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Nearly 300 artists, songwriters, actors and other creators are voicing support for a new bipartisan Congressional bill that would regulate the use of artificial intelligence for cloning voices and likenesses via a new print ad running in USA Today on Friday (Feb. 2).
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The bill — dubbed the No Artificial Intelligence Fake Replicas And Unauthorized Duplications Act (“No AI FRAUD” Act) and introduced in the U.S. House on Jan. 10 — would establish a federal framework for protecting voices and likenesses in the age of AI.
Placed by the Human Artistry Campaign, the ad features such bold-faced names as 21 Savage, Bette Midler, Cardi B & Offset, Chuck D, Common, Gloria Estefan, Jason Isbell, the estate of Johnny Cash, Kelsea Ballerini, Lainey Wilson, Lauren Daigle, Lamb of God, Mary J. Blige, Missy Elliott, Nicki Minaj, Questlove, Reba McEntire, Sheryl Crow, Smokey Robinson, the estate of Tomy Petty, Trisha Yearwood and Vince Gill.
“The No AI FRAUD Act would defend your fundamental human right to your voice & likeness, protecting everyone from nonconsensual deepfakes,” the ad reads. “Protect your individuality. Support HR 6943.”
The Human Artistry Campaign is a coalition of music industry organizations that in March 2023 released a series of seven core principles regarding artificial intelligence. They include ensuring that AI developers acquire licenses for artistic works used in developing and training AI models, as well as that governments refrain from creating “new copyright or other IP exemptions that allow AI developers to exploit creators without permission or compensation.”
In addition to musical artists, the USA Today ad also bears the names of actors such as Bradley Cooper, Clark Gregg, Debra Messing, F. Murray Abraham, Fran Drescher, Laura Dern, Kevin Bacon, Kyra Sedgwick, Kristen Bell, Kiefer Sutherland, Julianna Margulies and Rosario Dawson.
The No AI FRAUD Act was introduced by Rep. María Elvira Salazar (R-FL) alongside Reps. Madeleine Dean (D-PA), Nathaniel Moran (R-TX), Joe Morelle (D-NY) and Rob Wittman (R-VA). The bill is said to be based upon the Senate discussion draft Nurture Originals, Foster Art, and Keep Entertainment Safe Act (“NO FAKES” Act), which was unveiled in October.
“It’s time for bad actors using AI to face the music,” said Rep. Salazar in a statement at the time the legislation was announced. “This bill plugs a hole in the law and gives artists and U.S. citizens the power to protect their rights, their creative work, and their fundamental individuality online.”
Spurred in part by recent incidents including the viral “fake Drake” track “Heart On My Sleeve,” the No AI FRAUD Act would establish a federal standard barring the use of AI to copy the voices and likenesses of public figures without consent. As it stands, an artist’s voice, image or likeness is typically covered by “right of publicity” laws that protect them from commercial exploitation without authorization, but those laws vary state by state.
The bill was introduced on the same day a similar piece of legislation — the Ensuring Likeness Voice and Image Security (ELVIS) Act — was unveiled in Tennessee by Governor Bill Lee. That bill would update the state’s Protection of Personal Rights law “to include protections for songwriters, performers, and music industry professionals’ voice from the misuse of artificial intelligence (AI),” according to a press release.
Since its unveiling, the No AI Fraud Act has received support from a range of music companies and organizations including the Recording Industry Association of America (RIAA), Universal Music Group, the National Music Publishers’ Assocation (NMPA), the Recording Academy, SoundExchange, the American Association of Independent Music (A2IM) and the Latin Recording Academy.
You can view the full ad below.
With Universal Music Group‘s catalog now being slowly removed from TikTok, the music company issued a new statement Thursday (Feb. 1) commenting on what it says are TikTok’s “woefully outdated” views on music licensing and compensation. Explore Explore See latest videos, charts and news See latest videos, charts and news The stalemate between the world’s […]
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Source: Nintendo / Mario vs. Donkey Kong
Wahoo, you can take Mario vs. Donkey Kong for a. quick spin.
A demo for the Gameboy Advance Classic Mario vs. Donkey Kong remake is now available in the Nintendo eShop before its release later this month.
The demo will allow players to experience four levels from the game where players will control Mario as he jumps, backflips, handstands, and solve puzzles on his mission to recover all the Mini-Mario toys stolen from the factory from his longtime nemesis not named Bowser, Donkey Kong.
