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The happiest place on Earth for one family in distress happened to be a Disney cruise after the ship saved them from their sinking catamaran.
As reported by TMZ, a family of four was sailing more than 200 miles off the coast of Bermuda. Soon into the voyage their catamaran malfunctioned and started taking in water to which the married couple instantly released a distress signal. Luckily for them, their daughter and a cousin, The Disney Treasure, a new cruise liner, happened to be only 80 miles away. The ship deployed a lifeboat and the coast guard was able to rescue the four individuals without them suffering any injuries.
According to officials, the oldest person on the catamaran was 74 and the youngest was 24. A Disney Line representative gave further details on the incident to CBS News. “We are pleased that the Disney Treasure was able to provide aid to the boat passengers in peril. Our crew members worked together on the rescue, skillfully demonstrating their training and commitment to safety,” Disney Treasure Captain Marco Nogara said in an exclusive statement. The ship offers 1,256 staterooms and is scheduled to go on its maiden voyage to the Caribbean on Dec. 21.
You can watch footage of the rescue below.
At the Oscars in February 1954 (see photo accompanying this list), Disney won four Oscars – best documentary feature (The Living Desert), best documentary short subject (The Alaskan Eskimo), best cartoon short subject (Toot, Whistle, Plunk and Boom) and best two-reel short subject (Bear Country). No one else had ever won more than two awards in one night.
On accepting his fourth award of the night, for Bear Country, Disney joked, “I’ve just gotta say one more word. It’s wonderful — but I think this is my year to retire.”
Happily, he did not retire. In the remaining 12+ years of his life, he opened Disneyland, launched an Emmy-winning TV series (initially called Walt Disney’s Disneyland) and co-produced the beloved film musical Mary Poppins.
Runners-up, with three Oscars in one night, are (listed chronologically): Billy Wilder (The Apartment, 1961), Marvin Hamlisch (The Way We Were, The Sting, 1974), Francis Ford Coppola (The Godfather, Part II, 1975), James L. Brooks (Terms of Endearment, 1984), James Cameron (Titanic, 1998), Peter Jackson and Fran Walsh (The Lord of the Rings: The Return of the King, 2004), Ethan Cohen and Joel Coen (No Country for Old Men, 2008), Alejandro González Iñárritu (Birdman or (The Unexpected Virtue of Ignorance) 2015), Bong Joon-Ho (Parasite, 2020) and Daniel Kwan and Daniel Scheinert (Everything Everywhere All at Once (2023).
In a stunning turn of events, The Walt Disney Co. says that Bob Chapek will step down as CEO, with Bob Iger returning to lead the company.
Disney’s board of directors announced the decision Sunday night.
“We thank Bob Chapek for his service to Disney over his long career, including navigating the company through the unprecedented challenges of the pandemic,” said Susan Arnold, chairman of the board, in a statement. “The Board has concluded that as Disney embarks on an increasingly complex period of industry transformation, Bob Iger is uniquely situated to lead the Company through this pivotal period.”
Chapek had just signed a new multi-year contract in June.
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Iger even acknowledged in an email to Disney employees Sunday that he is returning “with an incredible sense of gratitude and humility — and, I must admit, a bit of amazement.”
While Iger will be returning to his old role, the board also made it clear that his new term will be a temporary one.
Iger “has agreed to serve as Disney’s CEO for two years, with a mandate from the Board to set the strategic direction for renewed growth and to work closely with the Board in developing a successor to lead the Company at the completion of his term,” the board said.
Iger stepped aside as CEO in February 2020, handing the reins to Chapek, who previously led the company’s theme parks and consumer products division. He continued to serve as executive chairman of the company, stepping down from that position just 11 months ago.
Of course, as Arnold noted in her statement, the novel coronavirus pandemic took its toll on the company, shutting its theme parks and cruise ships, and stopping almost all film and TV productions. It also, however, turbocharged streaming growth, with Chapek leaning into streaming by reorganizing the company to focus on digital.
But his tenure has also been rocky, marked with controversies and distractions. From the aggressive campaign against Marvel star Scarlett Johansson that resulted in a settlement over pay for Black Widow, to Disney’s response (or lack thereof) to Florida’s so-called “Don’t Say Gay” bill, Chapek has had to deal with a wide array of public misfires during his relatively brief tenure atop the company.
But in addition to the public controversies, Disney’s business has also begun to falter in recent quarters.
Chapek announced earlier this month that the company would freeze hiring and stop all non-essential travel, with layoffs likely to follow as his executive team sought to trim costs.
And while Disney+ continues to gain subscribers at a rapid clip, the company’s streaming losses have continued to grow, making it that much more challenging to hit their profitability target.
Iger, a company man at ABC since joining ABC in 1974, led the network after Disney acquired it in 1995 was elevated to CEO of Disney in 2005, succeeding Michael Eisner.
While his elevation within the company was due to his business acumen, he developed a reputation for having an elevated sense of taste and creative vision, skills he continued to put to use after stepping aside as CEO in 2020.
Iger grew Disney to new heights by acquiring Pixar (2006), Marvel (2009) and Lucasfilm (2012), creating a powerhouse that in 2019 saw the company pass $10 billion in global box office sales. The same year, it closed the unprecedented, $71.3 billion acquisition of Fox, creating a global content powerhouse.
While Iger built a reputation as talent-friendly, Chapek’s reputation amongst creatives took a hit in July 2021 when the dispute with Johansson over the day-and-date streaming release of Black Widow went public. The star filed a lawsuit claiming the studio was sacrificing its box office potential in order to juice Disney+.
Their differing styles and approaches led to something of an oil and water relationship between the two Bobs. As Kim Masters reported last year, at what was to be his last formal Disney board retreat with the company, Iger implored everyone in the room to focus on the virtues of creativity and talent.
Disney’s market cap was roughly $55 billion when Iger took over in 2005, rose to $260 billion in January 2020, and has fallen to $167 billion as of Friday.
“I am extremely optimistic for the future of this great company and thrilled to be asked by the Board to return as its CEO,” Iger said in a statement. “Disney and its incomparable brands and franchises hold a special place in the hearts of so many people around the globe—most especially in the hearts of our employees, whose dedication to this company and its mission is an inspiration. I am deeply honored to be asked to again lead this remarkable team, with a clear mission focused on creative excellence to inspire generations through unrivaled, bold storytelling.”
–Aaron Couch contributed to this THR report.
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