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Source: NurPhoto / Getty / Apple / Siri
If Siri recorded your private conversation, you can expect a payment as part of a $95 million Apple settlement agreement.
Spotted on The Verge, Apple has agreed to a $95 million settlement with users whose conversations were “inadvertently” recorded by Apple’s intelligent voice assistant, Siri, and listened to by human employees.
Bloomberg reports that pending approval by a judge, eligible parties could receive up to $20 per device for up to five Siri-enabled devices.
Per The Verge:
If approved, the settlement would apply to a subset of US-based people who owned or bought a Siri-enabled iPhone, iPad, Apple Watch, MacBook, iMac, HomePod, iPod touch, or Apple TV between September 17th, 2014 and December 31st, 2024. A user would also need to meet one other major criteria: they must swear under oath that they accidentally activated Siri during a conversation intended to be confidential or private. Individual payouts will depend on how many people claim the money, so if you apply, you could end up receiving less than the $20 maximum cap.
The Origins of The Class Action Lawsuit
The class action lawsuit against Apple began as a result of the 2019 report from The Guardian claiming Apple third-party contractors “regularly hear confidential medical information, drug deals, and recordings of couples having sex” while working on Siri quality control.
A whistleblower revealed that even though Siri activates using wake words, there were occasions where that was not the case, noting something as simple as the sound of the zipper could activate Siri.
In response to The Guardian’s report, Apple said only a few Siri recordings go to contractors. It also apologized and vowed to stop keeping recordings.
In the lawsuit, a minor and other plaintiffs said that Siri recorded them on various occasions, sometimes without them even saying a word.
Apple is not alone. Google is also involved in a similar lawsuit.
Bad Bunny surprises fans with an announcement that his new album, ‘DeBÍ TiRAR MáS FOToS,’ is being released on Sunday, January 5th, following his new single “PIToRRO DE COCO.” Which track are you excited for from his new album? Let us know in the comments below! Tetris Kelly: Bad Bunny is back! And with a […]
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Source: Tiffany Rose / Getty
LiAngelo Ball, aka Gelo, just dropped his song “Tweaker” after a clip of it went viral on social media. It all started during a stream with influencer Neon, when Gelo asked if he wanted to hear “some hot sh*t” and played the track in the car. Once people heard it, they went crazy, saying it sounded like it could’ve been a hit in the early 2000s.
The song’s vibe is super nostalgic, sounding like it could be a throwaway track from Nelly’s Country Grammar album. It’s got that old-school, feel-good sound that takes you straight back to the early 2000s, and some fans even said it could’ve gone diamond if it dropped back then. Others pointed out it feels like something you’d hear on the Madden 2005 soundtrack, with that perfect mix of smooth and hype.
Even though Gelo’s mostly known for his basketball skills, “Tweaker” shows he’s got some serious musical talent too. He’s got that unique ability to take classic sounds and make them feel new. Looks like he might just have a future in music on top of his hoops career.
HipHopWired Featured Video
Source: NurPhoto / Getty / Tesla
Elon Musk has proudly hitched his electric wagon to the Trump train, but could that spell the end for his EV dominance? Recent financial numbers hint at some potential hard times ahead.
Spotted The Verge, Tesla’s 2024 delivery numbers are not looking good. For the first time, the company reported that sales had fallen year over year.
The website reports Musk’s EV company produced 1.77 million vehicles in 2024, a 4% drop from the previous year. Tesla also delivered 1.79 million cars this year, 1% less than in 2023, while deploying 31.4 GWh in energy storage.
There were some silver linings. Tesla reported a record fourth quarter for deliveries, with 495,570 vehicles arriving in customers’ driveways. The EV company also delivered 11 GWh of energy storage products, which it claims was also a record.
Tesla also produced 459,445 vehicles, mostly Model 3s and Ys, in 2024.
Q4 2024
Production: 459,445
Deliveries: 495,570
Energy storage deployments: 11 GWh
A record for both deliveries & deployments
–
Full year 2024
Production: 1,773,443
Deliveries: 1,789,226
Energy storage deployments: 31.4 GWh
→ https://t.co/YF9iWpPuud
— Tesla (@Tesla) January 2, 2025
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More Bad News For Tesla
Despite the late rally, Tesla flopped in 2024, falling short of its 2023 numbers. Donald Trump’s newest rump kisser, Elon Musk, warned of hardship for his company due to increased competition and a stale lineup of vehicles.
Even the world’s ugliest vehicle, the Cybetruck, and its “popularity” wasn’t enough to help Telsa have a good year.
According to Wedbush’s Dan Ives, despite breaking records, Tesla did not meet Wall Street’s target of 504,800 vehicle deliveries, resulting in a roughly 5 percent drop in the company’s stock price.
