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Despite Inflation, Music Spending Remains Strong Across the Board

Despite having to pay more for everyday goods and services, Americans feel like they’re in a better place financially than earlier this year. How they choose to increase and cut back their spending, though, varies from music to vacations to groceries. 

The data show consumers are generally in a good place. The latest numbers from University of Michigan’s survey of consumers released today (Sept. 13) show consumer sentiment is the best since May and 40% above its June 2022 low. Deloitte’s financial well-being index rose for the third straight month in August and has risen from 95.9 to 102.6 over the last year, which suggests that consumers are feeling good enough about their finances to increase spending on a range of products and services.

Listen to travel and leisure companies and you’ll get the impression that inflation-weary, cash-strapped consumers are holding close to their wallets. In August, Airbnb missed earnings and warned of slowing demand, while Booking.com told investors that it expected slower growth in the number of nights booked by customers. Disney’s theme parks are seeing softer demand. Comcast’s Universal theme park revenue fell 11% in the most recent quarter after having a record 2023.  

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The concert business, though, doesn’t share the malaise of theme parks and vacation rentals. “We don’t see [a slowdown],” Live Nation CEO Michael Rapino said Tuesday (Sept. 10) at the Goldman Sachs Communacopia & Technology Conference in San Francisco. “And you almost hate saying it, because everyone else is saying it, but we do think we have a very unique product.” Live Nation, the world’s largest concert promoter and ticketing company, had a record second quarter with total revenue of $6 billion, up 7%, and expects 2024 will be a record year.  

Concerts have the advantage of creating a more visceral reaction than other types of entertainment. And because it’s in-person and live, Rapino explained, it’s a unique experience with a competitive advantage. “[Fans] want to connect with that artist,” he said. “There’s no digital duplicate replication here. You cannot watch that show at home. You do not get goosebumps when you watch it on Apple TV.”  

Live music isn’t totally immune to economic woes, of course. Numerous tours — including The Black Keys and Jennifer Lopez — have been cancelled due to poor ticket sales. Festivals ranging from Desert Daze in California to Beale Street Music Festival in Memphis pulled the plug in 2024 due to economic reasons. And as Billboard has documented in recent years, the financial strain of touring artists following the pandemic has been very real. Higher costs for transportation, fuel and food have forced artists to economize and cut back on expenses to turn a profit.

Fans are still spending dearly on a small number of superstars, though. Surge pricing used in the Oasis on-sale inflated the cost of primary tickets beyond many fans’ comfort zones. Sphere in Las Vegas has drawn high-spending fans to residencies by U2, Phish and Dead & Co., and The Eagles’ upcoming shows should do similarly well. Prices to Adele’s final residency performance at The Colosseum at Caesar’s Palace in Las Vegas before an indefinite hiatus soared beyond $17,000 for top-tier seats.  

Consumers continue to spend on recorded music, too. According to the RIAA’s mid-year report, the parts of the business that involve direct consumer spending — subscriptions, physical formats and digital downloads — rose 4.7% in the first six months of 2024. Subscription revenue improved 5.1% and surpassed 60% of total recorded music revenue. Spending on physical music formats fared even better, rising 12.7% on the strength of a 17.0% increase in vinyl sales. Download spending, an increasingly inconsequential part of the business, fell 15.8%. 

Segments that don’t represent consumer spending — ad-supported streaming, synchronization royalties and SoundExchange royalties — rose just 0.9%. Ad-supported on-demand streaming, the biggest component of the non-spending segment, rose just 1.7%. (SoundExchange royalties include ad-supported streaming in addition to satellite radio royalties, which stem from direct consumer spending, and cable radio stations, which do not.) Synchronization royalties — it reflects the money flowing into advertisements and TV and film production — dropped 9.8%.  

Elsewhere in the entertainment business, spending is mixed. U.S. movie ticket sales were down to $3.6 billion from $4 billion, though the pop culture sensation of Barbie and Oppenheimer in the summer of 2023 made for a tough comparison. U.S. video game revenue is expected to rise about 2.2% to $47 billion in 2024, according to market research firm Newzoo.  