The remake will feature a new Two-Player Mode, challenging new levels, and a fully reorchestrated soundtrack. “Mario vs. Donkey Kong is all about finding someone who completes you … but not without making you work for it,” the press release reads.
Along with the demo, Nintendo also shared a brief gameplay overview trailer that gives more of a look at the game.
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Eurogamer reports the demo will allow players to experience the game’s casual or classic modes. Casual removes the timer while placing checkpoints between levels and giving players five hit points before they die.
Celebrate Valentine’s Day The Nintendo Way
But that’s not all; to celebrate the upcoming love holiday, Valentine’s Day, Nintendo wants its fans to celebrate their lovers, the Donkey Kongs, to their Marios with Valentine’s Day eCards inspired by the upcoming game.
Source: Nintendo / Mario vs. Donkey Kong
The remaster officially launches on the Nintendo Switch on Feb.16 and joins other remasters coming this year, like Paper Mario: The Thousand-Year Door and Luigi’s Mansion 2.
Nintendo is poised to have another strong year, and if the rumors of the “Super Nintendo Switch” or “Switch 2″ dropping this year are true, 2024 will be lit for fans of the Nintendo brand.
Hit the gallery below to see and download the other Valentine’s Day eCards.
1. Mario vs. Donkey Kong Valentines Day eCards
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Source: VALERIE MACON / Getty / UMG / Universal Music Group / TikTok
Your music selection for your TikTok posts took a serious hit.
Spotted on The Verge, artists like Taylor Swift, Drake, JAY-Z, BTS, Olivia Rodrigo, and more all had their music pulled off TikTok after the platform and UMG (Universal Music Group) failed to extend the expired licensing agreement when negotiations between the two entities broke down.
Per The Verge:
On Tuesday, UMG accused the video platform of attempting to bully it into accepting a “bad deal” that didn’t soothe the record labels’ concerns regarding adequate compensation for artists and songwriters, protections against AI-generated music, and online safety on the platform to protect artists from “hate speech, bigotry, bullying and harassment.” TikTok responded saying that it was “disappointing” that UMG had “chosen to walk away from the powerful support of a platform with well over a billion users,” and accused the label of putting its “own greed above the interests of their artists and songwriters.”
Rolling Stone reports takedowns on the platform began “gradually” on Wednesday night when “UMG-owned recordings such as Taylor Swift’s “Cruel Summer,” Olivia Rodrigo’s “Get Him Back,” and Lana Del Rey’s “Let the Light In” were no longer appearing in search results.”
Videos from popular TikTok accounts like Dwayne “The Rock” Johnson featuring songs from UMG artists were also pulled off the platform.
In an open letter shared by Rolling Stone, UMG wrote:
TikTok proposed paying our artists and songwriters at a rate that is a fraction of the rate that similarly situated major social platforms pay. Today, as an indication of how little TikTok compensates artists and songwriters, despite its massive and growing user base, rapidly rising advertising revenue and increasing reliance on music-based content, TikTok accounts for only about 1% of our total revenue.
Ultimately TikTok is trying to build a music-based business, without paying fair value for the music,” UMG claimed. It accused TikTok of trying to “bully” it into accepting a “bad deal” by “selectively removing the music of certain of our developing artists, while keeping on the platform our audience-driving global stars.” Universal further alleged that TikTok was allowing its platform to be “flooded” with AI-generated recordings. The company described TikTok’s response to AI as “nothing short of sponsoring artist replacement by AI.
TikTok Responded
The popular Chinese-owned platform had something to say in response to UMG’s open letter in a statement shared online writing:
It is sad and disappointing that Universal Music Group has put their own greed above the interests of their artists and songwriters.
Despite Universal’s false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent.
TikTok has been able to reach ‘artist-first’ agreements with every other label and publisher. Clearly, Universal’s self-serving actions are not in the best interests of artists, songwriters and fans.
It sounds like UMG and TikTok are far apart, but we believe cooler heads will prevail, and you will be adding Taylor Swift songs to your cooking videos in the future.
There is just too much money possibly being left on the table here.
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Source: Kojima Productions / Death Stranding 2 On The Beach
PlayStation’s first State of Play broadcast arrived, and there were bangers announced that we can look forward to playing on the PS5 consoles.