How does the company move forward under the Trump administration, which has made it clear he is not a fan of the incentives given to potential EV buyers? Begs the question? Why would Musk align himself with someone who would hurt his business in the first place?
We are intrigued to see if Musk and Tesla will face consequences in the future for allegiance to the MAGA movement.
Three Days Grace notches its 18th No. 1 on Billboard’s Mainstream Rock Airplay chart – and its first featuring vocals from original frontman Adam Gontier since “Misery Loves My Company” in 2013 – as “Mayday” lifts two spots to the top of the Jan. 11-dated tally.
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The band moves to within one spot of the all-time No. 1 record on Mainstream Rock Airplay, which began in 1981, behind only Shinedown’s 19 leaders.
Most No. 1s, Mainstream Rock Airplay:
Trending on Billboard
19, Shinedown
18, Three Days Grace
15, Five Finger Death Punch
14, Foo Fighters
14, Metallica
13, Godsmack
13, Van Halen
12, Disturbed
11, Linkin Park
Of Three Days Grace’s 18 Mainstream Rock Airplay No. 1s, 11 have been with Gontier, the group’s original lead singer, beginning with “Just Like You” in 2004. Following his departure in 2013, succeeding frontman Matt Walst racked up six rulers as the band’s sole vocalist, starting in 2014 with “Painkiller.”
“Mayday” is the first single since Gontier rejoined the band, with the singers trading vocals.
Meanwhile, “Mayday” rules in its sixth week on Mainstream Rock Airplay, completing Three Days Grace’s swiftest rise to No. 1 since “Chalk Outline” wrapped a four-week sprint in 2012.
Concurrently, “Mayday” ascends 37-36 on Alternative Airplay, marking the band’s highest charted entry since “The High Road,” which peaked at No. 24 in 2013. On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Mayday” leaps 6-2 with 3.9 million audience impressions, up 6%, in the week ending Jan. 2, according to Luminate. That’s the band’s highest spot in the standings since “The Good Life” was No. 1 for six weeks in 2010.
On the most recently published multimetric Hot Hard Rock Songs list (dated Jan. 4, reflecting data tracked Dec. 20-26, 2024), “Mayday” ranked at No. 4, after debuting at its No. 2 best on the Dec. 7-dated survey. In addition to its radio airplay, the song earned 871,000 official U.S. streams.
“Mayday” is currently a standalone single, with Three Days Grace recording its eighth studio album and first since 2022’s Explosions. The new set will mark Gontier’s first with the band since 2012’s Transit of Venus.
All Billboard charts dated Jan. 11 will update on Billboard.com Tuesday, Jan. 7.
Fito Páez has set a new date for his free concert in Mexico City’s Zócalo, which was originally postponed due to having an accident in September that resulted in fractured ribs. The Argentine singer-songwriter will now perform Jan. 18, Ana Francis López, the Secretary of Culture of the Mexican capital, confirmed on Friday (Jan. 3) during a press conference.
His presentation at the so-called Primer Cuadro de la Ciudad de México will precede his shows scheduled at the Auditorio Nacional in Mexico City, on Jan. 21-22, and his concert in Guadalajara, Jalisco, on Jan. 26.
This series of concerts, including the one in the Zócalo, are part of his El Amor Después del Amor 2025 Tour, with which the award-winning Argentine musician celebrates 32 years of his seventh and most emblematic album.
Trending on Billboard
“With 28 albums, three novels, two films as screenwriter and director, 11 Latin Grammy awards and a Grammy, Fito Paéz is more than a musician: he is a storyteller, an icon who has marked generations with his art,” Mexico City’s ministry of culture wrote in a post on social media.
In September, Páez revealed on his social media channels that he had suffered an accident that resulted in the fracture of five ribs, and that his concerts scheduled for that month in Mexico and Colombia would be rescheduled.
Mexico City’s Zócalo — where international artists such as Roger Waters, Paul McCartney and Rosalía have performed — is the country’s main public square and the second largest in the world after Tiananmen Square in Beijing. So far, the group with the largest attendance at this venue has been the Argentine band Los Fabulosos Cadillacs, which in June 2023 gathered 300,000 people, according to official figures, taking the record away from the Mexican band Grupo Firme, which in September 2022 gathered 280,000 people.
