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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Why wait until Nov. 29 when you can get the best Black Friday deals now? Walmart just kicked off the holiday season with early Black Friday deep discounts with savings up to a whopping 70% off, sitewide.
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We rounded up the best early Black Friday deals on various tech items, electronics and devices, such as discounts on Xbox Series X gaming consoles, big screen Samsung 4K TVs, powerful HP laptops and more.
Please note, these early access deals are active now and reserved only for Walmart+ members, while these deals end on Sunday, Nov. 17 at 11:59 p.m. ET.
And right now, you can get Walmart+ for half off for the entire year. That’s just $49 for an annual subscription (reg. $98 per year). Learn more about Walmart+ here.
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If you’re not a member, then you’re in luck. You can sign up for a 30-day free trial to take advantage of everything the retailer’s rewards program has to offer with perks such as free, fast delivery; fuel discounts’ streaming access to Paramount+ to watch hit originals such as Halo, Evil, 1883 and Star Trek: Strange New Worlds; additional savings with early access deals and much more.
Scroll down and check out our picks for the best early Black Friday tech deals at Walmart, below:
Walmart
Early Black Friday Tech Deal
Xbox Series X: All-Digital Edition (1TB)
Expires: Nov. 17
$489.99
$599.99
18% off
Walmart
Early Black Friday Tech Deal
Samsung 55-Inch QLED 4K Smart TV
Expires: Nov. 17
$498
$698
29% off
Walmart
Early Black Friday Tech Deal
HP Victus 15.6-Inch Gaming Laptop
Expires: Nov. 17
$499
$1,099
55% off
Walmart
Early Black Friday Tech Deal
Gawfolk 27-Inch Curved Monitor
Expires: Nov. 17
$102.60
$199.99
49% off
Walmart
Early Black Friday Tech Deal
Vankyo Leisure 1 Pro Digital Video Projector
Expires: Nov. 17
$59.99
$99.99
40% off
Walmart
Early Black Friday Tech Deal
UHM Gaming Headset
Expires: Nov. 17
$16.99
$49.99
66% off
Walmart
Early Black Friday Tech Deal
Sylvox 15.6-Inch Kitchen TV
Expires: Nov. 17
$199
$299
33% off
Walmart
Early Black Friday Tech Deal
Ultimea 2.2-Ch TV Soundbar
Expires: Nov. 17
$49.99
$139.99
64% off
In addition, Walmart+ comes with access to SiriusXM for all sorts of music — including popular channels, like “SiriusXM Hits 1” for pop hits from Taylor Swift, Ed Sheeran, SZA, Dua Lipa, Post Malone, Olivia Rodrigo and more; “The Coffee House” for stripped-down songs from Noah Kahan, Kacey Musgraves, The Lumineers, Phoebe Bridgers and others; “TikTok Radio” for trending sounds from Charli XCX, Sabrina Carpenter, Megan Thee Stallion, Chappell Roan, Ice Spice and others and many other channels.
We recommend signing up for Walmart+ to take advantage of these early access deals. However, if you don’t want to sign up, these deals are also available at your local Walmart location starting on Friday, Nov. 15 at 6 a.m. ET/PT (while supplies last).
Want more? Check out the best early Black Friday deals at Walmart here.
For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
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Source: The Washington Post / Getty
On top of being the Donald Trump of tech and the latest MAGA stooge, Elon Musk can no longer take a joke. Phony Stark took to his awful platform to complain about an SNL sketch that mocked his ridiculous behavior as of late.
A hit dog will holler if you say or do something triggering the person it is about, and that seems to be the case with Elon Musk.
Musk took to X, formerly known as Twitter, before the Tesla owner decided to royally f*** the vibe up and rename it to make a massive fuss about an SNL sketch featuring comedian and SNL legend Dana Carvey impersonating him.
During the first post-election SNL episode, the cast made fun of their anti-Trump stances by pretending to support our unfortunate president-elect following Felon 47’s victory over Vice President Kamala Harris.
Carvey is no stranger to spoofing high-profile figures with his fantastic impressions of George H. W. Bush and Joe Biden. Still, his recent impression of Elon Musk during the cold open of this past weekend’s episode is not sitting well with Dark MAGA fans.