While consumer are looking to splurge on entertainment, they’re much more price conscious about everyday items. According to the consulting company McKinsey, people are cutting back on spending on essentials — especially gasoline and fresh produce — as well as home improvement and domestic flights. 

During a 1980 presidential debate, Ronald Reagan posed a now-famous question: “Are you better off than you were four years ago?” In 2024, many Americans feel they were better off in 2020 — even though the economy was crippled by the pandemic that year. The music industry is better off today than four years ago. And although recorded music growth has slowed this year, 2024 will be better than 2023, too. 

Here’s the Full List of Honorees for Billboard Italy’s Inaugural Women in Music

Milan confirms itself as the Italian capital of music by hosting Billboard Italia Women in Music next week.

Billboard’s iconic awards ceremony will be held Monday (Sept. 16) at Teatro Manzoni, one of the cultural symbols of the city. The event is the first local edition of the Billboard format in Europe.

The Woman of the Year award goes to Anna, the rapper who was the most-listened-to female artist in Italy in 2023 and recently stayed atop the Italian albums chart for nine consecutive weeks with her debut album Vera Baddie.

Billboard Italia Women in Music will be introduced by the mayor of Milan, Giuseppe Sala, and hosted by two champions of Italian cinema and television: Cristiana Capotondi and Maurizio Lastrico. They will introduce the honorees and welcome the guests, who will get hit the stage with special performances.

“I’m so happy to celebrate Italy’s Women in Music in the beautiful city of Milan,” said Billboard Editorial Director Hannah Karp. “Thank you Billboard Italy for making this night possible and bringing this very special event to Europe for the first time ever.”

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Tommaso Toma and Silvia Danielli, editor-in-chief and co-editor-in-chief of Billboard Italia, respectively, commented: “Our editorial team has highlighted how the presence of women in the music industry has increased in all its sectors. But it is still not enough: the road is long for women to occupy positions of responsibility and the top places in the charts in an equal proportion. What we really want is for Billboard Italia Women in Music to be a celebration of all the women who work in the scene, not just the award winners who will take the stage, remembering that there is still a lot to do on everyone’s part to achieve equality.”

Here’s the full list of honorees for Billboard Italia Women in Music 2024:

  • ANNA: Woman of the Year
  • Laura Pausini: Icon
  • Elodie: Performer of the Year
  • Gaia: Hitmaker of the Year by Radio 105
  • Rose Villain: Impact
  • BigMama: Breakthrough
  • Clara: Rising Star
  • Federica Abbate: Songwriter of the Year
  • Anfisa Letyago: DJ of the Year
  • Marta Salogni: Producer of the Year
  • Marta Donà: Manager of the Year
  • Sara Potente: A&R of the Year
  • Ramona Tabita: Stylist of the Year by Bellissima

After the show, Rinascente — Italy’s top luxury store and one of the main partners of Billboard Italia Women in Music — will welcome guests to a spectacular party in its iconic flagship store in Piazza Duomo.

In addition to Rinascente, the official sponsors are Rabanne and Bellissima.

Billboard Italia Women in Music is directed by Gianlorenzo Mortgat and produced by Vivo Concerti. Radio 105 is the official radio of the event. It is supported by the collecting society SIAE (Società Italiana Autori ed Editori) and has the patronage of the Municipality of Milan and Camera Nazionale della Moda Italiana, the national association of fashion brands. Ticketmaster Italy is ticketing partner.

The Cure May Have Confirmed the Title and Release Date of a New Album

The long wait appears to be over: The Cure may have confirmed the release date of their first LP in 16 years in postcards sent to fans.

Earlier this week, speculation mounted that an announcement was incoming when the group updated social media profile pictures.

Now fans of the band have received cryptic postcards in the mail that appear to confirm the album title (Songs of a Lost World) and release date. Roman numerals which translate to Nov. 1, 2024, are embossed at the bottom on the cards. See the posts below.

The Cure released their most recent album, 4:13 Dream, in 2008, which landed at No. 16 on the Billboard 200. The postcards come amidst a flurry of activity for the band. Last month, the band released a special double A-side vinyl featuring live versions of two new songs, “And Nothing Is Forever” and “I Can Never Say Goodbye,” recorded in 2022 on their Shows Of A Lost World tour and released via Naked Vinyl, a record label that focuses on sustainable vinyl. The proceeds from the release will go towards the climate action charity Earth Percent, which was founded by Brian Eno.

