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It’s an uneasy time in the music industry. During a Jan. 31 call with analysts, Spotify CEO Daniel Ek emphasized the positive side of the streaming revolution — “there [are] a lot more artists that are mattering now than ever before” — while still acknowledging the anxiety that’s percolating through the business. “The big counter to that would be: Does it mean that you can sustain yourself, or does it mean we have more one-hit wonders?” Ek asked. “You’re seeing a little bit of both happening in the music industry at the present moment.” 

Especially in an era when TikTok appears to run the music industry — trends on the app can send songs bounding up the charts, impacting signing decisions and marketing campaigns — it’s common to hear executives fretting about one-hit wonder overload and the lack of “artist development.” On any given day, a handful of songs flare on the app, soundtracking heaps of videos and leading to jumps in streaming. As a result, “more people are investing in songs that might not have the artist proposition attached to them,” one manager recently lamented to Billboard. “By default, if more of the people responsible for breaking acts are focused on songs, that’s how you have a landscape where there are a trillion one-hit wonders.” 

Spotify returned to this theme during its recent Stream On event. Gustav Soderstrom, the platform’s co-president, took the stage to tout the power of features like Release Radar for driving streams and long-term engagement. “That’s why discoveries on Spotify, unlike many other platforms, give creators so much more than just a fleeting moment of viral fame,” he said. He didn’t name TikTok, but it was pretty clear who he was aiming at. 

In a statement to Billboard, Ole Obermann, TikTok’s global head of music, hit back against the idea that the popular app prioritizes brief eruptions over long and healthy careers. “In the few years that our music teams at TikTok have been working closely with the musical creator and label community, our commitment to backing artists across the board has helped propel emerging talent and legacy acts to new points of success,” Obermann said. “Artists who broke out from TikTok such as Ice Spice, Lil Nas X, and Coi Leray have sustained multiple Billboard hits. We also see artists such as Tai Verdes, jxdn and Sara Kays who have grown substantial fan bases on TikTok and are building their music careers broadly rather than based on an individual hit song.”

Many in the music industry believe one-hit wonders are newly abundant. But do they show up on the Billboard charts?

Defining a one-hit wonder as an artist that cracks the top 40 on the Billboard Hot 100 and never makes it back to that position, the annual percentage of acts fitting this criterion remained relatively constant from 2002 to 2019, according to Billboard‘s analysis. On average, 54% of the acts who made it into the top 40 during this period failed to return with at least a second entry. Though the fraction got as high as 61% and sank as low as 39% during this time period, there was no pronounced increasing trend visible over time.

In 2020 — the most recent full year it seems fair to judge — the portion of artists who made it into the top 40 but didn’t land a second entry was higher: 70%. Of course, this number may fall in the coming years, because these artists haven’t had much time to score a second hit. Changing the definition of a one-hit wonder to match the available data for 2020 — redefining it as an artist that cracks the top 40 and doesn’t make it back in the next two years — causes the portion of one-hit wonders to jump by more than 7% each year, on average. This means it’s likely that 2020’s one-hit wonder count will end up more in line with previous years.

The opposite of a one-hit wonder is an act who enjoys a steady stream of popular singles. Say a “career artist” appears at least 10 times in the top 40 as a lead or featured collaborator: Around 10% of all acts who reached the top 40 once between 2002 and 2020 went on to achieve this goal. The frequency of career artists hasn’t changed much over the years either — roughly the same number emerged from the first half of the time period examined as from the second half. 

There is one other noticeable trend in top 40 data: The number of new artists appearing on the upper reaches of the chart is gently declining over time. The fall is gradual, approximately one less new artist every two years. This mirrors a decline in new artists getting top 10 hits, but the trend is less pronounced in the top 40. That’s presumably because it’s easier to reach the top 40 than the top 10, and because there are fewer top 10s annually. 

Taken together, this indicates that it is somewhat harder to get a top 40 hit than it was two decades ago, but once artists get that breakout hit, they have roughly the same odds of eventually building a catalog of big tracks. The first development is cause for concern. But the second should be reassuring — the more things change, the more they stay the same.

