Touring
Page: 61
Mexican star Peso Pluma has unveiled the dates for this 2024 Exodo Tour, set to kick off May 26 at the Sueños Festival in Chicago. Produced by Live Nation, the North American leg of the arena trek will include more than 35 shows, with stops in New York, Miami, Dallas, Las Vegas, San Diego and […]
Forget like a virgin — more like a queen! Madonna not only lived to tell, she lived to laugh it off and recover like the pro that she is after taking a tumble on stage during her Sunday (Feb. 18) show at Seattle’s Climate Pledge Arena. In multiple fan-captured videos shared online, the Queen of […]
The Coachella Valley Music and Arts Festival’s first of two weekends has now sold out of general admission tickets, according to promoter Goldenvoice. Once known for selling out on the same day that the lineup was released, this year, the festival took exactly 27 days, four hours and 38 minutes to sell approximately 125,000 tickets […]
Oak View Group (OVG), the owner and operator of the 11,000-capacity Acrisure Arena near Palm Springs, Calif., has entered into a partnership agreement to manage, program and seek out new sponsorship opportunities for the historic Palm Springs Plaza Theatre, it was announced Tuesday (Feb. 13). Restoration work on the theater will begin in March 2024, with completion expected in fall 2025.
“This agreement between the City, the Palm Springs Plaza Theatre Foundation, and the Oak View Group is an economic game-changer,” said Scott Stiles, city manager of Palm Springs, in a statement. “The restoration of the historic Plaza Theatre is a major milestone in the Downtown Revitalization Plan and will bring the world’s best artists and culture to our revitalized downtown.”
John Bolton, senior vp of Oak View Group, added, “All of us at Oak View Group are thrilled to partner with the Plaza Theatre Foundation and its dedicated group of Board of Directors. We look forward to bringing the full breadth and scope of OVG to the table to make this City of Palm Springs asset shine and become a huge community and cultural asset in downtown Palm Springs.”
Trending on Billboard
Last year, OVG committed to donating $1 million to help fund the restoration of the Plaza Theatre and has agreed to waive all management fees, said Kevin J. Corcoran, vp of the Plaza Theatre Foundation, adding, “We have been impressed with the launch of the Acrisure Arena and the programming, sponsorship, and management expertise they have brought to the very successful first year of operation.”
The agreement provides the City of Palm Springs with a total of 21 days annually to offer public programming at the discretion of the city council. This programming would include the annual state of the city address, cultural and civic programs, and more.
“Oak View Group is internationally admired for their management of significant sporting, convention, arts, and entertainment venues,” said Palm Springs Plaza Theatre Foundation president J.R. Roberts. “We are delighted to have this strong community partner further commit to working with us to provide the expertise that this theatre needs to be a successful economic force in Palm Springs. We are especially thrilled to be working with Palm Springs resident and Oak View Group senior vice president John Bolton on this exciting collaboration. We are delighted that John has agreed to join our hard-working board of directors.”
Content ideas for the theater include concerts, chamber orchestra performances, film festivals, community meetings, conventions, cabaret performances, lectures, music festivals, ideas festivals, children’s programming, charity and fundraising events, and other theater performances and events. OVG will pursue corporate sponsorship to further support the Theatre.
The Palm Springs Plaza Theatre Foundation is continuing to raise funds to fully restore the venue, having raised $16 million of its $26 million goal to cover construction costs and contingencies along with startup expenses. The funds will help restore the building to its original state and update it to meet access, technology and equity needs. There are several naming opportunities still available, including a special theater naming option for a single $10 million donor.
Spurred by Kip Moore‘s massive touring success in Cape Town and Pretoria last year, South Africa is set to launch what organizers are calling one of the largest country music festivals outside of the United States.
Explore
See latest videos, charts and news
See latest videos, charts and news
Kip Moore and Zac Brown Band will headline the Cape Town Country Festival on Oct. 26-27 at Cape Town’s 60,000-capacity DHL Stadium, which has previously hosted concerts from stars like U2, Foo Fighters, Mariah Carey, Rhianna and Justin Bieber.
“I absolutely love Africa and try to visit every year,” Zac Brown said in a statement. “We’re so excited that we get to perform at South Africa’s first-ever country music festival in October.”
