Touring
Page: 113
When Madonna hits the road later this year for her career-spanning Celebration Tour, she’ll be taking a global victory lap, further cementing her legacy as the Queen of Pop. She’ll also be taking home big money — upwards of $100 million, by Billboard‘s estimate.
The parade of concerts will feature Madonna’s greatest hits from across her 40-year career, a rare straightforward ambition for one of the world’s most enigmatic artists. With 38 top 10 songs on the Billboard Hot 100 and 23 top 10 albums on the Billboard 200, the tour stands to continue her streak as the highest-grossing solo female artist in Billboard Boxscore history (provided she can fend off Taylor Swift‘s upcoming Eras tour). How high will it go?
Madonna’s touring career began in earnest with 1985’s The Virgin Tour, averaging more than 10,000 tickets and $100,000 per night, according to figures reported to Billboard Boxscore. (The average ticket price on that tour was $14.74, a distant whiff of what her — and all artists’ — arena concert tickets cost in the 2020s. In today’s dollars, adjusted for inflation, that skimpy price would translate to $29.56.)
Already a sell-out force, Madonna’s next trek, 1987’s Who’s That Girl World Tour, tripled her draw and nearly quintupled her selling power in just two years, pacing 35,000 tickets and $756,000 per show in a mix of arenas and stadiums that year.
Both of those figures were just the beginning. They were followed by 1990’s Blond Ambition Tour, 1993’s The Girlie Show and seven tours in the 21st century that have grossed at least $50 million each.
Madonna’s highest-grossing tour thus far is the 85-date Sticky & Sweet Tour in 2008-09, playing stadiums around the world to the tune of $407.7 million and 3.5 million tickets. Fifteen years later, it remains the highest-grossing tour by a woman ever. (Her next trek, 2012’s MDNA Tour – her lengthiest tour by number of shows at 88 – played a mix of stadiums and arenas, and became her second-highest grossing run, with $305.2 million.)
The Celebration Tour was announced on Tuesday (Jan. 17) with 26 shows in North America and 12 in Europe. Throughout this week, that routing expanded to 41 and 20, respectively. Madonna begins the trek on July 15 in Vancouver and is scheduled to wrap Dec. 2 in Amsterdam. Thus far, no dates outside the U.S., Canada and western Europe have been announced.
To gauge the tour’s financial prospects, it would be unfair to simply reflect on Madonna’s most recent tour. That was the 2019-20 Madame X Tour, an experiment that placed the Queen of Pop in intimate theater-based mini-residencies in major markets on both sides of the Atlantic. The 75-show run sold itself out at 179,000 tickets and $51.5 million, but it’s an outlier in a career comprised of (much) larger venues.
A more apt comparison would be the Rebel Heart Tour of 2015-16, a string of 82 arena shows after the stadium madness of her previous two treks. That tour grossed $169.8 million and sold 1.05 million tickets worldwide, including quick stints in Asia and Oceania. On the Rebel Heart Tour, more relevant to the Celebration routing, Madonna averaged $1.8 million and 12,500 tickets in the U.S. and Canada, and $1.7 million and 14,600 tickets in Europe. Given her current 61-show routing for The Celebration Tour, maintaining those averages would put the entire run on track to gross $106.9 million and sell 802,000 tickets.
But ticket prices have risen since Madonna was charging $15-and-under in the ‘80s, including a significant spike in the last five years. Platinum ticketing and dynamic pricing have blown out arena and stadium grosses in the post-pandemic era, with Bad Bunny, Harry Styles, The Rolling Stones and more approaching $200 averages on tour last year.
For example, on Elton John’s Farewell Yellow Brick Road Tour, his average arena ticket in North America jumped from $139 in 2018 to $181 in 2022. That’s a 30% increase, which would bolster Madonna’s projected gross to $140.6 million. But the surge in prices hasn’t been as great in Europe, which could soften our prediction back toward the $130 million mark.
