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Omarion To Star as Charismatic Hitman in ALLBLK Series ‘Wild Rose’

Omarion is set to star in and executive produce an upcoming original drama series titled Wild Rose. According to Variety, the former B2K lead singer and solo star will take on the lead role of Roosevelt (aka “Rose”), in the ALLBLK series that follows the contract killer whose family also runs a nonprofit.

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A description of the series created by Deji LaJay (Escaping Paradise) reveals that, “behind the nonprofit facade is an elite, family-run, hired-gun agency known for taking down high-profile targets.” After his wife and daughter mysteriously walk out and disappear, Rose sets out to find them only to discovers a “web of secrets that force him to question his identity within his own family.”

In a statement, the singer known for his Grammy-nominated 2005 debut solo album O and 2005 No. 4 Billboard Hot 100 collab on Bow Wow’s “Let Me Hold You,” said, “I’m ecstatic that I’m back on your television in a new way. I can’t wait for the Allblk fans and others to see a different side of me. I’ve never played a character quite like this. Let’s just say I’m venturing out of my comfort zone. Every new project is an opportunity to learn, grow and expand my range as an actor. Rose is not your average assassin.”

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In addition to releasing three albums with B2K in the early 2000s, Omarion has released a handful of solo albums and starred in the films You Got Served, Fat Albert and Somebody Help Me, as well singing in a Yeti costume on season five of The Masked Singer in 2021.

Wild Rose – which will air on AMC’s Black TV/film service ALLBLK — is slated to begin production in Los Angeles in November, with a debut date and full cast not yet announced.

Reservoir Media Revenue Up 6% on Digital, Sync Gains

Reservoir Media raised its outlook for the coming year and delivered mid-single-digit growth thanks to strong gains in digital and synchronization revenues.

The New York-based company’s revenue increased 6% to $40.7 million in the fiscal first quarter ended Sept. 30, the company announced Wednesday (organic growth that excludes the impact of acquisitions was 5%). Adjusted earnings before interest, taxes, depreciation and amortization climbed 11% to $17.6 million.  

Music publishing revenue jumped 10% to $28.6 million due mainly to catalog acquisitions and price increases at digital streaming services. Digital revenue grew 22% to $15.6 million and synchronization royalties increased 30% to $5.8 million as film and TV licensing is “getting back to pre-strike levels,” said CEO Golnar Khosrowshahi during Wednesday’s earnings call. Performance revenue fell 22% to $5.1 million, due to “the timing of hits songs,” the company said. Mechanical royalties dropped 13% to $1.1 million. 

Recorded music revenue fell 1% to $10.7 million. Reservoir attributed the year-over-year decline to the reissue of rap icons De La Soul’s physical catalog in the prior-year period. Recorded music physical revenue sank 21% to $1.5 million. Digital revenue fell 0.1% to $7.2 million. Neighboring rights revenue jumped 35% to $1.1 million and synchronization royalties rose 3% to $900,000. 

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Last quarter, Reservoir licensed of Snoop Dogg’s publishing catalog and Snoop-owned Death Row Records, and signed deals with Canadian singer-songwriter k.d. lang, country writer-producer Travis Heidelman, songwriter Jon Decious, writer-producer Kes Kamara and writer-producer Ben Stancombe. The company also purchased the publishing catalog of Billy Strange (“A Little Less Conversation,” “Clean Up Your Own Backyard”) and acquired the royalties of Jack Douglas, who produced hits for such artists as Aerosmith and Cheap Trick. 

“As we look forward to the second half of fiscal 2025 our pipeline continues to remain strong, with over $1 billion in transactions under consideration at attractive entry multiples,” said Khosrowshahi. Reservoir is looking at opportunities with “better multiples,” she added, “but I still continue to see a substantial number of transactions trading at high-teen multiples. And I think the long-term value of these assets is recognized, thus warranting these multiples.”

Reservoir slightly increased guidance for the full fiscal year. Revenue to a range of $150-153 million (from $148-152 million) and adjusted EBITDA to $59-$62 million (from $58-61 million). 

Shares of Reservoir Media were up 0.3% to $8.81 by midday after jumping as high as $9.09, just shy of the stock’s 52-week high of $9.20. 

Fiscal first quarter of 2025 financial metrics for Reservoir:

  • Revenue: up 6% to $40.7 million
  • Adjusted EBITDA: up 11% to $17.6 million
  • Net income: down 78% to $200,000
  • Publishing revenue: up 10% to $28.6 million
  • Recorded music revenue: down 1% to $10.7 million

Pres. Play: U.S. Presidents in Billboard’s Back Pages, From the 1900s to Now

When Billboard started publishing in 1894, Grover Cleveland was president of the United States of America — all 44 of them. Parsing politics has never been this publication’s primary purpose, but over the decades since, every POTUS has popped up in our pages. So, ahead of Election Day (Nov. 5), Billboard tips its reporter’s hat to the commanders in chief whose policies and cultural cachet helped shape the music business.

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No. 1 With a ‘Bullet’

The Sept. 21, 1901, issue of Billboard covered “an almost prophetic incident” that occurred at the Pan-American Exposition in Buffalo, N.Y., the day an assassin shot President William McKinley at the Temple of Music (Sept. 6). (He died from the injury a week later.) “Only a moment or two before the shot rang out,” a friend of McKinley’s told Billboard, the “orchestra had played a German piece of music entitled ‘The Cursed Bullet.’ ”

Not ‘Ike’ Us

“Election year brought tangible results in revenue to Madison Square Garden,” reported the Feb. 16, 1952, Billboard, “as an Eisenhower-for-President rally, backed by entertainment names, drew 15,000.” Luminaries included songwriting great Irving Berlin, whose 1950 Broadway tune “They Like Ike” became the campaign slogan “I Like Ike.” The same issue included a story about an “overzealous Eisenhower supporter” in Dallas who interrupted a concert by “RCA Victor songbird” Mindy Carson and “insisted on pinning an ‘I Like Ike’ button on her shoulder.

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Family Values

The Nov. 24, 1962, Billboard buzzed about John F. Kennedy impersonator Vaughn Meader’s album The First Family, calling it a “comedy smash” that “electrified the industry.” The title’s success helped warm the market chill that followed the Cuban missile crisis, one of the defining moments of Kennedy’s presidency. The Dec. 8, 1962, issue said the album boosted “a gradually improving sales situation following the partial solution of the Cuban scare.” “I had someone come in for a copy of The First Family the other day and they left the store with $32 worth of records,” a Miami retailer explained. “That’s what one of these smashes can do.”

Get Carter

Soon after the 1976 election, the Nov. 13 issue described Jimmy Carter as “a friend in the White House who’s sympathetic… to the music industry.” The Allman Brothers Band had played a fundraising role in his primary campaign, and the music business “got a lot of early support for him both through contributions and performances when cash was critical,” Capricorn Records president Phil Walden said. It wasn’t just Southern rock that carried Carter: The Sept. 18, 1976, issue reported on “a mobile disco operation in Atlanta” that was “discoing around the country” to raise support for Carter.

Bills, Bills, Bills

The Nov. 14, 1992, Billboard covered a CMJ Music Marathon panel in New York titled “Are We Really Voting Tipper Gore Into the White House?” — a then-controversial idea, considering she had taken a stand against music with explicit lyrics marketed to children. Panelists had “an ‘anti-Tipper-but-voting-for-Clinton-anyway’ theme.’ ” More than two decades later, Bill Clinton posed with Jon Bon Jovi for the cover of the Nov. 5, 2016, issue, to spotlight their philanthropy. “This is Bon Jovi’s Be Kind to a Senior Night,” the former president joked during the photo shoot.

This article appears in the Oct. 26, 2024, issue of Billboard.

Pipe Bueno Talks Recording ‘Una Pregunta’ With Gerardo Coronel & More | Behind the Photo

Pipe Bueno shares his experience of recording “Una Pregunta” with Gerardo Coronel, attending Milan Fashion Week and more!

Pipe Bueno:
Hi there! How are you, my friends and mamacitas? I’m Pipe Bueno and we are at Behind the Photo with Billboard.

Let’s see, this photo happened in a studio in Bogota called Audiovision. I was with my friend Jerry [Gerardo Coronel]. I had the pleasure to have him in Bogota for a few days because Jerry is Mexican, so he didn’t know my country very well at that time. I was able to show him a little of what our Colombian culture in Bogota. The food, I took him to a good Colombian restaurant and we recorded our song, our collaboration. It’s called “Una Pregunta.” The song turned out beautifully. It was a song him and his team produced. The vocals were literally recorded in Bogota.

Good memory, this one. That’s my younger brother, we are both ready to depart on a direct flight to Madrid and then to Milan. In fact, the person taking the photo is also here with me, the commander-in-chief, my lady, who is also accompanying me today. We had a beautiful trip to Milan Fashion Week, where we went as ambassadors of Hugo Boss. And, well, for the second year in a row where we were the only Colombians representing within the musical genre and my wife as a content creator, in one of the most iconic places in the fashion world, Milan.

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Michael Jackson’s ‘Smooth Criminal’ Joins YouTube Billion Views Club

Michael Jackson is in rarified air when it comes to billion-view music videos on YouTube. This week, the late King of Pop notched his fifth visual to cross that mark when the gangster-themed clip for his 1988 single “Smooth Criminal” crossed the 10-digit mark.

The track from Jackson’s seventh album, 1987’s Bad, was brought to vivid life by director Colin Chilvers, who tapped into a 1930 gangster nightclub vibe for one of MJ’s most beloved videos. Jackson also paid homage to one of his musical and dancing heroes in it via a white suit and matching fedora that tipped its hat to dancer/actor/singer Fred Astaire.

The nearly 10-minute mini movie opens with Jackson running to the door of an underground club — where he’s blasted by a gust of white wind — before entering to silence as the clubgoers stare him down warily. In classic MJ fashion, he flips a coin through the tense air, landing it perfectly into the slot of a juke box, which, of course, cues up the rhythmic Quincy Jones co-produced track.

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What comes next is a clinic in classic Jackson, with the singer popping, locking and skittering across the club’s floor while executing some of his signature spins and fancy footwork while breaking hearts and deftly dispatching would-be assassins with his signature elan. The action culminates in the video’s centerpiece movie, the “anti-gravity lean,” during which the track drops out and time slows down, before the beat picks back up and the singer slides into his moonwalk and then appears to defy the rules of the physical universe by keeping his feet planted and back straight while his body dips into a nearly 45 degree angle before righting itself.

According to a 2018 article in The Telegraph, the stunt was achieved via unseen cables, because, as neurosurgeon Dr. Nishant Yagnick told the paper, “It’s not really possible physically to do it. He was cheating gravity.” Jackson later patented a specially designed shoe with a hook in it so that he could recreate the stunt live, as most humans are able to pull off, at best, a 30-degree lean without injuring themselves.

A group dance number brings things to a close as Jackson opens fire with a machine gun, sending the revelers running for the exits.

“Smooth Criminal” joins a handful of other all-time-classic Jackson videos with more than one billion YouTube views, including such beloved hits as “Beat It,” “Billie Jean,” “They Don’t Care About Us” and MJ’s Halloween-appropriate 14-minute scarefest, “Thriller.”

Watch the “Smooth Criminal” video below.

Why Beyoncé Got Mixed Up in the Whisky Business

When Beyoncé sings about “rugged whiskey” and the “dive bar we always thought was nice” on her country album Cowboy Carter, she was definitely not talking about her whisky.

Launched this September in partnership with luxury giant LVMH’s Moët Hennessy, Queen Bey’s premium rye whisky SirDavis retails for $89 bottle and was inspired by her paternal great-grandfather’s legacy as a successful Prohibition-era moonshine maker.

It’s the latest product from Beyoncé, who, in addition to performing 56 shows for her $580-million-grossing 2023 Renaissance World Tour, also released a perfume called CÉ NOIR and a haircare line called Cécred over the past year.

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Fans are feverishly speculating on what genre she might reclaim next for a potential Act III album. So, why would she spend her precious time and invaluable brand power to release a whisky? And how much money might she make from it?

Billboard interviewed half a dozen alcohol industry experts and leading entertainment lawyers, and while they unanimously agreed that it is too early to guess at SirDavis’ sales — it only launched in August — they said the whiskey fits into a modern-day marketing strategy as multi-faceted as Queen Bey’s career.

“It’s an extension of the marketing push for her latest album, which has references to traditional Americana and American heritage,” says Spiros Malandrakis, head of alcoholic drinks research for Euromonitor, referencing Beyoncé’s Cowboy Carter, which came out in April. “What is one of the most iconic products that encapsulates American heritage? It’s an American whisky that has roots dating back to moonshine.”

Cowboy Carter debuted at No. 1 on the Billboard 200 album chart dated April 13 with 407,000 equivalent album units earned in the U.S. in the week ending April 4. It has since racked up a total of 1,322,896 equivalent album units, according to Luminate, and marks her her eighth No. 1 album. Whisky comes up in the lyrics of several Cowboy Carter songs, as do Levi’s jeans — spelled “Levii’s Jeans” on the track that features Post Malone — and Queen Bey is currently featured in an ad campaign for the classic denim company.

But given the international nature of her brand, Malandrakis says, Bey’s whisky works to extend its appeal beyond a strictly Americana audience. SirDavis whisky dropped the e, as the Scottish do, and it incorporates grains often used in Scotch and Japanese whiskey.

“She kind of winks towards this international side of her brand,” Malandrakis says. “She is a black American icon. She is also equally, potentially even more so, an international icon.”

WORTH A SHOT

Celebrity liquor deals have the potential to make superstars into billionaires, like the sale of Casamigos Tequila did for George Clooney, and before that what Cîroc vodka and DeLeón tequila did for Sean “Diddy” Combs. Beyoncé’s husband Jay-Z did his first liquor deal in 2012 — D’ussé Cognac with Bacardi — and in 2021 he sold half of his champagne Ace of Spades to LVMH. As of May, Forbes estimated Beyoncé’s net worth to be $760 million.

Jordan Bromley, head of Mannatt’s entertainment transactions and finance practice, says that these kinds of deals can be highly lucrative, whether the talent receives an upfront check or sticks around for two or three years to build the brand and then negotiates a big payout when they exit.

Beyoncé

Beyoncé x Sir Davis

Mason Poole; Julian Dakdouk

“This should be a tentpole of any icon’s business portfolio, and not just in liquor but maybe home goods, athletic goods or venues,” says Bromley, citing Rihanna’s Fenty as one of the most successful examples of an artist becoming a billionaire thanks to a business outside of a music career. “You’re not stressing out over a record label audit—which you should do every two or three years—because you’re a 20% owner in a billion dollar company.” 

However, Bromely says, there is risk for icons in lending their star power to a product.

“Is there risk? Absolutely—only the entire trust you’ve created for your brand,” Bromley says.

The product has to be good and it has to sell, and the ingredients necessary for those two components are not the same with all products. The Wall Street Journal reported in 2023 that Beyoncé and Adidas AG ended their partnership, the “adidas x IVY PARK” collection, after disappointing sales.

With spirits, sources say success usually seems to follow when fans believe a superstar authentically enjoys drinking the spirit in their spare time.

The SirDavis story posits that Beyoncé has whisky-making in her blood, and followers of her social media accounts know she has frequently posted about tasting and collecting rare Japanese whiskeys.

It is not known if Beyoncé has an ownership stake in SirDavis, and LVMH, which owns Moët Hennessy, rarely breaks out sales for its individual products. But Malandrakis says most celebrities exit their liquor company partnerships within a few years with a sizeable check.

“Not because they lose interest but they realize these things have a timeline. At some point Beyonce will not be as relevant, as strange as that sounds,” Malandrakis says. “The longevity of products like that is ultimately down to how good they are and how much they create for the community.”

Money Makers is a new column in which Billboard unpacks one financial issue a week for an artist in the news. Thanks for reading, and if you have suggestions or tips, email me at ediltsmarshall@billboard.com.

MAGA Outrage Over Biden’s Rebuke of Racist MSG Remarks Panned On Xitter

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A demonstrator wearing a 'Make America Great Again' hat...

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Right-wingers are expressing outrage over President Joe Biden’s rebuke of hateful remarks made at Donald Trump’s campaign rally, but many on social media see it as overwrought.

In a Zoom call on Tuesday with the Voto Latino group (October 29), President Joe Biden addressed the comments made by comedian Tony Hinchcliffe at the highly controversial campaign rally for former President Donald Trump at Madison Square Garden, particularly his joke about Puerto Rico being “a floating island of garbage”. Biden expressed his displeasure, saying: “The only garbage I see floating out there is his supporter’s — his — his demonization of Latinos is unconscionable, and it’s un-American. It’s totally contrary to everything we’ve done, everything we’ve been.” The verbal gaffe was seized upon by Trump’s running mate, Ohio Senator JD Vance who immediately expressed his dismay in a post on X, formerly Twitter, attacking Biden and Democratic presidential nominee Kamala Harris by writing: “This is disgusting. Kamala Harris and her boss Joe Biden are attacking half of the country. There’s no excuse for this. I hope Americans reject it.”

Fox News aired the clip but selectively edited it to only play the part about the supporters to make it appear as if Biden was widely labeling Trump supporters as “garbage”. The clip has been shared heavily by right-wing supporters and media personalities such as Dana Loesch, who said: “Wow, the orderlies need to be notified. He has gotten loose, Joe Biden has gotten loose. Wow. There goes the ‘live, laugh love’ campaign of Harris, and post-Biden, there goes the dignity in the White House.” Former Republican presidential candidate Vivek Ramaswamy wrote in a post on X, formerly Twitter that the ginned-up moment wasn’t “a bad October surprise”, continuing: “You may think it’s his cognitive impairment, but it smells more like an ingenious way to inflict long-overdue revenge on Kamala.” Fox News host Harris Faulkner also posted the edited clip, calling it “Sad for the country.”

But more pundits and observers called out those right-wingers as being hypocritical and trying to deflect from the hateful commentary that was evoked at the campaign rally on Sunday (October 27). The White House published the transcript of President Biden’s comments shortly after, partly published by journalist Jonathan Lemire who noted it was “being taken out of context”. President Biden also issued a statement clearing up his comments: “His demonization of Latinos is unconscionable. That’s all I meant to say.”

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4. Liam From Boston

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Colman Domingo Is Framed For A Murder He Didn’t Commit In New Netflix Series ‘The Madness’

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Colman Domingo x The Madness

Source: Netflix / Netflix

It has been months since rumors circled that Colman Domingo was being eyed to replace Jonathan Majors as Kang The Conqueror in the Marvel Cinematic Universe, and while that’s still a possibility, the man is keeping himself busy with new and interesting projects.

On Tuesday (Oct. 29), Netflix dropped a new trailer to its new original series, The Madness, which stars Colman Domingo as political media pundit, Muncie Daniels, who finds himself accused of a murder he didn’t commit. After witnessing the murder of an infamous white supremacist (not Trump), Daniels is framed for the killing and can only rely on himself to clear his name while delving into the crazy conspiracy behind the crime.

Of course they’d frame a Black man for the murder of a white supremacist. Watch ya back out there Don Lemon!

According to Hypebeast, Domingo will be joined by the likes of Marsha Stephanie Blake, John Ortiz, Gabrielle Graham and Tamsin Topolski.

The Clement Virgo-directed series will be an eight-episode thrill ride that’s sure to have twists and turns at every angle. So y’all better buckle up because Colman Domingo don’t be signing up for no lame ish.

Per Hypebeast:

“Everything about this conspiracy thriller excited me. It was a unique protagonist, one that I had never seen or experienced,” Domingo told Netflix. “Someone who has very centrist beliefs, and now they’re being thrust into the world to really hard-core believe in something and to reexamine the people that they believed were possible enemies. You realize you have more in common with them than you thought you had in the beginning.”

“I think it says a lot about who we are now and what we’re willing to do, and also to look at who’s really pulling the strings and for whose benefit.”

The Madness premiers on Netflix Nov. 28. Check out the trailer and let us know if you’ll be checking for it come next month in the comments below.

Megan Thee Stallion’s Sexy Starfire Costume Catches James Gunn’s Attention

Megan Thee Stallion loves her some DC Comics, and she kicked off Halloween week — aka Hottieween — with her Starfire costume.

Starfire Thee Stallion graced Instagram with her photo shoot on Tuesday, and Meg’s costume even got the attention of DC Studios CEO James Gunn.

“STARFIRE THEE STALLION #hottieween24,” she captioned the customized comic-book cover.

Cardi B, Flo Milli and plenty more showed Meg love. “Sexaaayyyyyyyyyy,” her “WAP” collaborator wrote.

Gunn called Meg’s look as Starfire “incredible” in her comment section and then added a “Whoa. Cool” on Threads.

Megan Thee Stallion often cosplays as her favorite anime and comic-book characters, so crushing her Starfire look was no surprise. The 29-year-old spared no detail for her sexy costume, which featured a metallic silver top that had a deep V cutout that went from her neck to below her navel as well as side cutouts, crimson hair and bedazzled nails.

It’s another busy spooky season for Megan, who will be taking the United Center stage on Halloween night for 2024’s Hottieween. Proceeds from the concert will go toward supporting Meg’s Pete and Thomas Foundation, which aims to provide resources for children, senior citizens, women and other underserved communities.

She’s going to have new music to perform as well, with Megan Thee Stallion dropping off her Megan: Act II deluxe edition last week, which boasts 12 new songs.

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Ray J Almost Caught The Beats From Diddy’s Sons, Chris Brown Plays Peacemaker?

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Ray J's The Tronix Network Exclusive Premiere Event

Ray J, we’re to take Vince Staples‘ word for it, might be one of the most important figures within the culture although that is an arguable point. However, Ray J’s cache in the game almost took a literal hit after he allegedly almost got into some fisticuffs with three of Diddy‘s children with Chris Brown reportedly breaking up the beef.

According to a TMZ report, Ray J was in attendance at Tara Electra’s Unruly Agency Halloween party last weekend with King Combs aka Christian Combs, Justin Combs, and Quincy Brown.

Sources speaking directly with the outlet say that when the party was over, Ray J was making his exit to to the parking lot with an entourage that included Amber Rose and his manager David Weintraub. However, Sean “Diddy” Combs’ sons allegedly stopped him in his tracks. Recent comments made by the “One Wish” singer regarding Diddy didn’t sit well with his sons and they allegedly surrounded him.

Of the three, Justin and King really wanted to get it on like Waingro in the parking lot but Chris Brown witnessed the argument from his vehicle then hopped out of his ride and helped settle things with Ray J’s manager.

Apparently, this isn’t the first time the Combs brothers tried to step to Ray’s business, and from the looks of things, it might not be the last.

Photo: Getty