As the U.S. government considers banning social media app TikTok, the U.S. music industry faces a few scenarios regarding the platform that’s become a lifeline for discovering and breaking artists — and most aren’t good.

The grilling of TikTok CEO Shou Zi Chew by members of the House Energy and Commerce Committee on Thursday (March 23) had all the political theater expected from a Congressional hearing. It also had one important characteristic unusual for the United States in 2023: bi-partisan agreement. Despite Chew’s insistence that U.S. TikTok users’ data cannot be accessed from China, home of parent company Bytedance, neither Democrats nor Republicans seem intent on allowing TikTok to operate within their borders.

The showdown seemed inevitable given TikTok’s foreign entanglements and the app’s quick ascendence. The app accounted for 17% of total time spent on mobile apps globally in 2022, according to Data.ai — second behind WeChat’s 19.5% and well ahead of No. 3 YouTube’s 12.7%. Chew told lawmakers that TikTok has 150 million users in the U.S. That’s 50% more than the 100 million figure TikTok previously made public (and eMarketer’s latest estimate of 95.8 million at the end of 2022). Among U.S. Gen Z consumers aged 18 to 24, TikTok ranks No. 2 behind Instagram in monthly average users, according to Data.ai.

But the app’s fate in the United States “is on shakier ground than ever,” according to eMarketer principal analyst Jasmine Enberg. “TikTok’s decision to highlight how entrenched the app has become in US society was miscalculated,” Enberg said in a statement. “It actually strengthened U.S. lawmakers’ argument that TikTok poses a threat to both national security and young people.”

Brendan Carr, a commissioner with the Federal Communications Commission, agrees. The vocal TikTok critic told CBS News “the day could not have gone any worse for TikTok” and that Chew “completely failed” to gain “some level” of trust and credibility with members of Congress.

While a TikTok ban appears popular amongst politicians, not everybody is supportive. The Cato Institute’s Paul Matzo called a ban “a hamfisted mistake” born from “neo-Cold War paranoia.” It wouldn’t necessarily make America safer, he argued, and would amount to a bail-out for Meta, whose TikTok competitor, Instagram, has failed to win on a level playing field. The Brookings Institute’s Darrell M. West and Michaela Robison argue that a ban would open up U.S. companies in China — such as automaker Tesla — to similar scrutiny.

If a ban could withstand a legal challenge — former President Donald Trump’s attempt to ban TikTok and Chinese messaging app WeChat both failed — TikTok’s parent company, Bytedance, would be forced to sell the company. President Joe Biden’s administration has encouraged Bytedance to sell TikTok. But it wouldn’t be a straightforward process. China would “strongly oppose” a forced sale, a Ministry of Commerce spokesperson said Thursday, and TikTok is subject to Chinese law on tech exports and would require government approval.

A prompt sale of TikTok, which is reportedly valued at $60 billion, would be the best outcome for the music industry in search of new sources of streaming revenue. TikTok’s revenue rocketed from $4 billion in 2021 to $10 billion in 2022, according to reports. Research firm Omdia projects that TikTok’s ad revenue will climb to $44 billion by 2027 — presumably assuming there are no geopolitical interferences — and surpass the combined video ad revenues of Meta and YouTube. Although TikTok is not a major source of revenue for labels and publishers, rights holders expect to eventually have licensing agreements that give them a share of advertising revenue for user-generated content (like their deal with YouTube).

The current hodgepodge of bans also hurts both TikTok and the music industry. In the United States, TikTok has already been banned by some federal agencies, state and local governments and universities. Elsewhere, TikTok has been banned from the official phones of staff of the European Commission, U.K. parliament, Canadian government, Belgian government, Danish Defense Ministry and Latvian Foreign Ministry, to name a few. Fewer TikTok apps installed on fewer smartphones is twice the punishment for an app that depends on user-generated content. Lower usage means fewer people creating and viewing videos.

