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25 Oct 2024

Billboard Celebrates Latin Power Players 2024: See The Highlights

Billboard Latin Music Week 2024 celebrated its 35-year anniversary and paid tribute to this year’s Power Players List on Monday, October 14. 

The intimate event, which took place at Casadonna Miami, was dedicated to the annual list of honorees across various sectors of Latin music with networking, speeches, awards, alongside custom cocktails like the Johnnie Colada and Johnnie Cafe made with Johnnie Walker Black Label.

At the top of the evening, Hannah Karp, Editorial Director, and Leila Cobo, Chief Content Officer of Latin-Español, helped usher in festivities with opening remarks, setting the stage for the honorees. The night’s biggest accolade went to George Prajin for Executive of the Year, who was introduced by none other than his client, Peso Pluma. Separately, Rebeca León, CEO and Founder of Lionfish Entertainment, was honored with the Choice Award. Noah Assad, Junior Carabaño and Raymond Acosta received the 10-Year Impact Award on behalf of Rimas Entertainment. Alex Gallardo of Sony Music took home Top Latin Albums Label of the Year, with Jorge Mejia of Sony Music Latin nabbing the Publishing Corporation of the Year title. 
Scroll on below to see highlights of the intimate affair and head on over to Billboard Latin Music Week’s official website for the latest on our 35-year anniversary week.

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Melody Timothee

Melody Timothee

Melody Timothee

Melody Timothee

Melody Timothee

25 Oct 2024

Executive Turntable: iHeartMedia Marketing Chief Steps Aside, Plus a TikTok Veteran Hooks Up With Jen

Time to drop the needle on the latest Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.

Read on for (mostly) good news and also check out Billboard‘s annual list of top executives leading the live sector, plus our weekly interview series spotlighting a single executive, our helpful calendar of notable events, and have you ever wanted to look at tchotchkes inside the office of an executive while reading their in-depth answers to the most important questions facing the biz? From the Desk Of is probably your jam.

Gayle Troberman, iHeartMedia’s chief marketing officer for the past decade, is transitioning to a senior advisory role. In a joint memo to staff, chief executive Bob Pittman and president and COO Richard Bressler praised Troberman’s “major impact” on innovation and brand development efforts at the radio giant, adding, “we fully expect her influence to continue in her new role. We’re grateful for her innovative thinking and insights, and we’re pleased she will continue to contribute to the company.” In her advisory role, Troberman will continue leading thought leadership initiatives, including the “New American Consumer” studies, and remain active at key industry events like CES and Cannes Lions. Prior to iHeart, Troberman was CMO at IPG Mediabrands and spent a high-impact 16 years at Microsoft, where she was chief creative officer during rollouts for the Xbox, Bing and other major brands. A successor has not been announced.

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RADIO, RADIO: Lauren Burrows Coleman is joining Beasley as chief financial officer, effective Nov. 1, succeedinmg retiring CFO Marie Tedesco, who served for 33 years. Burrows Coleman previously led global financial operations at Wayfair and has held leadership roles at WindSail Capital Group, Wind Point Partners, GE Capital and Lehman Brothers … Jim Malito joined Black River Entertainment as director of radio promotion west coast. He continues to be based in Phoenix. Malito’s career includes time at Warner Music Nashville, BBR Music Group, and most recently Stone Country Records, where he served as vp of radio promotion and marketing … and Big Loud senior director of media Jess Anderson wrapped a three-and-a-half-year run with the label on Oct. 17, with plans to take a new position next month. She had just been promoted in August.

Triller Group unveiled Kevin McGurn as its next CEO, effective in November, when “further enhancements” to the TikTok rival’s leadership will be announced. McGurn, with experience at T-Mobile, Vevo and Hulu, has a strong track record in driving innovation and fostering growth, with achievements including leading Vevo’s global expansion and building Hulu’s sales team. Meanwhile, 1-800-Flowers.com founder James McCann joins Triller’s board as chairman of the nominations committee. McCann brings over 40 years of leadership experience, having served in governance roles at Willis Towers Watson and International Game Technology. Finally, former Triller CEO Bobby Sarnevesht will remain on the board, providing strategic guidance to McGurn and other leaders. “Our renewed focus means Triller Group is well positioned to deliver best in class entertainment, when, where and how our fans watch it,” said McGurn. “We will continue to build from our strong roots in vertical video, music and sports, and optimise our expertise in mobile and connected television.”

Isabel Quinteros

Isabel Quinteros

Jen, an ethically-trained AI music creation platform, appointed TikTok’s former global head of music partnerships Isabel Quinteros as senior vice president of marketing and industry relations. In her new role, Quinteros will develop a scalable framework to help artists monetize their contributions, fostering a sustainable model for AI-driven music creation. She’ll work closely with cofounder Shara Senderoff. Quinteros, a public relations expert, joined TikTok in 2019 and helped transform it into a key platform for artists, supporting artists in every phase of their careers. She also co-launched TikTok’s first IRL concert and led DEI initiatives, earning industry recognition. Senderoff praised Quinteros as a game-changer who can “bridge the worlds of music and tech, while keeping talent at the center,” while co-founder Mike Caren highlighted her skills in partnership-building and innovation, adding, “I’m confident that under her leadership, Jen will set a new standard for how AI can elevate creativity while ensuring artists remain at the heart of the process.”

Frontiers Label Group, the Italian metal label, appointed Amy Pugh as global digital marketing & social media manager. With over 15 years of industry experience, Pugh is the founder of digital marketing agency 10/13 Media and has held key roles at Sony Music Publishing, EMI, Universal Music Group and Stingray Music. She has managed or worked on global campaigns for a slew of major artists, including Taylor Swift, Metallica, Wu-Tang Clan and Foo Fighters, among others. FLP president Serafino Perugino expressed enthusiasm for Pugh’s “massive expertise and fresh approach,” adding he’s “thrilled at the prospect of the added value that she will bring to the label and our artists.” Pugh, already a fan of several Frontiers acts — the label’s roster includes Blue Öyster Cult, Stryper, Winger and more — looks forward to contributing to the label’s success through innovative campaigns and projects.

The Academy of Country Music revealed its newly-elected board of directors for the 2024-2025 term. Previously announced officers for the ACM’s 2024-2025 term are Randy Bernard (chair), Cris Lacy (vice-chair), Jeff Krones (vice president), Carmen Romano (treasurer), Gayle Holcomb (sergeant-at-arms), Duane Clark (parliamentarian) and Tommy Moore (secretary). Newly elected board of directors members are Adam Weiser, Becky Gardenhire, BJ Hill, Cameo Carlson, Chandra LaPlume, Cyndi Forman, Deana Ivey, George Couri, Jon Loba, Kristie Sloan, Lee Thomas Miller, Marcel Pariseau, Margaret Hart, Martha Earls, Meredith Jones, Scot Calonge, Scott Scovill, Tim Roberts and Ward Guenther. Newly appointed director-at-large members of the board of directors are Aaron Spalding, Andy Moats, Benson Curb, Candice Watkins, Chris Lisle, Cindy Mabe, Curt Motley, Emily Falvey, Howie Edelman, Jeremy Holley, Matt Cottingham, Rod Phillips, Sally Seitz, Shawn McSpadden, Storme Warren and Tim Foisset. –Jessica Nicholson

The Orchard appointed Jeeyoung Lee as head of South Korea, overseeing operations from Seoul and reporting to evp and head of strategy, Prashant Bahadur. Lee, with nearly 20 years of experience at companies like Warner Bros. Discovery and CJ E&M, will manage label relations, release strategies, global distribution and regional support. Additionally, Sungho “Jake” Bae has been named director, Asia Pacific Region, Artist and Label Services. Bae, also based in Seoul, focuses on release strategies and cross-country marketing, drawing on previous experience at Spotify and Big Hit Music, where he played a key role in BTS’s global success. John Park, svp of strategy and corporate development, will now focus on business opportunities in Korea, working closely with Lee on new signings and partnerships. The Orchard’s Korean roster features artists from Starship Entertainment, ABYSS, Eric Nam and more.

OpenPlay Inc. hired Chris McMurtry as senior solutions architect to enhance the platform’s features for label and publisher clients. McMurtry brings over 20 years of music tech expertise, having led product development at companies like Artist Growth, PEX and Exactuals, where he launched RAI, a machine learning tool designed to enhance song metadata. Earlier in his career, McMurtry founded Dart Music, an automated digital distribution platform specializing in complex metadata. His industry impact earned him recognition on Billboard’s 2019 Digital Power Players list.

Berklee made it official with Michael Shinn as executive director of Boston Conservatory at Berklee, effective Oct. 28. Shinn, who has served as interim executive director since August 2023, will lead new initiatives, programs and collaborations while contributing to Berklee’s strategic planning. During his interim tenure, he expanded the dance division, raised over $4.2 million, hired more than 30 faculty members and recruited a new dean of theater. Previously, Shinn was the Conservatory’s dean of music for six years. Before Berklee, he chaired keyboard studies at Juilliard, his alma mater, and also co-founded the pianoSonoma Music Festival. “Michael brings a wealth of leadership experience to the executive director role, as well as a passion for the development of the arts, arts education, and performing artists in a contemporary context,” said David Bogen, Berklee’s interim president. “He is incredibly collaborative and supportive of faculty, staff, and students.”

mtheory appointed Jared Losow as senior director of tour marketing and Dirk Lemmenes as vp of client relations. Losow, co-founder of Barley MGMT, will be based in NYC, while Lemmenes, former COO and management lead for Zac Brown Band, will work from Atlanta. Losow brings nearly 15 years of industry expertise, having worked at various indie labels and venues, plus he held leadership roles at In de Goot Entertainment, Relapse Records and the San Francisco Symphony. Lemmenes clocked over 20 years in artist management and operations. He has managed teams across marketing, finance and touring for Zac Brown Band and previously worked as a MTV music supervisor, a booking agent, record store owner and touring musician.