Check out the announcement from Mexico City’s Secretary of Culture below:
El Gobierno de la Ciudad de México a través de la Secretaría de Cultura de la Ciudad de México, presenta en el Zócalo a @FitoPaezMusica, músico y cantautor fundamental del rock latinoamericano.Con 28 álbumes, tres novelas, dos películas como guionista y director, 11 premios… pic.twitter.com/XBc26Mcj4R— Secretaría de Cultura de la Ciudad de México (@CulturaCiudadMx) January 3, 2025
After closing the book on a turbulent 2024, Drake may be looking to make the most of a clean slate in the new year. Conductor Williams, a producer who has worked with the OVO boss, released a brand new Drizzy freestyle on his YouTube page on Friday (Jan. 3).
While the video was quickly taken down, fans grabbed the “Fighting Irish” freestyle and spammed the viral clip across social media. The visual captures Drake’s side profile as he raps through a small, grainy TV screen.
On the track, the 6 God gets introspective about the trials and tribulations of his 2024 over Conductor’s gleaming production, and seemingly blasts those who switched sides on him throughout the Kendrick Lamar feud.
Trending on Billboard
“The world fell in love with the gimmicks, even my brothers got tickets, seemed like they loved every minute/ Just know the s–t is personal to us and wasn’t just business/ Analyzing behavioral patterns is somewhat suspicious,” he raps.
Drake appears to be targeting those he considered close friends, such as NBA stars DeMar DeRozan and LeBron James, who were in attendance for Kendrick’s Pop Out concert in June. The Fighting Irish was also the mascot for LeBron’s high school team when he attended St. Vincent-St. Mary High School in Ohio.
Drizzy also dispels on the track Kendrick’s notion that he has a drinking problem, which Lamar alleged on the diabolical “Meet the Grahams.” “I don’t have a drinkin’ problem, I got a subtle addiction/ I got my father’s habits and I got my mother’s permission,” Drake rhymes.
He also sent a possible subtle jab at Universal Music Group regarding his legal actions alleging that his parent label artificially inflated the popularity of Lamar’s “Not Like Us” diss track. “I hate to see their empire crumble on judges’ convictions,” he spews. (UMG denied his allegations, calling them “offensive and untrue” in a November statement to Billboard.)
Drake and Conductor have connected in the past on For All The Dogs tracks such as “8am in Charlotte” and “Stories About My Brother.”
Billboard has reached out to Drake and Conductor Williams for comment about the track and its removal.
Carlos Santana was scheduled to return to Las Vegas‘ House of Blues at Mandalay Bay Resort and Casino later this month, but a minor injury has caused him to postpone his shows until he is able to play guitar again. Explore Explore See latest videos, charts and news See latest videos, charts and news The […]
When it came to music stocks in 2024, there was Spotify, and then there was everything else.
The Swedish music streaming company not only had the top-performing music stock of the year, but its share price’s gain nearly tripled the next best company. Despite ending the year on a four-week losing streak during a downturn that eroded an otherwise spectacular year for many markets and indexes, Spotify’s share price jumped 138.1% to $447.38 in 2024.
Layoffs and price increases in 2023 did wonders for Spotify’s financial statements. Headcount was reduced by about 25%, eliminating the bloat gained during a pandemic-era hiring spree that mirrored a boom in subscriber gains. At the same time, Spotify broke with its long-standing tradition of leaving prices untouched by hiking fees in the U.S. and many other major markets — followed by a second price hike in 2024 in the U.S. and U.K. After more than a decade of adding features and expanding editorial programming, the streaming giant believed it could finally raise prices without its customers fleeing to competitors (many of whom raised their prices before Spotify). It was right.
The one-two punch quickly produced results. Perpetually unable to turn a profit, Spotify went from an average quarterly operating loss of 112 million euros ($121 million) in 2023 to an average quarterly operating profit of 296 million euros ($322 million) in the first three quarters of 2024. Gross margin (revenue less cost of sales) shot up, too, from 24.1% in the second quarter of 2023 (the last period before the first price increase) to 31.1% in the third quarter of 2024. Subscribers didn’t just stick around, they grew in numbers, from 220 million before the first price increases to 252 million on Sept. 30, 2024.
Trending on Billboard
Investors have rewarded Spotify for becoming a more efficient business without sacrificing the product quality necessary in a competitive market. An investment in Spotify on Nov. 4, 2022, when the share price reached an all-time low of $69.29, would have returned 446% by the end of 2024. For a brief time in early December, Spotify’s market capitalization surpassed $100 billion.
The 20-company Billboard Global Music Index gained 38.5% in 2024, easily besting the tech-heavy Nasdaq Composite (up 28.6%), the S&P 500 (up 23.3%), the Shanghai Composite Index (up 12.7%) and the FTSE 100 (up 5.7%). Because the index is unweighted, Spotify, the index’s largest company by market value, was responsible for much of that improvement. Without Spotify’s gain, the index would have risen just 2.5%.
