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Shyne Says He Was Set Up To Be Fall Guy For Diddy In New Documentary

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Giggs And Diddy Perform At O2 Shepherd's Bush Empire In A Special One Night Only Event

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Shyne’s life story is about to be told in movie form. The former rapper says he was set up to be the fall guy for Diddy in his new documentary.

As reported by thegrio, the former Bad Boy Entertainment star has totally transformed his life from rapper to politician. This week, Hulu revealed the trailer to The Honorable Shyne, and the two-minute clip summarizes his journey of what viewers can anticipate from the film. As expected he touches on the evening of Dec. 27, 1999, where he, Diddy and his entourage went to Club New York. That night a shooting occurred that left several patrons and nightclub employees injured. Police caught Shyne exiting the establishment with a gun on his person. He is accused of the shooting but maintained he shot in the air and his bullets did not injure bystanders.

During the trial a ballistics expert took the stand and testified that the injuries were caused by a second gunman. Nevertheless, Shyne was convicted on charges of assault, reckless endangerment, and possession of an illegal weapon and was sentenced to 10 years in prison. Diddy was acquitted on all counts. Victim Natania Reuben has always maintained that she saw Diddy shoot her at the nightclub. In the clip for the documentary the “More or Less” rapper bluntly says, “I was absolutely set up to be the fall guy.”

You can view the trailer for The Honorable Shyne below.

French Montana Documentary Announced By Paramount+

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French Montana

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A documentary on French Montana will make its debut on Paramount Plus in November after being a festival highlight.

The life of rapper French Montana has gotten the documentary treatment, and it will be available to the world on the Paramount Plus streaming service. The French Montana Story: For Khadija, first premiered at the Tribeca Film Festival last year. The scheduled air date will be Nov. 19 in the United States and Canada and Nov. 20 in the United Kingdom and Australia. French Montana shared the news on his Instagram account Wednesday (Oct. 23).

The French Montana Story will give an inside look into the diamond record-selling rapper, also known as Karim Kharbouch. French Montana was born in Morocco but moved to the United States when he was 13 years old. His family settled in the South Bronx, but his father left the family to go back to Morocco while his mother stayed to raise him and his two brothers. The film chronicles his many trials while becoming a gritty battle rapper who rose to fame with his Cocaine City DVDs, which consisted of interviews with rappers and other street personalities to show off his own music. That was the base for the founding of the Coke Boys, highlighted by collaborations with Max B. He would go on to sign with Sean “Diddy” Combs’ Bad Boy Records, Rick Ross’ Maybach Music Group, and Interscope Records.

The documentary is directed by Mandon Lovett and produced by Live Nation Productions for MTV Entertainment Studios. French Montana serves as an executive producer alongside Michael Rapino and Ryan Kroft for Live Nation Productions. Diddy was also an executive producer but withdrew due to his mounting legal issues. “This is the best project I’ve ever worked on in my life,” said Montana of the film. “It’s the first blueprint of an immigrant’s music dream, proving that anything is possible and it’s not about the awards, it’s about what we learn from the losses and sacrifices.”

Jessi Alexander, Ashley Gorley Take Home Top Honors During NMPA Gold & Platinum Gala

Many in Nashville’s elite country music songwriting community were honored at the Country Music Hall of Fame on Thursday evening (Oct. 24), as the National Music Publishers’ Association (NMPA) held its 2024 Gold and Platinum Gala, honoring many of the songwriters behind several RIAA-certified singles within the 2023-2024 eligibility period.

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Prior to the beginning of the ceremony, guests and honorees mingled during a reception, noshing on hors d’oeuvres. NMPA president/CEO David Israelite ushered in the evening in the Country Music Hall of Fame’s sixth-floor reception space overlooking downtown Nashville, calling the certifications the “most definite measurement of songwriters’ success.”

The evening feted nearly 120 multi-platinum honoree songwriters from Nashville’s songwriting community, with over 150 gold, platinum and multi-platinum-certified writers in attendance. Ninety-one songs were honored that have earned double-platinum or higher certification for the eligibility period.

