Hip-Hop Community Mourns Death of Influential Journalist & Screenwriter Barry Michael Cooper
Barry Michael Cooper, the journalist who coined the term “New Jack Swing” to describe the music Teddy Riley was making during the ’80s and wrote the screenplays for influential movies like New Jack City featuring Wesley Snipes’ iconic role as Nino Brown, Above the Rim starring 2Pac in one of his most memorable roles as street hustler Birdie, and Sugar Hill (also starring Snipes) passed away Tuesday (Jan. 22). Explore Explore See latest videos, charts and news See latest videos, charts and news Nelson George, another influential hip-hop journalist, broke the news on his Substack. “Barry Michael Cooper died today in Baltimore, according to his son Mathew,” he wrote. “It’ll take me a minute to gather all my thoughts, but just wanted to thank him for recommending to Robert Christgau at the Village Voice when I was trying to write for the Riffs section back in 1981. It was a key moment in my career and life.” Trending on Billboard Adding, “Barry helped define pop culture in the ‘80s and ‘90s with his early reporting on crack, by naming Teddy Riley’s sound ‘new jack swing’, and writing star vehicles for Wesley Snipes (New Jack City, Sugar Hill) and Tupac (Above the Rim.) Though he lived much of the last decades of his life in Baltimore, he was Harlem to his core.” Michael A. Gonzales, who co-wrote the important Bring The Noise: A Guide to Rap Music and Hip-Hop Culture with Havelock Nelson, tweeted out the Village Voice article profiling Teddy Riley where the term New Jack Swing was invented and referred to Cooper as one of his “main inspirations.” A&R extraordinaire Dante Ross wrote a lengthy caption on Instagram about how much of fan he was of his writing and acknowledged the influence his movie scripts had on the hip-hop genre and community. “His Harlem trilogy of flicks, New Jack City, Sugar Hill and Above The Rim were beyond influential in terms of Hip Hop cinema, they literally changed the game,” he said. New Jack City, Above the Rim, and Sugar Hill continue to be referenced by rappers and meme’d online by fans 30 years later. So far, no cause of death has been announced. He was 66 years old.
Mrs. GREEN APPLE’s ‘Lilac’ Stays at No. 1 for Fifth Week on Japan Hot 100
Mrs. GREEN APPLE’s “Lilac” continues to rule the Billboard Japan Hot 100 for the fifth week, on the chart dated Jan. 22. Downloads, streams and video views for the Oblivion Battery opener are down to 67%, 89%, and 95%, respectively, compared to the week before, but karaoke is up to 104%. The track holds at the top spot for the third consecutive week and for fifth time in total, with a huge lead over the track at No. 2 and below. At No. 2 is Rosé & Bruno Mars’ “APT,.” also holding for the third week. While the track is slowing down in downloads, streams and video, it gained slightly in radio and karaoke. Explore Explore See latest videos, charts and news See latest videos, charts and news STU48’s “Chiheisen wo miteiruka?” debuts at No. 3. The title track of the girl group’s 11th single sold 165,727 copies in its first week to hit No. 1 for sales. Trending on Billboard Mrs. GREEN APPLE’s “Que Sera Sera” slips a notch to No. 4. Streams are down to 93% and downloads to 50% week-over-week, but radio and karaoke are up to 170% and 105%, respectively. “CBZ (Prime time)” by BSS, a group consisting of members SEUNGKWAN, DK, and HOSHI of SEVENTEEN, bows at No. 5. The lead track of the trio’s second single “TELEPARTY” sold 63,797 copies to come in at No. 2 for sales, while also hitting No. 94 for downloads, No. 86 for radio and No. 41 for video. “’Shohikigen,” by SEVENTEEN released last year, also came in at No. 3 for sales, and the track rises to No. 20 on the Japan Hot 100 after six weeks. In other chart moves, a number of rapper Chanmina’s tracks have climbed the Japan Hot 100 again, due to the final judging of the audition project she’s producing, No No Girls, airing on Jan. 11. “Harenchi” came in at No. 51 and “Never Grow Up” at No. 79. Also, after the movie 366 Days hit domestic theaters on Jan. 10, the song the story was inspired by, HY’s “366 Days,” has returned at No. 84. The last time this classic ballad charted was about six months ago, in July 2024. The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data. See the full Billboard Japan Hot 100 chart, tallying the week from Jan. 13 to 19, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Future Mourns His Friend in ‘Lost My Dog’ Music Video & Donates to D.A.R.E.
Future laments over the loss of his friend to fentanyl in the new “Lost My Dog” music video that he dropped on Thursday (Jan. 23). Henri Alexander Levy directed the black-and-white accompanying visual for the poignant penultimate track from Future’s Billboard 200-topping Mixtape Pluto last year. Future, who typically conceals his face behind a dark pair […]
Clipse’s No Malice Says ‘Not Like Us’ Is His Favorite Song at the Moment
The Brothers Clipse were at Paris Fashion Week for Pharrell‘s Fall/Winter 2025 Louis Vuitton Men’s collection runway show dipped in custom LV and were stopped by social media style account @thepeoplegallery_. First, No Malice was asked for styling advice, with the Virginia rapper giving a simple answer: “Being comfortable, being you.” The brothers were then […]
ROSÉ of BLACKPINK Shreds Live Rock Performance of ‘3am’ at Channel Street Skatepark: Watch
ROSÉ totally shredded at the skatepark recently — but not on a skateboard. Instead, the BLACKPINK star delivered gnarly vocals while performing a live version of her song “3am,” setting up shop with her band at Channel Street Skatepark in Los Angeles. A video of the performance posted Thursday (Jan. 23) opens with an overhead […]
Clipse’s No Malice Says ‘Not Like Us’ Is His Favorite Song at the Moment
The Brothers Clipse were at Paris Fashion Week for Pharrell‘s Fall/Winter 2025 Louis Vuitton Men’s collection runway show dipped in custom LV and were stopped by social media style account @thepeoplegallery_. First, No Malice was asked for styling advice, with the Virginia rapper giving a simple answer: “Being comfortable, being you.” The brothers were then […]
Cynthia Erivo is defying gravity with her Oscars nomination.
The Academy unveiled its 2025 nominees on Thursday (Jan. 23), with Erivo snagging a nod in the best actress in a leading role category for her portrayal of Elphaba in Jon M. Chu’s Wicked. To celebrate, the star took to Instagram to share a series of photos from the film, along with a heartfelt caption expressing her gratitude for the honor. “Moments like this don’t come along very often, and when they do, it is sacrilege to let them pass by without a moment of gratitude. I am grateful, grateful to @theacademy, grateful to be a part of something that makes people feel seen, grateful to be a cog in the wheel of a piece that makes us believe in magic, grateful to have experienced a dream come true, and deeply deeply grateful for this unbelievable recognition,” she wrote.
Erivo continued, “I often get asked what I would say to my younger self. Well today there’s nothing to be said. She is smiling, beaming, glowing from ear to ear. That speaks volumes.”
She went on to congratulate her co-star Ariana Grande, who received her first-ever nomination for best supporting actress for her portrayal of Glinda. “To my sister, @arianagrande, what a joy it is to be here with you watching as you ascend and amaze and become the actress you were meant to be. Congratulations first time nominee, I’m so so proud of you!! There is no one in the world I would have wanted to do this with more than you.”
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Erivo also thanked Chu, who she deemed, “our fearless leader whose kindness provided us with the room to play,” adding, “you are deserving of all good things and I’m lucky to call you my brother.”
See her full post here. The actress was previously nominated for best actress in 2020 for her role in Harriet, as well as best original song for the film’s “Stand Up.”
Erivo is up against Emilia Pérez‘s Karla Sofía Gascón, Anora‘s Mikey Madison, The Substance‘s Demi Moore and I’m Still Here‘s Fernanda Torres. Earning 10 nods total this year, Wicked ties with The Brutalist for second-most nominated project at the 2025 Oscars. Only Emilia Pérez has more, scoring 13 total.
Charged with pride, nostalgia, and Puerto Rican culture, Bad Bunny’s Debí Tirar Más Fotos album really struck a chord amongst fans.
The 17-track album notably includes “Baile Inolvidable,” the Puerto Rican rapper’s first attempt at a full-fledged salsa song backed by live instrumentations — congas, piano, trumpets and all that jazz. His melancholic and passionate vocals narrate the story of a man who can’t forget the woman he loved, especially the one who taught him how to dance. “I thought I was going to get old with you,” he reflects at the beginning of the tune.
What quickly became a fan-favorite and has people of all generations dancing salsa on social media hit No. 4 on the Billboard Global 200 chart this week. Overall, the new EP ascends to No. 1 in the U.S.-based Billboard 200 albums chart. The set reigns following its first full tracking week of activity (Jan. 10-16; it was released Jan. 5).
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Below, check out the lyrics to “Baile Inolvidable” translated into English:
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I thought I would grow old with youMaybe in another life, in another world it could beIn this one, all that remains is to leave one dayAnd only see you at duskIf you see me alone and sad, don’t talk to meIf you see me alone and sad, I’m guilty
Life is a party that one day endsAnd you were by unforgettable danceAnd you were by unforgettable dance
While one is aliveOne must love as much as they can
I thought I would grow old with youMaybe in another life, in another world it could beIn this one, all that remains is to leave one dayAnd see the sky to see if you will fall
If you see me alone and sad, don’t talk to meIf you see me alone and sad, I’m guiltyLife is a party that one day endsAnd you were by unforgettable dance
No, I can’t forget youNo, I can’t erase youYou taught me how to loveYou taught me how to dance
No, I can’t forget youNo, I can’t erase youYou taught me how to loveYou taught me how to dance
Yeah-yeah-yeah-yeah, eyTell me what to do to forget youThere’s a new dance move I want to show youI can’t even sleep at nightAll I do is dream of you
No, I can’t forget youNo, I can’t erase youYou taught me how to loveYou taught me how to dance
How you kissed me, how you did itHow you looked at me, you turned me onIt feels ugly not to have you closeThe new [girl] sucks it good, but it’s not your mouthMy devil, my angel, my crazyMy devil, my angel, my crazy