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HipHopWired Featured Video
Source: Epic Games / Fortnite / Eminem
Fortnite is enjoying a resurgence thanks to its OG Season. Now, word on the street is that Eminem will come to the game to help close Chapter 4.
Spotted on Polygon, reliable Fortnite leaker HYPEX is reporting that Eminem will be the star of Fortnite’s upcoming “Big Bang” event to close out the Fortnite OG event and usher in a new season of Fortnite.
According to the leaker, the picture above will be the announcement photo, and it “will be the BIGGEST one to date,” saying the download size will come in at “1.5GB+, making it the biggest in terms of file size alone.”
Eminem will also be a playable character in Fortnite Chapter 5, with players getting their hands on Slim Shady and Marshall Never More skins, each with two styles.
The Marshal Skin will come with a Marshall Magma exclusive to Fortnite players who attend the end-of-season event on December 2.
Eminem is not the only thing reportedly coming to Fortnite Chapter 5. According to leaker Shiina, Lego Fortnite will be released on December 7, Rocket Racing will follow on December 8, and Fortnite Festival will drop on December 9.
HYPEX also says the Fortnite Festival will allow players to play vocals, guitar, drums, and bass over tracks from Lady Gaga, Imagine Dragons, Linkin Park, Toto, and Alice Cooper.
The Lego mode will feature playable Lego minifig characters and allow players to craft and build.
When Eminem hits the virtual Fortnite stage, he will join other artists, Travis Scott, Ariana Grande, and J Balvin, who also had epic Fortnite concerts.
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Photo: Epic Games / Fortnite / Eminem
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Source: Insomniac Games / PlayStation / Dove
Black and Brown video game characters are constantly plagued with awful-looking generic hairstyles. Dove and Open Source Afro Source Hair Library to fix that glaring issue.
Did you know that 85% of Black gamers do not feel video games are coming up painfully regarding the representation of Black characters?
Did you also know that 74% of game developers really want to actively promote better representation?
Dove and Open Afro Source Hair Library are on a mission to fix the Black hair issue in video games with the launch of “Code My Crown,” the first complete and free guide about coding textured hair and protective styles specifically for video games.
Code My Crown aims to eliminate the tired excuse that Black hair is hard to emulate in games by providing coders and developers with an instructional guide allowing them to code more diverse and “true to life” hairstyles in 3D games.
As mentioned above, the guide is free to download at Dove.com/CodemyCrown. This site was also created to help increase diversity in the video game world.
Speaking on the lack of texture hairstyles in games, Isaac Olander, lead Code My Crown developer 3D Artist, said in a press release, “Out of hundreds of possible hairstyles to choose from in the video games I play most often, only a handful are textured hairstyles,”
Olander added, “I am personally grateful to the many talented artists that have selflessly shared their knowledge before me. Their generosity has shaped my artistic journey, and it feels incredibly rewarding to give back to our artistic community with this guide.”
What Is The Open Source Afro Hair Library?
Open Source Afro Hair Library features a bunch of Black creators, developers, and natural hair experts who point out the top textured and protective hairstyles that are always absent in video games.
Code My Crown also features 15 original hair sculpts created by international Black 3D artists, animators, programmers, and academics to help give developers a foundation to create better virtual hairstyles for Black characters.
Each sculpt has 360-degree image mapping, step-by-step instructions, and cultural context to help them create Black hairstyles in the game.
“In the real world, there is an incredible variety of Black hairstyles. But this is rarely reflected in the gaming world,” A.M. Darke, founder and lead Code My Crown contributor, said in the release. “When Black hair is absent from the games we play or are consistently low-quality, it communicates that Black players and our culture are an afterthought, that our stories aren’t worth telling.”
Black Hair In Video Games Has Been A Hot Topic Issue
In March, Kinda Funny’s Blessing Adeoye Jr. released a fantastic video highlighting the need for immediate fixes to Black hairstyles in video games.
The video notes there have been some strides.
For example, see Miles Morales’ crispy ceaser haircut in the above photo from Marvel’s Spider-Man: Miles Morales or his latest hairstyle in Marvel’s Spider-Man 2, but the issue in gaming is still glaring.
[embedded content]
We can still find some recently released games that provide users with subpar cornrows, afros, and other hair options that only Tyler Perry would use in his television shows or films.
However, we applauded Dove, the Open Source Afro Hair Library, the developers, and Blessing for bringing attention to this important issue.
Representation will always matter.
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Photo: Insomniac Games / PlayStation
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Source: ANDREW CABALLERO-REYNOLDS / Getty / Sam Altman
OpenAI CEO Sam Altman wasn’t on the unemployment line very long after he was fired by OpenAI after Microsoft quickly scooped him up.
As The Verge reported, Sam Altman was hired by Microsoft. Joining him is OpenAI co-founder Greg Brockman.
OpenAI shockingly fired Altman on Friday, November 17, after the board said it “no longer has confidence in his ability to continue leading OpenAI.”
Interestingly, after his firing, negotiations between Altman and OpenAI to bring him back took place. Sources told The Verge that negotiations crumbled because the board refused to step down. Microsoft eventually jumped in and hired Altman.
Former Twitch CEO and co-founder Emmett Shear will step into interim CEO role.
Microsoft CEO Satya Nadella announced Altman and Brockman’s hiring in a post on X (formerly Twitter). They will lead Microsoft’s new advanced AI research team, and Altman will become CEO.
“We’re extremely excited to share the news that Sam Altman and Greg Brockman, together with colleagues, will be joining Microsoft to lead a new advanced AI research team,” Nadella said. “We look forward to moving quickly to provide them with the resources needed for their success.”
In a quote repost of Nadella’s X post, Altman mentioned his hiring at Microsoft, adding, “the mission continues.”
In response, Nadella wrote, “We’ve learned a lot over the years about how to give founders and innovators space to build independent identities and cultures within Microsoft, including GitHub, Mojang Studios, and LinkedIn, and I’m looking forward to having you do the same.”
What this means for OpenAI’s future remains unclear, but this is a massive shakeup, and Microsoft is pretty happy.
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Photo: ANDREW CABALLERO-REYNOLDS / Getty
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Holidays savings are upon us, which means major savings on practically everything including tech essentials like laptops, TVs and travel necessities […]
Each year dozens of primary ticketing systems hit the market, and rarely do any last long enough to generate significant attention or revenue to survive. Lyte is the likely exception.
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That’s because founder and CEO Ant Taylor has a proven track record of innovating the ticketing space, starting with its Lyte ticket exchange allowing fans to sell tickets to one another, directly driving the price of tickets down on the secondary market. In his new bid, Taylor is launching the Lyte Returnable Ticket, which allows buyers to return their tickets for a refund, funded by Lyte, along with tools for fair market pricing and simplified ticket buying tools integrated into the platform.
“Event creators equipped with data intelligence and pricing solutions don’t just increase their revenue potential—they also pave the way for more fans to have richer, more transparent ticketing experiences,” says Taylor. “With the Lyte Returnable Ticket, we’re putting fans first by providing a world-class experience, and generating more demand for creators.”
Lyte is the first platform to upend the industry standard policy of no refunds and no cancellations for ticket purchases. Fans gain early access, dedicated support lines, and exclusive tickets unavailable to other ticket holders.
Lyte’s current ticketing partners includes Australia’s music and arts festival Lost Paradise, Madrid’s MadCool Festival, the Association for Volleyball Professionals Pro Tour, and event powerhouse ReedPop, owner of PAX and numerous Comic Con events.
Lyte’s demand-first ticketing platform is powered by SmartPricing and SmartFulfillment, a powerful ecommerce engine with a history of outpricing scalpers and giving event creators total control of the sales experience for fans. Lyte’s SmartPricing feature dynamically prices tickets at fair market rates.
SmartFulfillment introduces an intelligence to who gets tickets by empowering event creators to decide which fans are fulfilled first. Fulfillment logic can prioritize group orders, repeat buyers, local fans and more, giving true priority treatment to event creators’ best customers beyond stressful, finite early access windows. Lyte’s platform also includes a Subscribe and Request buying interface, enabling fans to request tickets months in advance to avoid painful on-sales. The new experience helps creators sell out earlier, with 95.7% of requested tickets converting to tickets sold.
Microsoft snapped up Sam Altman and another architect of OpenAI for a new venture after their sudden departures shocked the artificial intelligence world, leaving the newly installed CEO of the ChatGPT maker to paper over tensions by vowing to investigate Altman’s firing.
The developments Monday come after a weekend of drama and speculation about how the power dynamics would shake out at OpenAI, whose chatbot kicked off the generative AI era by producing human-like text, images, video and music.
It ended with former Twitch leader Emmett Shear taking over as OpenAI’s interim chief executive and Microsoft announcing it was hiring Altman and OpenAI co-founder and former President Greg Brockman to lead Microsoft’s new advanced AI research team.
Despite the rift between the key players behind ChatGPT and the company they helped build, both Shear and Microsoft Chairman and CEO Satya Nadella said they are committed to their partnership.
Microsoft invested billions of dollars in the startup and helped provide the computing power to run its AI systems. Nadella wrote on X, formerly known as Twitter, that he was “extremely excited” to bring on the former executives of OpenAI and looked “forward to getting to know” Shear and the rest of the management team.
In a reply on X, Altman said “the mission continues,” while Brockman posted, “We are going to build something new & it will be incredible.”
OpenAI said Friday that Altman was pushed out after a review found he was “not consistently candid in his communications” with the board of directors, which had lost confidence in his ability to lead the company.
In an X post Monday, Shear said he would hire an independent investigator to look into what led up to Altman’s ouster and write a report within 30 days.
“It’s clear that the process and communications around Sam’s removal has been handled very badly, which has seriously damaged our trust,” wrote Shear, who co-founded Twitch, an Amazon-owned livestreaming service popular with video gamers.
He said he also plans in the next month to “reform the management and leadership team in light of recent departures into an effective force” and speak with employees, investors and customers.
After that, Shear said he would “drive changes in the organization,” including “significant governance changes if necessary.” He noted that the reason behind the board removing Altman was not a “specific disagreement on safety.”
OpenAI last week declined to answer questions on what Altman’s alleged lack of candor was about. Its statement said his behavior was hindering the board’s ability to exercise its responsibilities.
An OpenAI spokeswoman didn’t immediately reply to an email Monday seeking comment. A Microsoft representative said the company would not be commenting beyond its CEO’s statement.
After Altman was pushed out Friday, he stirred speculation that he might be coming back into the fold in a series of tweets. He posted a photo of himself with an OpenAI guest pass on Sunday, saying this is “first and last time i ever wear one of these.”
Hours earlier, he tweeted, “i love the openai team so much,” which drew heart replies from Brockman, who quit after Altman was fired, and Mira Murati, OpenAI’s chief technology officer who was initially named as interim CEO.
It’s not clear what transpired between the announcement of Murati’s interim role Friday and Shear’s hiring, though she was among several employees on Monday who tweeted, “OpenAI is nothing without its people.” Altman replied to many with heart emojis.
Shear said he stepped down as Twitch CEO because of the birth of his now-9-month-old son but “took this job because I believe that OpenAI is one of the most important companies currently in existence.”
His beliefs on the future of AI came up on a podcast in June. Shear said he’s generally an optimist about technology but has serious concerns about the path of artificial intelligence toward building something “a lot smarter than us” that sets itself on a goal that endangers humans.
It’s an issue that Altman consistently faced since he helped catapult ChatGPT to global fame. In the past year, he has become Silicon Valley’s most sought-after voice on the promise and potential dangers of artificial intelligence.
He went on a world tour to meet with government officials earlier this year, drawing big crowds at public events as he discussed both the risks of AI and attempts to regulate the emerging technology.
Altman posted Friday on X that “i loved my time at openai” and later called his ouster a “weird experience.”
“If Microsoft lost Altman he could have gone to Amazon, Google, Apple, or a host of other tech companies craving to get the face of AI globally in their doors,” Daniel Ives, an analyst with Wedbush Securities, said in a research note.
Microsoft is now in an even stronger position on AI, Ives said. Its shares rose nearly 2% before the opening bell and were nearing an all-time high Monday.
The Associated Press and OpenAI have a licensing and technology agreement allowing OpenAI access to part of the AP’s text archives.
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Source: NurPhoto / Getty / Elon Musk
X is scrambling to defend itself after its owner, Elon Musk, got caught out there endorsing an antisemitic post.
Elon Musty has seriously stepped in it.
On his sh*tty platform X, a user pushed the false narrative that Jews are pushing the hatred of white people, writing in a post, “deeply disinterested in giving the tiniest s— now about western Jewish populations,” adding that he realizes “minorities that support flooding their country don’t exactly like them too much.”
Musk couldn’t help himself and responded to the headass post by writing, “You have said the actual truth,” which garnered 6 million views.
The fallout from Musk’s endorsement of the antisemitic post was swift. Spotted on Raw Story, IBM immediately pulled ads off the struggling platform due to a lack of companies willing to advertise on it.
Per Raw Story:
Nonprofit Media Matters on Thursday reported that it found Apple, Oracle, and IBM ads displayed next to posts touting Hitler and the Nazi Party on X.
“IBM has zero tolerance for hate speech and discrimination, and we have immediately suspended all advertising on X while we investigate this entirely unacceptable situation,” the New York-based tech firm said in response to an AFP inquiry.
The White House Condemned Elon Musk
Musk’s endorsement of an unfounded antisemitic conspiracy drew an immediate response from the White House.
“We condemn this abhorrent promotion of Antisemitic and racist hate in the strongest terms, which runs against our core values as Americans,” White House spokesperson Andrew Bates said in a statement. “We all have a responsibility to bring people together against hate and an obligation to speak out against anyone who attacks the dignity of their fellow Americans and compromises the safety of our communities.”
X’s “CEO,” Linda Yaccarino, issued a statement asserting that X’s perspective is always to condemn discrimination. Does she know her boss doesn’t know that?
X users have also been condemning Phony Stark on his platform. You can see those reactions in the gallery below.
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Photo: NurPhoto / Getty
2. Well damn
Vault Music — a platform created by the co-founders of online sports betting company FanDuel that allows artists to create exclusive, limited-edition music releases — has launched a new game that lets players create and manage their own fantasy roster of musicians for cash prizes.
Dubbed Fantasy Record Label, the game — launched by Nigel Eccles and Rob Jones — is designed to create a new revenue stream for emerging musicians while simultaneously giving music fans a way to invest in artists.
To play, users are invited to “sign” five artists on Vault Music by purchasing a “vault” — a digital music collectible built using NFT technology — from the artists they see as having growth potential. Rosters are scored on the change in artists’ Spotify monthly listeners count, a metric that’s updated daily. Final standings are calculated by adding all five artists’ Spotify monthly listener gains and losses over a one-week period, after which the top 10 fantasy record labels win cash prizes.
As an artist becomes more successful, demand increases for their vaults, thereby raising the price of those assets and benefitting players who have “signed” them to their rosters. Players can buy, sell or trade vaults each week. Artists receive 70% of each sale, with 15% percent taken in processing costs and Vault Music taking an additional 15%. Each time one of their vaults is resold, artists receive 7% of the resale price.
“Think fantasy sports but for the music industry,” said Eccles, co-founder/CEO of Vault Music, in a statement. “I believe that unlike the sports and gaming industries, music has failed to energize top fans and embrace new formats. Streaming has been great for the music industry’s bottom line, but it serves passive listeners, not diehard fans. Our goal is to bring joy, pride, and competition back to collecting music, and create upside for both fans and artists in the process.”
Successful players also receive “Vault points,” which are airdropped each week based on performance and which are designed to encourage roster optimization and long-term strategy. “Over the next few months we plan to reveal more about the value of points,” Eccles tells Billboard. “Our first players are helping build the ecosystem so we want to use points as a way to track that so we can give back to them when the product is more developed.”
According to Eccles, nearly all artists on Vault Music will be available for players to “sign.” Some of the more prominent artists on Vault Music currently include BLÜ EYES, Jordan Hart, Naika, Telescreens and FLETCHER.
“The best part about this game is that we’re using fandom to put more money in artists’ pockets at the time when they need it most,” added Kara Burney, chief marketing officer at Vault Music. “Already we’ve seen artists earn more with a single release on Vault Music than they’ve earned from streaming in a year. That’s because in our game, just as with real record labels, up-and-coming artists have the most potential upside. Our players are incentivized to discover, collect releases, and sign the next music stars to their fantasy label before their big break. It’s a music economy where everybody wins.”
At launch, Fantasy Record Label is only available in the United States, though Vault hopes to extend it to other markets soon.
HipHopWired Featured Video
Source: Sony / PlayStation Portal
When the PlayStation Portal was officially unveiled, there were more skeptics than believers about the latest PlayStation accessory. Now that people have tried it, surprisingly, it is being well-received by many.
The PlayStation Portal is an unusual device. For $200, you’re basically getting the perfect PS5 companion device that truly puts the console’s Remote Play option to use better.
Of course, there are caveats; it doesn’t allow for cloud streaming, even though there are reports that the feature could be coming eventually. Another complaint is the lack of Bluetooth functionality.
Plenty of people have said you don’t need this device, given that you could use Remote Play on your smartphones and even connect your DualSense controller. Still, after using the PlayStation Portal leading up to its release, some reviewers are much more optimistic about the device than initially.
What Are The Critics Saying About The PlayStation Portal
Tech Radar’s Rob Dwiar had nothing but glowing words for the PlayStation Portal, giving it a perfect score in his review:
“Offering superb ergonomics as well as excellent design and build quality with all those exquisite DualSense controller features on top, this Remote Play beaut and its bright and sharp 8-inch LCD screen present a wonderful portable PS5 experience. … The Portal is not pretending to be anything else apart from a quality remote-play device for your PS5, and it absolutely nails its brief. As long as you come to it knowing what it does and what it can offer you, then it wholeheartedly, unabashedly, spectacularly succeeds.”
Surprising Skeptics
IGN’s Seth G. Macy had his issues with the device but overall was surprised by the PlayStation Portal after initially being skeptical about it, writing in his review:
“The PlayStation Portal is the most surprising device I’ve ever come away from loving after going in loaded with skepticism. It’s such a better experience than using your phone with a slap-on controller, and it works so much better than I was anticipating. I really love the freedom it gives me to play my PS5 from anywhere with decent WiFi coverage … The biggest things keeping the Portal from being a truly amazing device are its current lack of a way to access WiFi that requires a web browser to log in, and its lack of Bluetooth support for audio. [Grade: 8/10]”
A Perfect Gift For Gamers, But There Is Room For Improvement
Kotaku’s Jen Glennon praised the PlayStation Portal’s battery life, calling it “a solid sub-$200 gift option,” but also noted in her review that there is room for improvement with the Portal.
“While there are tweaks I’d like to see in the weeks and months ahead, I’ve been quite impressed with the time I’ve spent with Portal so far. I’ve played for about six hours on a single charge and still have a bar of battery life left to go. It’s a solid sub-$200 gift option for the gamer in your life who’s always hogging the TV when you’re trying to watch Vanderpump Rules or Monday Night Football.”
Some Are Meh On The PlayStation Portal
With the good, some people were always left feeling meh about the PlayStation Portal experience.
The Loadout’s Callum Self described his experience with PlayStation Portal as “enjoyable and disappointing” but noted in his review that it is the best way to use Remote Play.
“My overall time with the PlayStation Portal was both more enjoyable and disappointing than I expected. It’s certainly the best way to use Remote Play currently, by a long shot, and I’m sure I’ll be using it frequently in the future. But the washed-out screen, lack of cloud gaming support, and so-so battery life make me wish for a better, but unlikely, PlayStation Portal 2. [Grade: 5/10]”
No Reasonable Use For The PlayStation Portal
Then, of course, some just feel PlayStation swung and missed with the Portal. PC Mag’s Will Greenwald calls the Portal “just a screen sandwiched between a controller” and not worth the $200 price point.
“The screen works as intended, but the 1080p resolution looks fuzzier than most modern mobile devices. … The most baffling aspect of the Portal is its fundamental limitation. … I can’t see a reasonable use case for the Portal that wouldn’t be served more economically, and with a better screen, with many other devices. Ultimately, the Portal is just a screen sandwiched between a controller, and for $200, it should be more than that. [Grade: 2.5/5]”
Well, for the most part, people are high on the PlayStation Portal, but it sounds like this is a device for a very niche group of people, and those are the gamers who love Remote Play and hate using their smartphones to utilize it.
Will you be buying a PlayStation Portal? Let us know in the comment section below.
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Photo: Sony / PlayStation Portal
Universal Music Group (UMG) wants a federal judge to immediately block artificial intelligence company Anthropic PBC from using copyrighted music to train future AI models, warning that the “damage will be done” by the time the case is over.
A month after UMG sued Anthropic for infringement over its use of copyrighted music to train its AI models, the music giant on Thursday demanded a preliminary injunction that will prohibit the AI firm from continuing to use its songs while the case plays out in court.
The music giant warned that denying its request would allow Anthropic “to continue using the Works as inputs, this time to train a more-powerful Claude, magnifying the already-massive harm to Publishers and songwriters.”
“Anthropic must not be allowed to flout copyright law,” UMG’s lawyers wrote. “If the Court waits until this litigation ends to address what is already clear—that Anthropic is improperly using Publishers’ copyrighted works—then the damage will be done.”
“Anthropic has already usurped Publishers’ and songwriters’ control over the use of their works, denied them credit, and jeopardized their reputations,” the company wrote. “If unchecked, Anthropic’s wanton copying will also irreversibly harm the licensing market for lyrics, Publishers’ relationships with licensees, and their goodwill with the songwriters they represent.”
UMG filed its lawsuit Oct 18, marking the first major case in what is expected to be a key legal battle over the future of AI music. Joined by Concord Music Group, ABKCO and other music companies, UMG claims that Anthropic – valued at $4.1 billion earlier this year — is violating copyrights en masse by using songs without authorization to teach its AI models learn how to spit out new lyrics.
“In the process of building and operating AI models, Anthropic unlawfully copies and disseminates vast amounts of copyrighted works,” lawyers for the music companies wrote. “Publishers embrace innovation and recognize the great promise of AI when used ethically and responsibly. But Anthropic violates these principles on a systematic and widespread basis.”
AI models like the popular ChatGPT are “trained” to produce new content by feeding them vast quantities of existing works known as “inputs.” Whether doing so infringes the copyrights to that underlying material is something of an existential question for the booming sector, since depriving AI models of new inputs could limit their abilities. Content owners in many sectors – including book authors, comedians and visual artists – have all filed similar lawsuits over training.
Anthropic and other AI firms believe that such training is protected by copyright’s fair use doctrine — an important rule that allows people to reuse protected works without breaking the law. In a filing at the Copyright Office last month, Anthropic previewed how it might make such argument in UMG’s lawsuit.
“The copying is merely an intermediate step, extracting unprotectable elements about the entire corpus of works, in order to create new outputs,” the company wrote in that filing. “This sort of transformative use has been recognized as lawful in the past and should continue to be considered lawful in this case.”
But in Thursday’s motion for the injunction, UMG and the music companies sharply disputed such a notion, saying plainly: “Anthropic’s infringement is not fair use”
“Anthropic … may argue that generative AI companies can facilitate immense value to society and should be excused from complying with copyright law to foster their rapid growth,” UMG wrote. “Undisputedly, Anthropic will be a more valuable company if it can avoid paying for the content on which it admittedly relies, but that should hardly compel the Court to provide it a get-out-of-jail-free card for its wholesale theft of copyrighted content.”
A spokesperson for Anthropic did not immediately return a request for comment on Friday.