The lineup also highlights American musicians including Darius Rucker, Brothers Osborne, Cam, James Johnston, Morgan Wade and Craig Morgan, as well as 10 local South African artists including Ricus Nel, Riaan Benade, Demi-Lee Moore, Juan Boucher, Appel, Ruhan du Toit, Brendan Peyper, Ivan Roux, West and Cheree. Additionally, Roan Ash, who moved to Nashville in 2022, will return to his hometown for the inaugural festival.
Wimpie van der Sandt of Heroes Events, who is also a DJ at BOK Radio, is producing the Cape Town Country Festival, with Red Light Management’s Gaines Sturdivant, one of Moore’s managers, serving as an executive consultant.
Moore’s headlining slot on the festival follows his successful trio of shows in Cape Town and Pretoria in 2023, where Moore sold 44,000 tickets. Van der Sandt was also instrumental in bringing those shows to South Africa.
The origins of Moore’s involvement with the festival and in building his audience in South Africa reach back to 2020 when Van der Sandt was introduced to Moore’s second studio album, 2015’s Wild Ones. Van der Sandt put Moore’s song “Heart’s Desire” on the radio during primetime hours.
“He said it caught like wildfire and people started calling and emailing trying to figure out who it was,” Moore tells Billboard via phone. “Then he did a deep dive into all my records and started playing lots of album cuts that I’ve always wanted to be singles, like ‘That Was Us’ and ‘The Bull.’ We had hits over there that we never even played live, like ‘Hey Old Lover’ and ‘Tennessee Boy.’ So when we played in South Africa, it was unlike anything I’d ever felt from a crowd. It was magical. And it was all from this one guy taking a chance and spinning my records.”
“The idea [for Cape Town Country Festival] was born from the success we had with Kip. We knew the synergy between South African music and country music — that wasn’t a surprise,” Van der Sandt tells Billboard. “When we saw the success we had with Kip, we knew we had a market. In South Africa, on our radio stations, they are used to Don Williams and Kenny Rogers, older country music. There’s not a lot of radio stations that play country music. We sort of introduced them to the new country and it took off. There were a lot of people that were skeptical about it, and didn’t know what was going to happen.”
Moore adds, “The beauty of what Wimpie did is that he doesn’t have any gatekeepers he has to get through. If he decides he likes something, he’ll roll the dice, take a chance and play it. He’s a true music lover. He’s a prime example that radio can still lead the way — they don’t have to just find out what’s streaming and follow it.”
Moore worked with Van der Sandt and Sturdivant on imagining the lineup. “I brought up Brothers Osborne — because I felt like if people were responding to what I’m doing, they’ll respond to Brothers Osborne. Darius Rucker has played in South Africa before. I said I loved the rawness in Morgan Wade’s voice,” Moore says, noting their previous collaboration, “If I Was Your Lover,” and imagining that they might perform the song together during the festival. “We’re super excited about shining a light on South African artists.”
The festival further evolves Moore’s touring success in the area as well as the vital scene of both country music fans and artists in South Africa. In 2023, Apple Music launched the country music competition series My Kind of Country, which highlighted international competitors. Nearly half of the competitors — including the competition’s eventual winner — hailed from South Africa. Moore says that he and his fest co-organizers are “super excited about shining a light on South African artists.”
Van der Sandt tells Billboard that they have a three-year agreement with the venue, with aims toward making the festival an annual event, on the scale of country music festivals such as Europe’s C2C: Country 2 Country festival and the Tamworth Country Music Festival in New South Wales, Australia.
Tickets for the event go on sale Feb. 16 at ctcfest.net, and will include special payment plans, allowing attendees to purchase tickets and pay over three, six or eight months.
Pearl Jam is proving the band’s still alive — and not with an evenflow of news, but a gigaton of it. The grunge pioneers announced on Tuesday (Feb. 13), that they will soon drop a twelfth studio album titled Dark Matter, and to celebrate the news, released its title track. Hours later, the Seattle band […]
Using our editorial expertise and Boxscore metrics, Billboard has selected 26 venues that artists clamor to play and fans gather at to enjoy. These selections are divided by region and venue type, as well as fan-favorite categories honoring the elements that add magic and energy to local music scenes.
Top West Coast Stadium: SoFi Stadium (Inglewood, Calif.)
The Los Angeles NFL venue is the highest-grossing stadium for concerts in the world, according to Billboard’s 2023 year-end Boxscore chart, reporting 19 concerts that grossed $175 million in ticket sales to Billboard Boxscore. SoFi Stadium also nabbed the top-grossing Boxscore of the year with Beyoncé’s three-night run in September, which brought in $45.5 million. Unlike other football palaces, SoFi Stadium was built with concerts in mind, and it already has an eclectic mix of pop, rock, R&B/hip-hop and Latin dates on the books for 2024.
Top Central U.S. Stadium: NRG Stadium (Houston)
Dallas’ AT&T Stadium has long dominated the Lone Star State, but in 2023, NRG Stadium showed it could hold its own. Last year, both facilities landed three Taylor Swift shows, but the latter, managed by ASM, hosted two Beyoncé concerts over Dallas’ one, shifting the balance of power back down to southern Texas and the greater Houston metroplex.
Taylor Swift at NRG Stadium in Houston.
Bob Levey/TAS23/Getty Images
Top East Coast Stadium: Mercedes-Benz Stadium (Atlanta)
The home of the NFL’s Atlanta Falcons has dominated Georgia as the region’s must-play stadium since its 2017 opening. In 2023, Mercedes-Benz Stadium hosted its biggest year of concerts ever with multiple dates from Beyoncé, Swift, Ed Sheeran, Karol G, Grupo Firme and George Strait.
Top International Stadium: Foro Sol (Mexico City)
This 30-year-old racetrack and stadium has become Mexico’s must-play venue and the second-highest-grossing stadium in the world. In 2023, Foro Sol generated $145 million in sales from 33 concerts, including a five-show run by Daddy Yankee in November that netted $24 million.
Top International Festival Location: Hyde Park (London)
Ever since AEG took over programming for one of London’s largest green spaces — the Royal Parks Society’s Hyde Park near Buckingham Palace — the concert promoter has transformed the region into a global music destination with its British Summertime Series. Last year’s programming didn’t disappoint with a series of one-day festivals headlined by P!nk, Take That and Bruce Springsteen.
Top U.S. Festival Location: The Gorge (George, Wash.)
The Gorge — a natural amphitheater in rural Washington that overlooks the Columbia River — is a pristine venue for all genres of music. Managed by Live Nation, the Gorge is home to festivals like Beyond Wonderland and Watershed Festival and last year hosted multinight residencies by Brandi Carlile (featuring Joni Mitchell), Dead & Company and more.
Joni Mitchell (left) and Brandi Carlile at The Gorge in George, Wash.
Gary Miller/Getty Images
Top West Coast Arena: Kia Forum (Los Angeles)
The former home of the Showtime-era Los Angeles Lakers has not had a tenant team since 1999, but in 2012, Madison Square Garden Co. purchased the arena and converted it into a music-only venue with clean sightlines, incredible acoustics and the invite-only Forum Club. Since 2019, the Forum has held the distinction as the highest-grossing arena in California and the third-highest-grossing in the world.
Top Central U.S. Arena: Fiserv Forum (Milwaukee)
Few venues have enhanced the musical trajectory of their host city quite like Fiserv Forum. Milwaukee had long been passed over for tour stops in favor of larger cities in the region like Chicago, but the flurry of concerts booked at the arena since its 2019 opening has changed the map for artists trekking across the upper Midwest, particularly for Spanish-language acts, given the facility’s frequent booking of Latin talent. In 2023, Fiserv Forum hosted nine tours that ranked on Billboard’s year-end Top 40 Boxscores chart.
Top East Coast Arena: Madison Square Garden (New York)
Nicknamed the “World’s Most Famous Arena,” Madison Square Garden is still the biggest game in town — and on the planet — with hundreds of artists clamoring each year to play the Midtown Manhattan landmark. The Garden has been the highest-grossing arena in North America since the launch of Boxscore in 2005, only failing to grab the No. 1 spot in 2011 and 2012, when a $1 billion renovation restricted the venue’s calendar. In 2023, MSG was the highest-grossing arena in the world, generating $223 million from 116 shows.
Top International Arena: O2 Arena (London)
Since its reopening as a world-class music venue in 2007, O2 Arena has consistently been among the top-grossing buildings in the world. While the former Millennium Dome took second place on Billboard’s Top Venues chart (15,001-plus capacity) in 2023, grossing $220 million to MSG’s $223 million, O2 Arena still has its best years ahead thanks to future bookings from top artists, including Doja Cat, Nicki Minaj and Karol G making appearances this spring.
Top West Coast Amphitheater: Edgefield (Portland, Ore.)
This sprawling family farm in northern Oregon, home to a winery and resort hotel, is a cultural and musical hub of Portland’s live-music scene. Managed and owned by Pacific Northwest brewer and restaurant group McMenamins, Edgefield is both a tranquil and energetic outdoor concert venue and a popular stopover for indie, Americana and electro-pop bands.
Top Central U.S. Amphitheater: PNC Pavilion at Riverbend (Cincinnati)
During Cincinnati’s hot summer months, the breeze rolling off the Ohio River cools this spacious waterfront amphitheater. Located inside the Riverbend Music Center, PNC Pavilion is booked and promoted by leading Ohio entertainment company MEMI, which brings in national tours from acts such as The Smashing Pumpkins, Alicia Keys and Charlie Puth and has been developing homegrown talent in the city since 2001.
Top East Coast Amphitheater: The Orion (Huntsville, Ala.)
Designed by Mumford & Sons member Ben Lovett’s The Venue Group and financially supported by a who’s who of heavyweights including Forest Hills Stadium’s Mike Luba and Red Light Management’s Coran Capshaw, the classically designed amphitheater draws visitors from all over the world but was built specifically for Huntsville residents. The space is open year-round as a popular dining destination and includes a farmers market, art gallery and large meeting space.
Top West Coast Club or Theater: The Regent (Los Angeles)
Located in Downtown L.A.’s old Broadway theater district, the 110-year-old theater — once a home for grindhouse flicks and adult films — today serves as a friendly neighborhood music venue that rarely suffers a dark night. When The Regent isn’t hosting national tours by performers such as Iggy Pop, The Pretenders, Matt & Kim and Black Country, New Road, it’s hosting oddball theme nights like Grinch Raves or free movie screenings.
Top Central U.S. Club or Theater: Brooklyn Bowl (Nashville)
Come for the Margo Price concert, stay for the fried chicken from in-house culinary group Blue Ribbon. The Nashville outpost of promoter Peter Shapiro’s Brooklyn Bowl was set to open in mid-March 2020 but pivoted to streaming-only concerts during the pandemic before starting to stage in-person events in June 2021. Since, the venue has successfully united the jam band crowd and the fast-growing Americana and indie country scene under one Nashville roof. Every show is fueled by a culinary program led by head chef Steven Stewart, a student of Nashville’s first father of foodies, Jody Faison.
Top East Coast Club or Theater: Roadrunner (Boston)
AEG partner The Bowery Presents manages Roadrunner, which is located in Boston’s Brighton neighborhood and was built in homage to the city’s former Sinclair venue in Harvard Square. Opened in March 2022 and taking its name from the Modern Lovers song “Roadrunner,” the venue is home to New England’s largest general-admission dancefloor and includes a wrap-around mezzanine for stellar views from above. It also features commissioned artwork from local muralist Felipe Ortiz that complements the venue’s understated design.
Top Residency Venue: Resorts World Theater (Las Vegas)
Located at the Resorts World hotel, Sin City’s newest theater reopened after the coronavirus pandemic with a record-breaking Katy Perry residency. Featuring 900 more seats than the neighboring Colosseum at Caesars Palace, the venue’s size and scale helped it land atop the Boxscore chart for venues under 5,000 capacity for the second year in a row. In 2023, Resorts World Theater grossed $45 million from 90 shows attended by 319,000 fans.
The ‘Wow’ Factor: Sphere (Las Vegas)
Few venues have gained as much attention in a single year as MSG’s Sphere at the Venetian in Las Vegas, a $2 billion music venue built by MSG’s James Dolan. Made famous by its LED exosphere and fully immersive interior cinematic screens, Sphere’s opening run with U2 — a $100 million deal brokered in part by Live Nation’s Arthur Fogel and Brooklyn Bowl’s Shapiro — will be followed by a four-night stand by Phish in April.
Sphere in Las Vegas with its LED exosphere as an eyeball.
David Becker/The Washington Post/Getty Images
Top Bucket List Venue: Red Rocks Amphitheatre (Morrison, Colo.)
With a memorable disc-shaped stage cast against a canvas of red sandstone, Red Rocks is North America’s most aspirational venue for both touring artists who long to play the natural amphitheater and fans who travel thousands of miles to attend one of the 200-plus concerts held there annually. Owned and managed by the City of Denver, Red Rocks is one of the few venues of its size that is ticketing-system neutral and nonexclusive to promoters.
Best Concept: The Salt Shed (Chicago)
Opened in 2022 on land previously owned by Morton Salt for nearly 100 years, The Salt Shed features two performance spaces: a 3,500-capacity reimagined indoor shed and a 5,000-capacity outdoor space known as the Fairground that overlooks the Chicago River and Goose Island.
Best Venue Under 500-Capacity: The Rebel Lounge (Phoenix)
This desert oasis of brick, steel and rust has long served as an important tour stop for developing bands traveling Interstate 10. Housed in what used to be the Mason Jar nightclub, The Rebel Lounge is managed by Psyko Steve Presents owner Stephen Chilton and serves as ground zero for Phoenix’s budding music scene with nearly nightly bookings and a loyal following of local supporters.
Local Favorite: Dickies Arena (Fort Worth, Texas)
From its round brick exterior to its western-themed hand-cut tile murals and bronze statues of cowboys and Comanches, Dickies Arena in Fort Worth exudes plenty of Lone Star State pride. And now, less than five years after opening, it is the No. 1 venue in the 10,001- to 15,000-capacity category, grossing $70 million from 110 shows in 2023, according to Boxscore.
Keeping It Indie: First Avenue (Minneapolis)
Authenticity matters to music fans, especially those who want to support independent artists in a rapidly commercializing world. And few venues possess as much authenticity as First Avenue, the anchor nightclub for Minneapolis promoter Dayna Frank, who served as the founding president of the National Independent Venue Association. Frank has run First Avenue since 2009, when she took over the business from her father and longtime owner, Byron, modeling the club’s look, design and attitude after her own experience growing up in the Twin Cities.
Best Food and Music Pairing: Triple Door (Seattle)
Located in Downtown Seattle across from Benaroya Hall on Union Street, Triple Door combines world-class entertainment with a world-renowned menu inspired by local Pacific Northwest ingredients. The Mainstage Theatre features national touring acts, while its MQ Stage & Lounge is considered one the city’s best destinations for happy hour and evening eats. Triple Door’s kitchen focuses on fresh local seafood and Southeast Asian dishes from sister restaurant Wild Ginger.
Most Unforgettable Experience: Snug Harbor (New Orleans)
Located on New Orleans’ jazz-heavy Frenchman Street, Snug Harbor is known for its world-famous Creole cuisine and its hourly jazz sessions featuring local talent from nearly every Big Easy parish. The venue’s food operation is fabled for its giant broiled gulf shrimp, lack of pretension and waiters who won’t take your plate away if you’re drawn to the dancefloor in the middle of supper.
Most Environmentally Friendly: Climate Pledge Arena (Seattle)
In renovating the KeyArena at Seattle Center, developer and operator Oak View Group designed it to be the first net-zero carbon arena and the most sustainable professional sports facility in the world. Named and branded in a historic sponsorship deal inked by Amazon founder and CEO Jeff Bezos, the building was North America’s first to generate zero waste from operations — and it uses reclaimed rainwater to create the greenest hockey ice in the NHL.
This story originally appeared in the Feb. 10, 2024, issue of Billboard.
Pay attention future pop stars: Usher’s strategy for harnessing the Super Bowl’s massive audience into sellout headliner concerts is a master class in how to parlay a career milestone into a legacy solidifying tour.
The R&B icon has been able to capture the pre-game buzz around his performance at the Apple Music Super Bowl LVIII Halftime show with a carefully coordinated presale campaign for his fall Past Present Future tour. Once hardcore fans grabbed their tickets (most went on sale Feb. 9), Usher’s team started expanding the dates based on demand to make sure there will still be plenty of tickets available for the general public on the Monday (Feb. 12) after the game.
So far, there have been 360,000 tickets sold in presale for the Past Present Future tour, according to Live Nation Global Touring chairman Arthur Fogel, and dates have expended from 24 to 44 across the U.S. since the initial presale launched on Thursday (Feb 8). Billboard estimates that when the remaining tickets will go on sale Monday after the Super Bowl, the Past Present Future tour with be Usher’s highest grossing tour ever.
“The success of tour began several years ago when Usher launched his residency in Vegas, which re-established his greatness,” Fogel says. “Now he is building off that success with his current tour and the presales prove there is unprecedented demand to see him perform live.”
Ever since Usher was announced as the Apple Music Super Bowl LVIII Halftime Show headliner, his touring team — manager Ron Lafitte, agent and WME partner John Marx and Live Nation promoters Colin Lewis and Fogel — have been building an arena touring strategy that fully capitalizes on the big game’s huge audience. Last year’s win by the Kansas City Chiefs over the Philadelphia Eagles in Glendale, Ariz., was watched by more than 115 million viewers in the U.S., making it not only the most watched Super Bowl in history, but also the most popular TV program of all time in America.
Despite the huge viewership, the last five artists to play the Super Bowl halftime show have not announced headlining tours after their performance. And those who did, like Justin Timberlake in 2018 and Beyonce in 2017, didn’t have any tickets on sale so quickly after the event.
Usher wasn’t going to let the momentum go to waste, though. Days after his Super Bowl Halftime performance was locked in, Marx began plotting out an arena tour. His charge from Usher was to try and replicate the intimacy of his Las Vegas residency shows, first in 2021 at the Colosseum at Caesars Palace and then at the 2022-2023 My Way Las Vegas residency at Dolby Live at Park MGM.
“He wanted to play more multi-night runs in bigger cities,” Marx told Billboard, noting that Usher enjoyed the excitement multi-night engagements generated.
In total, Usher is playing 44 shows in 17 markets (locations for three of dates have not yet been announced). The Past Present Future tour will officially launch in Washington, D.C. (Aug. 20) and includes a four-night stop at Brooklyn’s Barclay Center (Sept. 6-10), four nights at the yet-to-be-opened Inuit Dome in Inglewood, Calif. (Sept. 17-24), three nights in Miami at the Kaseya Center (Oct. 11-14), three nights at State Farm Arena in Atlanta (Oct. 17-20), and three nights at the United Center in Chicago (Oct 28-31).
“Sales are beyond anyone’s wildest dreams right now,” Marx says, noting that even more U.S. dates could be added and that a U.K. and European tour will be announced in the future. “Quite honestly, we’re just getting started,” he adds. “Everything I’ve seen and heard has made it clear to me that people everywhere really want to be at these shows.”
Justin Timberlake is in high demand. Following the positive response to his Forget Tomorrow World tour, the 43-year-old superstar has announced an additional 15 dates to the fall leg of his North American trek.
Timberlake first unveiled the upcoming leg of new tour running April-July in January, hours after dropping his new single “Selfish.” He later announced a second leg of performances slated for October, November and December, to which he’s now added an additional 15 performances.
The newly added stops include showings in Montreal, Detroit, Orlando, Charlotte, Louisville, Dallas, Nashville, Pittsburgh and a hometown appearance in Memphis. Tickets will go on presale for eligible buyers Feb. 12 before becoming available to the general public Feb. 15 on Timberlake’s website.
Fans have been waiting for the “SexyBack” singer to unleash a new solo era for quite some time. Timberlake hasn’t released an album since 2018’s Man of the Woods, which debuted atop the Billboard 200 . His sixth LP Everything I Thought It Was is officially due out March 15.
See the dates for Justin Timberlake’s 2024 Forget Tomorrow World Tour, including the 15 newly added shows, below.
Mon Apr 29 – Vancouver, BC – Rogers Arena
Thu May 02 – Seattle, WA – Climate Pledge Arena — SOLD OUT
Fri May 03 – Seattle, WA – Climate Pledge Arena
Mon May 06 – San Jose, CA – SAP Center at San Jose — SOLD OUT
Tue May 07 – San Jose, CA – SAP Center at San Jose
Fri May 10 – Las Vegas, NV – T-Mobile Arena — SOLD OUT
Sat May 11 – Las Vegas, NV – T-Mobile Arena
Tue May 14 – San Diego, CA – Pechanga Arena San Diego — SOLD OUT
Fri May 17 – Inglewood, CA – Kia Forum — SOLD OUT
Sat May 18 – Inglewood, CA – Kia Forum — SOLD OUT
Tue May 21 – Phoenix, AZ – Footprint Center — SOLD OUT
Wed May 29 – San Antonio, TX – Frost Bank Center
Fri May 31 – Austin, TX – Moody Center
Sat Jun 01 – Austin, TX – Moody Center
Tue Jun 04 – Fort Worth, TX – Dickies Arena — SOLD OUT
Thu Jun 06 – Tulsa, OK – BOK Center — SOLD OUT
Mon Jun 10 – Atlanta, GA – State Farm Arena — SOLD OUT
Wed Jun 12 – Raleigh, NC – PNC Arena — SOLD OUT
Fri Jun 14 – Tampa, FL – Amalie Arena — SOLD OUT
Sat Jun 15 – Miami, FL – Kaseya Center
Fri Jun 21 – Chicago, IL – United Center — SOLD OUT
Sat Jun 22 – Chicago, IL – United Center — SOLD OUT
Tue Jun 25 – New York, NY – Madison Square Garden — SOLD OUT
Wed Jun 26 – New York, NY – Madison Square Garden — SOLD OUT
Sat Jun 29 – Boston, MA – TD Garden — SOLD OUT
Sun Jun 30 – Boston, MA – TD Garden — SOLD OUT
Wed Jul 03 – Baltimore, MD – CFG Bank Arena — SOLD OUT
Thu Jul 04 – Hershey, PA – Hersheypark Stadium
Sun Jul 07 – Cleveland, OH – Rocket Mortgage FieldHouse — SOLD OUT
Tue Jul 09 – Lexington, KY – Rupp Arena — SOLD OUT
Tue Oct 04 – Montreal, QC – Bell Centre – JUST ADDED
Mon Oct 07 – Brooklyn, NY – Barclays Center
Tue Oct 08 – Newark, NJ – Prudential Center
Sun Oct 13 – Washington, DC – Capital One Arena
Thu Oct 17 – Toronto, ON – Scotiabank Arena — SOLD OUT
Fri Oct 18 – Toronto, ON – Scotiabank Arena
Mon Oct 21 – Buffalo, NY – KeyBank Center
Wed Oct 23 – Columbus, OH – Nationwide Arena
Fri Oct 25 – Detroit, MI – Little Caesars Arena – JUST ADDED
Sun Oct 27 – Chicago, IL – United Center
Sat Nov 02 – Grand Rapids, MI – Van Andel Arena – JUST ADDED
Fri Nov 08 – Sunrise, FL – Amerant Bank Arena* – JUST ADDED
Sat Nov 09 – Orlando, FL – Kia Center – JUST ADDED
Thu Nov 14 – Charlotte, NC – Spectrum Center – JUST ADDED
Sat Nov 16 – Atlanta, GA – State Farm Arena
Tue Nov 19 – Knoxville, TN – Thompson-Boling Arena – JUST ADDED
Wed Nov 20 – Louisville, KY – KFC Yum Center – JUST ADDED
Sat Nov 23 – Memphis, TN – FedExForum – JUST ADDED
Wed Dec 04 – Houston, TX – Toyota Center* – JUST ADDED
Thu Dec 06 – Dallas, TX – American Airlines Center – JUST ADDED
Tue Dec 10 – Little Rock, AR – Simmons Bank Arena – JUST ADDED
Thu Dec 12 – Nashville, TN – Bridgestone Arena – JUST ADDED
Sat Dec 14 – Pittsburgh, PA – PPG Paints Arena – JUST ADDED
Mon Dec 16 – Indianapolis, IN – Gainbridge Fieldhouse – JUST ADDED
Just as Morat is wrapping up its U.S. tour dates, the Colombian band has unveiled dates to its upcoming stadium trek in Latin America. After a performance in Madrid on June 21, the Colombian band will begin the 20-date stint in cities such as Bogotá, Lima, Buenos Aires and Quito before wrapping up with four […]