard’s prominent role in supporting Latin music’s global explosion. Each sub-genre will have its own unique board, composed of Pins featuring content from Billboard’s archive. 

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Fans can look forward to original photography, behind-the-scenes video, and other content from events like Billboard Latin Music Week and Billboard Latin Women in Music. 

These exclusive editorial boards are more than just a showcase of music; they represent a celebration of identity, creativity, and the power of cultural expression. Pinterest’s visual discovery platform is perfect for this project, allowing users to explore, save, and share their favorite moments from Latin music culture effortlessly. 

“These boards provide a beautiful and vibrant snapshot of Latin music through history and today. We are so proud to highlight the rich versatility of Latin music and all its genres through Pinterest’s unique visual platform, which provides a completely different discovery experience. We’re eager to expand Latin music’s reach even more,” said Leila Cobo, Billboard’s Chief Content Officer for Latin content and Español. 

Billboard and Pinterest’s partnership not only brings visibility to Latin music but also fosters community engagement. Users on Pinterest can immerse themselves in the distinct styles and personalities of each subgenre, as well as discover emerging talents who are redefining the boundaries of Latin music.

“We are thrilled to partner with a world-renowned publication like Billboard to bring Pinterest users an exclusive look into the distinct styles and personalities of Latin music genres, as well as offering them the opportunity to discover emerging talents,” said Nadine Zylstra, Pinterest’s Global Head of Programming and Originals. 

“Pinterest is a platform for inspiring content, and it’s so special that Billboard has opened their archives so that half a billion users on Pinterest can discover their iconic collection of covers, red carpet looks, photoshoots and events photography.”

As users explore these boards, they are invited to dive into the narratives behind the music, gaining a deeper appreciation for the Latin music diaspora and its enduring impact on the global stage. Get ready to experience Latin music like never before.

Republic Records Names Miles Beard, David Wolter Co-Heads of A&R

Republic Records has named Miles Beard and David Wolter as co-heads of A&R, the company announced today (July 15). Beard, based on the West Coast, and Wolter, based on the East Coast, will report to label president and chief creative officer Wendy Goldstein.

The duo, who both joined Republic in 2022, had previously served as executive vice presidents of A&R for the label. Their new roles will see them jointly lead the A&R development and strategy for the company, as well as oversee partnerships, alongside executive vp Danielle Price, who oversees the R&B/hip-hop A&R team.

“When it comes to A&R, Miles and David are two of the industry’s most savvy and visionary executives,” Goldstein said in a statement. “They could not be more different in terms of preferences, approach and even location of the two coasts, however they’re the perfect match to run this department. They share a rare passion for music and they’re intensely committed to championing their artists. Their partnership is genuinely next-level and will be integral to our success going forward. Our focus is creating a dominant A&R team with them along with our hip-hop/R&B initiatives.”

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Beard has worked with the Jonas Brothers, with Republic’s K-pop partners on Stray Kids and TXT, and on Republic’s recent deal with Nigerian label Mavin for the singer Ayra Starr, among other projects. Wolter, meanwhile, has worked with artists like Conan Gray, Greta Van Fleet, Miranda Lambert and Zoe Kravitz for the label. Republic Records — also home to superstars like Taylor Swift, Ariana Grande, The Weeknd and more — is part of Republic Recording Company, alongside Island Records, Def Jam Recordings, Mercury Records, Casablanca Records, indie distributor Imperial and the Corps team, under Monte Lipman and Avery Lipman.

“It’s incredible to work with Wendy, Monte and Avery Lipman, and my new partner Miles,” Wolter said in a statement. “We have so much support. Wendy’s instincts are unrivaled. Monte and Avery don’t stop, and it’s inspiring. When it comes to our artists, I just want to be a vigilant fighter for their artistry. My main hope is for our team to have a massive impact on culture and challenge the status quo.”

Wolter spent a decade at Virgin Records from 1997 through 2007, signing The Gorillaz, before spending another 10 years at RCA Records, before returning to Virgin under the Capitol Music Group umbrella in 2017, and then shifting to Republic in 2022. Beard, a longtime DJ, spent 10 years at Mike Caren’s APG, signing Charlie Puth, before moving to Republic.

“Wendy, Monte and Avery make you feel like anything is possible,” Beard said in a statement. “The way they balance being good people and being extremely competitive is one-of-a-kind. David and I are opposites. He’s a purist, I just love what people love. He has no filter, I’m measured. He’s tall, I’m short. We complement each other in every way. As an A&R, I want to make our artists feel comfortable and motivated to think as big as possible.”

Buju Banton Announces ‘Overcomer’ Tour Following First U.S. Shows In 13 Years: See the Dates

Last weekend (July 13-14), reggae and dancehall legend Buju Banton rocked New York’s UBS Arena for two bombastic sold-out shows — his first U.S. performances in 13 years. As it turns out, those two shows were just the beginning of Gargamel’s massive Stateside comeback.

Today (July 15), Billboard can exclusively reveal that the Grammy-winning superstar is mounting a 14-date U.S. arena trek dubbed ‘The Overcomer Tour.’ Three-time Grammy-nominated R&B singer-songwriter Fridayy will serve as the tour’s special guest. Produced by AG Touring, a Black-owned company, in association with Gargamel Music and XO Management, The Overcomer Tour will kick off on Aug. 24 at Amerant Bank Arena in Fort Lauderdale, Florida, and visit major U.S. cities such as Houston, Atlanta and Boston, before concluding on Nov. 17 at Barclay Center in Brooklyn, NY.

Fans can purchase tickets at Banton’s official website. Pre-sale begins Wednesday, July 16 at 10 a.m. local time; General onsale starts Friday, July 19 at 10 a.m. local time.

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“In each state of the United States of America, you have different synergy of people, different melting pot of ethnicities coming together. And when the music that they love comes around, they react in one harmonious way, just enjoying themselves,” Banaton tells Billboard via Zoom during a rehearsal break that was later crashed by the legendary Marcia Griffiths. “That’s a remarkable feeling to share among the masses. After not being here for quite some time, I look forward to reigniting that passion and euphoria.”

And it has been quite some time since the star last performed in the States. Just one day after he won the 2011 best reggae album Grammy for his timeless Before the Dawn, Banton’s criminal trial kicked off in Tampa, FL. He was ultimately convicted of conspiracy to possess with intent to distribute five or more kilograms of cocaine, possession of a firearm in furtherance of a drug-trafficking offense and using communication wires to facilitate a drug-trafficking offense, and sentenced to 10 years in federal prison.

The now 50-year-old spent eight years in Georgia’s McRae Correctional Institution and regained his freedom on Dec. 7, 2018. Since his release, Banton signed with Roc Nation and launched a pair of Grammy-nominated LPs: 2020’s Upside Down 2020 and 2023’s Born for Greatness. He has also appeared on several major film soundtracks — including 2020’s Bad Boys for Life and 2024’s The Book of Clarence — and returned to touring around the world, most notably with 2019’s Long Walk to Freedom concert in Kingston, Jamaica, his first post-release performance.

As he prepares to head back on the road, Banton is letting the music lead the way. “Music knows no time, so we don’t have a clock inside the rehearsal room,” he says. “We just do what the music calls us to, and when we feel like we’ve accomplished something, we call it a day and then resume the next day and reconvene.”

With a career that spans nearly 40 years, Banton has an extensive catalog to pull from. He has sent 12 projects to the top 10 of Reggae Albums, including 1997’s eight-week chart-topper Inna Heights. From “Make My Day” and “Champion” to “Wanna Be Loved,” “Blessed” and “Buried Alive,” Banton has soundtracked nearly four decades of dancehall and reggae, bringing the two genres to myriad global audiences and defining multiple generations along the way. Of course, such a deep discography complicates the task of crafting a tour setlist, and Banton isn’t particularly keen on remaining married to a particular collection of songs.

“My catalog is rather extensive, so to highlight one or two songs would be cheating a lot of people and will also be putting my foot in my mouth,” he jokes. “I don’t want to suffer from that deadly disease — foot and mouth disease. You don’t want to catch it! I try to make the masses a part of what I am doing in whatever way I can. We also try to poll to find out what’s the favorite in each territory. It’s important. In modern times we have so much tools, back in the day we didn’t have all this at our fingertips. I want to do more.”

Of course, with a new tour comes new music, and Banton promises a new album that’s “100% dancehall, hardcore roots reggae, something fi yuh skank on, fi di gyal dem bruk wild!” As Banton tells it, “the music needs help and that’s not a secret,” so, with his new record and tour, he hopes to “reignite the passion of reggae music and let [people] know it hasn’t died.” While he hasn’t decided if he wants to prioritize collaborations on the new album, he looks fondly at “Body Touching Body” and “Party Girls,” his two 2023 Victoria Monét duets. “I tried some R&Reggae with Victoria Monét and it was rather successful,” he reflects. “I like that mix of R&B and reggae.”

“I have been in this business since I was 19 years old making reggae music for the world. It’s been 36 years, going on 37 years,” Banton says. “I just [want to] lift up the name of the true and living creator and say ‘Hi’ and greetings and ‘I love you’ to all the good people who come out to see Buju Banton and have been supporting me throughout my struggles.”

Find the Overcomer Tour dates below. 

  • Aug. 24 — Ft. Lauderdale, FL — Amerant Bank Arena
  • Aug. 25 — Tampa, FL — Amalie Arena
  • Aug. 27 — Washington, DC — Capital One Arena
  • Aug. 30 — Boston, MA — TD Garden
  • Sept. 1 — Philadelphia, PA — Wells Fargo Center
  • Sept. 6 — Hartford, CT — XL Center
  • Sept. 8 — Atlanta, GA — State Farm Arena
  • Sept. 12 — Houston, TX — Toyota Center
  • Sept. 13 — Dallas, TX — American Airlines Center
  • Sept. 15 — Phoenix, AZ — Footprint Center
  • Sept. 18 — Inglewood, CA — Intuit Dome
  • Sept. 23 — San Jose, CA — SAP Center
  • Sept. 29 — Chicago, IL — Allstate Arena
  • Nov. 17 — Brooklyn, NY — Barclays Center

Wiz Khalifa Says He ‘Didn’t Mean Any Disrespect’ to Romania After Arrest For Lighting Up During Show

Wiz Khalifa took an unexpected detour to a Romanian jail over the weekend when the 36-year-old rapper (born Cameron Jibril Thomaz) ran afoul of the country’s drug laws while lighting up one of his omnipresent joints on stage.

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According to a translation of a press release from the Romanian anti-organized crime and terrorism agency DIICOT, “During a recital held during a music festival held in the Costinești resort, Constanța county, [Khalifa] possessed over 18 grams of cannabis (risk drug) and consumed (onstage) another amount of cannabis under the shape of a craft cigarette. We make it clear that, during the entire criminal process, the investigated persons benefit from the procedural rights and guarantees provided by the Code of Criminal Procedure, as well as the presumption of innocence.”

Khalifa, a longtime, enthusiastic proponent of cannabis was busted after performing at the Beach Please! Festival on Saturday night in the nation where recreational marijuana is illegal. In a video posted by fans, Khalifa can be seen lighting up a fat blunt on stage and later being escorted by a phalanx of police as he says, “don’t surround me… I ain’t going nowhere… I follow you,” presumably during his arrest.

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The rapper apologized on X following the arrest, writing, “Last nights show was amazing. I didn’t mean any disrespect to the country of Romania by lighting up on stage. They were respectful and let me go. I’ll be back soon. But without a big ass joint next time.” The Hollywood Reporter reported that Khalifa was charged with illegal drug possession before his release from custody.

At press time no additional information was available on Khalifa’s sanction in the incident or whether he will need to return to the country in the future for a follow-up court date; a spokesperson for the rapper had not returned a request for comment at press time.

Last month, Khalifa and girlfriend Aimee Aguilar announced that they were expecting their first child together. The pair did not reveal the due date for the baby girl, who will join the “Roll Up” MC’s 11-year-old son, Sebastian, with ex Amber Rose.

See Khalifa’s statement below.

BTS’ Jin Thanks ARMY For Support On 2024 Summer Olympics Torch Run Through Paris: ‘I Am Truly Grateful’

BTSJin has seen and done some amazing things during his band’s rocket ride to global fame over the past decade. But when he was tapped to be South Korea’s official representative in the Paris 2024 Olympic torch relay the 31-year-old K-pop star was beside himself with excitement.

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“It was an honor to be part of such a meaningful moment. I was able to take on the honorable role of a torchbearer thanks to the support of ARMY (BTS’ official fandom),” Jin said in a statement after participating in the relay on Sunday (July 14), which also happened to be Bastille Day. “I am truly grateful. I was so nervous to the point of not knowing how the time passed, but I was able to do my best thanks to the many people on site who loudly cheered me on,” he continued of the thrill of taking part in the relay whose themes are “harmony” and “peace.”

Fans lined the streets to get a glimpse of Jin — dressed all in white — as he grabbed the torch on the Rue de Rivoli from a torchbearer on a bicycle and led the portion of the run that went by the Louvre Museum. Surrounded by a police escort, Jin carried the flame around 200 meters (and approximately 10 minutes) before handing it back over to Sandra Laoura, a former French national freestyle skier in front of the iconic Louvre Pyramid.

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“I hope that all the South Korean national teams participating in the Paris Olympics accomplish outstanding results from their tremendous hard work,” Jin added. “I will be rooting for them wholeheartedly. I also hope that there will be continued interest in the 17th Paris 2024 Paralympics in August. I, too, will continue to work hard and always strive to put my best foot forward.”

The Torch Relay began, as always in Olympia, Greece and it is currently traveling through 65 territories across France and more than 400 cities in the run-up to the 2024 Summer Games opening ceremony in Paris on July 26. Jin was able to take on the honor this year after completing his mandatory South Korean military service on June 12, which made him the first member of the group to wrap his hitch as the boy band awaits its planned post-military reunion next year.

Check out some footage of Jin’s torch run below.


https://youtube.com/watch?v=6mOWeaQQZAs&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent