Year-End
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12/19/2024
From carefree pop bangers to tender ballads, there was plenty to obsess over in 2024.
12/19/2024
12/18/2024
New faces, touring and regional genres propelled Latin music to outpace the market, yet again, with no end in sight.
12/18/2024
Earlier this week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2024. We’re breaking it down further, looking at the biggest live acts, genre by genre. Today, we continue with K-pop. Less than 10 years since the first K-pop group landed on the all-genre Top Tours chart (BigBang in […]
Earlier this week, Billboard revealed its year-end Boxscore charts, ranking the top tours, venues, and promoters of 2024. We’re breaking it down further, looking at the biggest live acts, genre by genre. Today, we continue with Latin. Latin music reached unprecedented heights in 2022, when Bad Bunny staged the year’s highest-grossing tour. While no genre […]
Beyoncé now has more Recording Industry Association of America certified titles than any other female artist, the organization announced Tuesday (Dec. 17). With the superstar earning dozens of new badges Tuesday — including a 2x-Platinum certification for Billboard Hot 100-topper “Texas Hold ‘Em” and Platinum honors for Billboard 200 No. 1 album Cowboy Carter — […]
12/16/2024
“Gata Only,” “La Diabla,” and more Latin hits took over 2024. See the list below.
12/16/2024
For the first time in Boxscore history, four female rappers land among the year’s top 100 touring artists. Further, women rappers outnumber male rappers for the first time on the all-genre list. Nicki Minaj (No. 30), Doja Cat (No. 61), Missy Elliott (No. 70), and Megan Thee Stallion (No. 76) finish on the year-end Top Tours chart, while closing at Nos. 2, 5, 6, and 7, respectively, on Top Rap Tours.
This year marks the first year with more than one female rapper among the top 100, let alone four. In fact, there had only been four instances of women in hip-hop ever making the all-genre list, dating back to the first year-end roundup in 1991.
Salt-N-Pepa did it first, at No. 53 in 1994 with a gross of $3.9 million, according to figures reported to Billboard Boxscore.
Five years later, fresh off five Grammy wins for her R&B-rap-hybrid The Miseducation of Lauryn Hill, the titular rapper was No. 43 with $7.1 million.
Then, two of this year’s group made their debuts: Missy Elliott in 2004, as a co-headliner alongside Beyoncé and Alicia Keys on the Verizon Ladies First Tour ($21.8 million), and Nicki Minaj in 2015 on The Pinkprint Tour ($15.5 million).
That means that representation for female rappers across 34 year-end editions has doubled with just this year’s tally. This count excludes year-end appearances by pop and R&B acts who occasionally rap, such as Beyoncé, Lizzo or SZA.
2024 goes down as a banner year for the touring industry overall, with record grosses surpassing $9 billion among the top 100 artists. And amid that enormous success, rap makes up a bigger piece of the pie than ever before, responsible for 5.7% of those dollars, up from 2.7% last year. The genre’s seven tours in the top 100 matches 2019’s high and improves upon last year’s count of three. Nicki, Doja, Missy and Megan made that possible, not only disrupting hip-hop’s gender monopoly — it’s been nine years since a woman was among rap’s top-100 finalists — but taking over and pushing hip-hop over the edge, outnumbering male rappers for the first time on the all-genre list. Travis Scott (No. 15), $uicideboy$ (No. 48) and 50 Cent (No. 49) round out rap’s representation on the chart.
Minaj is No. 30 on Top Tours with $99.8 million and 712,000 tickets, marking all-time highs for year-end rank, gross and attendance among female rappers, barely outdoing the No. 31 finish for Elliott’s Verizon co-headline 20 years ago. Notably, the Pink Friday 2 World Tour continued beyond the confines of the 2024 tracking period (Oct. 1, 2023 – Sept. 30, 2024), finishing in mid-October with a final gross of $108.9 million from 788,000 tickets, making it the first tour by a female rapper to cross the nine-figure milestone.
Doja Cat and Megan Thee Stallion each made their mark on their debut arena tours. Both acts experienced major breakthroughs in 2020 while concert venues were closed due to the COVID-19 pandemic. They scored their first No. 1s on the Billboard Hot 100 just two weeks apart, as “Say So,” hot off a remix with fellow arena titan Nicki Minaj, topped the chart dated May 16, 2020, and “Savage,” boosted by a re-up with rare rap verses by Beyoncé, hit the summit on May 30.
Doja and Megan’s tours reported earnings of $46 million and $40.2 million, respectively, both primarily in the U.S. and Canada, with a sprinkle of European headline shows.
This year also marked the first solo headline tour for Missy Elliott, though it comes nearly 30 years after her debut studio album. Though she wasn’t a road warrior, she amassed major chart success, with six top 20 albums on the Billboard 200 and 10 top 10s on the Hot 100 from 1997-2005.
Beyond hip-hop’s year-end elite, a small handful of female rappers provide promise for the years to come. Ice Spice sold thousands of tickets in Boston, Oakland, and Washington, D.C., while Sexyy Red graduated from clubs last fall (972 tickets in Boston; 1,580 in Richmond, Va.) to arenas, approaching 10,000 tickets in Fort Worth, Texas (9,703 at Dickies Arena on Aug. 30), and Brooklyn (9,631 at Barclays Center on Sept. 17). GloRilla, with eight Hot 100 hits this year, spent hot girl summer as direct support on Megan Thee Stallion’s sold-out trek.
Nicki Minaj, Doja Cat, Missy Elliott and Megan Thee Stallion grossed a combined $227.8 million from 1.7 million tickets across 148 shows in the 2024 tracking window.
Sphere rules Billboard’s Top Venues (15,001+ capacity) chart for 2024, with a monstrous gross of $420.5 million from 1.3 million tickets sold. Not only does that secure the top spot among venues in its capacity range, but it’s also the highest gross for any venue of any size this year. Beyond the scope of the year-end charts, it’s the biggest annual gross for any venue in Boxscore history.
Sphere is the first venue to register a year-end gross of more than $300 million and $400 million. Only four artists ever grossed more than Sphere’s total in one year-end period: The Rolling Stones in 2006, Ed Sheeran in 2018, Beyonce in 2023, and, based on overall finals for The Eras Tour, Taylor Swift in 2023 and 2024.
The Las Vegas room attracts residency acts just like The Colosseum at Caesars Palace or Dolby Live, pushing high ticket prices for stadium artists in a more intimate setting. But unlike those theaters’ four-digit capacity, which ultimately keeps total grosses within the stratosphere, Sphere is a full-sized arena, selling 15,000-17,000 tickets per show. With a floor-to-ceiling wrapround LED screen, 4D physical effects and immersive audio, it’s a high-ticket attraction for once-in-a-career productions.
U2 launched Sphere’s calendar in September 2023, kicking off with a 17-show run that brought in $109.8 million from 281,000 tickets sold. Two more legs followed on U2: UV Achtung Baby Live at Sphere, ultimately closing in March with $244.5 million and 663,000 tickets. That makes it the fourth highest-grossing residency in Boxscore history, despite running for just six months with 40 shows. Billy Joel’s Madison Square Garden tenure, above it at No. 3 on the all-time tally, played for 10 years with 104 shows.
Phish followed with a long weekend of shows from April 18-21, bringing in $13.4 million and selling 66,700 tickets.
Dead & Company was next, with a seasonal residency, playing 30 shows between May 16 and Aug. 10. Ultimately, it earned a spot in the top 10 of the all-time residency list, with $131.8 million and 477,000 tickets. That’s a bigger gross than any of Dead & Co.’s annual tours, dating back to its 2015 inception.
Sphere’s current residents are the Eagles, in the middle of an ongoing stint that is scheduled well into 2025. The band’s first eight shows scored $42.2 million and sold 131,000 tickets.
The Top Venues chart is not the only place where Sphere shines on Billboard’s year-end report. U2 lands at No. 7 on the Top Tours list, exclusively from its Vegas shows. Bono’s boys are joined by Dead & Company on Top Rock Tours, with both acts in the top 10 — U2 at No. 4 and Dead & Company at No. 8. On Top Boxscores, which measures individual shows, or a run of shows at the same venue, U2 blocks out the top three with its Sphere legs.
In all, including shows by U2 and the Eagles that fit into the 2023 and 2025 Boxscore tracking periods, and an additional non-music event, Sphere’s 83 reported shows have brought in $452.3 million and played to 1.4 million fans.
What a year it’s been for the music business. With 2024 drawing to a swift close, Billboard put together a series of year-end stories running down the biggest developments in the worlds of record labels, publishing companies, live music, music law, radio, AI and sustainability over the past 12 months. And we certainly weren’t lacking […]
Billboard has revealed its much-anticipated Year-End Charts, which includes Top New Latin Artists. While Bad Bunny, once again, finished off the year as Billboard’s Top Latin Artist, five breakthrough artists also made strong waves. With his raw spirit of corridos tumbados and tender romanticism, Mexican-American artist, Xavi, tops the Year-End Top Latin Artist – New […]
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