Further, Madonna has long been a global icon. So far, The Celebration Tour spans two continents, while she has frequently hit South America, Asia and Oceania throughout her career. An expansion of the tour — which seems like a natural idea based on the marketability of an all-hits show — would drastically change what is realistic for the 2023 trek. And as noted above, Madonna already increased the number of North American shows for the tour by more than 50% before The Celebration Tour’s general on-sale began on Jan. 20. Demand could dictate further additions.
Today’s on-sale generated over 600,000 tickets sold, with 35 sold-out shows and more to become available next week.
Over nearly 40 years, Madonna has grossed a reported $1.376 billion and sold 11.7 million tickets across 575 shows. That makes her the most successful female act in Boxscore history. The Celebration Tour will nudge her closer to the $1.5 billion mark. Among all acts, only four have grossed more in Boxscore history.
The Queen of Pop’s return to touring was a thunderous success this morning, with more than 23 concerts added to the 37 dates already announced for Madonna‘s The Celebration Tour thanks to massive fan demand.
Only a handful of tickets are still available — the tour is 98% sold out — after fans bought up 600,000 tickets in a matter of hours to see Madonna’s retrospective run in North America and Europe. Additional shows were added today in Los Angeles, Montreal, Boston and beyond to meet the demand.
“It was a huge day for Madonna and a massive success thanks to her fans,” says Arthur Fogel, Madonna’s long-time promoter with Live Nation.
In total, 51 shows went on sale today, with 35 of the shows completely sold out by 5 p.m. EST. Fogel and Madonna’s team added a fourth New York show after the first three sold out in 15 minutes and two additional London shows after the first two concerts at the 02 Arena sold out in 20 minutes. Tickets to see Madonna’s Paris shows sold out in under seven minutes, while her Amsterdam date sold out in 10 minutes.
Fogel says additional dates will be announced for Europe next week before presales begin for ten North American shows that were not part of today’s sale. Presales for The Celebration Tour dates in Denver, Phoenix, Atlanta and more begin Jan. 23, with the general public onsale scheduled for Jan. 27.
Madonna’s last major arena run, the 2015-2016 Rebel Heart Tour, grossed $169.8 million and sold 1 million tickets across 82 shows.
The Celebration Tour begins July 15 at Rogers Arena in Vancouver and will include performances of music from Madonna’s entire catalog, spanning her 40-year career as the best-selling female touring artist of all time.
For more information, and to buy tickets, visit www.madonna.com/tour.
Texas promoter Edwin Cabaniss with Kessler Presents has announced plans to restore Dallas’ Longhorn Ballroom. The notorious nightclub was once owned by Chicago mob associate Jack Ruby, who famously shot and killed John F. Kennedy assassin Lee Harvey Oswald as he left Dallas Police headquarters on Nov. 23, 1963.
The Longhorn opened in the 1950s as singer Bob Wills’ Ranch House. It was later operated by recording artist and record label boss Dewey Groom through the ’60s and ’70s, hosting concerts by Nat King Cole, Patsy Cline, T- Bone Walker and many more.
Cabaniss plans to incorporate the venue’s long history when it reopens this spring, in part with the original museum-style display cases built into the walls. The venue has traded hands a number of times in recent years and closed in 2020 due to the COVID-19 pandemic.
“These cases include everything from Tex Ritter’s suit to James Brown’s robe; an extraordinary collection of guitars from artists such as Stevie Ray Vaughan, Waylon Jennings, Tammy Wynette, and BB King,” according to a press release announcing the reopening plans.
“As a 5th generation Texan, I know how important the return of the Longhorn Ballroom is to Texas in general and to Dallas specifically,” says Cabanis. “The lore is real. The floors have secrets and the walls have memories. And we’re excited to tell these stories with each show we present.”
Cabannis previously restored The Kessler Theater in Dallas and The Heights Theater in Houston.
In a statement, Dallas mayor Eric Johnson added that the venue is “a monument to our city’s rich music history,” calling the project “a wonderful opportunity to help preserve a piece of our past.”
