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Here’s Your First Look at SEVENTEEN’s Vernon in Anderson .Paak’s ‘K-Pops’ Movie

Following K-Pops making its world premiere at the 2024 Toronto International Film Festival last weekend (Sept. 7), fans across movies and music were buzzing about the all-star cameos joining stars like Anderson .Paak, actor-rapper Jonnie “Dumbfoundead” Park, former U-KISS member Kevin Woo, Community star Yvette Nicole Brown, and .Paak’s son Soul Rasheed.

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With rumors about an upcoming acting opportunity for Vernon of SEVENTEEN since the singer-rapper was spotted filming in Seoul in May, Billboard can confirm the 26-year-old’s participation in K-Pops and share a first look.

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Described by Anderson .Paak as “a fun, lighthearted film born from my love for music and inspired by my family while we were quarantined during the pandemic,” K-Pops is the comedy-musical telling the story of struggling musician BJ (.Paak), who attempts to revive his career by joining the house band of a K-pop competition program in South Korea, only to discovers that his long-lost son Tae Young (Rasheed) is a contestant vying for global superstardom. The nearly two-hour flick marks .Paak’s directorial debut for a tale of uniting people and cultures through entertainment while enlisting several major collaborators.

“Vernon brings an undeniable energy and talent to anything he does so I was thrilled to have him join our cast,” Anderson.Paak shares exclusively with Billboard. “He’s got a unique vibe that brings so much value to the dynamic world of K-pop that we explored in the film. On set, he was a natural. His ability to adapt and take direction while bringing his creativity and dedication really elevated the project. One of his jokes got a huge laugh from the audience during our world premiere, demonstrating just how effortless his talent is.”

The SEVENTEEN star isn’t the only big K-pop name joining the project. In his director’s statement shared with press at TIFF 2024, Anderson.Paak explains how he infused his style with several top artists representing the South Korean music industry.

“I also had the opportunity to work with iconic K-pop artists that I’ve been looking to collaborate with for years like Suga from BTS, Vernon from SEVENTEEN, Crush, The Rose, Jessi and G-Dragon,” he shared. “The fact that I get to do these collaborations in my directorial debut and bring these idols and artists into the world of K-Pops just brings a whole new level of excitement to the project.”

Billboard Hot 100 hit producer DemJointz also collaborated with .Paak to create original music for the film. The Silk Sonic star explained how the California beatmaker brought his experiences working with artists like Rihanna and Kanye West as well as K-pop chart-toppers like BTS and IVE — and even recently bringing both worlds together like on the “Dirty Dancing (Dem Jointz Remix)” where New Kids on the Block is joined by SEVENTEEN — as a perfect partner.

“I worked alongside the incredible DemJointz to create some original music based around the fictional competition show you see in the film,” .Paak added. “He was vital to the creation of these songs because he works heavily in the K-pop world and has churned out a lot of hits in that genre — he’s brilliant. We had a great time digging into my archive of music and building off of original ideas to utilize for the soundtrack.”

K-Pops is being sold by WME Independent, with Stampede Ventures, Live Nation Productions, Apeshit Films, EST Studios, and Big Dummie all working as production company partners. Get your first official look at Vernon in the film below:

Seventeen's Vernon in the movie 'K-POPS.'

Seventeen’s Vernon in the movie ‘K-POPS.’

Israel Ramos

Seventeen's Vernon in the movie 'K-POPS.'

‘K-POPS’

Israel Ramos

This Chic Kate Spade Mini Camera Bag Is On Sale for Just $89: Save Up to 68% Off Now

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Looking for a chic and compact crossbody pouch? The Kate Spade Mini Camera Bag is now a steal at 68% off.

Originally priced at $279, it’s now available for just $89. With this pouch, you can fit your phone, wallet and other personal items of your choice. One Kate Spade customer said, “This bag is super cute to take everywhere with you. It has a pretty good amount of space inside as long as you are good with organizing the quality is very sturdy. This purse is very adorable.”

This mini bag is a great option, if you’re looking for something lightweight and practical to carry all your essentials. Whether you’re heading to brunch with friends or enjoying a night out, this versatile accessory keeps your essentials close at hand while looking stylish.

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You can get this pouch in two different colors: Black and Blackberry Preserves.