Perhaps the biggest question is what would happen to TikTok under new ownership. If, say, Oracle owned a stake in TikTok, as was proposed during the Trump administration, would the app continue to have the same magical recommendation algorithm that has made TikTok so irresistible and its competitors unable to keep up? New ownership would eliminate restraints on TikTok’s revenue and user growth, but if the product suffers, the music industry would be handed a less effective promotional tool and a less valuable source of revenue. The only certainty in this TikTok controversy is that such unintended consequences are guaranteed.

The CEO of TikTok faced a grilling Thursday from a U.S. congressional committee in a rare public appearance where made his own case for why the hugely popular video-sharing app shouldn’t be banned.

Shou Zi Chew’s testimony came at a crucial time for the company, which has acquired 150 million American users but is under increasing pressure from U.S. officials. TikTok and its parent company ByteDance have been swept up in a wider geopolitical battle between Beijing and Washington over trade and technology.

“Mr. Chew, you are here because the American people need the truth about the threat TikTok poses to our national and personal security,” Committee Chair Cathy McMorris Rodgers, a Republican, said in her opening statement. “TikTok has repeatedly chosen a path for more control, more surveillance and more manipulation.”

Chew, a 40-year-old Singapore native, told the House Committee on Energy and Commerce that TikTok prioritizes the safety of its young users and denied allegations that the app is a national security risk. He reiterated the company’s plan to protect U.S. user data by storing all such information on servers maintained and owned by the server giant Oracle.

“Let me state this unequivocally: ByteDance is not an agent of China or any other country,” Chew said.

On Wednesday, the company sent dozens of popular TikTokers to Capitol Hill to lobby lawmakers to preserve the platform. It has also been putting up ads all over Washington that tout promises of securing users’ data and privacy and creating a safe platform for its young users.

TikTok has been dogged by claims that its Chinese ownership means user data could end up in the hands of the Chinese government or that it could be used to promote narratives favorable to the country’s Communist leaders.

In a rare, bipartisan effort to reign in the power and influence of a major social media platform, Republican and Democratic lawmakers pressed Chew on a host of topics, ranging from TikTok’s content moderation practices, how the company plans to secure American data from Beijing, and that it admits spying on journalists.

Watch the Hearing Below:

In 2019, the Guardian had reported TikTok was instructing its moderators to censor videos that mention Tiananmen Square and other images unfavorable to the Chinese government. The platform says it has since changed its moderation practices.

ByteDance admitted in December that it fired four employees last summer who accessed data on two journalists, as well as other people connected to them, while attempting to track down the source of a leaked report about the company.

For its part, TikTok has been trying to distance itself from its Chinese origins, saying that 60% percent of its parent company ByteDance is owned by global institutional investors such as Carlyle Group. ByteDance was founded by Chinese entrepreneurs in Beijing in 2012. Responding to a Wall Street Journal report, China said it would oppose any U.S. attempts to force ByteDance to sell the app.

But Chew pushed back against the idea that TikTok’s ownership was an issue in itself.

“Trust is about actions we take. We have to earn that trust with decisions we make for our company and our products and potential security, privacy content, manipulation concerns raised about TikTok are really not unique to us” Chew said. “Ownership is not at the core of addressing these concerns.”

A U.S. ban on an app would be unprecedented and it’s unclear how the government would enforce it.

Experts say officials could try to force Apple and Google to remove TikTok from their app stores, preventing new users from downloading it as well as preventing existing users from updating it, ultimately rendering it useless.

The U.S. could also block access to TikTok’s infrastructure and data, seize its domain names or force internet service providers like Comcast and Verizon to filter TikTok data traffic, said Ahmed Ghappour, a criminal law and computer security expert who teachers at Boston University School of Law.

But a tech savvy user could still get around restrictions by using a virtual private network to make it appear the user is in another country where it’s not blocked, he said.

To avoid a ban, TikTok has been trying to sell officials on a $1.5 billion plan called Project Texas, which routes all U.S. user data to domestic servers owned and maintained by software giant Oracle. Under the project, access to U.S. data is managed by U.S. employees through a separate entity called TikTok U.S. Data Security, which employs 1,500 people, is run independently of ByteDance and would be monitored by outside observers.

As of October, all new U.S. user data was being stored inside the country. The company started deleting all historic U.S. user data from non-Oracle servers this month, in a process expected to be completed later this year, Chew said.

Generally, researchers have said TikTok behaves like other social media companies when it comes to data collection. In an analysis released in 2021, the University of Toronto’s nonprofit Citizen Lab found TikTok and Facebook collect similar amounts of user data valuable for advertisers.

To block such tracking, Congress, the White House, U.S. armed forces and more than half of U.S. states have banned the use of the app from official devices.

But wiping away all the data tracking associated with the platform might prove to be difficult. In a report released this month, the Cybersecurity company Feroot said so-called tracking pixels from ByteDance, which collect user information, were found on 30 U.S state websites, including some where the app has been banned for official use.

Other countries including Denmark, Canada, Great Britain and New Zealand, along with the European Union, have already banned TikTok from devices issued to government employees.

David Kennedy, a former government intelligence officer who runs the cybersecurity company TrustedSec, agrees with restricting TikTok access on government-issued phones because they might contain sensitive information. A nationwide ban, however, might be too extreme, he said. He also wondered where it might lead.

“We have Tesla in China, we have Microsoft in China, we have Apple in China. Are they going to start banning us now?” Kennedy said. “It could escalate very quickly.”

Coi Leray notched her fourth entry on the Billboard Hot 100 songs chart with “Players,” her TikTok-viral hit that’s currently sitting at No. 12 as of March 25, 2023.
When asked when she knew she made it, Leray told Billboard at Rolling Loud California, “When I found out I was on the top 10 U.K. charts, and then the top 20 pop charts and then the top 20 Billboard [Hot 100]. That was a big stepping stone for me because my dream was to cross over. Of course, I love Billboard. I look up to you guys. You guys are watching me grow, so I can’t wait to show you how much more I have for you.”

If you need a guide to follow along with Coi Leray’s “Players,” find the lyrics below:Yeah‘Cause girls is players too, uhYeah, yeah‘Cause girls is players too (keep it player, baby)‘Cause girls is players tooBi–hes gettin’ money all around the world‘Cause girls is players too
What you know ’bout livin’ on the topPenthouse suites, lookin’ down on the opps?Took him for a test drive, left him on the lotTime is money so I spent it on a watch, hol’ onLil’ ti–ies showin’ through the white teeYou can see the thong bussin’ out my tight jeans (okay)Rocks on my fingers like a n—a wifed meGot another shorty? She ain’t nothin’ like me (yeah)
‘Bout to catch another flight (yeah)The apple bottom make ’em wanna bite (yeah)I just wanna have a good nightI just wanna have a good night (hold up)If you don’t know now you knowIf he broke then you gotta let him goYou could have anybody, eeny, miny, moe‘Cause when you a boss, you could do what you want
Yeah‘Cause girls is players too, uhYeah, yeah‘Cause girls is players too (keep it player, baby)‘Cause girls is players tooBi–hes gettin’ money all around the world‘Cause girls is players too
I go, on and on and on againHe blowin’ up my phone but I’m ignorin’ himHe thinkin’ he the one, I got like four of himYeah, I’m sittin’ first class like Valedictorian, uhCame a long way from rag to richesFive-star bi–h, yeah, I taste so deliciousLet him lick the plate, yeah, I make him do the dishesNow he on news talk ’cause a bi–h went missin’, sheesh
‘Bout to catch another flight (yeah)The apple bottom make ’em wanna bite (yeah)I just wanna have a good nightI just wanna have a good night (hold up)If you don’t know now you knowIf he broke then you gotta let him goYou could have anybody, eeny, miny, moe‘Cause when you a boss, you could do what you want
Yeah‘Cause girls is players too, uh(And it’s time that we let ’em know that)‘Cause girls is players too (keep it player, baby)‘Cause girls is players tooBi–hes gettin’ money all around the world‘Cause girls is players too
Lyrics licensed & provided by LyricFind
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Akil C. King, Clifton Nathaniel Chase, Coi Leray Collins, Edward G. Fletcher, Felicia Ferraro, Melvin Glover, Sylvia Robinson, Yonatan Goldstein

TikTok is ramping up a public relations campaign to fend off the possibility of a nationwide ban by the Biden administration, and it’s bringing some unconventional advocates to help: online influencers.

Dozens of TikTok creators — some with millions of followers on the video-sharing app — came to Capitol Hill on Wednesday to lobby in favor of the platform, one day before lawmakers are slated to grill the company’s chief executive about concerns over user data falling into the hands of the Chinese government.

Shou Zi Chew plans to tell Congress on Thursday that TikTok, which was founded by Chinese entrepreneurs, is committed to user safety, data protection and security, and keeping the platform free from Chinese government influence. He will also answer questions from U.S. lawmakers worried about the social media platform’s effects on its young user base.

At the heart of TikTok’s trouble is a Chinese national intelligence law that would compel Chinese companies to fork over data to the government for whatever purposes it deems to involve national security. There’s also concern Beijing might try to push pro-China narratives or misinformation through the platform.

At a media event coordinated by TikTok on Wednesday, some content creators acknowledged that concerns about data security are legitimate, but pointed to precautions the company is taking, such as a $1.5 billion plan — dubbed Project Texas — to route all U.S. data to domestic servers owned and maintained by the software giant Oracle.

TikTok has been attempting to sell that proposal to the Biden administration, but skeptics have argued it doesn’t go far enough. The administration is reportedly demanding the company’s Chinese owners sell their stakes or face a nationwide ban.

“I don’t know much about politics, but I know a lot about fashion, and I know a lot about people,” Ok said. “And just to be here and share my story is what TikTok has invited me to do.”

Tensions around TikTok have been building on Capitol Hill, reaching a boiling point late last year when a proposal to ban the app off of government phones passed with bipartisan support and was signed into law by President Joe Biden. House Republicans are pushing a bill that would give Biden the power to ban the app.

Other bills have also been introduced — some bipartisan — including a measure that would circumvent the challenges the administration would face in court if it moved forward with sanctions against the social media company.

The effort to target TikTok is part of a larger, tougher approach that Congress has taken in the past several months as China’s relationship with two U.S. adversaries — Russia and Iran — has come into focus. A recent incident with a spy balloon forced even some wary congressional Democrats to join Republicans in opposition, and there is now a strong bipartisan concern in Washington that Beijing would use legal and regulatory power to seize American user data or use the platform to push favorable narratives or misinformation.

TikTok’s response to the political pressure can be seen all around the nation’s Capitol, with the company putting up ads in area airports and metro stations that include promises of securing users data and privacy and creating a safe platform for its young users. Last year, the company spent more than $5.3 million on dispatching lobbyists to the Hill to make its case, according to Open Secrets, a nonprofit that tracks lobbying spending.

On Thursday, Chew will be sticking to a familiar script as he urges officials against pursuing an all-out ban on TikTok or for the company to be sold off to new owners. TikTok’s efforts to ensure the security of its users’ data go “above and beyond” what any of its rivals are doing, according to Chew’s prepared remarks released ahead of his appearance before the U.S. House Committee on Energy and Commerce.

Chew pushed back against fears that TikTok could become a tool of China’s ruling Communist Party because its parent company, ByteDance, was founded in Beijing and also operates from there.

“Let me state this unequivocally: ByteDance is not an agent of China or any other country,” Chew said.

He distanced TikTok from its Chinese roots and denied the “inaccurate” belief that TikTok’s corporate structure makes it “beholden to the Chinese government.” ByteDance has evolved into a privately held “global enterprise,” Chew said, with 60% owned by big institutional investors, 20% owned by the Chinese entrepreneurs who founded it and the rest by employees.

It’s “emphatically untrue” that TikTok sends data on its American users to Beijing, he said.

“TikTok has never shared, or received a request to share, U.S. user data with the Chinese government,” Chew said. “Nor would TikTok honor such a request if one were ever made.”

Whether those promises will alleviate concern is another matter. TikTok has come under fire in the U.S., Europe and Asia-Pacific, where a growing number of governments have banned the app from devices used for official business. India, Afghanistan and Indonesia have banned it nationwide.

Chew, a 40-year-old Singaporean who was appointed CEO in 2021, said in a TikTok video this week that the congressional hearing comes at a “pivotal moment” for the company, which now has 150 million American users.

Chew said TikTok’s data security project is the right answer, not a ban or a sale of the company.

“No other social media company, or entertainment platform like TikTok, provides this level of access and transparency,” he said.

The company started deleting the historical protected data of U.S. users from non-Oracle servers this month, Chew said. When that process is completed later this year, all U.S. data will be protected by American law and controlled by a U.S.-led security team.

“Under this structure, there is no way for the Chinese government to access it or compel access to it,” he said.

He said a TikTok ban would hurt the U.S. economy and small American businesses that use the app to sell their products, while reducing competition in an “increasingly concentrated market.” He added that a sale “would not impose any new restrictions on data flows or access.”

TikTok CEO Shou Zi Chew posted an urgent video on the app on Tuesday (March 21) that aimed to demonstrate how ingrained TikTok is in the lives of more than 150 million Americans at a time when the app is under threat of being banned (again). 
Chew is set to testify before the House Committee on Energy and Commerce on Thursday. His appearance comes as politicians and regulators repeatedly express concern that TikTok and its Chinese parent company, ByteDance, will turn user data over to the Chinese government. (TikTok has repeatedly denied these allegations.) Earlier this month, TikTok said the U.S. government had asked Bytedance to sell the app or face a ban, according to The Wall Street Journal. 

Chew’s video started out celebratory and seemed couched in terms straight out of U.S. political debates, emphasizing the app’s reach and its potential economic impact. “I’m super excited to announce that more than 150 million Americans are on TikTok,” Chew said. The app had previously touted 100 million U.S. users in 2020. (It has over 1 billion active users globally.)

“That’s almost half the U.S. coming to TikTok to connect, to create, to share, to learn, or just to have some fun,” Chew continued. “This includes 5 million businesses that use TikTok to reach their customers. And the majority of these are small and medium businesses.” 

@tiktok Our CEO, Shou Chew, shares a special message on behalf of the entire TikTok team to thank our community of 150 million Americans ahead of his congressional hearing later this week. ♬ original sound – TikTok

But this triumphant tone quickly gave way to a warning. “Some politicians have started talking about banning TikTok,” Chew added. “This could take TikTok away from all 150 million of you.” He called this a “pivotal moment” for the app and asked users to leave comments noting “what they love about TikTok” so he could pass those on during his meetings in Washington, D.C.

The U.S. government’s scrutiny of TikTok is not new; President Trump threatened to ban the app back in 2020. (India did ban the app that year.) TikTok has been in lengthy talks with the Committee on Foreign Investment in the United States to try to come up with a solution that allays fears about the way it handles users’ data, but these negotiations appear to have made little headway. The U.S. government recently banned TikTok from all federal devices.

TikTok spokespeople have described the threat of a larger ban as “little more than political theater.”

“If protecting national security is the objective, divestment doesn’t solve the problem,” a spokeswoman for TikTok told The Associated Press earlier this month. “A change in ownership would not impose any new restrictions on data flows or access.”

TikTok went on a counteroffensive Tuesday amid increasing Western pressure over cybersecurity and misinformation concerns, rolling out updated rules and standards for content as its CEO warned against a possible U.S. ban on the Chinese-owned video sharing app.

CEO Shou Zi Chew is scheduled to appear Thursday before U.S. congressional lawmakers, who will grill him about the company’s privacy and data-security practices and relationship with the Chinese government.

Chew said in a TikTok video that the hearing “comes at a pivotal moment” for the company, after lawmakers introduced measures that would expand the Biden administration’s authority to enact a U.S. ban on the app, which the CEO said more than 150 million Americans use.

“Some politicians have started talking about banning TikTok. Now this could take TikTok away from all 150 million of you,” said Chew, who was dressed casually in jeans and blue hoodie, with the dome of the U.S. Capitol in Washington in the background.

“I’ll be testifying before Congress this week to share all that we’re are doing to protect Americans using the app,” he said.

TikTok app has come under fire in the U.S., Europe and Asia-Pacific, where a growing number of governments have banned TikTok from devices used for official business over worries it poses risks to cybersecurity and data privacy or could be used to push pro-Beijing narratives and misinformation.

So far, there is no evidence to suggest this has happened or that TikTok has turned over user data to the Chinese government, as some of its critics have argued it would do.

Norway and the Netherlands on Tuesday warned apps like TikTok should not be installed on phones issued to government employees, both citing security or intelligence agencies.

There’s a “high risk” if TikTok or Telegram are installed on devices that have access to “internal digital infrastructure or services,” Norway’s justice ministry said, without providing further details.

TikTok also rolled out updated rules and standards for content and users in a reorganized set of community guidelines that include eight principles to guide content moderation decisions.

“These principles are based on our commitment to uphold human rights and aligned with international legal frameworks,” said Julie de Bailliencourt, TikTok’s global head of product policy.

She said TikTok strives to be fair, protect human dignity and balance freedom of expression with preventing harm.

The guidelines, which take effect April 21, were repackaged from TikTok’s existing rules with extra details and explanations.

Among the more significant changes are additional details about its restrictions on deepfakes, also known as synthetic media created by artificial intelligence technology. TikTok more clearly spells out its policy, saying all deepfakes or manipulated content that show realistic scenes must be labeled to indicate they’re fake or altered in some way.

TikTok had previously banned deepfakes that mislead viewers about real-world events and cause harm. Its updated guidelines say deepfakes of private figures and young people are also not allowed.

Deepfakes of public figures are OK in certain contexts, such as for artistic or educational content, but not for political or commercial endorsements.

China accused the United States on Thursday of spreading disinformation and suppressing TikTok following reports that the Biden administration was calling for its Chinese owners to sell their stakes in the popular video-sharing app.

The U.S. has yet to present evidence that TikTok threatens its national security and was using the excuse of data security to abuse its power to suppress foreign companies, Foreign Ministry spokesperson Wang Wenbin told reporters at a daily briefing.

“The U.S. should stop spreading disinformation about data security, stop suppressing the relevant company, and provide an open, fair and non-discriminatory environment for foreign businesses to invest and operate in the U.S.,” Wang said.

TikTok was dismissive Wednesday of a report in The Wall Street Journal that said the Committee on Foreign Investment in the U.S., part of the Treasury Department, was threatening a U.S. ban on the app unless its owners, Beijing-based ByteDance Ltd., divested.

“If protecting national security is the objective, divestment doesn’t solve the problem: A change in ownership would not impose any new restrictions on data flows or access,” TikTok spokesperson Maureen Shanahan said.

Shanahan said TikTok was already answering concerns through “transparent, U.S.-based protection of U.S. user data and systems, with robust third-party monitoring, vetting, and verification.”

The Journal report cited anonymous “people familiar with the matter.” The Treasury Department and the White House’s National Security Council declined to comment.

In late February, the White House gave all federal agencies 30 days to wipe TikTok off all government devices. Some agencies, including the Departments of Defense, Homeland Security and the State Department already have restrictions in place. The White House already does not allow TikTok on its devices.

Congress passed the “No TikTok on Government Devices Act” in December as part of a sweeping government funding package. The legislation does allow for TikTok use in certain cases, including for national security, law enforcement and research purposes.

Meanwhile, lawmakers in both the House and Senate have been moving forward with legislation that would give the Biden administration more power to clamp down on TikTok.

TikTok remains extremely popular and is used by two-thirds of teens in the U.S. But there is increasing concern that Beijing could obtain control of American user data that the app has obtained and push pro-Beijing narratives and propaganda on the app.

China has long been concerned about the influence of overseas social media and communications apps, and bans most of the best-known ones, including Facebook, Twitter, Instagram, YouTube — and TikTok.

Charlie Puth and Sabrina Carpenter shocked fans on Wednesday (March 15) by locking lips in the TikTok teaser for what appears to be a new collab.

In the clip posted to the “Charlie Be Quiet!” singer’s TikTok account, the two pop stars get flirty as she attempts to feed him a candy heart while they’re surrounded by candles. “I always knew you had a tiny, tiny heart,” Puth banters before piano notes play over the scene and they lean in for the kiss.

The TikTok sensation cryptically captioned the video “3.31” and tagged both Carpenter and Dan + Shay, but fans weren’t quite sure what to make of the whole thing. “IM SORRY DID I JUST WITNESS SABRINA CARPENTER AND CHARLIE PUTH KISS?!?” one follower asked in all caps in the comments, while a second wrote, “I DON’T KNOW IF I WANT TO BE SABRINA OR IF I WANT TO BE CHARLIE.”

Other fans expressed concern over Puth’s relationship with girlfriend Brooke Sansone, which he confirmed back in December on his 31st birthday. “EXCUSE YOU WHAT ABOUT BROOKE,” one demanded. Another joked, “SHAWN MENDEZ [sic] PUNCHING THE AIR RIGHT NOW” in reference to the recent online chatter that Carpenter could possibly be dating Shawn Mendes.

The Charlie artist didn’t hint at a song title or any other details regarding his collaboration with the “Nonsense” singer, but the latter is already dropping the deluxe edition of her 2022 album Emails I Can’t Send this Friday (March 17) containing four new bonus tracks. Meanwhile, Puth most recently announced he’ll be hitting the road this spring for The Charlie Live Experience.

Watch Puth and Carpenter canoodle over a candy heart while you brace yourself for what’s coming at the end of the month below.

Two days after officially announcing their joint, three-track EP RR (due out March 24), Rosalía and Rauw Alejandro revealed a snippet of one of their upcoming songs “Beso” on Wednesday (March 15).
In a steamy clip posted on Rosalía’s TikTok account, the power couple are seen closely facing each other in bed, as they sing their romantic verses like they’re on the verge of kissing each other. 

It’s the first time that onlookers get to see and hear the pair sing together — and the new reggaeton-pop song already brims with equal parts conviction and seduction. With Rosalía’s breathy, flamenco-laden rasp, and Alejandro’s sensual R&B-laden vocals, their voices meet in perfect harmony.

“Yo necesito otro beso (I need another kiss),” croons Rosalía, and her partner responds “Uno de esos que tú me das (only the ones you give me).” “Estar lejos de ti es el infierno (being away from you is hell),” she sings, “Estar cerca de ti es mi paz (being close to you is my peace),” he responds. The pair then unite their voices, singing, “Yo me voy contigo a matar / No me dejes solo / ¿Pa’ dónde vas, pá dónde vas?” or “I’m going with you to kill / Don’t leave me alone / Where are you going, where are you going?”

Alejandro kicked off his Saturno World Tour last month in the Dominican Republic, and on Thursday and Friday (March 16-17), the Puerto Rican hitmaker will venture to the Tri-State area with New Jersey and New York stops. The trek will continue to Mexico, Central America, and Europe throughout the summer before hitting up South America in the fall.

Earlier this month, Rosalía was recognized as Producer of the Year at the Billboard Women In Music awards. The Spanish idol, who had one of the most successful tours of 2022 with Motomami, will also be headlining some of the biggest festivals around the world such as Coachella, Lollapalooza (Chile, Argentina, Brasil, Paris), Primavera Sounds, Gurtenfestival and more.

On Monday (March 13), the beloved duet revealed the names of their songs of their EP, which also include “Vampiros” and “Promesa.” While RR is their first official release together, the couple have subtly collaborated on each other’s previous projects; Rosalía sang backing vocals on “Dile a Él” from Rauw’s first album, Afrodisiaco (2020) as well as “Corazón Despeinado” from Saturno (2022). Rauw co-wrote some lyrics in Rosalía’s “Chicken Teriyaki” from her Grammy and Latin Grammy-winning 2022 album, Motomami. She also lent her pen on “Caprichoso” from Rauw’s EP Trap Cake, Vol. 2 (2022). 

Check out the eyebrow-raising new teaser for “Beso” below: