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What Do You Get an EGOT Winner for Her 93rd Birthday? Rita Moreno Is Getting Her Own Barbie Doll

It’s not easy to shop for someone who is turning 93. He or most likely she has everything they want or need. That may be especially true if they’re an EGOT. With that kind of hardware around, do they really need another bauble?

But Mattel came up with a good way of recognizing Rita Moreno as she turns 93 on Dec. 11. She’s getting her own Barbie doll, part of the Barbie Tribute Collection. With a suggested retail price of $40, the doll will be available in the Mattel Shop beginning Nov. 20.

Despite the twin obstacles of sexism and discrimination that she faced as a woman of color on her self-made path to stardom, Moreno emerged as one of the very few Latin movie stars in the Golden Age of Hollywood. (She was born in Puerto Rico and lived there until she was five.) In 1977, Moreno became just the third person to complete the EGOT (following composer Richard Rodgers and actress Helen Hayes). Moreno was just 45 at the time. She was the youngest person to EGOT until 2014, when Robert Lopez achieved the feat at 39.

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“I was a girl who decided to go for it, and despite the challenges I faced, I never gave up on my dreams,” Moreno said in a statement. “That’s what I hope this doll inspires in each and every girl today: to live their life with courage and resilience so that they can make their dreams a reality. It’s been an absolute pleasure to work with Barbie to bring this doll to life, and I hope it serves as a reminder to embrace your limitless possibilities and pursue your passions because when you embrace them, you’re bound to go far.”

The Barbie Rita Moreno doll wears an elegant gown that echoes many designs Moreno has worn on the red carpet. Barbie worked closely with Moreno to sculpt a doll in proper reflection of her likeness, working with the star from the initial design to the final touches.

Rita Moreno

Rita Moreno

Mattel

“It’s an honor to celebrate Rita Moreno as the latest addition to our Barbie Tribute Collection,” Krista Berger, svp of Barbie and global head of dolls, Mattel, said in a statement. “As one of the few performers to achieve EGOT-status stardom, she has shattered stereotypes and barriers for Latinas in the entertainment industry and beyond.”

The Barbie Tribute Collection was conceived to celebrate visionaries for their contributions, impact and legacy as trailblazers. The series kicked off in August 2021 by paying tribute to TV legend Lucille Ball. The Tribute Collection has since recognized such diverse figures as designer Vera Wang and actress, producer, writer and LGBTQ+ advocate Laverne Cox.

Moreno isn’t the oldest person upon to have a Barbie doll made her in her honor. Barbie honored Queen Elizabeth II with a Barbie Tribute Collection doll in celebration of her Platinum Jubilee in 2022. The Queen was 95 at the time.

Nor is she the first Latina to have a Barbie doll made in her honor. Barbie continues expanding Latin representation in its doll collection, including the Isabel Allende Inspiring Women doll that launched in September 2024.

Moreno isn’t even the first EGOT recipient to have a Barbie doll made in her honor. Barbie previously honored Audrey Hepburn with a doll, dressed in an outfit she wore in her iconic, Oscar-nominated performance in Breakfast at Tiffany’s. In March, Barbie celebrated International Women’s Day and the brand’s 65th birthday by honoring Viola Davis and other storytellers with a one-of-a-kind role model doll made in their likeness. (These dolls were not available for purchase.)

Additional accolades Moreno has received include the Presidential Medal of Freedom in 2004, the National Medal of Arts in 2009, the Screen Actors Guild Life Achievement Award in 2013, the Kennedy Center Honor in 2015, and a Peabody Award in 2019.

SoundCloud Expands AI Integrations With Tuney, Pex, Audible Magic Partnerships

SoundCloud announced the roll out of a number of new AI partnerships on Tuesday (Nov. 19), underscoring its intent to integrate emerging technology into the platform — as long as it is used ethically.

Now, SoundCloud users will have access to six new assistive AI tools, including Tuney, Tuttii, Beatz, TwoShot, Starmony and ACE Studio. The company is also using Audible Magic and Pex to ensure that these new AI integrations are backed up by strong content identification tools that provide rights holders with proper credit and compensation.

These new partners join a list of existing AI integrations — Fadr, Soundful and Voice-Swap — SoundCloud has already worked into its platform. Now, any artist can use these tools and then easily share them to SoundCloud through a built-in “Upload to SoundCloud” option within each tool. Songs uploaded directly to SoundCloud will be automatically tagged to show the tool used (i.e. “Made with Tuney”) and artists can edit their newly uploaded tracks directly from their SoundCloud profile page.

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Additionally, SoundCloud has signed on to AI For Music’s “Principles for Music Creation with AI,” which was founded by Roland and Universal Music Group. Its principles include five points, like “we believe that human-created works must be respected and protected,” and “we believe music is central to humanity.”

SoundCloud Next Pro creators can access exclusive discounts and free trials for its nine partnered tools through SoundCloud for Artists.

“SoundCloud is paving the way for a future where AI unlocks creative potential and makes music creation accessible to millions, while upholding responsible and ethical practices,” said Eliah Seton, CEO of SoundCloud. “We’re proud to be the platform that supports creators at every level, fuels experimentation and empowers fandom.”

Learn more about the partnerships below:

Tuney: SoundCloud users can now use Tuney’s AI-powered tools to reinterpret original songs they have posted to SoundCloud (including private ones) without having to know the complexities of using a digital audio workstation (DAW). Using the new “Upload to SoundCloud” button, users can then share their creations quickly and easily back to the platform. Tuney’s Beat Swap feature is among the tools available to SoundCloud users, which can generate new remixes of a song by using a vocal stem and filling in the rest of the blanks.

In a statement provided to Billboard, Tuney CEO/co-founder Antony Demekhin said of the collaboration: “At a time when the major music companies are fighting tech platforms that illegally train on copyrighted works, we see this integration as paving the path for the ethical application of generative tech where rightsholders, artists and fans all benefit from innovation.”

Tuttii: SoundCloud fans can now use this AI-powered app to remix and mash up songs to share on social media with greater ease than using a DAW.

AlBeatz: SoundCloud users can now generate and customize professional-grade beats to work off of in their own original creations.

TwoShot: Created to help music producers kick start their creativity, TwoShot now offers SoundCloud users its massive sample library of AI generated sounds. The company also offers an AI co-producer tool, called Aiva, who can talk through musical ideas with users and help users search through TwoShot’s library.

Starmony: Tailored for singers and rappers, Starmony will now let SoundCloud users upload a vocal they’ve composed, and then the platform will provide professional-sounding production to fill in the instrumental elements of the song.

ACE Studio: With ACE Studio’s platform, musicians using SoundCloud can create their own AI voice models for use in the studio. For one, musicians can convert a melody, written out in MIDI, and convert it into a realistic sounding voice. This can also allow users to generate AI choirs of voices and edit vocals generated by Suno.

Selena Gomez, Jelly Roll, Becky G & More Receive 2024 Anthem Awards for Social Impact Work

Rare Beauty by Selena Gomez; Jelly Roll with Power to the Patients; and Becky G with NPR’s Tiny Desk Concerts’ “El Tiny” Takeover are among the winners of the fourth annual Anthem Awards. The awards, presented by the Webby Awards, recognize the purpose and mission-driven work of individuals, companies and organizations.

Other Gold Anthem Award winners include Google; George Lucas Educational Foundation; Gayle King with The Schoolys; Keke Palmer with Google’s ‘Black-owned Friday’; The Metropolitan Museum of Art; Amazon Music; GLAAD; and the Clinton Global Initiative.

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“This year’s Anthem Awards Winners are a crucial reminder of the many inspiring and courageous leaders around us committed to creating change,” Patricia McLoughlin, Anthem Awards general manager, said in a statement.

The Anthem Awards also honor individuals with special achievement awards for their commitment to spurring long-lasting change. This year’s Special Achievement Winners include Teun van de Keuken, for his work to promote ethical consumption and business practices through the chocolate brand Tony’s Chocolonely; Padma Lakshmi, for her work to promote social justice, empower women, and create a broader understanding and appreciation of different cultures through food; and Christy Turlington Burns, in recognition of her commitment to improving maternal health outcomes and advocating for mothers everywhere.

This year’s Anthem Award Winners were selected from more than 2,300 submissions from 34 countries by the International Academy of Digital Arts & Sciences (IADAS). Anthem Award judges are leaders from across the impact industry with expertise that spans the Anthem cause areas – diversity, equity, & inclusion; education, art, & culture; health; human & civil rights; humanitarian action & services; responsible technology; and sustainability, environment, and climate.

The Anthem Awards were launched in 2021 to highlight social impact work happening around the globe. The awards were founded by The Webby Awards in partnership with the Ad Council, Born This Way Foundation, Feeding America, GLAAD, Mozilla, NAACP, NRDC, WWF, and XQ.

Fans can watch each winner’s “Call to Action Speech” in the Anthem Winners Gallery at anthemawards.com/winners.

Denzel Curry Announces Dates For Extensive 2025 ‘Mischievous South’ World Tour

Denzel Curry will spend most of 2025 on the road. The “Hot One” MC announced the dates for his extensive Mischievous South 2025 world tour on Monday (Nov. 18), which will kick off in Australia and New Zealand in February, beginning with a Feb. 21 show at the Tivoli in Brisbane before moving on to Sydney and Auckland, NZ, then on to Wollongong and Melbourne, Australia before winding down in Perth at Metro City on March 4.

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The outing with support from Kenny Mason, 454 and Clip will then move over to North America, kicking off on March 31 at the Van Buren in Phoenix, before hitting Albuquerque, Dallas, Tampa, Atlanta, Nashville, New York, Boston, Philadelphia, Toronto, Pittsburgh, Detroit, Chicago, Seattle, Vancouver and Oakland and winding down on May 9 at the Shrine Expo Hall in Los Angeles.

The rapper will keep the party going in Europe next summer when he takes the stage at Melkweg Max in Amsterdam on June 3, then hitting Barcelona, Prague, Munich, Berlin, London, Dublin and Vienna and wrapping up in Hamburg, Germany on July 9 at the Grosse Freiheit.

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Tickets for the tour in support of Curry’s new album, King of the Mischievous South, Vol. 2, will go on sale on Friday (Nov. 22); click here for details on North American dates. Check out Curry’s tour announcement here.

Check out the dates for the 2025 Mischievous South world tour below:

Feb. 21 — Brisbane, AUS @ The Tivoli
Feb. 22 — Sydney, AUS @ The Hordern Pavilion
Feb. 27 — Auckland, NZ @ Shed 10
March 1 — Wollongong, AUS @ Yours & Owls Fest
March 2 — Melbourne, AUS @ Palace Foreshore
March 4 — Perth, AUS @ Metro City
March 31 — Phoenix, AZ @ The Van Buren
April 1 — Albuquerque, NM @ El Rey Theater
April 3 — Houston, TX @ Bayou Music Center
April 4 — Austin, TX @ Stubb’s Waller Creek Amphitheater
April 5 — Dallas, TX @ The Factory in Deep Ellum
April 8 — Tampa, FL @ Jannus Live
April 10 — Atlanta, GA @ The Eastern
April 11 — Raleigh, NC @ The Ritz
April 12 — Nashville, TN @ The Pinnacle
April 14 — Washington, DC @ The Fillmore Silver Springs
April 16 — New York, NY @ Terminal 5
April 17 — Boston, MA -@ Roadrunner
April 18 — Philadelphia, PA @ Franklin Music Hall
April 20 — Toronto, Ontario @ HISTORY
April 21 — Pittsburgh, PA @ Stage AE
April 22 — Columbus, OH @ KEMBA Live!
April 24 — Detroit, MI @ Royal Oak Music Theatre
April 25 — Chicago, IL @ The Salt Shed
April 26 — Minneapolis, MN @ Fillmore Minneapolis
April 28 — Kansas City, MO @ Uptown Theater
April 30 — Salt Lake City, UT @ The Complex
May 2 — Seattle, WA @ Showbox SoDo
May 3 — Vancouver, British Columbia @ PNE Forum
May 4 — Portland, OR @ McMenamins Crystal Ballroom
May 6 — Oakland, CA @ Fox Theater
May 9 — Los Angeles, CA @ Shrine Expo Hall
June 3 — Amsterdam, Netherlands @ Melkweg Max
June 5 — Barcelona, Spain @ Primavera Sound
June 9 — Prague, Czech Republic @ Roxy
June 10 — Munich, Germany @ Theaterfabrik
June 11 — Berlin, Germany @ Huxleys
June 18 — London, England @ O2 Academy Brixton
June 20 — Glasgow, England @ O2 Academy Glasgow
June 23 — Dublin, Ireland @ National Stadium
July 1 — Frankfurt, Germany @ Zoom
July 2 — Cologne, Germany @ Carlswerk Victoria
July 3 — Vienna, Austria @ Gasometer
July 7 — Vilnius, Lithuania @ Lukiskes Prison
July 9 — Hamburg, Germany @ Grosse Freiheit

Priest Who Allowed Sabrina Carpenter ‘Feather’ Video Shoot at Church Relieved of Duties

The priest who okay’d the filming of a controversial Sabrina Carpenter music video at his Williamsburg, Brooklyn church has been relieved of his duties. According to the Associated Press, Monsignor Jamie Gigantiello was stripped of his position on Monday (Nov. 18) after church officials said an investigation revealed other evidence of mismanagement.

Bishop Robert Brennan said in a statement issued by the Roman Catholic Diocese of Brooklyn that Gigantiello was relieved of “any pastoral oversight or governance role” after an investigation found that Gigantiello made unauthorized financial transfers to a former top aide in embattled New York City Mayor Eric Adams’ administration, which is being investigated on charges of corruption.

The investigation was sparked following outrage over the bloody video for Carpenter’s “Feather” shot at Our Lady of Mount Carmel-Annunciation Parish in Williamsburg, in which the singer facilitates the deaths of a number of obnoxious men who are attempting to hit on her. The final scene, filmed at the church, found Carpenter dancing around the sacred space at the men’s funerals while wearing a short black dress and veil and posing with religious items on the altar, including a coffin with a sign that reads, “RIP B–ch.”

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Gigantiello was relieved of his administrative duties last November after the video’s release, with Brennan saying at the time that the parish did not “follow diocesan policy regarding the filming on church property, which includes a review of the scenes and script.”

Following Gigantiello’s sanction, Carpenter told Variety that her team got “approval in advance,” and besides, “Jesus was a carpenter.” Her comments came after Gigantiello posted an apology on the Church’s Facebook page, in which he said he approved the filming of the video and did not find anything negative about Carpenter online, green-lighting the shoot in an effort to “further strengthen the bonds between the young creative artists who make up a large part of this community.”

He also said that he reviewed the video’s funeral scene plan and noted that the actual final scene shot was “not what was initially presented to me.”

In his statement announcing Gigantiello’s sanction, Brennan said, “I am saddened to share that investigations conducted by Alvarez & Marsal and Sullivan & Cromwell LLP have uncovered evidence of serious violations of Diocesan policies and protocols at Our Lady of Mount Carmel – Annunciation Parish. In order to safeguard the public trust, and to protect church funds, I have appointed Bishop Witold Mroziewski as administrator of the Parish.”

Though Mroziewski will now have “complete authority over the parish, Gigantiello will still be allowed to say Mass with Mroziewski’s approval. In addition, Brennan dropped Gigantiello from his fundraising duties as vicar of development for the diocese as a broader review uncovered other instances of administrative impropriety, including an ongoing investigation into Gigantiello’s use of a church credit card for “substantial” personal expenses.

During a Madison Square Garden show in September, Carpenter appeared to make light of the “Feather” dust-up, just days after Adams became the first New York Mayor to be indicted while in office. “Damn, what now?” she asked the crowd. “Should we talk about how I got the Mayor indicted?”

Sabrina Carpenter Debuts ‘A Nonsense Christmas’ Trailer at Final L.A Show

Sabrina Carpenter unveiled the trailer for A Nonsense Christmas with Sabrina Carpenter on Netflix during the final night of her Short n’ Sweet U.S. tour in L.A. on Monday night.

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“Christmas is coming early this year,” the pop star says at the beginning of the teaser. “I wouldn’t count on a silent night.”

Netflix previously announced plans for the special in September. The musical spectacular will feature a star-studded list of guests, including Chappell Roan, Tyla, Shania Twain, Kali Uchis, Quinta Brunson, Cara Delevingne, Kyle Mooney, Nico Hiraga, Megan Stalter, Sean Astin, Owen Thiele and Jillian Bell.

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“It’s a nonsense holiday and we’re so here for it,” the logline reads, an homage to Carpenter’s famous song, “Nonsense.”

“In this special with musical guests, pop icon Sabrina Carpenter will perform songs from her holiday EP fruitcake and other iconic chart-topping holiday covers,” the release continues. “This special will also feature show-stopping music performances, comedic guests, unexpected duets, plus many more surprises and fun cameos.”

Carpenter’s Short n’ Sweet tour began in September with a performance in Columbus, Ohio. Though U.S. leg concludes Monday night, it will start up in Europe next March.

A Nonsense Christmas with Sabrina Carpenter premieres on Netflix on Dec. 6 at 6 p.m. PT/9 p.m. ET. The show is produced by OBB Pictures and At Last Productions and directed by Sam Wrench. Nikki Boella is the showrunner.

Carpenter is hitting new heights on the Billboard charts. Her latest album, Short N’ Sweet, debuted at No. 1 on the Billboard 200 with 362,000 equivalent album units in its first week, marking her first chart-topping album. The album’s success extends to the Hot 100, where all 12 tracks charted, including standout singles “Taste” at No. 2, “Please Please Please,” and “Espresso.”

Notably, Carpenter joins the elite ranks of Taylor Swift and Ariana Grande by landing three songs in the top five simultaneously. Across the Atlantic, she made U.K. chart history as the female solo artist with the most combined weeks at No. 1 in a calendar year.

Watch the trailer for Netflix’s A Nonsense Christmas with Sabrina Carpenter here.

J. Cole Releases 2007 Debut Mixtape ‘The Come Up’ to Streaming Services

J. Cole is taking y’all back, man, as he does so well. Cole surprised fans with the release of his debut mixtape The Come Up hitting streaming services for the first time on Tuesday (Nov. 19).

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Hosted by DJ OnPoint, The Come Up Mixtape, Vol. 1 arrived back in May 2007 and has never seen the light of day on DSPs until Tuesday. The project boasts 17 tracks in total and includes early Cole World fan favorites like “School Daze,” “Simba” and “Dollar and a Dream.”

The move got fans excited and had the Dreamville faithful wondering if Cole plans to bring his entire adored mixtape discography — which boasts classics like Friday Night Lights and The Warm Up — eventually to streaming in the coming weeks.

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The fan theory could make some sense with J. Cole reminiscing on his decorated career with the release of his Inevitable audio series, which will take fans on an audio journey featuring Cole detailing the origins of his rap dreams through the release of 2014 Forest Hills Drive.

The 10-episode series — which Cole sees as more of a “movie in the form of a conversation” is hosted by Cole and his right hand manager Ibrahim “Ib” Hamad as they reveal never-before-stories about the North Carolina rap legend’s career.

Episode one is fittingly titled The Come Up and it was released on the Inevitable platform website where fans can purchase the entire series for $10. New episodes will be released weekly.

“If you rocked with me at any point so far on my journey, I hope this will give you even more perspective and fill in a lot of blanks,” Cole wrote when announcing the series. “If you have your own dream in life that you hope to achieve, in any field, I hope that this will feed your spirit, giving you confidence to believe in that dream and the encouragement to push through the tough times. To go for it even when you may be afraid to.”

Stream The Come Up below.

The Pogues Announce First U.K. Tour Since Passing of Frontman Shane MacGowan

Influential Celtic rock band The Pogues have announced a 2025 tour of the U.K., celebrating 40 years of their second album, Rum Sodomy & the Lash.

The tour is the group’s first since their 2014 split, and their first since the passing of vocalist and lyricist Shane MacGowan in 2023. The seven shows will take place across May 2025, with dates scheduled for Leeds, Birmingham, London, Glasgow, Manchester, and Newcastle.

According to a post on the band’s website, the tour will feature founding members Spider Stacy, James Fearnley, and Jem Finer joined by some unnamed “special guests” to celebrate the 40th anniversary of their acclaimed second album.

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Released in August 1985, Rum Sodomy & the Lash was the Elvis Costello-produced follow-up to their 1984 debut, Red Roses for Me. Though featuring singles such as “A Pair of Brown Eyes” and “Dirty Old Town” and garnering critical acclaim, the record was not a commercial success.

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That elusive success followed with their next album, 1988’s If I Should Fall from Grace with God, which boasted the perennial (and oft-controversial) Holiday favorite, “Fairytale of New York”. It was also the group’s highest-charting record in the U.S., reaching No. 88 on the Billboard 200 – their only album to chart within the top 100.

Though initially active from 1982 until 1996, The Pogues reformed in 2001 and remained active until 2014, though no new material arrived during this time.

The death of legendarily shambolic, magnetic frontman MacGowan in 2023 appeared to spell the end of any further chances of a reunion, though Stacy, Fearnley, and Finer were joined by bandmate Terry Woods and The Frames’ Glen Hansard at MacGowan’s funeral for a performance of “The Parting Glass”.On Dec. 17, Stacy, Fearnley, and Finer will helm a 40th anniversary celebration of Red Roses for Me in Dublin, featuring members of groups such as Fontaines DC, The Pretenders, and The Mary Wallopers.

A statement on the band’s website confirmed that longtime drummer Andrew Ranken would not be taking part in any reunion appearances due to health issues which made performing an impossibility.

Primus Share Open Call For New Drummer Following Tim Alexander’s Departure

Primus are on the hunt for a new drummer, and it could be anyone.

The veteran rock band – who celebrate their 40th anniversary this year – shared an open call out for a new drummer on social media today (Nov. 18) following the recent and unexpected departure of longtime percussionist Tim ‘Herb’ Alexander.

“We are currently taking submissions from all points in the universe for the position of Primus drummer/percussionist,” the group wrote. 

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“Seeking a well-mannered, affable individual with original sensibility and aesthetic, possessing a desire to open new doors in the creative world,” they clarified. “Flashy chops are wonderful, but groove, pocket, and the ability to listen, react, and contribute to the musical conversation is a must.”

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The band closed their post by urging potential applicants to submit both a resumé and a recent video performance to a dedicated email address.

The search has begun just week’s after Primus mainstays Les Claypool and Larry LaLonde revealed that Alexander had resigned suddenly on Oct. 17 via email “effective immediately”, citing a “loss of passion for playing”—a reason that Claypool and LaLonde admitted “came as a complete shock.”

“On the heels of a wonderful spring & summer of touring and some fabulous plans ahead, it has been a bit bewildering for us that Herb would so abruptly opt out,” Claypool and LaLonde said.

“After several attempts to communicate with Herb, his only response was another email stating that he has ‘lost his passion for playing.’ As disappointing as that is, we respect his choice and it’s forced us to make some tough decisions.”

In an interview with Rolling Stone following his exit, Alexander confirmed that his initial passion had become more like a job during his time in the band. “Over time, I started realizing that it was affecting my physical life, it was affecting my mental life, and it was affecting my family life, and my heart just wasn’t in it,” he said.

Alexander initially joined Primus in 1989, performing on their first four albums until his first departure in 1996. Replaced by his predecessor Bryan ‘Brain’ Mantia until the band’s 2000 breakup, Alexander rejoined the group for their 2003 reunion, leaving again in 2010 before coming back to the fold once again in 2013.

Primus will reportedly move forward with their New Year’s Eve show in Oakland, California, enlisting members of Claypool’s other projects, Holy Mackerel and Frog Brigade, for a “special, one-time event.” Additionally, for their upcoming Dominican Republic festival date, they’ll be joined by Tool drummer Danny Carey. 

The search for a new member echoes the efforts of the Smashing Pumpkins, who announced in January 2024 they would be holding an open audition process to replace former guitarist Jeff Schroeder. Frontman Billy Corgan later took to social media to reveal that within just 11 days, they had received over 10,000 submissions, with Kiki Wong ultimately being announced as their new member in April.

Charli XCX Performs Surprise Pop-Up Show in Times Square

Just days after taking over New York City by way of double-duty on Saturday Night Live, Charli XCX has performed a surprise pop-up show in Times Square.

The event, which took place on Monday evening (Nov. 18), saw the English singer, was marketed as an H&M & New York City Secret Event. Hints were provided by way of an online event page sharing the text in Brat green – a color associated with the musician’s culture-affecting sixth album – and Charli XCX’s own history with H&M.

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In August, the singer took part in the launch of H&M’s A/W 2024 Campaign alongside the likes of Arca, Lila Moss, Ajus Samuel, Loli Bahia, Okay Kaya, Alewya, Lux Gillespie, and more. In turn, this collection was promoted by a special London performance on Sept. 12 which also featured DJ sets from Jamie xx and Sherelle.

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Now, the H&M partnership has spread to New York City, with the retailer promoting the surprise performance only 30 minutes before launch with a social media post which confirmed Charli XCX’s involvement, noting she was “about to make history in Times Square wearing the H&M Holiday Collection”.

Indeed, the five-song set featured Charli XCX dressed accordingly, performing tracks from her Brat record. Alongside album singles “360”, “Von Dutch” and viral hit “Apple”, the singer opened and closed her set with remixes of album tracks “365” and “Guess”, respectively.

Footage of the event shows a sizeable crowd gathering to take part in yet another chapter of the musician’s impressive year.

Following the release of Brat in June, the record peaked at No. 3 on the Billboard 200 and topped the Top Dance/Electronic Albums chart, becoming a pop culture phenomenon in the process and earning widespread acclaim, including a Grammy nomination for album of the year.

On Saturday (Nov. 16), Charli XCX made her third appearance on Saturday Night Live, and her first pulling double-duty as both host and musical guest, delivering electrifying performances of Brat cuts “360” and “Sympathy Is a Knife”.