The LP has been long discussed by Robert Smith in interviews. Speaking to the Los Angeles Times in 2019, he blamed himself for some of the delays. “I keep going back over and redoing them, which is silly. At some point, I have to say that’s it. It’s very much on the darker side of the spectrum,” Smith added. “I lost my mother and my father and my brother recently, and obviously it had an effect on me. It’s not relentlessly doom and gloom. It has soundscapes on it, like Disintegration, I suppose. I was trying to create a big palette, a big wash of sound.”

Elsewhere, Cure member Roger O’Donnell recently announced that he had been “diagnosed with a very rare and aggressive form of lymphoma” in 2023 but had since recovered.

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Friday Dance Music Guide: The Week’s Best New Tracks From Rüfüs du Sol, Four Tet & Ellie Goulding, Anna Lunoe & More

This week in dance music: The 2024 Paralympics Closing Ceremony in Paris was a French electronic music extravaganza, we looked at why La Roux’s 2009 electro-pop classic “Bulletproof” is back on the Hot Dance/Electronic Songs chart, Meow Wolf Houston announced its opening date and radio-influenced theme, Richie Hawtin lamented how “the famous, most followed DJ’s of our scene failed us” when commenting on the closure of DJ profit sharing platform Aslice and the Association For Electronic Music announced a new campaign to help DJs get more visibility and profit when their music is posted to social media by other artists.

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Meanwhile, Michael Bibi gave a figuratively and literally big check to the hospital where he received cancer treatment via money raised by his comeback show, The World DanceSport Federation explained why Australian breakdancer Raygun is ranked No. 1 in the world, the annual dance music conference IMS announced that it’s expanding to Dubai in November, Nocturnal Wonderland 2024 was cancelled due to wildfires in Southern California and Charli XCX and Troye Sivan released a remix of “Talk Talk.”

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That’s a lot — and there’s more! These are the best new dance tracks of the week.

Rüfüs du Sol, “Break My Love”



Since rising out of their native Australia in the mid-2010s, Rüfüs du Sol has been a chief architect and arbiter of that late-nights-and-sunrises strain of dark, deep house-oriented electro house that’s come to soundtrack the Tulum-to-Ibiza-to-Burning Man circuit. (In fact, their track “On My Knees” won the best dance/electronic Grammy for it in 2022.) The group’s latest, “Break My Love,” is Rüfüs at their very best, with the song delivering that signature steamy, hypnotic, big rise and lush release vibe and coming with a video in which the guys flex their playful side by playing a trio of ’70s era secret agents plotting a heist. (Wait for the twist at the end.)

Following two recent singles, “Break My Love” also comes with news that the group will release their fifth studio album, Inhale/Exhale, on October 11, through their own Rose Avenue Records and Reprise. Ahead of that, they’ll headline San Francisco’s Portola Festival on September 28. — KATIE BAIN

Four Tet & Ellie Goulding, “In My Dreams”



Ellie Goulding has been swimming in the deep end of the electronic world lately, with her 2023 Calvin Harris trance collab “Miracle” and its recent followup, “Free.” Ever-agile, she now jumps over to the IDM side of the genre with “In My Dreams,” a collab with Four Tet. (Which itself follows their own 2020 single “Baby.”) The producer uses Goulding’s voice to thread the production together, weaving it like silk through his own propulsive and dichotomous distorted beats and glowing chimes.

The project, he writes, came about in late 2023, when “Ellie text[ed] me with a couple of voice notes for a song idea. Words and melodies she was singing into her phone and she asked me if I could use them to make something. She’s told me in the past she likes to send me vocals that I can just use as sound and turn into whatever I want (which is how the track ‘Bab’y happened a few years ago). I found other sounds to go with it and made ‘In My Dreams.’ She added some new vocal parts but we ended up keeping the voice note recordings as the main vocal. I guess the first take is often the most magical.” “In My Dreams” is out through Four Tet’s Text Records.

Anna Lunoe, “Pearl”



An international DJ, radio host, podcaster, and producer with a discography dating back 12 years, Anna Lunoe’s résumé is so long that it’s hard to believe she’s never released an album. Somehow it’s true, but not for much longer: The Sydney-based artist has just announced her debut LP, Pearl, out October 25 on NLV Records, the label from her longtime friend Nina Las Vegas. Lunoe has also shared its title track, made with frequent partner Jack Glass of Bag Raiders. “Pearl” is dreamy and buoyant, rippling with luminescent synth arpeggios and a captivating vocal melody. Beneath that bubbly exterior, stomping drums and rave chords add a layer of toughness and urgency.

“To me,” Lunoe says, “the sentiment in this song is about fighting for your spirit and creative force in a world that isn’t really designed for us to hold on to it. Sonically, this was an exercise in emotion and clarifying a feeling as opposed to straight up club tune-making – it’s more sincere than I’ve allowed myself to be publicly before, but those few who get to hear my scruffy demos know this Anna well.” — KRYSTAL RODRIGUEZ

Hayden James, We Could Be Love



On his third album, We Could Be Love, Hayden James shows his continued prowess in blending emotive pop songwriting with club sounds. The deeply groovy “Patience,” which explores the cautious nature of relationships, delivers catharsis in its rolling apex; “Imagine” brims with hope atop swirling melodic techno and “All In” is a love rush wrapped in warm piano house. The producer even goes straight club on “The Pleasure,” a strutting tech-house track ready to be cued up on an Ibiza dance floor, but the featured vocalists (Shells, Karen Harding, AR/CO and many more) help give We Could Be Love its soul. James heads out on a North American tour later this month. — K.R.

Floating Points, Cascade



Since his 2019 album Crush, Floating Points has followed inspiration across various genres and mediums, from collaboration with the late sax legend Pharoah Sanders on an album to scoring a ballet and forthcoming anime series. His new album, Cascade, marks a triumphant return to the dance floor. A collection of unconventional club bangers, it pulses with twitchy textures, glistening melodies, synth freak-outs and gravelly drums. Standout track “Afflecks Palace” is a descent into chaos, weaving through radar-like synths, ghostly croons, acid accents and vibrant string plucks. As everything converges into a dense, tangled mass, a stutter-step leads to a dizzying space rave. — K.R.

Kaleena Zanders & Tchami, “Daddy Keeps Calling”



Ring, ring. Who’s on the line? It’s new-gen dance diva Kaleena Zanders (with Tchami joining on three-way) sharing a new single, “Daddy Keeps Calling.” The piano-house track surges with soulful energy, its gospel-choir harmonies, hand claps and enveloping organ chords a fitting soundtrack to Zanders’ celebration of club communion: “Ooh Lord, burning up, don’t save me ‘til I’ve had enough/ Red light pull me in, losing control on the floor again.” “Daddy Keeps Calling” is the pair’s second collaboration following this year’s “Giving Me Life,” and it will feature on Zanders’ newly announced Glorified EP, out October 18 via Helix Records.

“When I wrote the lyrics to ‘Daddy Keeps Calling’ with prolific singer songwriter/producer/DJ Bright Lights, we knew it was a unique perspective on songs made for the dancefloor,” Zanders writes. “In our heads we imagined the dance floor being the dominant force in our lives that drives us to create dance music and the force that so many people gather around. With that said, in this case playing off of sensual role play Daddy is the dancefloor and the nucleus that binds us all.” — K.R.

FKA twigs, “Eusexua” 



Have you experienced eusexua? That’s the question FKA twigs asked ahead of her new single “Eusexua.” twigs, who coined the term, describes eusexua as “momentary transcendence” and “the pinnacle of human experience” – and transcendent “Eusexua” is. It’s a rave lifted into the highest realms, with a sprawling soundscape of whirring trance synths and resonant piano keys that build to an ecstatic crescendo. Twigs’ vocals are as hauntingly angelic as ever, evoking a siren’s call in her pursuit of connection beyond this earthly plane. Co-produced with Koreless and Eartheater, “Eusexua” is the title track of her forthcoming album. “I moved to Prague a couple summers ago, fell in love with techno,” she told fans via Discord. “The album isn’t techno but the spirit is there fr.” — K.R.