For grand opening details and lineup announcements, visit longhornballroomdallas.com.
Josephine Vaccarello, a 25-year veteran of Madison Square Garden Entertainment Corp., has been promoted to the role of executive vp, live.
In the new role, Vaccarello will lead MSG’s live entertainment bookings business at all the company’s venues, which include New York’s Madison Square Garden, The Theater at Madison Square Garden, Radio City Music Hall and Beacon Theatre. Vaccarelllo takes on the new role after serving as senior vp, MSG Live, in which she booked concerts, comedy, special events and residencies including Billy Joel, Harry Styles at Madison Square Garden and Jerry Seinfeld’s Beacon Theatre residency.
She will also be responsible for booking residencies at the MSG Sphere in Las Vegas, which is set to open in the second half of 2023. Vaccarello started at the company in 1998 as an administrative assistant.
“Throughout my 25 years at this Company, I’ve had unique opportunities to grow and evolve my career within the organization, and I’m honored to take on this elevated leadership role, particularly as MSG Entertainment expands its live entertainment business. We have a lot of big ideas for the future that will make an indelible mark on live entertainment and I’m looking forward to continuing to create iconic moments with artists for our fans in New York, Chicago and soon, Las Vegas,” Vaccarello said.
She will report to James Dolan, executive chairman and CEO of MSG Entertainment, in addition to his position as executive chairman of AMC Networks.
“Over her tenure at MSG Entertainment, Josephine has been instrumental in growing our live event business by pursuing innovative opportunities including multi-night bookings and unique residencies, and bringing unforgettable events featuring the world’s biggest artists to our venues,” Dolan said. “In this new leadership role, I am confident she will continue to raise the bar within the live entertainment industry by leveraging her unparalleled relationships and expertise across our portfolio and in booking our newest venue – the state-of-the-art MSG Sphere.”
This story was originally published on THR.com.
Major League Soccer’s Los Angeles Football Club has a new naming rights partner for its 22,000-seat stadium. As of today, the Downtown L.A. venue will be renamed BMO Stadium. It has been known as Banc of California Stadium since opening in 2018.
BMO is a financial services provider in North America with more than 500 branches and digital banking services in all 50 U.S. states. The newly formed partnership supports the U.S. expansion pillar of BMO’s North American growth strategy.
“Our partnership with BMO unites two organizations that share a vision and commitment to be leaders and forces for good in our community,” LAFC co-president and CBO Larry Freedman said in a release. “BMO Stadium is the premier outdoor arena in the Heart of Los Angeles, having established itself as a world class sports and entertainment venue that hosts iconic concerts, events and top-level soccer. We are excited to begin our partnership with BMO, and to welcome our fans, supporters and the people of the city of Los Angeles to BMO Stadium.”
The first open-air stadium built in the city of Los Angeles since 1962, BMO Stadium has hosted major events such as the 2022 MLS All-Star Game, the 2023 MLS Cup and numerous concerts and festivals featuring artists such as The Killers, Imagine Dragons, BLACKPINK, Twice, Santana, Guns N’ Roses, Armin Van Buuren, Rufus Du Sol, Kygo, Maroon 5, Iron Maiden and System of a Down.
BMO Stadium is home to the 2022 MLS Cup and Supporters’ Shield Champions LAFC team, as well as the National Women’s Soccer League’s (NWSL) Angel City Football Club (ACFC). ACFC made its NWSL debut last season and led the NWSL in attendance in 2022, averaging more than 19,000 fans per game for its inaugural season. ACFC is also led by one of the largest women-led ownership groups in professional sports, aligning with BMO’s long-standing commitment to equity in sports, according to the financial provider.
“BMO is thrilled to forge this partnership with LAFC,” said BMO chief strategy and operations officer Cameron Fowler. “Through BMO Stadium, we will share our passion for soccer and commitment to the Los Angeles community while bringing to life our Purpose, to Boldly Grow the Good in business and life. We look forward to supporting LAFC and its fans this season and beyond.”
Through a raunchy video that pays homage to her 1991 Truth or Dare documentary, Madonna announced that she’ll be hitting the road with her global Celebration Tour, honoring her 40-year career.
The 35-city trek, produced by Live Nation, is set to kick off in North America on July 15 at Rogers Arena in Vancouver, B.C., and will hit Detroit, Chicago, New York, Miami, Los Angeles, Dallas and San Francisco before wrapping up in Las Vegas on Oct. 7. Madonna will then visit fans in Europe with confirmed dates in London and Amsterdam, to name a few.
The Queen of Pop will be joined by Bob the Drag Queen as a special guest on all the dates.
However, wouldn’t it be an extra treat for her loyal fandom to have some of her past collaborators as surprise guests as well, such as Maluma and Tokischa? Neither have been announced, but with the former, Madonna dropped “Medellín” in 2019, which hit No. 1 on the Dance Club Songs chart and No. 18 on the Hot Latin Songs chart. With the latter, she dropped a new remix to her 2005 hit “Hung Up” called “Hung Up on Tokischa.” The original track peaked at No. 7 on the Billboard Hot 100 in 2005.
With the Celebration Tour happening this year, we’re hoping for yet another bonafide collab between Madonna and a Latin act. From Rosalia to Bad Bunny to Shakira, and more, who should she hit the studio with next? Vote below!
Zach Bryan is getting ready to head out on the road staring this spring, and it’s shaping up to be his biggest tour yet. The country star announced his Burn Burn Burn North American tour on Thursday (Jan. 19), and he’s keeping a big promise: Tickets won’t be available via Ticketmaster.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Named after his song of the same name, the Burn Burn Burn North American tour is slated to kick off on May 10 at the John Paul Jones Arena in Charlottesville, Va., and includes stops in New York City, Denver, Chicago, New Orleans, and Minneapolis before concluding on Aug. 30 at Kansas City’s T-Mobile Center.
Fans looking to secure tickets can sign up for the Fair AXS registration at www.axs.com/zachbryan. Those who want to attend have until Jan. 29 at 10 p.m. ET to register for tickets, and will be notified via email beginning Feb. 13 if they have been selected; tickets will be sold on a first-come, first-served basis. An invitation email for the chance to purchase tickets does not guarantee tickets will be available.
Bryan circumventing Ticketmaster and going with AXS for his tour comes after the surprise release of All My Homies Hate Ticketmaster (Live at Red Rocks) in December. In announcing the live album, the country star — who has been outspoken about his dislike for Ticketmaster — took a stand against high ticket prices.
“Seems like there is a massive issue with fair ticket prices to live shows lately. I have met kids at my shows who have paid upwards of four hundred bucks to be there and I’m done with it,” he wrote via Instagram on Christmas Eve without naming the ticketing giant. “I’ve decided to play a limited number of headline shows next year to which I’ve done all I can to make prices as cheap as possible and to prove to people tickets don’t have to cost $450 to see a good and honest show… I believe working class people should still be able to afford tickets to shows… I am so so tired of people saying things can’t be done about this massive issue while huge monopolies sit there stealing money from working class people.”
He concluded his message at the time, “Just did everything I possibly could to make tickets more affordable.”
See the full list of tour dates for Bryan’s Burn Burn Burn tour below.
Jeremy Holgersen has joined APA as a senior vice president and agent in the concerts division, it was announced today by Bruce Solar, the company’s head of concerts. Holgersen arrives at APA from UTA, where he worked following its acquisition of The Agency Group. It was during his lengthy tenure at The Agency Group — joined in 2000 — that he and Solar met.
Holgrensen’s roster at UTA included Action Bronson, Apocalyptica, At The Gates, Bad Brains, Bob Vylan, Cypress Hill, D’Angelo, G-Eazy, GZA, Jesse Royal, Ms Lauryn Hill, Nova Twins, Patoranking, The Pogues, , Protoje, Suicidal Tendencies and more, “most of whom are expected to join him at APA,” according to a press release.
“We are truly excited to have Jeremy join us at APA,” says Solar in a statement provided to Billboard. “Jeremy is a great agent with exciting clients and a wonderful colleague who I loved working with in the past and am glad we have reunited.”
Holgersen added, “the industry has taken note of all the exciting things that are happening at APA and how well they represent music artists in a 360-degree fashion, and I know that the best is yet to come for the artists that are joining me at APA.”
Holgersen joins touring agent Steve Kahl, who came to APA from CAA in October, as well as former ICM Partners touring agents Mitch Blackman and Mike Hayes. Others include comedy agents Chris Smith and Josh Lanham from ICM, Steve Kahl from CAA and Sam Sauerhaft, who previously worked in management.
Clients joining APA from these agents include Kamasi Washington, Blackbear, Robert Glaspar, Jax, Belinda Carlisle, Jon Belion, Martin Lawrence, Mike Epps and over 100 others.
In 1910’s The Vagabond, the French writer Colette claimed, “The only real things are the dance, the light, freedom, music.” If that’s the case, then there are few pop catalogs more in touch with reality than Madonna’s.
The Queen of Pop kicked 2023 off right by announcing the Celebration Tour, a global trek honoring her four decades of culture-changing hits.
Needless to say, she has a lot of material to choose from — with 12 No. 1s, 38 top 10 hits and 57 titles on the Billboard Hot 100, Madonna is an all-time pop GOAT. And considering her most recent tour (the excellent, intimate Madame X Tour from 2019-2020) was primarily focused on the album of the same name she was supporting, there’s quite a number of beloved classics that Madge hasn’t performed live in several years.
That seems set to change with the Celebration Tour, which promises to be a career-retrospective run of songs from the pop icon, whose self-titled debut introduced the world to a new game-changing superstar back in 1983. And since we’re looking at 40 years of Madonna, we decided to round up 40 songs we would love to hear the Material Goddess perform live.
Now, we’re not saying we want every one of these songs performed in full at every tour stop — a 40-song setlist is less a concert and more of a marathon. Some we’d like to hear in part, perhaps as a segue or in a medley; others we could imagine M performing as a surprise treat on select tour dates. But this is our wish list.
GoldenSky Country Music Festival will return to Sacramento this year on Oct. 14 and 15 at Discovery Park, with a performer lineup led by Eric Church, Sacramento’s own Jon Pardi, as well as Maren Morris and Parker McCollum.
Explore
See latest videos, charts and news
See latest videos, charts and news
Also performing are Jordan Davis and Country Music Hall of Famer Wynonna Judd, as well as Lainey Wilson, Elle King, Eli Young Band, Niko Moon, Ingrid Andress, Nate Smith, Adam Doleac, Frank Ray, Tenille Arts, Drake Milligan, Megan Moroney, Kidd G, Willie Jones, Lakeview and Avery Anna. GoldenSky Country Music Festival is produced by Danny Wimmer Presents in partnership with Visit Sacramento.
”We’re thrilled to partner with DWP to bring the West Coast’s premier country music experience back to Sacramento,” said Visit Sacramento President & CEO Mike Testa. “This year’s incredible lineup, coupled with unique local activations and Sacramento as the backdrop will make for an unforgettable weekend. We can’t wait to welcome music fans from across the country back to our city.”
The event will also feature an array of activities for festivalgoers, including GoldenSky Beer Festival, a “festival within the festival” that will showcase the top local, regional and national tastes with over 150 different selections of beer, hard seltzer and ciders. The Farmhouse, presented by California Bountiful, will offer a local food experience featuring some of Sacramento’s top dining establishments. Other festival offerings include El Dorado Market, River City Saloon & Dance Hall, Loud Lounge, Wines of Sacramento and Sidelines Sports Bar.
GoldenSky Country Music Festival debuted as a two-day event in 2022, with 50,000 people in attendance for a lineup that included Tim McGraw, Sam Hunt, Brothers Osborne, Midland, Carly Pearce and Parmalee.