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Nancy Wilson, Lita Ford & Sheila E. Set for 3rd Annual Rock ‘N’ Roll Fantasy Camp

The third annual Rock ‘N’ Roll Fantasy Camp for women only will take place Dec. 5-8 in Los Angeles and feature such rock legends as  Nancy Wilson (Heart), Lita Ford (The Runaways), Sheila E. (Prince), Nita Strauss (Alice Cooper) and Rhonda Smith (Jeff Beck). 

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“Rock Fantasy Camp for women is a meaningful gathering of women together. As a military brat I never felt constrained by my gender,” Wilson tells Billboard. “Encouraging women to wield their power outside confining gender expectations is always a happy task for me.”

The capacity for the camp is around 80 campers divided into up to 14 bands. Each band is assigned a counselor who mentors them throughout the four days and helps prepare the musicians for the closing concert where they play with the rock headliners at the Viper Room on the Sunset Strip. The counselors themselves are a constellation of heavy hitters, including Roxy Petrucci (Vixen), Eva Gardner (P!nk), Jennie Vee (Eagles of Death Metal), Julia Lage (Vixen), Jennifer Oberle (Sarah McLachlan) and Britt Lightning (Vixen), who also serves as the event’s musical director. 

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Rock & Roll Fantasy Camp

Rock & Roll Fantasy Camp

Courtesy Photo

The camp is open to musicians of all levels, who are evaluated beforehand to make sure they are placed in the appropriate band and each participant is sent a song list to start rehearsing. The four days are filled with rehearsals, masterclasses, Q&As and jam sessions.

This year’s event will also include a panel of top women music executives, presented by Billboard, which serves as the Rock ‘N’ Roll Fantasy Camp’s media sponsor. 

“The Women’s Rock Camps have been some of the most supportive and uplifting camps I have seen in my 28 years of producing the Rock ‘N’ Roll Fantasy Camp,” says producer David Fishof. “The way these women are able to bond and be completely open about topics without judgment allows everyone to leave with so much joy and increased confidence. After observing it, I realized it would be a disservice to not continue producing annual Women’s Rock Camps.”

Lightning adds, “The campers gain friends for life and more importantly establish a network of females that share the same passion from all over the world. The sense of community is overwhelming and inspires not only the campers but the talent as well and allows dreams to be realized in music and beyond.”

Fishof has run the Rock ‘N’ Roll Fantasy Camp for more than 25 years, and participating rock stars have included Roger Daltrey, Steven Tyler, Alice Cooper, Joe Tyler, Slash, Paul Stanley and Sammy Hagar. 

For more information, go here

Charli XCX Taps Into Big Brat Energy at All-Star 32nd Birthday Party With Billie Eilish and Lorde

Charli XCX‘s big Brat summer marches on. The singer whose album title attitude and color scheme have been eagerly adopted by Vice President Kamala Harris’ presidential campaign — and plenty of others — celebrated her 32nd birthday in style on Saturday night (August 3) in Los Angeles.

According to reports, Charli’s A-list crew for the night included Twisters star Glen Powell, as well as Anya Taylor-Joy, Rosalía, Addison Rae, the Haim sisters, Sabrina Carpenter, Gracie Abrams, Rachel Sennott, Tove Lo, Finneas, Lukas Gage, Scout and Tallulah Willis and Nelly Furtado, among many others. But it was drop-bys from some of her musical collaborators that got Brat nation worked up.

According to fan-shot video of the night out, Charli and Lorde hopped up on couches to dance and sing along to the remix of Charli’s Brat anthem “Girl, so confusing,” with Charli clearly living it up in shades, tiny black shorts and a white shirt with a strategic cut out in front to show off her black bra. Lorde, also dressed in black and white, danced like everyone was looking, shouting the lyrics alongside Charli as the two danced hip-to-hip and hugged it out.

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Billie Eilish also dropped by the party in Silverlake to dance and sing along to the pair’s just-released “Guess” remix, with Billie rocking an oversized baseball jersey, lime green bandana and red-tinged shades for the party, where one of the gifts included a beautifully Brat-propriate bouquet of Calla Lilies mixed with cigarettes from Rosalía.

Charli’s U.S. Brat tour is slated to kick off on Sept. 14 at Little Caesars Arena in Detroit.

Watch fan video of the party below.

How AI is Creating a Wave of Innovation and Entrepreneurship That’s Reshaping the Music Industry (Guest Column)

We are in a transformative era of music technology.  

The music industry will continue to experience growth throughout the decade, with total music revenue reaching approximately $131 billion by 2030, according to Goldman Sachs. This lucrative business is built on streaming but also witnessing an unprecedented surge in innovation and entrepreneurship in artificial intelligence. With over 300,000 tech and media professionals laid off since the beginning of 2023, according to TechCrunch, a new wave of talent has been funneled into music tech startups. This influx, coupled with the dramatic decrease in cloud storage costs and the global rise of developer talent, has catalyzed the emergence of many startups (over 400 that we have tracked) dedicated to redefining the music business through AI.  

These music tech startups are not just changing the way music is made and released; they are reshaping the very fabric of the industry. They’re well-funded, too. After raising over $4.8 billion in 2022, music tech startups and companies raised almost $10 billion in funding in 2023, according to Digital Music News, indicating that venture capitalists and investors are highly optimistic about the future growth of music technology.  

As Matt Cartmell, CEO of Music Technology UK, said, “Our members want us to present the music tech sector as a highly investible proposition, educating investors about the opportunities that lie within. Music tech firms are also looking for innovative models of engagement with labels, DSPs and artists, as well as looking for our help to bring diverse talent into the industry, removing the barriers that continue to restrict individuals with passion and enthusiasm from a career in music technology.” 

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Riding this wave of investment, several startups have already made a splash in the music AI space. Below is an overview of a few of those companies and how they’re contributing to the industry’s rapid evolution. 

Generative AI: The New Frontier  

At the heart of this revolution is generative AI, a technology rapidly becoming indispensable for creators across the spectrum. From novices to professional artists and producers, AI-powered platforms offer unprecedented musical expression and innovation opportunities. It’s now possible for users without any formal musical training to craft songs in many genres, effectively democratizing music production. Music fans or content creators can utilize products that score their social content, while seasoned musicians can use these tools to enhance their creative workflows.  

“I like to think of generative AI as a new wave of musical instruments,” says Dr. Maya Ackerman, founder of Wave AI, a company that has introduced tools to aid human songwriters. “The most useful AI tools for artists are those that the musicians can ‘play,’ meaning that the musician is in full control, using the AI to aid in their self-expression rather than be hindered.” These tools focus on generating vocal melodies, chords and lyrics, emphasizing collaboration with musicians rather than replacing them. 

For non-professionals, one ambitious company, Beatoven.ai, is building a product to generate music in a host of different ways for many different use cases. “(Users) can get a piece of music generated and customize it as per their content without much knowledge of music,” says Siddharth Bhardwaj, co-founder/CTO of Beatoven. “Going forward, we are working on capturing their intent in the form of multimodal input (text, video, images and audio) and getting them as close to their requirements as possible.” 

The concept of “artist as an avatar” has become increasingly popular, which draws inspiration from the gaming community. Companies like CreateSafe, the startup powering Grimeself.tech, have built generative audio models that enable anyone to either license the voice of a well-known artist or replicate their own voice. This innovative approach also reflects the adaptive and forward-thinking nature of artists. Established artists like deadmau5, Richie Hawtin and Ólafur Arnalds have also delved into AI initiatives and investments. Furthermore, a few innovators are crafting AI music tools tailored for the gaming community, potentially paving the way for the fusion of music and gaming through real-time personalization and adaptive soundtracks during gameplay. 

The Community and Collaboration Ecosystem 

The journey of music creation is often fraught with challenges, including tedious workflows and a sense of isolation. Recognizing this, several startups are focusing on building communities around music creation and feedback. The Singapore-based music tech giant BandLab recently announced that it has acquired a user base of 100 million, making it one of the biggest success stories in this arena. “Our strength lies in our comprehensive approach to our audience’s needs. From the moment of inspiration to distribution, our platform is designed to be a complete toolkit for music creators and their journey,” says founder Meng Ro Kuok. There are several startups pioneering spaces where creators can collaborate, share insights and support each other, heralding a new era of collective creativity. 

A Toolkit for Every Aspect of Music Production 

This landscape of music tech startups offers a comprehensive toolkit that caters to every facet of the music creation process:

Track and Stem Organization. Platforms like Audioshake simplify the management of tracks and stems, streamlining the production process.  

Vocal & Instrument Addition. These technologies allow for the addition of any human voice or instrument sound to a recording environment, expanding the possibilities for frictionless creativity. 

Sound Libraries. Services provide or generate extensive libraries of samples, beats and sounds, offering artists a rich palette.  