WhoMadeWho, Kiss & Forget



Today Danish trio WhoMadeWho release their eight (!) studio album, the promisingly titled Kiss & Forget. The projects opens with “Saturday Pt. 1” and “Saturday Pt. 2,” but it’s not the fist pumps and bangers mood those titles may conjure. Instead, single piano notes are paired with strings and a faraway synth altogether conjuring a feeling of distance and longing, mystery and depth. The two-plus minute “Pt. 1” then opens up to “Pt. 2,” on which a beat finally drops, with the guys  — Tomas Høffding, Tomas Barfod, and Jeppe Kjellberg  — layering in chimes and drum crashes and more strings then eventually kickdrum for a sound that, the older you get, the more you actually want your Saturdays to feel like. The rest of the 13-track album features collaborations with Ry X, Dutch titan Kölsch, Adriatique and Blue Hawaii. WhoMadeWho plays a pair of U.S. dates, in Boston and Los Angeles, later this month. — K.B.

Dan Ghenacia, “Rouge ou Noir”



Does anybody remember laughter? Shake off all the ails you, if only for three minutes and 16 seconds, with this absolute party of a disco track by Parisian producer Dan Ghenacia. A spacey, synthy, sexy and simply funky swirl, “Rouge ou Noir” was recorded at Los Angeles’ Stratasonic, a private and state-of-the-art studios run by in-house producers and home to a mouthwatering assemblage of vintage gear and new tech, now open to service both emerging and veteran artists. “Rouge ou Noir” is also the name of the EP this track hails from, with the bubbly “Chilly” working as a slinky B-side. — K.B.

This Onn. Streaming Box Is Powered by Google Assistant: Get Yours Now for Less Than $20

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Looking for an easier way to stream your favorite shows and movies this fall season? If so, consider adding this onn. Google TV 4K Streaming Box, which helps you stream premium content efficiently at just $19.88.

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Get ready to level up your streaming experience in just minutes. With the power of Google assistant, you can use your voice to find your favorite shows across 10,000+ apps or explore more than 800 free channels for endless entertainment options. It also features a Chromecast built-in for streaming videos and music from your phone or tablet, making it easier to browse and watch content without going through menus. One Walmart customer said, “I love this little streaming device. It works very well and was easy to set up.”

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With its sleek design and advanced performance, the Google TV 4K streaming box is a versatile addition to any entertainment setup. If you are looking to experience quick and easy access to your favorite apps, this is a great option that lets you access everything you want to watch effectively and efficiently without any lags.

“This box does handle the apps better. I haven’t experienced any app crashes and the constant lag I was experiencing with my Roku TV is gone. The box is very easy to install and takes up minimal space,” said one Amazon customer.

You can find this onn. Google TV 4K Streaming Box on Amazon or Walmart.

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Customers love how easy it is to set up. One Walmart customer said, “You sign into your apps and watch. You can use voice to search. This is my second time buying one of these.”

What are you waiting for? Level up your home entertainment and enjoy all your favorite movies and series from the comfort of your couch.

For more product recommendations, check out the Best Deals from the Samsung Fall Sale Event, these top 7 Headphones & Earbuds to add to your shopping list, and wifi extenderslaptop deals and more.

‘Stray’ Publisher Annapurna Interactive’s Entire Staff Quits, The Video Game Community Is Stunned

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Annapurna Interactive's Entire Staff Quits, Gamers Are Stunned

Source: BlueTwelve Studio / Annapurna Interactive / Stray

Annapurna Interactive, the game company best known for publishing indie titles like Stray and Neon White, no longer has a staff.

According to Bloomberg, Annapurna Interactive’s entire staff quit after failing to convince Megan Ellison to let them spin off Annapurna Studio’s gaming division into a new company.

“All 25 members of the Annapurna Interactive team collectively resigned,” former president Nathan Gary and staffers said to Bloomberg. “This was one of the hardest decisions we have ever had to make, and we did not take this action lightly.”

A spokesperson for Annapurna said existing games and projects will remain under the company.

According to The Hollywood Reporter, Gary along with Annapurna Interactives coheads Deborah Mars and Nathan Vellat would be leaving the company.

The website also reports the company planned to “integrate its in-house gaming operations with the rest of Annapurna’s divisions, which include film, TV and theater.”

Hector Sanchez, the former head of Epic Games’ Unreal Engine games business and a cofounder of Annapurna’s gaming division, revealed last month that he would be president of interactive and new media at Annapurna.

Annapurna is no stranger to success. After releasing award-winning films like HerAmerican Hustle, and Zero Dark Thirty , the company looked to duplicate that success in gaming.

The company announced in 2020 that it would begin developing its own games, launch an in-house animation division in 2022, and work on a film based on Stray.

Last month, Annapurna partnered with Remedy Entertainment to explore ways to bring popular games Control and Alan Wake to television and theaters.

As expected, the reaction to the news of Annapurna Interactive’s entire staff walking has shocked the video game community.

You can see those reactions below.

2. We had a very similar reaction the news

3. It sure does suck

Lil Wayne Says Super Bowl Halftime Show Snub “Hurt A Lot”

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Lil Wayne saw his name crop up in the news this week after it was announced that Kendrick Lamar would be the featured performer for next year’s Super Bowl Halftime Show. With the likes of Jay Electronica, Birdman, Nicki Minaj, and more speaking on Lil Wayne’s behalf, Tunechi took to Instagram to express his emotions surrounding the news and the snub.

With Super Bowl LIX taking place in February 2025 in New Orleans, La., it was expected at least by some observers that Weezy F. Baby would be considered to rock in front of his hometown crowd for the big game. Kendrick Lamar announced his appearance in his unique way, which sparked a flurry of comments from supporters of Lil Wayne along with his detractors coming out of the woodwork to discredit his musical legacy.

Opening up in his video on Instagram, Wayne got straight to the point.

“First of all, I wanna say forgive me for the delay. I had to get strength enough to do this without breaking. I’m say thank you to every voice, every opinion, all the care, all the love and support out there. Your words turned to arms and held me up when I tried to fall back.”

Wayne said of the assumed snub that, “It hurt a lot. I blame myself for not being mentally prepared for a letdown. For just automatically mentally putting myself in that position like someone told me that was my position.”

In what would’ve been a dream come true for Lil Wayne, it appears that being passed over for the Halftime Show in favor of Kendrick Lamar left a sting.

Check out the clip below.

Photo: Bennett Raglin / Getty

Amazon Embraces ‘Brat’ Forever With Exclusive Charli XCX Merch: Shop the Official Pieces Here

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Charli XCX may have said goodbye to Brat summer, but Amazon Music wants the aesthetic to live forever with the launch of an official Charli XCX store featuring exclusive Brat merchandise.

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The 32-year-old is gearing up for a busy end of year starting with co-headlining the Sweat tour with friend and fellow artist Troye Sivan. Fans have been debuting their best Brat-inspired outfits featuring ’90s and grunge-themed styles.

Whether or not you have tickets to see Charli XCX live in person, Amazon’s official store is stocking you up on T-shirts and accessories that you’ll be able to use 365 days a year. You can choose from a mix of T-shirts that were inspired by the album cover and deluxe edition with graphics in the famous all lowercase and slightly blurred text. The collection also includes an exclusive Amazon-only style that says “I ride for you Charli” that’s only $35.

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In addition to apparel, the official store offers phones cases that dress up your tech in a Brat album green shade.

Prices range from $20 to $35, and all of the T-shirts come in an oversized, vintage aesthetic.

Keep reading to shop some of ShopBillboard‘s favorite pieces.

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Charli XCX ‘Brat’ Oversized Vintage T-Shirt

Go full on brat in this simple top that’s available in either a black or white base. The front center features the album name in the iconic lime green shade and features a cozy cotton material that’s lightweight and airy.

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Charli XCX It’s the Same But It’s Not Oversized Vintage T-Shirt

Fans of the deluxe version of Brat can pick up the album-inspired top that comes in white and black, with the album cover across the front. You can relax into the 100% cotton material that’ll provide a soft feel for comfortable all-day wear.

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Charli XCX I Ride For You Charli Oversized Vintage T-Shirt

You can show your devotion to the “Apple” singer in this oversized black tee that reads “I ride for you Charli” in all lowercase script. Featuring a more relaxed fit, you can easily pair the top with jeans or your comfiest biker shorts.

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iPhone 15 Charli XCX “Brat” Case

Give your phone a bold makeover with this lime green phone case featuring the Brat logo. The design is compatible with iPhones (version 12-15 Pro Max) and has a separate design for Samsung Galaxy models that’ll keep your smart device protected in style.

Amazon has continued to lean into offering fans a one-stop destination to shop their favorite artists’ official merch and exclusive tour gear, with Charli XCX being the latest addition. Alongside the “Talk Talk” singer, other musician merch includes Beyoncé’s Renaissance tour apparel, ATEEZ’s official store, Dua Lipa’s Radical Optimism gear, Megan Thee Stallion’s shop and Doja Cat’s Scarlet Red tour merch.

For more product recommendations, check out ShopBillboard‘s roundups of the best music posters, female musician memoirs and vinyl record player accessories.

Justin Timberlake Pleads Guilty to Impaired Driving, Required to Make Public Safety Announcement

Justin Timberlake pleaded guilty to impaired driving in New York’s Sag Harbor Village Court Friday (Sept. 13).

According to the Associated Press, Timberlake was sentenced to a $500 fine with a $260 surcharge as well as 25 hours of community service at a nonprofit of his choosing. He’s also required to make a public safety announcement, the appropriateness of which concerned Judge Carl Irace, who, according to the AP, expressed disappointment with the prosecutors’ proposed plea deal. In Irace’s opinion, Timberlake’s intention to make the statement shortly after court proceedings would not give the *NSYNC alum enough time to reflect on his actions, which is why the judge added on community service requirements to the sentence.

“I did not live up to the standards that I try to hold for myself,” he told the court, according to AP. He then said to the judge, “I should’ve had better judgment. I understand the seriousness of this.”

Billboard has reached out to Timberlake’s rep and lawyer, Ed Burke, for comment.

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Shortly after the hearing, Timberlake addressed media outside the courthouse with his statement about the dangers of impaired driving. “Even if you’ve had one drink, don’t get behind the wheel of a car,” he said as cameras flashed. “There’s so many alternatives — call a friend, take an Uber. There’s many travel apps. Take a taxi.”

“This is a mistake that I made, but I’m hoping that whoever’s watching and listening right now can learn from this mistake,” he added. “I know that I certainly have.”

The hearing comes three months after the “SexyBack” singer was arrested on suspicion of driving a vehicle while intoxicated in the Hamptons.

Timberlake and his legal team had originally pleaded not guilty to a misdemeanor drunken driving charge during an August virtual court appearance, where his driving privileges were suspended by Irace. CNN also reported at the time that the judge had admonished his attorney for making comments about the case to the media ahead of the arraignment.

It was first reported that Timberlake had reached a plea deal two days prior to Friday’s hearing. The deal wraps up a months-long legal saga that began when Sag Harbor police pulled him over for “failing to stop at a duly posted stop sign and failing to maintain his lane of travel” while operating a 2025 BMW in New York, according to a statement by law enforcement at the time.

The police report obtained by Billboard also cites an officer quoting Timberlake as saying “I had one martini and I followed my friends home.”

The “Mirrors” artist was midway through his Forget Tomorrow World Tour when he was arrested. The case hasn’t seemed to negatively affect the trek, which is currently on track to gross more than $250 million over 87 dates, according to Billboard Boxscore data.

Watch Timberlake speak after his hearing below:

Publishing Briefs: WCM Signs ‘Taste’ Writer; Primary Wave Partners With Ric Ocasek Estate

Warner Chappell Music has signed a global publishing agreement with hitmaking songwriter John Ryan. With six writing and production credits on Sabrina Carpenter’s Short n’ Sweet and cuts with Thomas Rhett, Teddy Swims, Harry Styles, Benson Boone, Maren Morris, Maroon 5, Niall Horan and more, WCM president of North America, Ryan Press, calls Ryan “a pop powerhouse.”