EastCoast Entertainment appointed Erin Collums as director of marketing. With over 12 years of experience in marketing and entertainment, Collums has managed campaigns for major sports organizations like the Carolina Panthers (NFL) and Charlotte FC (MLS). At ECE, Collums will focus on enhancing the brand’s national presence through developing digital strategies to engage audiences and foster growth across corporate events, performing arts, comedy tours and various private entertainment programming. ECE president John Wolfslayer called it a “significant milestone in the company’s evolution” that Collums is joining the team, seeing her appointment as a key step as the company approaches its 50th anniversary. Passionate about live events, Collums believes in the transformative power of music and performance and looks forward to helping ECE create memorable experiences for clients.

ICYMI:

Michael Rapino

Michael Rapino

New York City nightclub complex Avant Gardner hired Josh Wyatt as its new CEO … Jeff Jones is stepping down as the CEO of The Beatles’ Apple Corps Ltd after 17 years in the role … and Live Nation CEO Michael Rapino has been deposed in the ongoing litigation over the 2021 disaster at the Astroworld music festival. [KEEP READING]
Last Week’s Turntable: Capitol Hires Breaker of Artists

25 Oct 2024

How Barlow & Bear Ended Up Scoring ‘Moana 2’ — and Made History In the Process

Pianos anchor both Abigail Barlow’s and Emily Bear’s Los Angeles apartments. Self-described “Barbie girl” Barlow, 25, has a shiny magenta lacquered Yamaha U1, as brightly hued as her hair and her bedazzled Stanley mug. The “old-ass” Steinway upright — a refurbished turn-of-the-century specimen purchased from “a random warehouse downtown” — belongs to 23-year-old Bear.

It would be tempting to assume that the two musicians are polar opposites, based on their instruments as well as their backstories. Barlow is a pop singer-songwriter who first dreamed of becoming “a musical theater actrice”; Bear was a wunderkind classical and jazz pianist, a Quincy Jones protegée who played for Beyoncé on the Renaissance tour and was intent on writing film/TV scores. And while both entered the industry in their teens, it wasn’t until a mutual friend introduced them in 2019 that they started writing songs together. Their creative partnership (and friendship) has been, as Barlow says, “just like alchemy,” ever since.

Amid the coronavirus pandemic, Barlow & Bear co-wrote The Unofficial Bridgerton Musical Album, inspired by the book series and hit Netflix drama, which became a viral sensation, racking up 60.3 million on-demand U.S. streams, according to Luminate, and winning the duo the best musical theater album Grammy Award in 2022. (Netflix sued the pair that July for copyright infringement when it put on a live, for-profit performance of the album at the Kennedy Center; the suit was reportedly settled out of court a few months later.) But now, their collaboration is about to hit the mainstream. Barlow & Bear’s music for Moana 2, in theaters Nov. 27, will make them the youngest (and only all-women) songwriting duo to create a full soundtrack for a Disney animated film. Two of their songs — “Beyond,” a soaring showcase for star Auli’i Cravalho (Moana), and “Can I Get a Chee Hoo?” for Dwayne “The Rock” Johnson (Maui) — will, Disney reveals, be submitted for Academy Award consideration.

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Like much of the musical theater-­loving world, Walt Disney Music president Tom MacDougall first became aware of Barlow & Bear as a team through Bridgerton. (For Bear, it was also a full-circle moment: As an 8-year-old pianist, she had met MacDougall, who gifted her a Tangled score signed by storied composer Alan Menken that still hangs on her wall.) About three years ago, he met them for lunch to “sort of put it on our radar that he might have a project for us,” Barlow recalls. She and Bear didn’t expect much to come of it — but MacDougall was impressed by the storytelling in their Bridgerton music. “That spirit of deciding to musicalize this thing that wasn’t a musical gave me the confidence they could pull [a Disney film] off,” he says. “If they could conjure up the spirit to create songs where they didn’t exist, I had a good feeling that if we gave them moments to build songs around, they’d be able to deliver.”

Sound, Abigail Barlow, Emily Bear, Moana 2

Abigail Barlow (left) and Emily Bear

Maggie Shannon

A year later, in 2022, Barlow & Bear met with the creative team for Moana 2 — a sequel to the 2016 animated film about the titular young girl who sets out to save her Polynesian island — which was then planned as a Disney+ streaming series. “Both of us, weirdly, were going through similar struggles to what Moana faces in this new journey,” Bear explains. “It was easy to put ourselves in her shoes and understand that she’s just a young woman trying to find her place in the world, as are we.”

Around the middle of last year, Disney reenvisioned Moana 2 as a feature film — by which point Barlow & Bear were immersed in learning the ropes of composing for Disney, absorbing some imparted wisdom of their Moana composing predecessor, Lin-Manuel Miranda. “He gave me a stack of books about how to structurally craft a lyric not only to be storytelling-­accurate, but to roll off the tongue, to fly off the page and into people’s minds and hearts,” Barlow says.

For her part, Bear dove into the treasure trove of foundational material from Moana by their soundtrack teammates, composers Opetaia Foa’i (a Samoan-born singer whose Polynesian music group, Te Vaka, performs on both Moana soundtracks) and Mark Mancina. “They recorded a huge library of logs and skins and vocal samples, so there were grooves that inspired entire songs,” Bear says. “Even if we started or wrote a song on our own, the root of it was still Opie.”

Though Barlow and Bear both admit that working on Moana 2 still feels surreal, they don’t have much time to soak it in: They’re booked and busy, in part because of that Grammy win. But both say the award’s significance to them was more symbolic. “We grew a lot as human beings through the whole [Bridgerton] process, and becoming like, ‘mature, professional girlie’ was something my soul desperately wanted and needed,” Barlow says. Bear agrees. “I’ve done a lot, but mostly as a kid, and for some reason that felt like it didn’t really count. I’ve been working so hard to outrun the ‘prodigy’ label,” she says. “[The Grammy] was really big for me because it was the first time people purely judged me based off music I did as an adult.”

Sound, Abigail Barlow, Emily Bear, Moana 2

Abigail Barlow (left) and Emily Bear

Maggie Shannon

Their post-Moana 2 slate as a duo includes the forthcoming biopic of Fred Astaire and Ginger Rogers starring Jamie Bell and Margaret Qualley and their first produced stage musical, currently in development with a creative team attached. Bear (who is also an Emmy winner for her score for the PBS documentary Life) has scored two forthcoming films: Anderson .Paak’s feature debut, K-Pops, and Our Little Secret, a Netflix Christmas film starring Lindsay Lohan. Barlow, with a chuckle, says she may soon “release the album I wrote, like, a year-and-a-half ago.”

And then there’s the mystery “little musical idea” that first brought them together, a “very production-heavy” show “bringing you down the rabbit hole of what pop musical theater can be… which is very dear to us,” Barlow says with a knowing grin. It’s a reminder of the excitement they felt when they first met — and still feel in any session together. “We’re in love, musically,” Barlow says, “for real.”

This story appears in the Oct. 26, 2024, issue of Billboard.

25 Oct 2024

Nicole Scherzinger Pays Tribute to Liam Payne: ‘I Will Forever Cherish and Treasure the Time We Shared’

Nicole Scherzinger may have been one of the last people to communicate with Liam Payne before the singer’s death on Oct. 16 following a fall from a hotel balcony in Buenos Aires, Argentina. In an interview with Billboard about Scherzinger’s “one-of-a-kind” Broadway performance in Sunset Blvd., composer Sir Andrew Lloyd Webber revealed that Scherzinger — who met Payne when she was a judge on the English X-Factor, where One Direction were formed — had been in communication with Liam on the day of his death.

“She was still texting him that day, and [that evening] the reviewers came in [to SUNSET], she’d just heard that he died,” said Webber of the previews for the musical in which Scherzinger stars as Norma Desmond. “And the fact that she even did the show at all is extraordinary. I mean she is an amazing, amazing woman. She is without any question one of the finest performers I’ve ever worked with.”

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On Thursday (Oct. 24), Scherzinger posted a tribute to Payne on Instagram in the form of a letter to her late friend. “Dear Liam, I will forever cherish and treasure the time we shared together, from fifteen years ago when One Direction was born, right up until just a few weeks ago,” she wrote. “It was such a blessing to get to work with you recently. We shared the same love and passion for music and I will forever remember the meaningful and joyful conversations we had.”

The accompanying photo showed a smiling Payne posing with Scherzinger and former Destiny’s Child member and solo star Kelly Rowlands from the set of their Netflix series Building the Band. The music competition series — which also features host Backstreet Boys’ AJ McLean — began filming this summer with the premise of talented singers tasked with forming their own bands without seeing each other first. At press time a spokesperson for the series had not returned Billboard‘s request for comment on plans for airing the series in the wake of Payne’s passing.

“It’s been so hard to process that you’re no longer here, but I am grateful to have known your kind heart, sweet soul and character,” Scherzinger continued. “You brought so much joy, light, and laughter to the lives of those that truly knew you. I will ‘miss you’ my friend and carry you in my heart. My thoughts and prayers are with your family.”

In 2022, a previously unseen clip from 1D’s formation on X-Factor revealed that it was Scherzinger who was instrumental in putting solo singers Payne, Harry Styles, Zayn Malik, Niall Horan and Louis Tomlinson together as a group. “We thought of each of you as individuals, and we just feel that you’re too talented to let go of,” Scherzinger said at the time. “We think it would be a great idea to have two separate groups,” she continued as judge Simon Cowell broke the tension by announcing that the newly formed band would be going through to the next round.

The unseen portion of the video showed that Scherzinger was heavily involved in putting together the members of the group that she gushed at the time would be the “cutest boy band ever! The little girls are gonna love them!… They’re just too talented to get rid of. And they’ve got just the right look and the right charisma on stage. I think they’ll be really great in a boy band together,” she said.

At the time, Cowell predicted that confident Payne would likely the “leader” of the newly formed group. “They’re like little stars,” Scherzinger said of the five boys who had initially auditioned as solo acts; Payne had also auditioned as a solo act two years earlier in 2008. “So you can’t get rid of little stars. You put them all together,” Scherzinger said.

On Wednesday, Buenos Aires police raided the luxury hotel where Payne was staying when he died, reportedly taking away a number of items, including hard drives and CCTV footage. Payne, 31, died after falling from a third-floor balcony, with an autopsy report revealing that he died from a number of injuries, including internal and external bleeding caused by the fall. Investigators reportedly found a number of substances in his body at the time, including a recreational drug called “pink cocaine,” a mixture of substances that often contains ketamine combined with MDMA, methamphetamine, cocaine, opioids and/or psychoactive substances. Full autopsy details are not expected for several more weeks.

Scherzinger is the latest star to post a tribute to Payne, following on the heels of statements from his former 1D bandmates, 5 Seconds of Summer’s Ashton Irwin, Justin Bieber and the singer’s girlfriend of two years, Kate Cassidy, among many others.

25 Oct 2024

Lil Durk Arrested By Feds For Murder For Hire Plot, Held Without Bail

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Lil Durk mugshot

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Lil Durk has been arrested for his alleged involvement in a murder-for-hire plot. After getting pinched in Florida, he is being held without bail.

TMZ reports that the Chicago rapper and several members of his Only The Family (OTF) crew were charged in the murder of rapper Quando Rondo’s cousin. On Thursday (Oct. 24) night, Durk was picked up by the feds and locked up at the Broward County Jail. Bail was not granted.

Per the Chicago Tribune, the members of OTF have been charged with conspiracy to commit murder-for-hire, committing murder-for-hire involving a death and use of a machine gun in a violent crime resulting in death.

The OTF members were arrested for their involvement in a shooting that occurred in August 2022 in Los Angeles that left Quando Rondo’s cousin dead. But the kicker is that the indictment claims that the flights and rental cars that five men were provided with were paid for with a credit card connected to Durk’s record label, Only The Family Records. On August 19, 2022, Quando Rondo and crew were at a gas station in Los Angeles when shots rang out. While Quando wasn’t injured, his cousin Saviay’a Robinson, 24, was fatally shot.

Per the Feds, the 2022 shooting was in retaliation to the murder of King Von in 2020. In November 2020, the up and coming Chicago rapper was shot and killed outside of hookah lounge in Atlanta after a reported skirmish with Quando Rondo’s entourage. Flash forward to August 2023, and Lul Timm, born Timothy Leeks, the shooter who reportedly killed Von, saw the felony murder charges against him dropped.

Since Von’s death, Durk had directed his ire at Quando Rondo, reportedly buying out all tickets to a show to spite the rapper. But murder for hire, allegedly, is a whole other level of spite. Rondo has always maintained the shooting was self-defense.

This story is developing. 

25 Oct 2024

Hotel Where Liam Payne Died Raided by Buenos Aires Police

Police in Buenos Aires raided the hotel where Liam Payne was staying before his death on Oct. 16 in a fall from a balcony. According to the Associated Press, a police special investigations unit descended on the Casa Sur Hotel on Wednesday night (Oct. 23) on orders from the prosecutor’s office, reportedly seizing a number of items including computer hard drives and footage from hotel CCTV cameras.

Payne, 31, died after falling from a third-floor balcony, with an autopsy report revealing that he died from a number of injuries, including internal and external bleeding caused by the fall. The AP reported that an initial investigation suggests that the late One Direction and solo star was alone before his death and had a “breakdown” following the consumption of drugs; police reportedly found a number of substances in his body at the time, including a recreational drug called “pink cocaine,” a mixture of substances that often contains ketamine combined with MDMA, methamphetamine, cocaine, opioids and/or psychoactive substances. A handmade aluminum pipe was also found in his Argentina hotel room, according to ABC News. Full autopsy details are not expected for several more weeks.

On Oct. 16, streams and sales of both 1D and Payne’s music have surged in the U.S. and globally in the wake of the singer’s shock passing. Official on-demand U.S. streams of 1D’s five-album catalog totaled 5.9 million, a vault of 174% over 2.1 million the previous day, according to Luminate. On Oct. 17, they rose further to 22.2 million, up 278% over the day before.

In addition, globally, 1D pulled 21.3 million streams on Oct. 16, a 76% gain from 12.1 million on Oct. 15. The group’s catalog soared 298% to 84.9 million streams on Oct. 17.

In the week since Payne’s death, fans have turned the site of his passing into a makeshift shrine, laying candles, teddy bears, photos and other totems around the hotel entrance. Payne’s father, Geoff Payne, is reportedly currently in Buenos Aires helping to make arrangements for the transfer of his son’s body back to England, with officials expected to release it around Oct. 28.

Payne’s girlfriend, Kate Cassidy, was the latest member of the singer’s inner circle to pay tribute to the beloved star in an Instagram post on Wednesday in which she called him her “best friend [and] the love of my life.” His romantic partner of two years, Cassidy wrote, “None of this feels real, and I can’t wrap my head around this new reality of not having you here. I’m struggling to figure out how to live in a world without you by my side. Together, we got to be kids again, always finding joy in the smallest things.”

The influencer also noted that a few weeks prior to his death Payne wrote her a note confessing his hopes to marry her within the next year. “Liam, I know we’ll be together forever, but not in the way we had planned. You’ll always be with me,” Cassidy said. “I’ve gained a guardian angel. I will love you for the rest of my life and beyond, carrying our dreams and memories with me everywhere I go.”

25 Oct 2024

Billie Eilish Bringing Her ‘Overheated’ Climate Conference to Atlanta

Billie Eilish will touch down at State Farm Arena on Nov. 3 for the second edition of her Overheated climate sustainability conference. The follow-up to last year’s debut event in London, the first U.S. version will feature an appearance from the “Birds of a Feather” singer, as well as a panel of climate activists, thought leaders, artists and others hosting discussions and offering resources to help take on the climate crisis.

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The event will take place from 10 a.m.-4 p.m. and though only 300 tickets were made available to fans, those who can’t attend can watch it from home via a livestream on YouTube from 10 a.m. to 4 p.m. ET on the official Eilish channel.

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“I am thrilled that we can bring this unique event to Billie‘s US fans. And to people from all over who can watch the livestream,” said Eilish’s mother, Maggie Baird, in a statement. “At this time, more than ever we need everyone to be a climate activist.” Overheated is a collaboration between the singer and Support + Feed, the plant-based food initiative founded by Baird, with organizers offering plant-based meals to all attendees.

Among the panels on tap for the event are: “Environmental Justice 101,” “The stories We Tell,” “What We Eat Matters,” “Fashion Your Future,” “Climate Optimism” and “Your Vote, Your Power.” The gathering will highlight a variety of “accessible actions for audience members to take in making a positive impact on their communities and the planet,” according to a release. “This year, the event will also be highlighting the importance of political actions that champion climate solutions.”

Panelists and special guests include: Saad Amer, Corinea Austin, Maggie Baird, Xiye Bastida, Daniel Blackman, Brea Baker, Abre’ Conner, Quintin Crumpler, Jasmine Crowe-Houston, Helena Gualinga, Wawa Gatheru, Isaias Hernandez, Dr. Ayana Elizabeth Johnson, Jamila Norman, Samata Pattinson, Maya Penn and Angela Watts; click here to find out more about the speakers.

Check out the Overheated announcement below.

25 Oct 2024

Distribution Deal Prices Are Soaring as Competition for Artists Heats Up

The pop duo LANY released their first four albums on a major label. But when they completed their contract, they decided to hunt for a different kind of business partner, one that would give them more control over their operations. “Autonomy is the future,” manager Rupert Lincoln told Billboard. LANY ultimately chose to work with Stem, a distribution company. 

For decades, major labels demanded long-term contracts, obtaining multiple albums from the acts they signed, and made most of the money from those acts’ sales. The balance of power has shifted dramatically in the modern music industry, however, and so have artist contracts. More and more acts want distribution deals — short-term agreements where they retain ownership of their work and keep the majority of the income their music generates. 

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As these have become more desirable, competition for high-performing artists seeking distribution deals has gotten fierce, according to a pitch deck Stem has sent to potential investors, which was obtained by Billboard. Stem “has lost numerous deals historically as it wasn’t able to be competitive with advances,” the deck states. 

Other companies have also seen prices rise. “It is a much more competitive market” than it used to be, says Jorge Brea, founder and CEO of the distributor Symphonic. “All distros have to be well-funded to ensure they can put up money for deals.”

Historically, digital distributors didn’t help artists much with marketing or radio promotion; they were basically tech companies that made music widely available on places like iTunes and Spotify in exchange for a small percentage of sales. These low-overhead operations were a world away from an old-school major label, which had lots of manpower to promote artists around the world.

But ironically, as the distribution landscape has become sexier — “There have been more entrants,” Brea notes — many of these companies are starting to resemble labels. Increasingly, they try to differentiate themselves from rivals by offering bigger up-front payments to artists and more label-like services: assistance with digital marketing, playlist pitching to streaming services, or radio promotion. 

Concerns about up-front payments and services feature prominently in Stem’s pitch deck. The company estimates that it lost out on $45.6 million dollars worth of business in 2022: $19.2 million in scenarios where Stem couldn’t meet an artist’s ideal “check size,” and $26.4 million in situations where it couldn’t compete on “check size + other services (Intn’l, radio).” 

By Stem’s count, the number of lost business opportunities ballooned in 2023, tripling to $134 million. (If accurate, this number helps demonstrate how popular distribution deals have become recently.) “We’re tracking all the lost deals that we were actually in the conversation on,” says Kristin Graziani, Stem’s president.

The pitch deck zooms in on two artists in particular whom Stem lost to rivals: Aaron May, a rapper with a laid-back delivery who took an advance of $2.2 million elsewhere, according to the deck; and 6arelyhuman, an electronic act specializing in glitchy, thumping tracks who took an advance of $1 million. (A source close to May contends the number cited in the pitch deck isn’t accurate.) In both these cases, Stem couldn’t match the final check, though the presentation doesn’t say whether those artists also wanted services that the company couldn’t provide — or picked a rival distribution outfit for another reason altogether.

In July 2023, Stem announced that it had set up a $250 million credit facility from Victory Park Capital to provide artists with advances. But “some of the dynamics of our deal with Victory Park were still a little bit constraining in terms of allowing us to win the type of deals that we were seeing,” says Stem CEO Milana Rabkin-Lewis. “There are many other types of capital out there that have less restrictions,” she continues, “and those are the conversations we’re having” now.

Other companies are doing the same — Billboard reported in August that at least half a dozen independent music distributors that have been fundraising or exploring a sale. That said, investors may be wary of providing some of these businesses with additional money to help them win bidding wars over talent, according to Erik Gordon, clinical assistant professor at the University of Michigan Ross School of Business. 

Stem’s adjusted EBITDA — earnings before interest, taxes, depreciation, and amortization — was -$5.2 million in 2022 and -$4 million in 2023, according to the company’s presentation; it’s projected to be -$3.8 million in 2024. In Gordon’s view, “investors are likely to take three consecutive years of EBITDA that is negative, even after management adjusts it, as a sign of problems.”

Rabkin-Lewis says that, although “the distribution business is profitable, the overall Stem company is not because we’ve invested a lot into Tone, which is a newer product.” (The adjusted EBITDA for the distribution part of Stem’s business was -$1.3 million in 2022 and $400,000 in 2023, according to the deck.) “We’ve been prioritizing gross revenue growth,” Rabkin-Lewis adds. The deck indicates that gross revenue rose by a little more than 4%, from nearly $88 million in 2023 to a projected number around $92 million in 2024. 

Meanwhile, distribution deals for proven artists continue to get more expensive. “A lot of companies are throwing out cash-heavy distro deals that we have never seen before,” says Karl Fowlkes, an entertainment attorney. At Symphonic, Brea has watched some of his competitors enter into agreements he believes are “ridiculous.” “We’re aggressive when going after deals,” he adds, “but not to the point where it’s not going to make [economic] sense.”

Distributors have to be especially careful when it comes to chasing expensive deals, because the short-term nature of their contracts gives them little time to make their money back. And successful artists often decamp for a rival company, lured away by a bigger check or the promise of a more powerful services division that can propel them to even greater heights. Brent Faiyaz, who worked with Stem among other companies in the past, subsequently partnered with UnitedMasters, for example. 

On October 4, Stem updated its terms of service to say that it is guaranteed a five-year license on any new music uploaded through its system. (As always, artists with more leverage can negotiate a shorter term.) This change raised eyebrows in some corners of the music industry, because the ability for artists to disentangle relatively quickly is a big part of why they choose to work with companies like Stem. “We feel like we’re finally at a point, from a services perspective, where we can demand longer licenses,” Graziani says. A five-year term is more in line with what a major-label-owned distributor like AWAL would ask for in negotiations with an artist. 

This points to another lane for competition — not just check size and services offered, but license length. Independent distribution companies face an ongoing challenge: It can be hard to prevent artists from heading elsewhere without offering agreements that look more like the ones handed out in the major-label ecosystems. 

“The supply of distribution is now almost infinite — you can get it anywhere,” says Emmanuel Zunz, founder of the independent label OneRPM. “In order to make money in distribution, you have to create value elsewhere. If you’re unable to create additional value, you get stuck.”

25 Oct 2024

BTS’ Jin Rocks It Out on Solo Single ‘I’ll Be There’: Listen

BTS fans got a jolt of fizzy energy in their ears on Friday (Oct. 25) with the release of Jin‘s pop rockin’ solo single, “I’ll Be There.” The effervescent tune with a rockabilly swing will be featured on the K-pop superstar’s upcoming debut solo album, Happy, due out on Nov. 15.

The bi-lingual tune that mixes 1960s bubblegum rock and modern dance pop — via Pharrell’s “Happy” and with a buzzy dash of early Hanson — is a joyous ode to devotion, with Jin promising on the chorus, “I swear that I will always sing for you/ Sing for you, oh-oh-oh/ I’ll be there for you.” In the video, Jin sings the tune in a parking lot under a bridge backed by a live band as skater boys and girls and other random fans pull up to check out the impromptu performance.

Dressed in jeans and a blue cardigan (over several other shirts) and rocking some stick-on jewels under his right eye, Jin strikes a series of smoldering rock star poses against the bright blue sky. According to a release, the track “conveys a sincere message, aiming to uplift those who feel downhearted and alone by delivering joy through Jin’s playful yet straightforward style.”

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Jin helped produce the track alongside American singer/songwriter MAX and in the video he channels rock star energy by doing an air guitar windmill move and striking some Elvis-adjacent poses as confetti rains down around him. By the end of the clip Jin is joyfully dancing with himself in the abandoned parking lot, kicking up his heels as the sun sets behind the bridge.

Jin’s upcoming six-track album will feature the focus track “Running Wild,” as well as “I’ll Be There,” “Another Level,” “Falling,” “Heart on the Window” (feat. WENDY)” and “I will come to you.” Jin collaborated with a number of other acts on the album, including Take That’s Gary Barlow, who co-produced and co-wrote “Running Wild.”

So far, Jin, the oldest member of BTS at 31, has released a number of solo tracks, including “Super Tuna,” “Yours,” “Abyss,” “Awake,” “Tonight,” “Epiphany” and “Moon,” as well as contributing to the soundtracks of a number of Korean TV shows and collaborating with Coldplay on his debut solo single, 2022’s “The Astronaut.” Jin was discharged from mandatory South Korean military duty in June and his solo debut comes as ARMY patiently wait for the rest of the band members to finish their required hitches in anticipation of BTS’ expected 2025 return.

Watch the “I’ll Be There” video below.

25 Oct 2024

Zach Bryan Announces Debut U.K. Festival Headline Show at London’s Hyde Park

Zach Bryan has announced his debut U.K. festival headline slot at London’s Hyde Park. The show will take place on June 28, 2025 as part of BST Hyde Park, which is held annually at the central London venue.

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The headline performance for 65,000 fans will be Bryan’s first live show in the U.K. since 2023, where he played intimate venues such as London’s 890-capacity Islington Assembly Hall. Tickets for Bryan’s show go on sale at 10 a.m. GMT on Oct. 30 at the festival’s official website. Bryan will be joined by an array of special guests on the day, which will be announced soon.

Bryan follows Jeff Lynne’s ELO as a confirmed performer at 2025’s edition of BST Hyde Park. The British rock band confirmed that their show at Hyde Park next summer would be their final ever live performance. 2024’s edition included sets by SZA, Lana Del Rey and Stevie Nicks, and announcements for 2025’s other headliners are expected in the coming months.

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The country musician has had a sensational run over the past couple of years following the release of 2023’s Zach Bryan, which landed at No.1 on the Billboard 200. Its follow-up, The Great American Bar Scene, released in July 2024 featured appearances from Bruce Springsteen and John Mayer, and was his first to break into the Top 20 on the U.K.’s Official Album Charts, landing at No.16.

Earlier this week, Bryan confirmed that he had split with his girlfriend, Barstool Sports personality Brianna LaPaglia, better known as Brianna Chickenfry. “Brianna and me [sic] have broken up with each other and I respect and love her with every ounce of my heart,” he wrote in a statement on his Instagram Stories.

“She has loved me unconditionally for a very long time and for that I’ll always thank her. I have had an incredibly hard year personally and struggled through some pretty severe things. I thought it would be beneficial for both of us to go our different ways,” he added. “I am not perfect and I never will be.”

Elsewhere Snoop Dogg teased a collaboration with the singer-songwriter during an appearance on the Today show. “Zach sent me a song,” the hip-hop icon told the show’s hosts. “I gotta put a verse on it.”

Check out the Bryan announcement below.