Kate Spade Outlet

Kate Spade Madison Mini Camera Bag

$89

$279

68% off

This chic pouch keeps all your essentials in one place. Its autumn-inspired color will make you feel ready for fall season.

With its hands-free feature, you can go completely hands-free and enjoy a night out without having to worry about losing your phone or wallet. Another Kate Spade customer said, “This purse is perfect. Not too big or small, fits cell phone, wallet, lipstick and hand sanitizer. The color is just like the picture. Happy to have a purse that isn’t black and still matches my outfits. I use it for everything.”

Many other Kate Spade customers describe this pouch as “casual chic” and “functional.” Its compact size and easy to use design makes it easy to style with any autumn-inspired outfit of your choice.

For more product recommendations, check out this No Boundaries Bag, this Coach Payton Hobo Bag, this Coach Corner Zip Wristlet, and this Lululemon Tote Bag.

Kim Loaiza, Marcelo Rubio & More: Which Is Your Favorite New Latin Music Release of the Week?

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists including new music by Chencho Corleone, Arthur Hanlon, Yotuel & Darell; Cris MJ, FloyyMenor & Louki, and more.

In her latest release, X Amor II, Kim Loaiza builds upon the foundations laid by her 2023 debut, X Amor. The Mexican singer demonstrates her evolving artistry through an eclectic mix of genres ranging from reggaetón to música mexicana, peppered with other unexpected styles. A standout track includes the opener, “5 Babys,” a powerhouse intro that features an all-female lineup with Spanish MC Ptazeta, Mexican reggaetonera Bellakath, Argentine lyricist Yami Safdie, and Colombian rapper Fariana.

Argentinian stars LIT Killah and Nicki Nicole team up with the release of “Somos 3,” an electro pop track with subtle trap and Afrobeat undertones, courtesy of producers Tatool and Francisco Zecca. The single was recorded during the summer in Madrid.

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Cumaná, Venezuelan newcomer MARI also dropped “La Carajita,” which offers a “hypnotizing fusion of urban music and Venezuelan llanero music, subtly transporting us to the countryside through sustained falsetto verses like ‘the street is calling me,’ and bringing us back to the city with forceful drum rhythms, rap and cuatro,” wrote Billboard Español‘s Sigal Arias-Ratner.

Other new releases this week include Charly García’s La Lógica del Escorpión, Chino Pacas’ corridos “Otra Vez Pegue Un Vergazo,” Mike Bahía’s tropical pop “La Pena,” and a whole new remix EP by Nathy Peluso, Club Grasa.

Last week, Andy Rivera’s “Moncler” won the poll, bringing in nearly 88% of the votes. Who should win this week? Give these new releases a spin and vote on them below.


Which Is Your Favorite New Music Release The Week? Vote!

From The Weeknd releasing the lead single to his next album to Charli XCX and Troye Sivan initiating Brat autumn with a fresh remix, this week is full of artists stepping into new eras.

Starting with the Canadian superstar, new song “Dancing in the Flames” marks the lead single off his upcoming album Hurry Up Tomorrow. When that LP drops, The Weeknd will finally have completed the album trilogy he started in 2020 with After Hours and continued with 2022’s Dawn FM. The albums reached Nos. 1 and 2 on the Billboard 200, respectively — there’s a reason the “Blinding Lights” musician is Billboard‘s No. 18 greatest pop star of the 21st century.

Next up, the duo behind the upcoming Sweat Tour unleashed their highly anticipated collaboration on a remix of “Talk Talk,” which follows a summer of Charli’s Brat remixes with Lorde, Billie Eilish and more. The flirty anthem also precedes the British alt-pop star’s recently announced follow-up album Brat and It’s Completely Different but Also Still Brat, which arrives Oct. 11.

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Plus, both Katy Perry and Shawn Mendes premiered new singles from their respective fast-approaching albums, 143 and Shawn. The former unveiled “I’m His, He’s Mine” featuring Doechii while the latter dropped “Nobody Knows,” with both tracks making their live debuts on the MTV Video Music Awards stage Wednesday (Sept. 11), two days prior to their releases.

Also new this week are tracks from Playboi Carti, Tate McRae and FKA Twigs, plus a 14-track album from Miranda Lambert. There’s a lot to choose from, but Billboard wants to know your favorite fresh release — so cast your vote below.