Mix and Master. The process of mixing and mastering audio has historically relied heavily on human involvement. However, several startups are utilizing AI technology to automate these services for a more comprehensive audio production experience. Others also offer the ability to convert stereo songs to spatial audio. 

Remixing and Freelance Musicianship. Many platforms now offer creative and innovative solutions for remixing music. Additionally, some platforms allow users to easily source and connect with talented artists, session musicians and other music professionals. Need an orchestra? There are tech platforms that can arrange and source one for you remotely.  

The Future of Music Tech: A Vision of Inclusivity and Innovation 

The barriers that once kept people from participating in music creation are falling away. Now, anyone with a passion for sound can create content, engage with fans, find a community and even monetize their work. This more accessible and collaborative music ecosystem offers an exciting glimpse into a future where anyone can participate in the art of creation. The explosion of creators, facilitated by these technologies, also suggests a new economic opportunity for the industry to service this growing creator class.  

Drew Thurlow is the founder of Opening Ceremony Media where he advises music and music tech companies. Previously he was senior vp of A&R at Sony Music, and director of artists partnerships & industry relations at Pandora. His first book, about music & AI, will be released by Routledge in early 2026.

Rufy Anam Ghazi is a seasoned music business professional with over eight years of experience in product development, data analysis, research, business strategy, and partnerships. Known for her data-driven decision-making and innovative approach, she has successfully led product development, market analysis, and strategic growth initiatives, fostering strong industry relationships.

Jimin Gets a Surprise Visit From Sofia Carson in ‘Rebirth/Slow Dance’ Live Video

BTSJimin dropped a live video for a pair of songs from his MUSE solo album on Sunday (August 4), including a version of “Slow Dance” featuring a guest appearance from that track’s feature singer, Sofia Carson. In the first half of the six-plus minute clip, Jimin rides his falsetto to the top of a building, where he performs the midtempto MUSE track “Rebirth” with his live band with the city stretching out on the horizon behind them.

Wearing a black jacket with geometric patterns on the sleeves, Jimin croons the lyrics about being “special just for you” during the golden hour, with a slight orange haze hanging in the air. The scene then switches to night, as the “Slow Dance” title fills the screen in a string light font, announcing Carson’s arrival.

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As the band leans into the song’s slinky groove and the city’s lights burn in the distance, Jimin croons the ballad and Carson slowly comes into view as she climbs onto the roof in black shorts, a matching jacket and tuxedo-style shirt. The two singers then face-off mid-screen and trade vocals as one of Jimin’s band members busts out a soprano sax solo and the two vocalists walk slow circles around each other.

“Thanks to the band for playing with us today,” Jimin says in Korean as the tune winds down, adding in English, “thanks for slow dancing with me Sofia.” The “Applause” singer responds, “I loved slow dancing with you, Jimin” as the pair take their bows and thank each other. The video ends with a pan to the sky and the message “Special thanks to Jimin’s muse, ARMY.”

Jimin dropped the seven-track MUSE last month, marking the K-pop star’s second solo album. The effort was preceded by the pre-release track “Smeraldo Garden Marching Band” (featuring Loco) and “Closer Than This,” which dropped in December.

Watch Jimin’s “Rebirth/Slow Dance” video below.



The Kid Laroi Sets ‘The First Time’ Arena Tour of Australia

The Kid Laroi’s re-routed tour of Australia will visit arenas across the country this November.

Announced Monday (Aug. 5), Laroi will embark on a seven-city, eight-date tour starting Monday, Nov. 11 at Gold Coast Home Of The Arts, before moving on to Brisbane, Sydney, Perth, Adelaide, Hobart and wrapping up Nov. 29 and 30 at Melbourne’s Rod Laver Arena.

Migos founding member Quavo and controversial west Sydney drill unit OneFour will join the singer and rapper on the trek, produced by TEG Live.

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The rescheduled jaunt replaces an earlier, trans-Tasman stadium visit that was penciled in for February 2024, but was subsequently shelved.

“I’M COMING BACK HOMEE & BRINGING SOME FRIENDS WITH ME,” he writes on social media. “Thank you for being so patient with me & I’m sorry that this took so long. I love you guys beyond words & I promise we’re gonna make this special!!!!!!”

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Raised in inner-city Sydney, now based in Los Angeles, the singer, songwriter and rapper last played arenas in Australia in May and June 2022, for his End of the World Tour, produced by Handsome Tours and TEG Live.

The First Time Australia Tour will support Laroi’s debut full-length LP of the same name, which dropped Nov. 10 through Columbia/Sony Music, and opened at No. 3 on the national ARIA Chart. Album track “Girls” last week nabbed a piece of history, by being recognized with the very first Australian Chart #1 Award, celebrating homegrown successful on the Australian charts.

General public tickets will go on sale from Aug. 8 at 1pm local time via ticketek.com.au.

As a teen, the Gadigal-born artist with Kamilaroi roots smashed records on the elevator to the top. His debut mixtape F*ck Love from 2020 went to No. 1 on the Billboard 200 a full year after its release. Aged 17 at the time Laroi (born Charlton Kenneth Jeffrey Howard) was the first solo male Australian to hit No. 1 since Keith Urban’s Fuse in 2013.

When F*ck Love (Savage) ruled over the ARIA Albums Chart in February, 2021, the Kid was anointed as the youngest Australian solo artist to do so, at 17 years, 5 months and 22 days.

Along the way, he’s accumulated a collection of awards includes ARIAs and NIMAs, several Billboard Music Awards and a Grammy Award nomination for best newcomer.

The Kid Laroi’s “The First Time Australian Tour 2024
Nov. 11 — Gold Coast Home Of The Arts, Qld
Nov. 14 — Brisbane Entertainment Centre, Qld
Nov. 16 — Sydney Commbank Stadium, NSW
Nov. 20 — Perth Rac Arena, WA
Nov. 24 — Adelaide Entertainment Centre, SA
Nov. 27 — Hobart Mystate Bank Arena, Tas
Nov. 29 + 30 — Melbourne Rod Laver Arena, Vic

*Supported By Quavo And OneFour

Charli XCX’s ‘Guess’ Is the BRAT Summer Anthem Aiming for Top Spot on U.K. Singles Chart

Charli XCX is making serious headway in the U.K. chart race with her latest single, “Guess“.

With a viral remix featuring none other than Billie Eilish, Charli is ready to nab her first solo No. 1 hit in the U.K. It’s been a while since she reigned at the top—back in 2012, she soared to No. 1 as part of Icona Pop’s infectious banger, “I Love It“. Now, it looks like it’s finally Charli’s time to shine on her own.

Charli’s chart domination doesn’t stop there.

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Her track “Apple” is also expected to crash into the Top 10 for the very first time, according to an early update published by the Official Charts Company. Currently at No. 10, the summer anthem is proving to be an unstoppable force. Meanwhile, “360” is climbing higher, reaching a new midweek peak at No. 11.

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It’s safe to say Charli is on fire, and there’s no extinguishing BRAT summer.

In other chart news, Jordan Adetunji’s track “Kehlani” is set to hit a new high, rising to No. 13.

The boost comes thanks to a fresh remix featuring the actual Kehlani, adding some extra flair to the already popular track.

Not to be outdone, Adam Port, Stryv & KeineMusik are shaking up the dance scene with their hit “Move”, which is expected to leap three places to No. 15, marking a fresh peak for this dancefloor sensation.

And for a touch of nostalgia, get ready for *NSYNC to make a surprise comeback. Their classic hit “Bye Bye Bye” is set to re-enter the U.K. Top 20 at No. 16, marking the first time the song has been this high in the charts in a whopping 24 years. Originally peaking at No. 3 back in 2000, this resurgence is all thanks to the ongoing buzz around Deadpool & Wolverine.

As we await the final results this Friday, all eyes are on Charli XCX. Will she secure her first solo No. 1, or will the competition be too fierce?

One thing’s for sure—this week’s U.K. charts are shaping up to be an exciting ride for music fans everywhere, so stay tuned.

Watch Dave Grohl Rock Denver with a Surprise Cover of Tenacious D’s ‘Tribute’

Dave Grohl surprised fans at a Foo Fighters concert in Denver by performing an unexpected cover of Tenacious D’s “Tribute.”

During the acoustic section of the set at Empower Field on Aug. 3, Grohl took the mic and paid homage to his longtime friends and collaborators Jack Black and Kyle Gass.

“I only played the drums on that song,” Grohl quipped, recalling his contribution to the original track. You can check out the moment at the 1:31 mark below.

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But as fans know, the beloved rocker’s involvement with Tenacious D goes far beyond percussion.

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Grohl has played drums on all of Tenacious D’s albums and famously portrayed Satan in both the “Tribute” music video and the 2006 film Tenacious D in The Pick of Destiny, his devilish antics having become a beloved part of the band’s mythology.

The Foo Fighters‘ “Tribute” performance comes not long after Tenacious D found themselves in hot water over a controversial comment made during a show in Sydney on July 14.

When Jack Black asked Kyle Gass for his birthday wish, Gass replied, “Don’t miss Trump next time,” referencing the failed assassination attempt on former President Donald Trump. The remark drew major backlash, with an Australian senator calling for the band’s deportation and the Australian Prime Minister telling the band they needed to “grow up”.

In response, Tenacious D cancelled the rest of their tour and announced, “All future creative plans are on hold.”

Jack Black released a statement distancing himself from the controversial comments, saying in a statement that he was “blindsided” by his bandmate.

“I would never condone hate speech or encourage political violence in any form,” Black wrote on Instagram before announcing the cancellation of the tour.

Kyle Gass also faced professional repercussions, reportedly being dropped by his agent.

In the midst of this controversy, Grohl’s Denver performance seemed to offer a light-hearted show of support for his friends.

“Tribute,” released in 2002, became Tenacious D’s breakthrough hit, reaching No. 4 on the U.K. Singles Chart and peaking at No. 84 on Billboard’s Bubbling Under Hot 100 chart.

The “Tribute” music video, featuring Grohl as the devil, has amassed over 124 million views on YouTube since its release.



Guess Who’s Back? Eminem Reigns Over U.K. Charts for Third Week Running

Eminem proves that Slim Shady is well and truly back as he clinches the U.K. No. 1 spot for the third week in a row with his latest album, The Death of Slim Shady (Coup de Grâce).

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The Detroit rap icon has once again proven his staying power with this 12th studio album, which marks his 11th No. 1 in the U.K.

Slim is still king of the hill, holding off a strong push from Taylor Swift, whose album The Tortured Poets Department leaps two spots to No. 2 on the Official U.K. Albums Chart.

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Meanwhile, Charli XCX is riding the wave of her BRAT summer. Her album BRAT, a 2024 Mercury Prize nominee, climbs three spots to land at No. 3. With a newly-released remix of “Guess” featuring Billie Eilish, Charli is making sure her summer anthem is on everyone’s playlist.

Chappell Roan is also having a moment with her debut album The Rise and Fall of a Midwest Princess. Rising three spots to No. 4, Chappell’s poised to make even bigger moves.

Billie Eilish, not one to be left in the dust, sees her album HIT ME HARD AND SOFT bounce back into the Top 5 at No. 5.

Meanwhile, Blur have delivered a nostalgic punch with Live at Wembley Stadium. Recorded over two nights in July 2023, this live album debuts at No. 6, becoming the week’s highest new entry and topping the Official Vinyl Albums Chart. It also marks Blur’s 14th Top 10 album. Live at Wembley Stadium was the leader at the midweek stage.

Sam Tompkins is making waves with his album hi, my name is insecure.—a fresh entry at No. 8 that also conquers the Official Record Store Chart and is the best-selling album of the week in independent U.K. record shops.

Over in the world of heavy metal, Swedish band Ghost hits a high note with their latest release, Rite Here Rite Now. Entering at No. 10, the album is the soundtrack to their concert film and adds another Top 10 achievement to their growing list of successes.

And there’s a blast from the past as The Police storm back into the Top 40 with their classic, final studio album Synchronicity. Thanks to a super deluxe reissue, it reclaims its spot at No. 30, a 40 years after its original release.

Benson Boone is also enjoying a resurgence, with his debut Fireworks & Rollerblades jumping 13 places to No. 31 after hitting the shelves on vinyl.

Rounding out this week’s chart action is Céline Dion, whose My Love – The Essential Collection vaults an impressive 32 spots to No. 36. Her performance of Édith Piaf’s “Hymne A L’Amour” at the 2024 Olympic Games in Paris marked her first in four years due to her battle with Stiff-Person Syndrome.

Sabrina Carpenter Keeps Chappell Roan’s ‘Good Luck, Babe!’ In Check to Hold U.K. Chart Lead

Sabrina Carpenter holds onto the U.K. No. 1 spot with her hit single “Please Please Please” for a fifth non-consecutive week.

Despite fierce competition from rising star Chappell Roan, Sabrina’s catchy country-pop track continues to captivate fans and dominate the Official Singles Chart.

While Sabrina enjoys her chart-topping success, Chappell Roan is not far behind. Her infectious anthem “Good Luck, Babe!” has been steadily climbing the charts for an impressive 17 weeks, reaching a new peak at No. 2.

With momentum on her side, Chappell is a strong contender to challenge Sabrina for the No. 1 spot next week.

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That’s not all for Chappell Roan. Her previous hits are gaining traction as well, with “Red Wine Supernova” moving up to No. 38. Her 2023 debut album, The Rise and Fall of a Midwest Princess, is also climbing the Official Albums Chart, peaking at No. 4.

Meanwhile, Luton-born singer-songwriter Myles Smith celebrates a new peak as his dreamy track “Stargazing” lands at No. 4. Joining him in the Top 5 is Dasha with her country hit “Austin,” which surges into the fifth spot after 23 weeks on the chart, and marks Dasha’s first time breaking into the Top 5.

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The trio Bl3SS, CamrinWatsin, and bbyclose have achieved a milestone as their collaboration “Kisses” cracks the Top 10 for the first time, climbing six spots to No. 7.

As BRAT summer heats up, Charli XCX is having a moment with two tracks making impressive leaps on the charts. “360” is up six spots to No. 12, while the viral sensation “Apple” makes an even bigger splash, jumping nine places to No. 14. Charli is proving that she’s more than just a pop star—she’s a chart star with hits to spare.

Irish singer and rapper Jordan Adetunji continues his upward climb as “KEHLANI” moves up two spots to No. 15.

Adam Port, Stryv, and Keinemusik make their debut in the Top 20 with “Move,” jumping seven places to No. 18.

Teddy Swims finds himself at a new peak with his emotional ballad “The Door” landing at No. 24. Meanwhile, Post Malone and Luke Combs make a strong entry with “Guy For That” debuting at No. 26, blending their unique styles into a chart-worthy hit.

In a welcome nostalgic twist, *NSYNC’s timeless classic “Bye Bye Bye” returns to the U.K. Top 40 for the first time in 24 years, thanks to its placement in the Marvel blockbuster Deadpool & Wolverine. Originally peaking at No. 3 in 2000, the track now sits comfortably at No. 30.

Central Cee also makes waves with his new hit “gen z luv” debuting at No. 34. Bruce Springsteen’s iconic “Dancing In The Dark” finds a new peak in 2024, landing at No. 35. At the same time, Calvin Harris and Ellie Goulding’s latest collaboration “Free” debuts at No. 36.

The collaboration between Majestic, Jammin’ Kid, and Céline Dion achieves a new peak with “Set My Heart On Fire” reaching No. 39. The track, which samples Céline’s 2000 hit “I’m Alive,” has gained traction following her emotional live performance at the 2024 Olympic Games opening ceremony in Paris. It marked Céline’s first performance since being diagnosed with stiff person syndrome (SPS) in 2022.

Stay tuned to see who will claim the top spot next week and what surprises the charts have in store.

Adele Halts Her Munich Concert to Watch Women’s 100M Final at 2024 Summer Olympics

Adele didn’t let her live show get in the way of watching the 2024 Summer Olympics.

During her concert in Munich on Saturday (Aug. 3), the 36-year-old British songstress paused her performance to watch the women’s 100-meter final in Paris, as seen in a fan-captured clip posted on the X (formerly Twitter) account for NBC Olympics.

The “Easy on Me” singer then broadcast the 11-second race on the big screen for all 75,000-something fans at the custom-built Adele Arena, where her 10-night residency launched on Friday.

The Munich crowd fell to a hush as Julien Alfred of Saint Lucia took home the gold medal, finishing the race in 10.72 seconds. U.S. stars Sha’carri Richardson and Melissa Jefferson won silver and bronze, respectively.

After Alfred’s victory, which marked Saint Lucia’s first Olympic gold medal in history, Adele asked the audience to give the runner a hand for the accomplishment.

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“Let’s give her a round of applause!” the 16-time Grammy winner said. “Let’s get on with the show. Fantastic, St. Lucia!”

Adele also had the Olympics on her mind during the opening night of the mini-residency on Friday.

“… While I was watching world-class athletes, I’d be like, ‘Oh that landing was a bit dodgy, wasn’t it? Oh her legs weren’t really straight,’ Meanwhile, if I tried anything that they do, I’d be dead,” she said in a fan-captured video from the show. “I’d absolutely die if I tried to even do a little, any kind of movement at all.”

During the concert, Adele also gave props to U.S. gymnast Simone Biles for winning multiple gold medals, calling her “absolutely brilliant.”

Adele’s 10-night stand in Munich concludes Aug. 31. See a full recap of the opening night here. The singer’s Weekends With Adele residency at Las Vegas’ Colosseum at Caesars Palace picks back up in October.