Primary Wave has partnered with the estate of Ric Ocasek on the late Cars songwriter’s publishing catalog as well as his name, image and likeness rights. The terms of the deal will see the publishing company work with all the songs from his time with the “Magic” band and his songs as a solo artist.

Audius, a decentralized music streaming service and community platform, has signed a global licensing agreement with Kobalt. The deal provides a new revenue stream for Kobalt’s roster of songwriters, and it creates a pathway for the music fans who use Audius to support their favorite artists with direct U.S. dollar payments. This is the latest in a string of deals Audius has made this year with the music business establishment to ensure proper licenses are in place and that musicians can get paid from the platform. This includes new agreements with ASCAP, BMI, SESAC and GMR.

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UMPG UK has signed producer and writer James Ford to a global publishing administration deal. Though he is best known as a creative collaborator of top acts like Arctic Monkeys, Depeche Mode via Foals, Florence and The Machine, Haim, Gorillaz and Jessie Ware, Ford also recently launched his own solo project with the 2023 album The Hum.

Savan Kotecha, renowned for his work with The Weeknd, Ariana Grande and One Direction, has joined forces with major Indian talent management company REPRESENT to launch Outwrite, India’s first incubator for songwriters. With Outwrite, Kotecha hopes to start a global hub for songwriters, producers, musicians, and engineers, offering end-to-end solutions for everything related to music creation and supervision, and to bring more Indian musical talent into the top writing rooms.

Big Yellow Dog Music has signed Trent Tomlinson to a global music publishing deal. Tomlinson is best known for penning hits like “Damn Strait” by Scotty McCreery and “In Case You Didn’t Know” by Brett Young as well as other artists like Lainey Wilson, George Strait, Chris Young, and Sara Evans.

Sony Music Publishing has signed an exclusive worldwide co-publishing agreement with hit songwriter and producer Jeremy Stover, covering his future works. As part of the deal, Sony has also acquired several of Stover’s songs, including hits by Tim McGraw and Justin Moore, underscoring its ongoing creative partnership with RED Creative Group. Stover, known for his current singles like Justin Moore’s “This Is My Dirt” and Ashley McBryde’s “The Devil I Know,” continues to work with major artists such as Luke Combs, Priscilla Block, and Travis Denning.

Position Music has signed Erik Ron to a worldwide publishing deal. A go-to collaborator in the rock and alternative space, Ron has worked with the likes of jxdn, Bad Omens, Huddy, Ellise, Charlotte Sands, Maggie Lindemann, Loveless, Jack Harris, MOD SUN, Emei, Sueco, Neoni, grandson, nothing,nowhere., Papa Roach and more.

Position Music has signed Fabio Aguilar to a global publishing deal in collaboration with Grammy-winning producer Keanu Beats. The news arrives on the heels of Auilar’s BMI Hip Hop Award win for co-producing “HOTEL LOBBY (Unc & Phew)” by Quavo and Takeoff. Just 22, Aguilar is a producer, loop specialist, beatmaker, and instrumentalist, he is also known for working with the likes of Lil Baby, Jack Harlow, NLE Choppa, Roddy Ricch, Denzel Curry and Logic.

Downtown Music Publishing (DMP) today announces a global music publishing deal with PDU, the record label and publishing company from iconic Italian singer Mina. Under this new agreement, DMP will provide global publishing administration and sync services for Mina’s prestigious catalog.

Campbell Connelly, part of Wise Music Group, has signed an exclusive songwriter agreement with Josephine Stephenson. The deal further cements Stephenson’s relationship with Wise Music Group. (Her concert repertoire is published by Leduc through Wise’s offices in Paris.) A composer, arranger, and performer, Stephenson has worked as an arranger or performer with Damon Albarn, Radiohead, Arctic Monkeys and Daughter.

ESMAA, an Abu Dhabi-based rights management entity representing global music stakeholders in the Gulf and Middle East, and Anghami, a top music streaming platform in the Middle East and North Africa region, have agreed on a new music licensing agreement on behalf of independent music publishers. The deal marks the resolution of a legal dispute between ESMAA (representing PopArabia and Reservoir) and Anghami.