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Uniquely, the evening’s honored songs spanned decades, feting new certifications for Toby Keith’s 1990s signature hit “Should’ve Been a Cowboy,” while other honored songs, such as Shaboozey’s “A Bar song (Tipsy),” were released only months ago.

Israelite also recognized the essential advocacy work and support of the RIAA’s chair/CEO Mitch Glazier and Nashville Songwriters Association International (NSAI) executive director Bart Herbison in making the evening honoring songwriters possible.

Bailey Zimmerman brought his joyous energy to the stage, recalling a bit of his songwriting process, and how he merged the chorus from one song idea with the verse of another idea to form one of his breakthrough hits, his 4x platinum “Fall in Love.” “Show up every day and keep writing songs because you never know which will be the one,” Zimmerman said, before also performing “Rock and A Hard Place.”

“My first-ever platinum record, y’all!” singer-songwriter Hailey Whitters said earlier in the evening, before performing her RIAA platinum-certified song “Everything She Ain’t.”

Ashley Gorley

Ashley Gorley

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Breland performed his Gold-certified “For What It’s Worth,” turning in one of the best vocals of the night. He followed with his new song “Same Work,” from his new album 2024 Project.

Throughout the evening, NMPA Exec. VP and general counsel Danielle Aguirre recognized those writers celebrating 2x platinum-certified songs, while NMPA senior vp, external affairs Charlotte Sellmyer revealed more multi-platinum songs.

Later in the evening, the late Country Music Hall of Famer Toby Keith’s longtime manager TK Kimbrell accepted on behalf of the late Keith, for Keith’s 3x platinum-honored “Should’ve Been a Cowboy” and the 2x platinum “How Do You Like Me Now?!,” while Keith’s longtime song collaborator Scotty Emerick accepted for songs including the 3x platinum “As Good As I Once Was,” and the 2x platinum “Beer For My Horses,” and “I Love This Bar.”

Also celebrated was late songwriter Kyle Jacobs, for his work in crafting the 5x multi-platinum song “Rumor.” Jacobs’s parents Reed and Sheri Jacobs accepted the honor on his behalf, and drew a standing ovation from the crowd of Nashville music publishers and songwriters, many of whom have collaborated with Jacobs over the years.

The male songwriter of the year accolade went to Ashley Gorley. Notably, the prolific Gorley beat singer-songwriter Zach Bryan to win the NMPA honor by a single song certification this year.

Israelite called Gorley a “primary crafter of today’s country sound and why it’s reached unprecedented crossover appeal.” Gorley briefly thanked his co-writers, as well as publishers at Sony Music Publishing, and his Tape Room Music colleagues, saying simply and earnestly, “Thank you for this.”

The female songwriter of the year honor was awarded to Jessi Alexander, for her work on songs including Luke Combs’s “5 Leaf Clover,” Little Big Town’s “You, Me and Whiskey” and Morgan Wallen’s “The Way I Talk.”

“I thought I’d work at Subway forever, but thank you for giving me my dream job, which is writing songs,” Alexander said, before thanking her husband, songwriter Jon Randall, as well as her publishers, including Warner Chappell Music Nashville’s president/CEO Ben Vaughn and vice president, A&R and digital Jessi Vaughn Stevenson.

The evening closed with Israelite introducing Jordan Davis, who performed his double platinum-certified “Next Thing You Know” and the 4x platinum-certified “Buy Dirt.” “I always say this song was written about the three most important things in my life: my faith in Jesus, my wife, my kids-my family-and my friends,” Davis said of “Buy Dirt.”

Addressing the songwriters, publishers and other industry members in the room, Davis added, “Thank you for what you do day in and day out. I’m grateful to be in Nashville, Tennessee and get to be a songwriter alongside all of y’all.”

See the full list of the honored songwriters and songs below:

Double-platinum songs:
Chase McGill and Jaren Johnston for “5 Foot 9”
Blake Pendergrass for “865”
Danny Orton for “19 You + Me”
Jerrell Jones and Mark Williams for “A Bar Song (Tipsy)”
Brandon Kinney and Josh Thompson for “Ain’t Always the Cowboy”
Carson Chamberlain and Wade Kirby for “All Over The Road”
Hillary Lindsey and Jordan Davis for “Almost Maybes”
Chris DeStefano for “Aw Naw”
Chris Lane and Jacob Durrett for “Big, Big Plans”
Drew Parker for “Doin’ This”
Luke Laird for “Down To The Honkytonk”
Ben Burgess and Mark Holman for “Flower Shops”
Ben Johnson for “Give Heaven Some Hell”
Barry Dean for “Heartache Medication”
Jonathan Singleton for “Houston, We Got A Problem”
Brett Jones and Rob Hatch for If “Heaven Wasn’t So Far Away”
Chris DeStefano and Josh Hoge for “Losing Sleep”
Billy Montana and Brian Davis for “Memory I Don’t Mess With”
Daniel Breland, Devon Barton, Edrick Miles, Kalvin Austin, Tatiana Zeigler and Troy Taylor for “My Truck”
Chase McGill, Greylan James and Jordan Davis for “Next Thing You Know”
Chris DeStefano for “Nothin’ Like You”
Brett James and Tony Lane for “On My Way to You”
Jared Keim and Ryan Beaver for “Pretty Little Poison”
Alexander Palmer, Austin Shawn, Bailey Zimmerman, Frank Romano and Marty James for “Religiously”
Josh Kerr for “She Likes It”
Sergio Sanchez for “Spin You Around”
Ben Williams, David Fanning and Paul Jenkins for “Tennessee Orange”
Gary Hannan for “Tequila Makes Her Clothes Fall Off”
Andy Albert, Dustin Lynch and Will Weatherly for “Thinking ‘Bout You”
Jordan Schmidt and Renee Blair for “wait in the truck”
Jordan Davis and Ryan Hurd for “What My World Spins Around”
Lindsay Rimes for “Whiskey on You”
Paul Jenkins for “Who I Am With You”
Tofer Brown for “Wine, Beer, Whiskey”

3x platinum songs:
Johnny Bulford, Jon Stone and Phil Barton for ‘A Woman Like You”
Jordan Reynolds and Nicolle Galyon for “All To Myself”
Wayne Kirkpatrick for “Boondocks”
Dave Barnes and Julian Bunetta for “Craving You”
Eric Paslay for “Even If It Breaks Your Heart”
Chris DeStefano for “From the Ground Up”
Brock Berryhill, Shy Carter, Taylor Phillips and Will Weatherly for “Good As You”
Brock Berryhill, Matt McGinn and Taylor Phillips for “Homesick”
Chase McGill and Will Weatherly for “Lose It”
Billy Montana and Tofer Brown for “Night Shift”
Hillary Lindsey and Jake Mitchell for “One Beer”
Brad Warren, Brett Warren and Jim Beavers for “Red Solo Cup”
Mark Sanders and Tim Nichols for “She Had Me At Heads Carolina”
Jacob Durrett for “Somebody’s Problem”
Christian Stalnecker and Josh Hoge for “Thank God”
Dan Isbell, Reid Isbell and Jamie Davis for “The Kind of Love We Make”
Ben Hayslip, Chase McGill and Jessi Alexander for “The Way I Talk”
Charlie Handsome and Taylor Phillips for “Thinkin’ Bout Me”
Anthony Smith for “Tomorrow”
Brian White, Rodney Atkins and Steve Dean for “Watching You”

4x platinum songs:
Jacob Davis, Jordan Davis and Joshua Jenkins for “Buy Dirt”
Austin Shawn, Bailey Zimmerman and Gavin Lucas for “Fall In Love”
Rachel Thibodeau for “Good Directions”
Bart Butler for “Heartache On The Dancefloor”
Ben Hayslip and Rhett Akins for “Huntin’, Fishin’, and Lovin’ Every Day”
Corey Crowder and Josh Hoge for “I’m Comin’ Over”
Jason Matthews and Marty Dodson and for “Must Be Doin’ Somethin’ Right”
Ben Johnson for “One Of Them Girls”
Nicolle Galyon for “Thought You Should Know”
Charlie Handsome for “You Proof”

5x platinum songs:
Ben Glover, Billy Montana and John Ozier for “Hard to Love”
Sammy Mitchell and Steven Battey for “One Number Away”
Heath Warren and Jet Harvey for “Rock and a Hard Place”
Kyle Jacobs for “Rumor”
Brad Clawson for “Up Down”

6x platinum songs:
Jonathan Singleton for “Beer Never Broke My Heart”
Jamie Moore for “Chasin’ You”
Joshua Jenkins and Shane Stevens for “Fancy Like”
Charlie Handsome for “More Than My Hometown”

7x platinum songs:
Charlie Handsome and Ryan Hurd for “Heartless”
Charlie Handsome for “Last Night”
Channing Wilson and Rob Snyder for “She Got The Best of Me”
Jordan Reynolds and Laura Veltz for “Speechless”

8x platinum song:
Charlie Handsome and Josh Thompson for “Wasted On You”

9x platinum songs:
Taylor Phillips and Thomas Archer for “Hurricane”
Jordan Schmidt and Matthew McGinn for “What Ifs”
Ben Burgess and Kevin Kadish for “Whiskey Glasses”

10x platinum songs:
Lindsay Rimes, Matthew McGinn and Shy Carter for “Platinum Heaven”
Trent Tomlinson and Tyler Reeve for “In Case You Didn’t Know”

12x platinum Song:
Charles Kelley for “Need You Now”

Billie Eilish Can’t Believe Rihanna Wants to Collaborate With Her: ‘What the F—‘

Billie Eilish just reacted exactly how anyone would to Rihanna saying she wants to collaborate — with utter disbelief.

Shortly after the Fenty Beauty said that the “Bad Guy” singer is her dream duet partner, Eilish reposted the former’s remarks on Instagram Stories Thursday (Oct. 24) and wrote, “what in the absolute f–k.”

“oh my god,” added the two-time Oscar winner. “what the f–k.”

Suffice to say, Eilish is definitely down to get in the studio with Ri, who praised the “What Was I Made For?” artist in a recent interview with Access Hollywood. “If I could only do a song with Billie Eilish,” the billionaire mogul said. “She’s so good.”

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Eilish doesn’t often collaborate with other artists, but she did recently jump on Charli XCX’s “Guess” for one of the “Von Dutch” singer’s Brat remixes. The cheeky track followed the nine-time Grammy winner’s May album Hit Me Hard and Soft, which reached No. 2 on the Billboard 200.

As Rihanna diehards know all too well, it’s been much longer since the “Umbrella” singer dropped music. In 2022, she released a song titled “Lift Me Up” for Black Panther: Wakanda Forever. She hasn’t released an album since 2016’s Anti, which spent two weeks at No. 1 on U.S. chart.

Though Ri has been mostly focused on her Fenty empire in the years since — in addition to being a parent of two young boys with A$AP Rocky — she did step back into pop-star mode in 2023 to headline the Super Bowl Halftime Show. Next year, her “Loyalty” collaborator Kendrick Lamar will do the honors, about which Ri recently said, “He’s gonna crush it.”

“Kendrick Lamar is the one that’s supposed to do it right now,” she added to Entertainment Tonight Thursday (Oct. 24). “We should never doubt him. He’s an amazing artist, top tier. He had an incredible year. He actually brought so many people together. It’s to be celebrated. That’s what culture is. He deserves it. I cannot wait to see it. Kendrick, thank you.”

Friday Music Guide: New Music From Lady Gaga, Halsey, Megan Thee Stallion and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Lady Gaga supplies an antidote for hungry fans, Halsey channels the greats and Megan Thee Stallion unveils another act. Check out all of this week’s picks below:

Lady Gaga, “Disease” 

Lady Gaga’s new single was produced and written with Andrew Watt, a guitar virtuoso who’s become a guru to rock veterans, as well as Cirkut, one of pop’s most prolific studio whizzes; that pedigree informs a stomping new track that balances arena heft with nimble melodies, as Gaga sings, “Screamin’ for me, baby / Like you’re gonna die / Poison on the inside, I could be your antidote tonight!” in between fluttering vocal refrains and booming percussion.

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Halsey, The Great Impersonator 

Most new albums are knowingly influenced by the artists that predated their creators, but few of them are enacted as purposeful homages quite like Halsey’s The Great Impersonator, which hopscotches across personal heroes ranging from Dolly Parton to David Bowie to Britney Spears; the track list can be a guessing game of who-inspired-what, but more often, Halsey’s own songwriting and perspective power the brightest spots.

Megan Thee Stallion, Megan: Act II 

Following her June album Megan with a 13-track deluxe edition, Megan Thee Stallion has given fans an embarrassment of riches to cap off a highly successful year: “Bigger in Texas” sets things off with classic trash-talking Meg and “Mamushi” receives a giddy remix featuring TWICE, but “Roc Steady,” a flip of Ciara’s “Goodies” featuring Flo Milli, is the clear highlight.

Summer Walker, “Heart of a Woman” 

Even though Summer Walker’s upcoming album will be called Finally Over It, but the R&B star still isn’t on “Heart of a Woman,” a sumptuous showcase for her complex emotions as she recognizes a relationship she can’t quit: “I try to be strong,” Walker sings, “but how much can I take?”

Addison Rae, “Aquamarine” 

As Addison Rae continues making the transition from TikTok superstar to aspiring music A-lister, her pop aesthetic is coming into focus, with “Aquamarine” extracting the breathy flirtations from previous single “Diet Pepsi” and applying them to a sleek, futuristic dance-pop sheen.

Kelsea Ballerini, Patterns 

A meditation on personal strength and moving on from divorce, Patterns may be Kelsea Ballerini’s most moving collection of songs to date, as the country-pop star sharpens her pen while examining her regrets and hopes; the opening run of songs on Patterns, including the poignant “Sorry Mom” and rousing “Baggage,” demonstrates why Ballerini remains such a captivating presence in the genre.

Gigi Perez, “Fable” 

With “Sailor Song” a viral smash and an Island Records deal in hand, Gigi Perez has quickly returned with “Fable,” an acoustic sing-along searching for answers that replicates the rawness of her breakout single and sounds like it could be another hit for the singer-songwriter.

Jin, “I’ll Be There” 

Jin’s upcoming album is titled Happy, and pre-release track “I’ll Be There” certainly lives up to that adjective: here, the BTS member is all smiles while reveling in pop-rock bliss, deploying a woo-oo-oo post-chorus that lodges in your brain before your first listen is even complete.

Linkin Park, “Over Each Other” 

On “The Emptiness Machine” and “Heavy is the Crown,” the first two songs released from Linkin Park’s upcoming album From Zero, Mike Shinoda is the first voice heard, a steadying force before new vocalist Emily Armstrong arrives; with “Over Each Other,” however, Armstrong delivers an impressive vocal showcase, unleashing her frustration over miscommunication as the production blinks and shudders.

Editor’s Pick: Soccer Mommy, Evergreen

On her fourth Soccer Mommy album, Sophie Allison expertly finds a middle ground between the lo-fi production of her early work and the hearty, pop-adjacent rock of her more recent output; with personal loss as a central focus, Evergreen feels like Allison’s most complete record to date, and a standout during a crowded season for indie releases.

Lil Durk Arrested in Florida on Federal Murder-for-Hire Charge

Rapper Lil Durk was arrested late Thursday (Oct. 24) in Florida on a federal murder-for-hire charge, hours after several of his alleged associates were indicted on similar charges over their alleged involvement in a shooting aimed at rapper Quando Rando.

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The Chicago rapper (Durk Devontay Banks) is being held in Broward County jail on behalf of the U.S. Marshals Office, according to Broward Sheriff’s Office inmate records. Charges are not yet public in court records, and additional details on the case against him are not yet available.

The star’s attorney, Brian Bieber, confirmed to Billboard that Durk was in custody and would have an initial court appearance in Florida federal court on Friday.

Durk’s arrest came hours after Los Angeles federal prosecutors unsealed an indictment against several alleged members of Durk’s Only the Family (OTF) hip-hop group. The five men — Kavon London Grant, Deandre Dontrell Wilson, Keith Jones, David Brian Lindsey and Asa Houston — are charged with murder-for-hire and murder-for-hire conspiracy.

In the indictment, prosecutors say the five men were behind a 2022 shooting in Los Angeles aimed at Quando Rondo (Tyquian Bowman) that left his cousin dead. They say that shooting was ordered by an unnamed co-conspirator in retaliation for a 2020 shooting in Atlanta, in which a Rondo associate allegedly shot and killed Chicago rapper King Von (Dayvon Bennett).

“After the [2020] murder, Co-Conspirator 1 made clear, in coded language, that Co-Conspirator 1 would pay a bounty or monetary reward, and/or make payment to anyone who took part in killing T.B. for his role in D.B.’s murder,” prosecutors write, using Rondo and Von’s initials.

Durk is not charged or mentioned in the earlier case.

King Von, a rising rapper in Chicago’s drill scene and a childhood friend of Durk, was shot and killed outside an Atlanta nightclub on Nov. 6, 2020, after an argument between two groups turned into a fight in the parking lot. A 22-year-old man named Timothy Leeks, reportedly an associate of Rondo, was arrested days later, but the case was eventually dropped.

Two years later, on Aug. 19, 2022, Rondo and associate Lul Pab (Saviay’a Robinson) were ambushed by gunmen while sitting in their car at a Los Angeles gas station. Rondo emerged unscathed, but Robinson later died at the hospital.

According Thursday’s indictment, that killing was allegedly carried out by OTF members Grant, Wilson and Houston, as well as by Jones and Lindsey, who prosecutors say were “members of other gangs in Chicago.” They allege the group “used two vehicles to track, stalk, and attempt to kill T.B. by gunfire — including with a fully automatic firearm — resulting in the death of S.R.”

Prosecutors say the group carried out the attack on orders from the unnamed “Co-Conspirator 1” in retaliation for the earlier King Von slaying. At one point, that unnamed conspirator allegedly texted another co-conspirator: “Don’t book no flights under no names involved wit me.”

“Co-Conspirator 1 would place bounties on individuals that Co-Conspirator 1 and other OTF members wanted to kill, including T.B.,” prosecutors write in Thursday’s indictment. “As part of the bounty, co-conspirators … would pay anyone who took part in the killing of T.B. and/or reward individuals with lucrative music opportunities with OTF.”

Why Duran Duran Is ‘Hungry’ For Halloween

With Billboard Hot 100 hits like “Hungry Like the Wolf,” “Union of the Snake,” “New Moon on Monday” and “A View to a Kill,” Duran Duran’s catalog is frighteningly fitting for spooky season. So in 2022, when the English quartet found itself playing a Halloween-night gig in Las Vegas ahead of its induction into the Rock & Roll Hall of Fame, the band decided to don costumes, sprinkle in seasonally appropriate covers and embrace the darkness.

The show was successful enough to inspire the band’s 2023 album, Danse Macabre, a top 10 hit on the Top Album Sales chart. With an expanded version of the album out now, the veterans — who have grossed $118.6 million and sold 1.8 million tickets since 1987, according to Billboard Boxscore — are set to play a show at New York’s Madison Square Garden on Oct. 31 that keyboardist Nick Rhodes promises “will be entirely different than any other Duran Duran show you will ever see.”

Is Halloween as big in the United Kingdom?

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We don’t celebrate it in such grand style as you do in America. I remember the first time I came to America was over the Halloween period. I literally thought, “Wow, they’re so far ahead of us. Why don’t we have these giant blow-up things outside our houses? Why can’t bats be 20 feet wide?” I love the sense of fun, the absurdity and that everybody gets to be a villain for a day.

The deluxe Danse Macabre has “New Moon (Dark Phase),” a moodier take on one of your classics; a cover of ELO’s “Evil Woman”; and “Masque of the Pink Death,” which I’m guessing is inspired by Edgar Allan Poe.

I’ve always been a great admirer [of Poe]. We grew up in England in the ’70s, where Hammer horror movies on [TV on] a Friday night, whether it was a Dracula or a mummy movie, were the thing you looked forward to all week. Plus, [I love] Tim Burton’s great contribution to everyone who loves goth. Those things shape the way you feel about life and the possibilities creatively. That’s what makes artists unique — their influences and the different areas they take from, even if it’s subliminal.

The Madison Square Garden show will be your second Halloween-themed concert. Do you see this becoming a tradition?

I don’t know. It’s a lot of work for one show. But Madison Square Garden just happened to be available, and New York is such a good place to be for Halloween. It was irresistible. We are going to make it something unusual and special. It won’t be like a regular show at all. The fans in Europe have been writing in already saying, “When are you going to do one in Europe? This is the second one in America; that’s not fair.” I sympathize with that. We always like to try to balance things, so maybe [we’ll do] one in Europe next year.

You have several other U.S. shows this fall beyond MSG. Will Halloween elements work their way into those?

I suspect some of them will feature a few bits that we’re preparing for Halloween. We didn’t think we’d be back in America this year, but when we decided to do the Halloween one, we slotted some more in. I rather like that way of working. For many years, we haven’t been a band that announces big world tours and ends up on the road for 18 months. But we do seem to play a lot of shows. We just add them when we want to, and somehow the chaos is working.

This story appears in the Oct. 26, 2024, issue of Billboard.

DMX’s Spiritual Side Focus of Posthumous ‘Let Us Pray: Chapter X’ Album

Some people remember DMX for the late Ruff Ryder boss’ snarling, take-no-prisoners bars about the dangers of coming at him. But the MC born Earl Simmons was also memorably a deeply spiritual man whose lyrics often focused on the push-and-pull between sin and salvation.

The latter, more sacred, side of the born again rapper’s personality will be on display on the upcoming posthumous album Let Us Pray: Chapter X. The eight-track collection from Def Jam/UMe due out on Dec. 13 will combine DMX’s prayers with original music created by Grammy-winning gospel songwriter/producer Warryn Campbell (Kanye West, Alicia Keys).

“Working on Let Us Pray: Chapter X has been one of the most fulfilling experiences for me as a creative,” said Campbell in a statement. “When you hear the voice of DMX, it inspires instant creativity and what better way to showcase who X really was than through prayer. I believe I can speak for MC Lyte, Killer Mike, Snoop Dogg, LeCrae, Mary Mary, Lena Byrd Miles, and Terrace Martin when I say it was an honor and privilege to be part of this amazing work.”

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According to a release, “Campbell notably crafted new original music to accompany the signature prayers of DMX and instrumentally scored these spoken-word messages straight from the artist’s heart.” The album features a number of additional vocals from artists including rappers Snoop Dogg, Killer Mike, MC Lyte and LeCrae, MC/producer Terrace Martin, as well as gospel acts Mary Mary, Lena Byrd Miles and the RoyzNoyz Orchestra. 

“Ultimately, Let Us Pray: Chapter X reflects upon the depth, emotionality, and spirituality of DMX, and it invites fans to celebrate his legacy from a new standpoint altogether,” according to a statement about the album from the ordained pastor MC who died at 50 in April 2021 of a heart attack. “Let us pray/ Father, thank you for making me righteous/ And accepted through the blood of Jesus/ Because of that, I am blessed and highly favored by you/ I am the object of your affection,” DMX intones over sweeping strings on the emotional first single “Favor.”

The collection is the follow-up to 2021’s Exodus, the first posthumous album from the late “Party Up” rapper; X’s seventh, and final album released in his lifetime, was 2012’s Undisputed.

Listen to “Favor” here and check out the full track list below:

1. “Favor” (feat. Killer Mike, Mary Mary, & RoyzNoyz Orchestra)

2. “Bear” With Me (feat. LeCrae)

3. “One Life To Do It” (feat. MC Lyte & RoyzNoyz Orchestra)

4. “Until I’m Gone” (feat. Snoop Dogg, Terrace Martin, & Lena Byrd Miles)

5. “Favor” (Instrumental)

6. “Bear With Me” (Instrumental)

7. “One Life To Do It” (Instrumental)

8. “Until I’m Gone” (Instrumental)

Cardi B Cancels Her Appearance At ONE MusicFest Due To Health Concerns

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Cardi B

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It’s no secret that Cardi B has been going through the motions lately following the birth of her third child and a very public and messy split from her ex-hubby, Offset.

Still, the Bronx bombshell continued to grind to get that paper, but unfortunately, it seems like Cardi is going through some health issues as she took to Instagram to announce she was forced to cancel an upcoming show due to health concerns. Taking to her page to let fans in on her current situation, the “Bodak Yellow” rapper revealed that she’s been in the “hospital recovering from a medical emergency the last couple of days and I won’t be able to perform at ONE MusicFest.”

Though she didn’t specify exactly what led to her hospitalization or what the emergency was, fans are naturally wishing her a speedy recovery as she gets the medical attention she needs.

Scheduled to go down on Oct. 26 and 27 at Central Park in Atlanta, ONE MusicFest will still feature quite a few other fan favorite artists including the likes of Earth, Wind & Fire, Method Man, Redman, Fantasia, Gunna, and Ari Lennox amongst many others.

In short, attendees are still going to have a blast.

Still, there’s only one Cardi B, and she’ll surely be missed. Get well soon, ma.

While she’ll surely be missed, there will still be a lot of acts we know fans will be more than happy to witness during the event.

Will you be going to ONE MusicFest? Let us know in the comments section below.

Chart Rewind: In 1984, Alabama Had a Hit as Big as ‘Texas’

On Oct. 27, 1984, Alabama’s “If You’re Gonna Play in Texas” rose to No. 1 on Billboard’s Hot Country Songs chart. The classic was co-written by Murry Kellum and Dan Mitchell and produced by the band and Harold Shedd.

Formed near Fort Payne, Ala., in the early ‘70s, Alabama was initially billed as Wildcountry, consisting of cousins Jeff Cook, Teddy Gentry and Randy Owen. They recruited drummer Mark Herndon in 1979.

Starting with Alabama’s 1980 Hot Country Songs No. 1 “Tennessee River” and through its featured turn on Brad Paisley’s “Old Alabama” in 2011, the band banked 33 leaders, among 51 top 10s, both the most among duo/groups. Also beginning with “Tennessee River,” Alabama rattled off a record 21 No. 1s in a row (counting proper, nonseasonal singles) through 1987.

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“We were lookin’ for a song that would use a fiddle,” “Texas” co-producer Shedd shared in Tom Roland’s The Billboard Book of Number One Country Hits. “After ‘Tennessee River’ and [Alabama’s ninth No. 1, 1983’s] ‘Dixieland Delight,’ it became a trademark, so we wanted to do some of those things. If it’s working, you don’t want to get too far away from that. You gotta touch your home base. [“Texas”] was something we could out a fiddle on that would not sound manufactured or contrived.”

“Texas” was released as the third of four singles – all of which topped Hot Country Songs – from Alabama’s eighth LP, and fourth Top Country Albums No. 1, Roll On. It followed “Roll On (Eighteen Wheeler)” and “When We Make Love” and preceded “(There’s A) Fire in the Night.”

In 2015, Southern Drawl, Alabama’s first set of new music since 2001, arrived at its No. 2 peak on Top Country Albums. It became the group’s 26th top 10 set, a sum that includes 11 No. 1s logged between 1981 and 2006.

Alabama was inducted into the Country Music Hall of Fame in 2005. Cook passed away on Nov. 8, 2022, at his home in Destin, Fla. He was 73. Currently touring, the band makes its next stop in St. Augustine, Fla., on Nov. 8.