Streaming and live music accounted for eight of the 10 music stocks that posted gains in 2024, reflecting these companies’ ability to capture the financial benefits of consumers’ willingness to spend more on music. Despite Spotify’s enormous improvement, live music was the best segment with an average gain of 24.8%. Live Nation was the index’s second-best performer with a 38.3% gain, besting German promoter CTS Eventim (up 30.4%), Sphere Entertainment Co. (up 18.6%) and MSG Entertainment (up 11.8%). These companies have benefitted from music fans’ ability to withstand consistently higher prices. Last year, the average ticket price for the top 100 tours was $132.30, up from $119.64 in 2023, according to Billboard Boxscore.
Music streaming stocks posted an average gain of 23.0%. Chinese music streaming companies Cloud Music and Tencent Music Entertainment gained 27.2% and 26.0%, respectively, and U.S.-based LiveOne gained 5.0%. Abu Dhabi-based Anghami and French streamer Deezer were exceptions to music streaming’s banner year. Anghami fell 21.2% while Deezer slipped 37.1%.
Record labels and music publishers — here classified as multi-sector companies — continued to expand their revenue in 2024 but didn’t have the momentum of live and streaming companies. Universal Music Group (UMG) fell 4.2% even though its sales through the third quarter reached 8.4 billion euros ($9.1 billion), up 6.3% from the prior-year period. Warner Music Group (WMG) dropped 13.4% after its revenue for the fiscal year ended Sept. 30 rose 6% to $6.4 billion. Both companies’ recorded music streaming revenue grew nicely, too — 7.3% for UMG and 6.9% for WMG — but investors rewarded streaming companies, not record labels, for subscriber and pricing gains.
K-pop companies were down across the board in 2024. HYBE, SM Entertainment, YG Entertainment and JYP Entertainment lost an average of 19.0% last year after gaining an average of 30.0% the prior year. Some of the decrease can likely be attributed to sharp profit declines and uneven revenue growth in recent quarters, though it can also be attributed to the rough year for South Korean stocks in general. The KOSPI composite index dropped 9.6% and was already in poor shape when South Korean Prime Minister Yoon Suk Yeol declared martial law on Dec. 3.
French music company Believe is an outlier in the multi-sector category, though most of its 37.1% gain can be attributed to the deal in June that took the company private at a 21% premium. Another notable outlier is Reservoir Media, which gained 26.9% without the benefit of a transaction to boost the share price. Instead, Reservoir shares were helped by activist investor Irenic Capital Management LP, which took an 8.1% stake in September and called on the “undervalued” company to “undertake a full review of all alternatives” to maximize shareholder value. From the date of Irenic Capital’s regulatory filing to the end of the year, Reservoir Media shares rose 17.8% while other multi-sector stocks either barely improved or lost value.
Radio companies have not been darlings of Wall Street in recent years, and 2024 was no exception. For all the optimism espoused by broadcast and satellite radio companies, they continue to struggle in an increasingly streaming-based world. The worst-performing music stock of the year was Cumulus Media, which fell 87.4% to $0.67. Through September, Cumulus’ revenue was down 2.4% and its net loss more than doubled. SiriusXM fell 58.3%, with much of that decline coming after the company announced plans to focus on in-car satellite listening after its streaming app, launched in late 2023, failed to catch on with consumers. iHeartMedia dropped 25.8% but ended the year on a high note after exchanging much of its long-term debt to extend maturity dates.
NMIXX, Bad Gyal and Debi Nova share some of their favorite icons who inspire them, their favorite dance moves, what they listen to while getting glammed up and more!
Bad Gyal:My favorite move, definitely, these days, in the past and in the future. It’s always going to be about shaking off your a–.
Debi Nova:I don’t know. The movements have names, I don’t know.
Bad Gyal:What do I listen to during my glam session? Well, I listen to a lot of dancehall, actually, a lot of Vybz Kartel. It never fails me.
NMIXX:Like Latin music.
Debi Nova:We listened to the radio of Omar Apollo.
Bad Gyal:Without a doubt, my biggest icon is Rihanna. Why is that? Well, I feel like she has shaped the way we express ourselves through clothing, through makeup, through the hair of an entire generation. I feel she is like the icon of our generation and I admire her a lot. I consider her to have a lot of personality and a lot of style.
NMIXX:I also like Karol G’s outfits. I think they’re like … Well obviously every occasion is different, but I think she definitely gives off, like, the-girl-next-door type of vibe. Not too flashy, but at the same time still beautiful.
Debi Nova:Well look, I would say … to inspire me like that, like Beyoncé, J. Lo. Like they always get the right grove to feel sexy.
Bad Gyal:I open the bottle of champagne. I always open a bottle of champagne and toast with my team.
Keep watching for more!