The presentation was roughly 40 minutes long and had surprises, but Hideo Kojima stole the show.
Death Stranding 2 On The Beach
Source: Kojima Productions / Death Stranding 2 On The Beach
Death Stranding 2 is no longer a worker title. It has an official name, Death Stranding 2 On The Beach. In typical Kojima fashion, we got a 9-minute plus trailer. Norman Reedus’ Sam Porter Bridges returns and will face a new threat in Drawbridge, plus the BTs due to the Death Stranding.
Sam comes face to face with a character voiced by Troy Baker to cap off the trailer, who returns from the beach holding a guitar that shoots out electricity and doubles as a sword.
Source: Kojima Productions / Death Stranding 2 On The Beach
It’s the most Kojima game ever, featuring some other strange touches that could come from the mind that gave us the Metal Gear video franchise.
The game doesn’t arrive till 2025, but thankfully, that will give you enough time to play Death Stranding: Director’s Cut in the time being on either your Apple devices or PlayStation consoles.
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A New Tactical Action-Espionage Game From Hideo Kojima
Hideo Kojima blew our minds with his project OD coming to Xbox, but it doesn’t mean his relationship with PlayStation is over. To cap off the State of Play, Kojima announced that Physint is coming to PlayStation and will be a new tactical action-espionage game called Physint.
Kojima says the new game will blur the lines between video games and film.
We have no idea what this game is, but consider us very excited. Watch the announcement below, and hit the gallery for more screenshots from Death Stranding 2 On The Beach.
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It’s too soon to say what impact Universal Music Group’s plan to pull all its music from TikTok will have. But if you’re looking for a clue, try asking an Australian.
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Last February, TikTok began running tests in the country in which it limited the amount of licensed music some users encountered on the platform. The intent was to measure and compare the different ways people interact with the app — and what impact music has on their experience.
Some users took to X (formerly Twitter) to decry the tests: “Tiktok really ruining its own app with all this ‘sound removed’ garbage,” one Australian user posted. Another added: “wtf is up with tiktok removing like half the sounds??? like i swear ive seen SO many tiktoks where the sound has been removed.”
Some guessed at the time that the results were possibly meant to inform TikTok’s licensing strategy, but now, the social platform is facing an even bigger test.
Starting today, music from the Universal Music Group (UMG) catalog will begin to disappear from TikTok in countries around the world after negotiations between the companies soured. According to an open letter penned by UMG, the two failed to agree on key points like compensation, artificial intelligence and infringing works on the social app.
The ramifications will reverberate across the entire music business. UMG’s TikTok license covered its recorded music and publishing holdings, meaning that it’s not just artists on UMG labels like Republic and Interscope whose music will soon disappear. Universal Music Publishing Group is the second largest publisher in the world, holding a 21.16% market share on the Pop Airplay chart in the third quarter of 2023, not to mention a formidable trove of evergreen catalogs. When the company pulls that catalog, it will pull any song any of the songwriters it represents contributed to as well, impacting many other labels and publishers in the coming weeks.
As one A&R from another publisher put it last night at Spotify’s Songwriter of the Year Grammy event, this move by the world’s largest music company feels akin to the Writers Guild of America and SAG-AFTRA strikes that halted much of the film business last year. Though the pain will be felt in the short term, the hope is that UMG’s stand will lead to substantive change that benefits everyone in the music industry in the long term. There’s an opportunity for the “movement” to grow too, should the other major music companies, Sony Music Entertainment and Warner Music Group (WMG), as well as indies, decide to pull their catalogs as well when their licensing deals expire. (WMG, however, announced a multi-year licensing deal with TikTok last July, and it is unclear when other licenses will be up for renewal.)
Much like the Hollywood strikes, this battle will also come with casualties. UMG-affiliated artists and songwriters with releases already slated for the coming weeks, those who just released something new, and those who are currently trending on TikTok are all likely to feel the effects. Among them: Sophie Ellis-Bextor’s “Murder on the Dancefloor,” which has seen a remarkable resurgence more than 20 years after its release on UMG’s Polydor label thanks to Saltburn and, now, TikTok; and “Made For Me” by Muni Long, which was released in September via Supergiant/Def Jam and is currently No. 2 on the TikTok Top 50 chart. As Justin Lehmann, manager to Amine and Khai Dreams, previously said in an interview with Billboard, “without breaking [on TikTok], it’s difficult to say what else can cause a big moment to happen for anybody.”
It’s easy to imagine that some artists affiliated with UMG would consider pushing back their release dates given how important TikTok has become to label marketing efforts. If the holdout lasts months, it could lead to a bottleneck for major album releases awaiting a resolution. Meanwhile, UMG will be forced to protect its copyrights against unlicensed user uploads, issuing takedown notices to combat them.
In the interim, indie artists might see a bigger window to get their songs noticed on the short-form app. One major label employee joked that he could see some people trying to make soundalike recordings or covers of big songs by UMG recording artists in hopes of filling the void.
The risk with UMG’s gamble is that TikTok fares just fine without its giant catalog, eventually forcing UMG and other music companies into worse negotiating positions than ever. It’s hard to imagine a comparable user experience without the likes of Taylor Swift, Drake, BTS, The Weeknd, Olivia Rodrigo and so many other superstars, but this moment will serve as the ultimate test. It turns out Australia was just the warm up.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Neck pain can leave you yearning for a deep-tissue massage, but weekly massage sessions aren’t always in the budget. An at-home […]
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Your smartphone is the one accessory that’s always with you, acting as a commuter gadget, music player and much more. That […]
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Source: NurPhoto / Getty / TikTok
TikTok made vertical videos all the rave. Now, the social media platform wants its users to start recording longer horizontal videos.
Spotted on The Verge, TikTok is now incentivizing its users to record horizontal videos that are also longer than the standard minute video.
Per The Verge:
TikTok appears to be incentivizing creators to start posting horizontal videos that are more than a minute long, according to a prompt seen by creators @candicedchap and @kenlyealtumbiz. The platform says it will “boost” these videos within 72 hours of posting. Creators who’ve been on TikTok for more than three months will be eligible for the viewership boost as long as the videos are not ads or from political parties.
According to the website, the “YouTube-ization” of the platform has been well underway for quite some time, with the US Government’s not-so-favorite platform pushing 30-minute videos.
TikTok already allows users to upload 15-minute-long videos.
The platform has already pushed users to flood timelines with more YouTube-esque content. The Chinese-owned platform introduced a new paywall program that allows content creators to upload a series of 20-minute-long videos into collections for paying subscribers.
Creators can set their prices to $1 to $190 subscribers. We have no idea who would pay the latter for a subscription.
It’s funny to see TikTok going towards horizontal videos, as other platforms like Instagram and YouTube have been moving towards vertical videos.
We are interested in seeing if TikTok users will use the latest feature.
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Source: Jon Kopaloff / Getty / Johanna Faries
Blizzard Entertainment has a new president, Johanna Faries.
Effective February 5, Johanna Faries will succeed Mike Ybarra, who left the company last week after news of Xbox and Activision laying off 1,900 employees.
Fairies has been a part of the Blizzard family since 2018, first as commissioner of Call of Duty esports before being promoted to general manager of Call of Duty.
Before bringing her talents to the video game space, Faries was the club business development vice president for 11 years at the NFL.
In her announcement, Faries spoke on becoming President while acknowledging the massive layoffs at the company.
“I want to let you know immediately that it is an honor to join you next week in this new capacity. I do so humbly and in awe of all that Blizzard has stood for and delivered to the world for over thirty years. Today also brings some mixed emotions,” Faries said.
“The loss of talented teammates in recent days is hard to hold side-by-side with the immense excitement I feel about joining Blizzard – and building on the momentum you’ve created for Blizzard’s next chapter.”
She continued, “I am committed to doing everything I can to help Blizzard thrive, with care and consideration for you and for our games, each unique and special in their own right.”
Power Moves For Women of Color In The Video Games Space
Fairies is the latest woman of color to land a high-ranking video game industry position. In a shift of its leadership structure, Xbox promoted Sarah Bond to President.
In an exclusive interview with HHW Gaming’s Bernard “Beanz” Smalls, Faries discussed the importance of seeing someone like her in prominent roles in the gaming industry.
It’s an honor in every way to be able to occupy this chair and this role. I know that it represents a lot for a lot of different people, beyond just being a business executive. People who have the ambition to be a part of great franchises and also be a part of tech and gaming, generally speaking, but also for women and minorities and underrepresented communities who are still coming up the ranks within our industry in particular.
Congrats to Johanna Faries. We’re looking forward to seeing what her leadership brings to Blizzard.