Man of the Booze: Justin Timberlake Accepts Plea Deal In DWI Case, Gets Slap On The Wrist After Agreeing To Lesser Charge

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Justin Timberlake pleads guilty to driving while impaired

Source: Anadolu / Getty / Justin Timberlake

No surprise, Justin Timberlake gets a slap on the wrist following his DWI antics.

Spotted on Deadline, the “Cry Me A River” singer will only have to pay a tiny fine but will not face drunk driving charges after accepting lesser charges as part of a plea deal.

Per Deadline:

Under the agreement, the ‘Can’t Stop the Feeling’ singer will enter a guilty plea of a traffic violation, a far lesser charge. Additionally, Timberlake will have to pay a fine of around $300 to $500 depending on what a judge decides on September 13 when the deal is expected to be rubber stamped and made official.

The plea deal will see the initial Driving While Intoxicated misdemeanor charge dropped. That charge carried a maximum of one year behind bars and a $2500 fine.

While Timberlake did get off easy, the website reports that he can no longer drive in New York state for almost another year because he refused to take a breathalyzer test when Sag Harbor police pulled him over.

The office of Timberlake’s attorney, Edward Burke, who was adamant about his client’s innocence, told Deadline, “for right now he’s not making any comment,” following news of the plea agreement.

What Happened The Night Justin Timberlake Was Pulled Over?

Timberlake was pinched on June 18 after a boozy night on the town with friends at the posh Long Island summer beach destination in the Hamptons.

In the criminal complaint filed by the arresting officer, Timberlake was pulled over after failing to stop at a stop sign while driving a rented BMW SUV.

The officer described Timberlake as being “in an intoxicated condition” with “bloodshot and glassy” eyes and giving off “a strong odor of an alcoholic beverage.”

Timberlake told the officer he only had one martini and refused to take a breathalyzer exam.

He was on a weeklong break from his international tour, pushing his latest album, Everything I Thought It Was. 

Converse Teams With Designer Isabel Marant for Limited-Edition Sneaker Collection: Shop Now

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

On Wednesday, (Sept. 11), fashion designer Isabel Marant released her first footwear collaboration with Converse, featuring stylish Chuck 70 Wedges. The collaboration celebrates Marant’s significant impact on fashion, especially her groundbreaking work with the sneaker wedge trend in the early 2010s.

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The limited-edition Isabel Marant x Converse collection is available in black or white and features fresh designs and styles, from high-top to low-top options.

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“The notion of ‘effortless luxury’ is quite authentic to me, my designs, and the meaning behind them. The word ‘luxury’ is used in too many ways, and you can get bored of it — it’s much more difficult to achieve something simple and effortless, of which you never get bored,” Marant said in a statement.

Since a young age Marant was inspired by Charles “Chuck” Taylor, the basketball player and famed shoe salesman behind Chuck Taylors. “When I was a kid, about eight or nine, I used to cut pieces of cork and put them in my sneakers — those shoes were actually a pair of Chuck Taylors” Marant shared with the Converse team.

Converse

Converse x Isabel Marant Chuck 70 Wedge High-top Sneakers

If you are looking to expand your shoe collection, consider adding these premium Chuck 70 wedge sneakers. These shoes feature frayed edges, pops of color throughout its design, and offer an elevated look to any outfit. It’s available in women’s shoes sizes from 5 to 11.

Converse

Converse x Isabel Marant Chuck 70 Wedge Sneakers

You can also get them in a low-top version. These sneakers feature a frayed cotton look with a multi-colored print shoe laces, similar to the one above. It’s available in men sizes, 3 to 13 and women sizes, 5 to 15. Hurry, this one is selling fast!

Converse

Converse x Isabel Marant Chuck 70 Wedge Sneakers

Add this high-top alternative to your collection to add some variation to your look. This one is also available for both men and women.

If you are looking to achieve a relaxed and chic look, this is a great way to go. The brand describes it as a “laid back” yet “elevated aesthetic.”

The bottom of the shoe illustrates a one of a kind tie dye print that matches the laces of the shoe, making it a unique piece to add to your shoe collection.

For more product recommendations, check out these Hoka Ora Recovery Slides, six best platform sandals, and these ten celebrity-approved shoes.

Spotify Launches ‘Countdown To’ Vodcast With First Episode Featuring Jelly Roll, MGK

Jelly Roll and mgk are helping Spotify launch its new vodcast series Countdown To, which offers viewers a behind-the-scenes introduction to artists’ upcoming projects as they count down to album launch day.

In July, Spotify expanded its Countdown Pages tool, which helps artists and their fan bases gear up for album launches by allowing listeners to preview tracklists, watch clips, acquire artist/album merch and see a timer count down the seconds until album launch.

With Countdown To, artists sit down with their fellow artists, album collaborators, family members and friends to dive into a new album’s music, themes and inspirations. The interview-spearheaded series is located on the artist’s Countdown Page, while the full video will be available as a vodcast episode on Spotify, and on Spotify’s YouTube page.

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The inaugural episode features Jelly Roll in conversation with mgk, as the countdown ticks to the release of Jelly Roll’s upcoming album Beautifully Broken on Oct. 11. Jelly Roll and mgk previously teamed up for the song “Lonely Road.”

“I felt early in this writing process, it was becoming my journal of mental health,” Jelly Roll said, adding, “It’s the longest time I’ve took writing a single project… I really wrote this record hoping that people would feel that they were spoken for. What I hear the most from people is, ‘Man, this song says what I can’t.’ And that sticks with me, dude… That’s what I want them to get from this album.”

They also discussed how they went from enemies to friends, with mgk saying, “So, our beginnings were interesting,” and sending Jelly Roll into a deep laugh. “It is so funny how much I love you now,” said mgk, “because like, God, I hated you so much back then.”

Jelly replied with a laugh, “I was just a spiteful, bitter f–kin’ dude, you know what I’m saying?” adding, “I explain this to people and they don’t understand the concept because of our age now. Whenever I talk to my daughter, I’m like, ‘You gotta understand there was only like seven white rappers on Earth at this time, so it was so competitive when you was in that pool, that we were kind of automatically forced against each other anyways.”

“For sure,” mgk said. “You’re bred to hate each other.”

“And you were just like, just skinny and handsome,” Jelly Roll said. “So I was like, I was just a hater. I was just a hater, dude! It’s hard to grow up in front of the whole world.”

“This might be one of my favorite mgk disses, was, ‘F–k Machine Gun Kelly and his mohawk,’” mgk said, eliciting more laughs from Jelly Roll. “Because you just had this Southern drawl on your voice, where you didn’t say ‘mohawk,’ you said ‘mo-hawck.’ And that mohawk, dude, my mohawk was f–kin’ just a nice, eight inches of just egg whites and cheap hairspray…”

Jelly Roll’s song “I Am Not Okay,” featured on Beautifully Broken, is currently at No. 9 on Billboard‘s Hot Country Songs chart. Meanwhile, the album shares its name with Jelly Roll’s just-launched arena tour, which also features openers Warren Zeiders and Alexandra Kay.

Jelly Roll also talked about the struggle of balancing life on the road with being there for his family, and the two also discussed the ever-broadening reaches of country music, and compared the widening borders of rock and country.

“Countdown To is the latest effort in our ongoing commitment to spotlight artists and their new music on Spotify,” Sarah Patellos, head of Spotify Music Studios, said in a statement. “Working with director Karam Gill and mgx creative, these intimate conversations are shot documentary-style to really get to the root of each artist’s creative journey.”

See Jelly Roll and mgk’s discussion below:



Here Are All the Performers & Presenters for the 2024 Americana Honors & Awards: Full List

The 23rd Annual Americana Honors & Awards, which are set for Sept. 18 at Nashville’s fabled Ryman Auditorium, will be bookended by memorable performances.

Duane Betts will open the show by performing the Allman Brothers Band’s “Blue Sky,” which his father Dickie Betts wrote. The song appeared on the 1972 classic Eat a Peach, the band’s first album to make the top 10 on the Billboard 200. Dickie Betts died on April 18 at age 80.

Emmylou Harris and Rodney Crowell will close the show with “Return of the Grievous Angel,” the opening track on Gram ParsonsGrievous Angel, on which Harris was prominently featured. The album was released in January 1974, four months after Parsons’ death from an overdose. He was just 26.

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The Americana All-Star Band, led by Buddy Miller, will return to back the artists who are performing on Americana music’s biggest night. Other band members include Don Was (who is set to receive a lifetime achievement award), The McCrary Sisters, Bryan Owings, Jerry Pentecost, Jen Gunderman, Jim Hoke and Larry Campbell.

In addition to being top nominees this year, Sierra Ferrell, Noah Kahan and Brandy Clark are set to perform on the show.

Blind Boys of Alabama, Dave Alvin, Dwight Yoakam and Shelby Lynne, all of whom are set to receive lifetime achievement awards, will also perform.

Other performers set for the show include SistaStrings (who will perform with Clark) and Fantastic Negrito (who will perform in a tribute to the late Rev. Gary Davis, who will receive the Legacy Award in partnership with the National Museum of African American Music).

The program will be filmed for broadcast on PBS in the Austin City Limits time slot in November. The awards show is the centerpiece of the annual Americanafest, which returns for its 24th year Sept. 17-21.

The show is set to begin at 6:30 pm CT. Doors open at 5:30 pm CT.

Here are all the performers and presenters for the 2024 Americana Honors & Awards.

Performers

  • Blind Boys of Alabama
  • Brandy Clark (with SistaStrings)
  • Charles Wesley Godwin
  • Dave Alvin
  • Dwight Yoakam
  • Fantastic Negrito
  • Hurray for the Riff Raff
  • Jobi Riccio
  • Kaitlin Butts
  • Larkin Poe
  • The Milk Carton Kids
  • Noah Kahan
  • Sarah Jarosz
  • Shelby Lynne
  • Sierra Ferrell
  • Turnpike Troubadours
  • The War and Treaty
  • Waxahatchee with MJ Lenderman
  • Wyatt Flores

Presenters

  • Allison Moorer
  • Amy Helm
  • Amythyst Kiah
  • Gaby Moreno
  • Hiss Golden Messenger
  • Iron & Wine
  • Jimmie Dale Gilmore
  • Joe Henry
  • Lukas Nelson
  • The Lone Bellow
  • Margo Price
  • The Milk Carton Kids
  • Nathaniel Rateliff
  • Shane Smith & Bennett Brown
  • Silvana Estrada
  • Susan Tedeschi
  • T Bone Burnett
  • Warren Zanes

Donald Trump Infringed ‘Electric Avenue’ By Using Song In Campaign Video, Judge Rules

Donald Trump infringed copyrights by using Eddy Grant’s iconic “Electric Avenue” in a 2020 campaign video without permission, a federal judge ruled Friday (Sept. 13), rejecting Trump’s argument that he made legal fair use of the song.

Grant sued Trump in 2020 after the then-president used his 1982 hit in a social media video attacking Joe Biden. Grant said he reacted with “dismay” when he began receiving inquiries asking if he had approved the Republican candidate’s use of his music.

Trump’s lawyers had argued the video was shielded under copyright’s fair use doctrine, which allows for the “transformative” re-use of protected works in certain situations. But in Friday’s ruling, Judge John G. Koeltl sharply rejected that argument.

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“In this case, the video has a very low degree of transformativeness, if any at all,” the judge wrote. “The video is best described as a wholesale copying of music to accompany a political campaign ad.”

A spokesperson and an attorney for the Trump campaign did not immediately return requests for comment.

Trump has repeatedly faced blowback amid the 2024 election from artists who don’t want him to use their music. Beyoncé, Celine Dion, the Foo Fighters, ABBA and Sinead O’Connor‘s estate have all spoken out or threatened action, and the White Stripes and the estate of Isaac Hayes have both filed lawsuits against him and his campaign.

Four years earlier, Grant filed a similar case over Trump’s “wrongful and willful” use of “Electric Avenue,” a funky, reggae-infused track about the 1981 Brixton riot, named for a road running through that London neighborhood. The song reached No. 2 on the Hot 100 in the summer of 1983 and ultimately spent 22 weeks on the chart.

The video at issue, shared by Trump on Twitter, featured a red “Trump” train outrunning a handcar driven by Biden, as audio clips of Biden’s speeches played above Grant’s 1982 hit. Grant’s attorneys said the campaign had refused to remove the clip even after they were warned — meaning that Trump was acting as if he was “above the law.”

Facing those allegations, Trump’s legal team argued that the video amounted to fair use, claiming the campaign had transformed Grant’s song into a vehicle to criticize Biden. In 2021, Judge Koeltl hinted that he would likely reject that argument on the grounds that it “misapprehends” how fair use works, but he said it was too early to decide the issue.

On Friday, the judge made good on his warnings, largely adopting the same rationale as his 2021 decision. He noted that Trump’s video “did not edit the song’s lyrics, vocals, or instrumentals at all” and had “offered no justification for their extensive borrowing.”

Trump’s attorneys had argued that the video had “transformed Grant’s original conception of ‘Electric Avenue’ as a protest against social conditions into a colorful attack on the character and personality traits of a rival political figure.” But the judge was entirely unswayed by that defense — saying that it would only count as fair use if Trump had used the song to attack Grant, not Biden.

“The animation does not use ‘Electric Avenue’ as a vehicle to deliver its satirical message, and it makes no effort to poke fun at the song or Grant,” Judge Koeltl wrote, quoting directly from his earlier decision.

Friday’s ruling means that Trump and his campaign have been held legally liable for copyright infringement, but it leaves undecided the amount he must ultimately pay Grant in damages. That issue will be resolved in future proceedings.

An attorney for Grant did not immediately return a request for comment.

Queer Jams of the Week: New Music From Charli XCX & Troye Sivan, Demi Lovato, Joy Oladokun & More

With fall just around the corner, there’s no better time to update your autumn playlists with new music from your favorite queer artists. Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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From Charli XCX & Troye Sivan’s amped-up new remix to Demi Lovato’s touching new ballad, check out just a few of our favorite releases from this week below.

Charli XCX feat. Troye Sivan, “Talk Talk (Remix)”



The best remixes are the ones that take the concept behind an original song and completely transform it into something new. Charli XCX and Troye Sivan accomplish exactly that on their thrilling rendition of “Talk Talk,” keeping a handful of memorable melodies from the original song while completely recontextualizing the track into a sweaty, bouncing club banger. Their vocals pair perfectly together as they talk their way into their respective lovers’ beds, making the hype around this remix much more than just talk (talk).

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Demi Lovato, “You’ll Be OK, Kid”



In many ways, Demi Lovato’s new documentary Child Star is an opportunity for them to speak to their younger self. With the documentary’s accompanying song “You’ll Be OK, Kid,” Lovato takes that idea to its literal conclusion, singing a lullaby-esque melody to a younger, less-experienced Demi. She warns her former self to be wary of “sharks in the water” and “thorns on the roses,” but concludes with assurance that ultimately, things will work out.

Joy Oladokun, “I’d Miss the Birds”



Joy Oladokun is ready to move on. On her stunning new single “I’d Miss the Birds,” the pop-folk singer-songwriter pens a bittersweet farewell to the city of Nashville, a place that has simultaneously helped her become the person she is, while also being the place that she has entirely outgrown. Throughout her brutally-honest track, Oladokun makes clear all the things she won’t miss, before admitting that leaving somewhere you’ve called home for so long is never easy. “But it doesn’t mean I should hang ’round and suffer,” she determines.

Arca & Tokischa, “Chama”



What happens when you take two of the most fascinating experimental pop artists in the game and put them together on one song? You get something like “Chama,” the entrancing new single out courtesy of Arca and Tokischa. Throughout this pulsating anthem, the duo trade sexed-up verses in their native Spanish, which the shifting, percolating beat constantly switches, morphs, speed, slows and intensifies, making “Chama” yet another slice of thrilling music courtesy of two artists intent on changing things up.

Soccer Mommy, “Driver”



If Taylor Swift was admitting she might be the problem with “Anti-Hero,” then Sophie Allison (a.k.a. Soccer Mommy) is thanking her lover for sticking around anyways on “Driver.” This classic, guitar-and-drum indie-rock track sees Allison embracing her role as the indecisive, spaced-out girlfriend, waiting for her partner to bring her back to Earth. It’s simple, effective, and a testament to Soccer Mommy’s staying power as a rock artist that she keeps you listening throughout this easy-to-enjoy single.

Pale Waves, “Thinking About You”



Speaking of effective rock vibes, Pale Waves is here to once again prove just how good their new era sounds. “Thinking About You” follows previous singles like “Perfume” and “Gravity” in its ’90s goth-rock-meets-pop inspiration, as frontwoman Heather Baron-Gracie finds herself stuck on a past relationship no matter how hard she tries to move on. The soft guitars and Baron-Gracie’s top-tier vocal sends “Thinking About You” to new heights for the band.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below: