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Lisa Loeb to Keynote Guild of Music Supervisors’ 2024 State of Music in Media Conference

Singer/songwriter Lisa Loeb will keynote the Guild of Music Supervisors’ 10th annual State of Music in Media Conference, which will take place on Saturday, Aug. 17 at the West LA College campus in Culver City, Calif. People can also attend virtually, via a live stream on Zoom. The all-day conference encompasses the use of music in film, TV, video games, advertising and trailers.

Thirty years ago this month, Lisa Loeb & Nine Stories became the first artist to top the Billboard Hot 100 before being personally signed to a record label. She achieved the feat with her song “Stay (I Miss You),” which was heard in the film Reality Bites. It topped the chart for the first three weeks of August 1994.

Other speakers include director Doug Liman and music supervisors Julianne Jordan, Amanda Krieg Thomas, John Houlihan, Carolyn Owens, Steven Gizicki, Trygge Toven, Joel C. High, Thomas Golubić, Catherine Grieves and Burt Blackarach. In addition, Julia Michels, president of the Los Angeles chapter of the Recording Academy, and Qiana Conley Akinro, senior executive director of the L.A. chapter, will speak.

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Programming highlights include:

  •     Opening remarks from GMS president Lindsay Wolfington and GMS vp Heather Guibert
  •     Celebrating the 2024 Primetime Emmy nominees for outstanding music supervision
  •     AI: Challenges and Changes to the Industry and New Opportunities for Creatives
  •     A conversation with music supervisor Julianne Jordan & director Doug Liman
  •     Live listening session with music supervisors
  •     Art Meets Commerce: What Makes Trailer Music Supervision Different
  •     FALLOUT: From Game to Streaming Series
  •     From Coordinator to Supervisor: Navigating the Leap

GMS is offering a one-on-one networking session for aspiring music supervisors to meet GMS members working in the field of music supervision. This opportunity is open to aspiring music supervisors only. Conference attendance and pre-event sign-up are required.

GMS’ first-ever music supervisor listening session will feature music supervisors giving live feedback on five songs selected from Friend of the Guild (“FOG”) submissions. Participants can learn how top music supervisors in TV, film, video games, ads and trailers respond to tracks when considering them for placement.

A conference ticket purchase comes with a complimentary “Friend of the Guild” subscription, granting access to future events and networking opportunities. To learn more and buy tickets, visit the GMS Media Conference site.

SiriusXM & Other Radio Stocks Struggle on Soft Earnings Reports, K-Pop Shares Make Gains

Radio stocks struggled this week as companies’ second-quarter earnings revealed additional revenue losses. 

SiriusXM shares fell 15.6% after the company’s second-quarter earnings on Thursday (Aug. 1) showed a loss of 173,000 satellite radio subscribers and 41,000 Pandora subscribers. Revenue fell 3% to $2.18 billion, although net profit improved 2% to $316 million. In the first quarter, SiriusXM lost 594,000 subscribers, although revenue improved 0.8% to $2.16 billion.

SiriusXM is trying to thread the needle as it expands its product line and gives consumers more options. The new $9.99-per-month streaming service is intended to appeal to a broader audience than potential satellite radio subscribers. At the same time, the company is introducing new pricing tiers for satellite radio, including a $9.99 music-only subscription that can expand to news, talk and sports for additional fees. The trick is not cannibalizing its core, higher-priced satellite offering. “The early results in our testing have been encouraging,” CEO Jennifer Witz said during Thursday’s earnings call. “It shows that we’re getting consumers into the right packages for them.”

Shares of radio broadcaster Cumulus Media fell 21% to $1.62 and dropped as far as $1.29 on Friday (Aug. 2) — a 52-week low — after the company’s second-quarter earnings showed that revenue fell 2.5% and net loss increased to $27.7 million from $1.1 million a year earlier. iHeartMedia, which doesn’t report earnings until Thursday (Aug. 8), appeared to be a casualty of Cumulus Media’s results as its shares fell 12.9% to $1.49. 

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Collectively, radio companies have had the worst stock performance of all music companies this year. Year to date, Cumulus Media is down 69.5%, iHeartMedia has fallen 44.2% and SiriusXM is off 42.6%. Only JYP Entertainment, which has fallen 44.3% year to date, has suffered a similar drop.  

The Billboard Global Music Index (BGMI), a measure of the market capitalizations of 20 publicly traded music companies, fell 1.1% to 1,739.18. Even though 13 of the 20 stocks lost ground — five of them suffering double-digit declines — gains by some of the index’s most valuable companies nearly offset the losses. HYBE improved 5.3% to 180,800 won ($139.01). Spotify gained 2.8% to $331.02. And Universal Music Group (UMG) rose 0.5% to 21.44 euros ($23.41). 

Music stocks have had a case of the summer doldrums after soaring in the winter and spring. The BGMI has fallen for four consecutive weeks and stands 5.9% below its all-time high of 1,847.64 set on May 17. On Friday, the index reached its lowest point since April 19. 

Music companies’ losses were compounded by sharp declines in U.S. stock markets on Friday after news that the unemployment rate rose in July stoked fears the economy could enter a recession. The tech-heavy Nasdaq fell 3.4% this week and stood in “correction” territory, at 10.1% below its all-time high set on July 11. Amazon fell 8.0% after missing revenue expectations and providing investors with a disappointing forecast. Intel fell 31.5% after announcing broad layoffs, reporting a decline in quarterly revenue and issuing weak guidance. 

The S&P 500 dropped 2.1% to 5,346.56. In the United Kingdom, the FTSE 100 gained 2.3% to 8,474.71. South Korea’s KOSPI composite index dropped 2.0% to 2,676.19. China’s Shanghai Composite Index improved 0.5% to 2,905.34. 

The week’s greatest gainer was K-pop company JYP Entertainment, which rose 6% to 56,400 won ($41.53). JYP was added to the BGMI this week after Hipgnosis Songs Fund was removed from the London Stock Exchange once its acquisition by Blackstone was completed. Three other K-pop companies were among the week’s few gainers: HYBE improved 5.3%, YG Entertainment rose 2.1% and and SM Entertainment increased 1.0%. 

Reservoir Media dropped 14.4% to $7.37 after releasing its quarterly earnings on Wednesday (July 31). Tencent Music Entertainment, which will report earnings on Aug. 13, fell 10.5% to $12.62. Warner Music Group (WMG) fell 5.3% to $28.26. In the wake of UMG’s latest earnings results, which showed a slowdown in subscription revenue, J.P. Morgan dropped its price target on shares of WMG — which will report earnings on Aug. 7 — to $41.00 from $42.00.

U.S. Justice Department Sues TikTok, Accusing the Company of Illegally Collecting Children’s Data

The Justice Department sued TikTok on Friday, accusing the company of violating children’s online privacy law and running afoul of a settlement it had reached with another federal agency.

The complaint, filed together with the Federal Trade Commission in a California federal court, comes as the U.S. and the prominent social media company are embroiled in yet another legal battle that will determine if – or how – TikTok will continue to operate in the country.

The latest lawsuit focuses on allegations that TikTok, a trend-setting platform popular among young users, and its China-based parent company ByteDance violated a federal law that requires kid-oriented apps and websites to get parental consent before collecting personal information of children under 13. It also says the companies failed to honor requests from parents who wanted their children’s accounts deleted, and chose not to delete accounts even when the firms knew they belonged to kids under 13.

“This action is necessary to prevent the defendants, who are repeat offenders and operate on a massive scale, from collecting and using young children’s private information without any parental consent or control,” Brian M. Boynton, head of the Justice Department’s Civil Division, said in a statement.

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TikTok said it disagreed with the allegations, “many of which relate to past events and practices that are factually inaccurate or have been addressed.”

“We offer age-appropriate experiences with stringent safeguards, proactively remove suspected underage users and have voluntarily launched features such as default screentime limits, Family Pairing, and additional privacy protections for minors,” the company said in a statement.

The U.S. decided to file the lawsuit following an investigation by the FTC that looked into whether the companies were complying with a previous settlement involving TikTok’s predecessor, Musical.ly.

In 2019, the federal government sued Musical.ly, alleging it violated the Children’s Online Privacy Protection Act, or COPPA, by failing to notify parents about its collection and use of personal information for kids under 13.

That same year, Musical.ly — acquired by ByteDance in 2017 and merged with TikTok — agreed to pay $5.7 million to resolve those allegations. The two companies were also subject to a court order requiring them to comply with COPPA, which the government says hasn’t happened.

In the complaint, the Justice Department and the FTC allege TikTok has knowingly allowed children to create accounts and retained their personal information without notifying their parents. This practice extends to accounts created in “Kids Mode,” a version of TikTok for children under 13. The feature allows users to view videos but bars them from uploading content.

The two agencies allege the information collected included activities on the app and other identifiers used to build user profiles. They also accuse TikTok of sharing the data with other companies – such as Meta’s Facebook and an analytics company called AppsFlyer – to persuade “Kids Mode” users to be on the platform more, a practice TikTok called “re-targeting less active users.”

The complaint says TikTok also allowed children to create accounts without having to provide their age, or obtain parental approval, by using credentials from third-party services. It classified these as “age unknown” accounts, which the agencies say have grown into millions.

After parents discovered some of their children’s accounts and asked for them to be deleted, federal officials said TikTok asked them to go through a convoluted process to deactivate them and frequently did not honor their requests.

Overall, the government said TikTok employed deficient policies that were unable to prevent children’s accounts from proliferating on its app and suggested the company was not taking the issue seriously. In at least some periods since 2019, the complaint said TikTok’s human moderators spent an average of five to seven seconds reviewing accounts flagged as potentially belonging to a child. It also said TikTok and ByteDance have technology they can use to identify and remove children’s accounts, but do not use them for that reason.

The alleged violations have resulted in millions of children under 13 using the regular TikTok app, allowing them to interact with adults and access adult content, the complaint said.

In March, a person with the matter had told the AP the FTC’s investigation was also looking into whether TikTok violated a portion of federal law that prohibits “unfair and deceptive” business practices by denying that individuals in China had access to U.S. user data.

Those allegations were not included in the complaint, which is asking the court to fine the companies and enter a preliminary injunction to prevent future violations.

Other social media companies have also come under fire for how they’ve handled children’s data.

In 2019, Google and YouTube agreed to pay a $170 million fine to settle allegations that the popular video site had illegally collected personal information on children without their parents’ consent.

And last fall, dozens of U.S. states sued Meta Platforms Inc., which owns Facebook and Instagram, for harming young people and contributing to the youth mental health crisis by knowingly and deliberately designing features on Instagram and Facebook that addict children to its platforms. A lawsuit filed by 33 states claims that Meta routinely collects data on children under 13 without their parents’ consent, in violation of COPPA. Nine attorneys general are also filing lawsuits in their respective states, bringing the total number of states taking action to 41 plus Washington, D.C.

This story was originally published by the Associated Press.

Reviewers Call This $38 Drunk Elephant Luxury Face Oil ‘The Holy Grail’ for Dry Skin: Shop Now 

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Are you looking to level up your skincare routine? If you have been scrolling on TikTok, you might have come across the Drunk Elephant Virgin Marula Luxury Face Oil. This highly acclaimed vegan and cruelty-free facial oil is known for its superior blend of antioxidants and essential fatty acids, particularly omegas 6 and 9.

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Omega 6 helps retain moister, which prevents dryness and keeps the skin hydrated. It also has anti-inflammatory properties to help soothe irritated skin and reduce redness. On the other hand, Omega 9 can help enhance skin hydration and elasticity. Together, they support healthy skin barrier and contribute to a smoother, more radiant complexion. The oil’s formula is designed to deeply penetrate the skin to restore and balance your complexion. According to the brand, the oil is “light” and “super absorbable.”

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You can find the Drunk Elephant Virgin Marula Luxury Face Oil online at Sephora, Drunkelephant.com, Ulta Beauty, and Walmart.

Want free shipping on Walmart items? Join Walmart+ for free for the first 30 days. The membership includes free shipping and free delivery from your local store, free Paramount+ and so much more!

Sephora

Drunk Elephant Virgin Marula Luxury Face Oil

If you are still on the fence on whether or not to add this face oil to your skincare routine, check out the reviews. One Sephora customer said, “I have exceptionally dry skin and this is a holy grail for me. A little goes a long way, I usually just add a few drops to my moisturizer at night and it has been keeping my skin hydrated.”

The brand recommends applying it “two to three drops evenly” onto your face. You can also use it in other areas of your body where you experience the most dryness, like your hands, neck, chest, or the back of your arms.

For more product recommendations, check out the La Roche-Posay moisturizer and cleanser, these Starface’s Hydro-Star Pimple Patches, and Selena Gomez’s Rare Beauty Body Wash collection.

TWS Launches GRAMMY Museum’s ‘HYBE: We Believe In Music’ Exhibit | All Access | Billboard News

TWS helped launch the GRAMMY Museum’s ‘HYBE: We Believe In Music’ Exhibit where it showcased various artifacts from HYBE’s K-Pop groups from BTS, SEVENTEEN, and more. Keep watching for a sneak peek!

TWS:

Seeing the footsteps of so many of the senior groups made us realize that we should be great artists too. 

Tetris Kelly:

TWS helped kick off the GRAMMY Museum’s ‘HYBE: We Believe In Music’ Exhibit, which is open today, in Los Angeles. And Billboard and the band were on site to bring you all the access. 

TWS:

I grew up watching and listening to K-pop at a very young age. 

Tetris Kelly:

TWS, one of HYBE’s newest groups that debuted in January of this year, and joins the ranks of some of the epic K-Pop global groups to be featured at the GRAMMY Museum. 

TWS:

So I am very honored to be here today at the GRAMMY Museum and to see the bracelets we wore on display.

Tetris Kelly:

Along with their bracelets, the exhibit, which runs through September 15th, displays outfits, accessories and artifacts from HYBE groups that span two decades. SEVENTEEN, LE SSERAFIM, ENHYPEN, TOMORROW X TOGETHER, and of course, BTS, have all contributed to the exhibit. It also features items from some of their newer groups, BOYNEXTDOOR, &TEAM, and their newest group, KATSEYE.

TWS: 

I want to say, we’re working hard to show our various sides in our performances and on stage, so please look forward to it. We’re trying our best, thank you!

Tetris Kelly:

TWS helped celebrate the launch of the exhibit by doing a Q&A and giving fans a performance. 

TWS:

Every moment is a precious opportunity for us. Thank you. 

Keep watching for more!

Aerosmith Announces Retirement From Touring Amid Steven Tyler’s Ongoing Vocal Cord Injury

Three months after Aerosmith rescheduled the remaining dates of their Peace Out farewell tour, the group has officially announced their retirement from touring amid Steven Tyler‘s ongoing vocal cord injury.

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The rock band took to social media on Friday (Aug. 2) to share a statement announcing the news. “It was 1970 when a spark of inspiration became Aerosmith. Thanks to you, our Blue Army, that spark caught flame and has been burning for over five decades. Some of you have been with us since the beginning and all of you are the reason we made rock ‘n’ roll history,” the statement began. “It has been the honor of our lives to have our music become part of yours. In every club, on every massive tour and at moments grand and private you have given us a place in the soundtrack of your lives.”

The statement continued that Tyler “has spent months tirelessly working on getting his voice to where it was before his injury,” before adding, “We’ve seen him struggling despite having the best medical team by his side. Sadly, it is clear, that a full recovery from his vocal injury is not possible. We have made a heartbreaking and difficult, but necessary, decision – as a band of brothers – to retire from the touring stage.”

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Aerosmith thanked their crew and team before concluding with a message to their fans. “A final thank you to you – the best fans on planet Earth. Play our music loud, now and always. Dream On. You’ve made our dreams come true,” they wrote, noting that all tickets purchased will be refunded.

See the post here.

Tyler first revealed that he injured his voice in September 2023. “I’m heartbroken to say I have received strict doctor’s orders not to sing for the next thirty days,” the veteran singer explained at the time. “I sustained vocal cord damage during Saturday’s show that led to subsequent bleeding. 

Aerosmith, formed in 1970 by Tyler, guitarist Joe Perry and bassist Tom Hamilton, were inducted into the Rock And Roll Hall of Fame in 2001.

Boldy James & Harry Fraud Drop New Single ‘Cecil Fielder’ Feat. Tee Grizzley, Announce Album

Boldy James has been on a run for the ages this year.

First he dropped the critically acclaimed album Penalty of Leadership with producer Nicholas Craven and then followed that up with another great project in Across the Tracks alongside Griselda producer Conductor Williams.

He now plans to release yet another “He’s the producer, I’m the rapper” collab album. This time he’s linking up with NYC mainstay Harry Fraud and just put out the lead single in “Cecil Fielder” featuring fellow Detroiter Tee Grizzley. The new song features the two Detroit rappers spittin’ that “real authentic D-Boy sh–,” as Tee points out at the top of the track, with the title name-dropping a Detroit Tigers legend in Fielder. Harry laces them with some smooth production, a sound that he’s cultivated and made his signature over the years.

Bars like, “Couple points on them joints, I can’t complain at all/ Real D-boy from Detroit, came up on yay and dog/ Probably should hang it up before them bi—es frame us all/ Nah, n—as ain’t gang with us if we ain’t felt no pain with y’all” from Boldy, and “Twelfth birthday, my pops gave me a stack and that sh– smelt like crack/ Before God gave me all these dreams to rap, I dreamed of scorpion stamps” from Tee prove why these guys are two of the best when it comes to raps about Detroit street life.

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Boldy has been keeping himself busy. We already mentioned the two albums he’s already put out in 2024, he recently released a video loosie with frequent collaborator The Alchemist, as well. “Ten Pints” isn’t attached to an upcoming tape from them as far as we know. However, we will make sure to keep our ear to the street in that regard.

There hasn’t been a date set yet for The Bricktionary, but it’s slated to release before the year is up. We hope it’s sooner rather than later.

20 Things You Didn’t See During KCON LA 2024 Weekend

While KCON has long been heralded as the Mecca for K-pop fans, a new party that launched amid the 2024 Los Angeles date could also make it a must-attend for those in the industry as well.

What was meant to be a night to celebrate K-pop ended up being a cross-industry collaboration event hosted by Day 13, a new joint venture merger between K-pop and marketing expert Jenny Zha with Keith Kawamura, the anime and gaming marketing veteran who is also CEO of 3i Productions. Following KCON LA’s second day of concerts on Saturday, July 27, artists, execs, and influencers were on their way to downtown LA hot spot Hatch.

Notable attendees included KCON performers like K-pop star and American Song Contest winner AleXa, as well as Mikha of the Filipino girl group BINI — both of whom enjoyed bites and drinks in the roped-off back section of Hatch with friends like The Kelly Clarkson Show producer Jasmine Stephen, songwriter Vanessa Jefferson whose love of K-pop has been long documented by her sister Lizzo, and Henry Jiang of OfflineTV who talked to AleXa about their interest and collaborating in the game space.

“With the inaugural Day 13 industry party, we wanted to bring everyone together to create more avenues for ideation, and establish a longstanding tradition that can give way to even more exciting cross-collaboration projects,” Zha reflects to Billboard. “Subcultures like K-pop and anime are so pervasive it’s now part of mainstream conversation — especially at the forefront for key stakeholders behind-the-scenes.”

A host of journalists, publicists and other media figures that long worked in the K-pop space were also in attendance. Lively discussions included the extra effort being put into ILLIT’s comeback single, ATEEZ’s recent move to United Talent Agency, excitement and inquiries about TITAN CONTENTS’ first girl group AtHeart (originally revealed on Billboard), a K-pop act’s upcoming song collaboration in partnership with Netflix, a new K-pop artist’s signing with a U.S. PR, gripes about working with and guesses about the future of one major Korean agency, as well as tons more juicy tidbits to compete with Hatch’s wagyu and wasabi skewer.

Also in attendance was award-winning actress and dancer Krystal Ellsworth (who blew up in India after starring in the 2017 flick Heartbeats that was shot in the country). Brian Chau of CAA was in the house, linking up Konami and Bandai Games over drinks to explore how talents could be further integrated in a convo about video gaming industry.

Influencers like “The Transition Guy” Jonny Tran (930,000 TikTok followers) and Twitch streamer iGumdrop (with nearly 300,000 Twitch followers and 450,000 Instagram followers) were seen connecting with members of Sony’s Santa Monica Studios — producers behind the God of War franchise – for collaboration opportunities.

Finneas Defends Billie Eilish After Commenter Calls Her Charli XCX ‘Guess’ Verse ‘Predatory’

Finneas is coming to his little sister’s defense after a commenter labeled Billie Eilish‘s verse on the Charli XCX “Guess” remix “predatory.”

The takedown occurred in the comment section of a TikTok posted Friday (Aug. 2), in which a user wrote that the 22-year-old singer’s lyrics on the Brat deluxe track were “highkey predatory,” accusing her of “queerbaiting” and “reducing girls to mere objects, all in an effort to convince the masses that she’s actually into them.” The remark appears to be in response to the part of “Guess” where Eilish sings, “Charli likes boys, but she knows I’d hit it/ Charli, call me if you’re with it.”

The producer, however, was having none of it. “What a take you little clown,” he wrote. “I got to watch the entire internet slam my sister for queer-baiting for an entire year when in reality, you were all forcing her to label and out herself.”

It’s unclear whether the user who posted the criticism was coming from a genuine place or simply trying to stir the pot, but Finneas’ point still stands. Eilish has been open about how challenging it’s been for her to speak about her sexuality on her own terms while growing up in the public eye, especially as she’s faced backlash for supposedly queerbaiting — or disingenuously pandering to LGBTQ audiences for commercial gain — since 2019’s “Wish U Were Gay.”

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The two-time Oscar winner was met with similar allegations in 2021 for dancing sensuously with women in her “Lost Cause” music video. At the time, Eilish didn’t publicly identify as part of the LGBTQ community; in November 2023, however, she revealed to Variety that she’s “physically attracted” to women, soon after which she accused the outlet of “outing” her on a subsequent red carpet.

“i like boys and girls leave me alone about it please literally who cares,” she added on Instagram Stories at the time.

Eilish has since grown more comfortable speaking — and singing — about her sexuality. Before “Guess,” she mused about lusting after a female love interest on her Billboard Hot 100 hit “Lunch,” and in her April Rolling Stone cover story, she said, “I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina.”

“Who f—ing cares? The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it,” she continued in the article. “Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”

A$AP Rocky Calls Out Rappers Who ‘Stole the Flow’ on New Single ‘Highjack’

A$AP Rocky has released the lead single from his upcoming album Don’t Be Dumb.

Produced by Greg Kurstin, Jordan Patrick, Zach Fogarty, Hitkidd and Rocky himself, “Highjack” shows the Harlem rapper getting back in his bag of being one of the most confident rappers out. With bars like “Don’t compare that p—y boy to me (I don’t like that)/ Feelin’ like I’m Sosa, Chiefie Keef (I don’t like that)/ Tired of them n—as sleepin’ on me, I don’t like naps/ N—as f— around and stole the flow and y’all like that?,” he’s leaving things up to interpretation, and we’re sure fans will speculate online about whom he’s referring to exactly.

Those aren’t the only lines packed with subliminals.

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“Before we dropped ‘Peso’ on you n—as, you ain’t like Raf/ N—as want a feature from me? This ain’t a life raft” and “These n—as want my wife bad, the people want my next track/ The coppers want my Black a–, f—ed up, but it’s like that” shows Rocky reminding the game about his influence.

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Rocky spoke with Apple Music’s Zane Lowe recently and he talked about his new music and fatherhood.

About his new single, Rocky had this to say: “I feel like the real is back, man, and it’s just like, this sh– is for the taking. It’s a highjack. Not only that, it’s just we coming with a whole new aesthetic on everything, especially with German expressionism and the whole ghetto futurism grim thing. So that’s just what the sound sounds like and whatnot. The sonics of it.”

About tapping Jessica Pratt and Jon Batiste for a couple unlikely features on “Highjack,” he said this: “I just love alternative. I love just different sounds and whatnot. [Jessica Pratt] kind of gave me this kind of Portishead meets Stevie Nicks vibe a little bit. … So I always f—ed with her as a artist, and so I figured it was necessary to get her, Jon Batiste on this one and kind of make it feel soulful to bring it on home in the outro.”

And on fatherhood influencing his new music, he told Lowe: “I got more personal vulnerable things to talk about and whatnot, and it’s just, I think the trick is having that fine balance of just entertaining and telling a story or giving something, telling somebody listening and view something informative about you and whatnot.”

Don’t Be Dumb is set to release Aug. 30.

You can watch the Zane Lowe Apple Music interview below.