“Check it out, dark MAGA. Yeah! But seriously, I run the country now,” Carvey said during the sketch while wearing a black MAGA hat. “America’s going to be like one of my rockets that’s super cool and super fun. But there’s a slight chance it could blow up, and everybody dies.”
Carvey was making fun of Musk’s appearance at the MSG Klan rally. Oops, we meant the Trump rally where he described himself as “dark, gothic MAGA.”
Whatever the hell that means.
On Sunday, Musk’s Twitter fingers, damn, we meant X fingers were busy as he angrily hit the keys and hit sent on posts calling out Carvey’s performance.
“They are so mad that @realDonaldTrump won,” Musk wrote.
He continued in a separate post, “Dana Carvey just sounds like Dana Carvey.”
S A L T Y.
Elon Musk Is REALLY MAD
He wasn’t done complaining. Musk, who hosted an episode of the iconic sketch comedy show in 2021, said, “SNL has been dying slowly for years, as they become increasingly out of touch with reality. Their last-ditch effort to cheat the equal airtime requirements and prop up Kamala before the election only helped sink her campaign further.”
Musk was referring to Brendan Carr, a Republican on the Federal Communications Commission, who claimed that Harris’ appearance on SNL was “a clear and blatant effort to evade the FCC’s Equal Time rule.”
The rule claims that networks must offer a fair amount of time opposing candidates.
The Hollywood Reporter reported that an FCC representative said Carr’s claims did not represent the agency’s official views and that it has “not made any determination regarding political programming rules, nor have we received a complaint from any interested parties.”
Musk was also on an island regarding Carvey’s performance because X users loved the impersonation.
You can see all those reactions in the gallery below.
2. A legend
3. Mmmmhmmm
Jerry Garcia‘s estate has partnered with AI voice company ElevenLabs to bring the late Grateful Dead guitarist, singer and songwriter’s AI-recreated voice to its Iconic Listening Experience on the ElevenReader app. Now, Deadheads using the app can hear Garcia’s voice read out audiobooks, e-books, articles, poetry, fan stories, PDFs and more in 32 different languages.
Garcia is the latest in a string of partnerships between ElevenLabs and famous estates. Already, the AI voice company has rolled out voice models for Judy Garland, James Dean, Burt Reynolds and Sir Laurence Olivier to its Iconic Listening Experience. According to a company spokesperson, ElevenLabs worked “in close collaboration with the Jerry Garcia Estate to ensure that the reproduction of Garcia’s voice was as authentic and true to his legacy as possible.”
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In addition to the ElevenReader, Garcia’s voice model will also be used in various upcoming projects associated with the Jerry Garcia Foundation. This could include narrated documentaries, audio art exhibits and more.
This announcement with the Garcia estate shows ElevenLabs taking another step towards infiltrating the niche of AI music. In May, the company’s head of design Ammaar Reshi gave a “very early preview” of an ElevenLabs AI music generator on X, formerly known as Twitter. For now, however, Garcia’s voice model is only available to read various texts.
The Garcia voice model is the latest instance of deceased or older musicians and their estates partnering with AI companies to market the artists’ catalogs and personas to the next generation of fans. Warner Music and the estate of “La Vie En Rose” singer Edith Piaf, for instance, partnered with an AI company to bring the late French singer’s voice back to life for an upcoming biopic, and last month, Universal Music Enterprises and Brenda Lee used AI to translate her Hot 100 No. 1 hit “Rockin’ Around the Christmas Tree” into Spanish, enabling Lee, who is now 79, recreate the youthful tone of her voice from the time when she originally recorded the song.
“My father was a pioneering artist, who embraced innovative audio and visual technologies,” says Keelin Garcia, daughter of Jerry and co-founder and vp of the Jerry Garcia Foundation. “In the 1990’s, my dad introduced me to the computer, digital art, and video games. When we traveled on concert tour, we played on Game Boy. At home, we’d have fun playing on the Macintosh in the studio where my father created his first digital art, and housed his MIDI guitar. Now, as technological landscapes continue to expand, ElevenLabs AI Audio technology will offer fans the first opportunity to hear and stream a replica of my father’s voice reading their favorite books and other written content.”
“At ElevenLabs, we’re committed to preserving and celebrating cultural legacies while pushing the boundaries of technology,” said Dustin Blank, Head of Partnerships at ElevenLabs. “By bringing voices like Jerry Garcia to our platform, we’re not just enhancing our app – we’re creating new ways for people to experience content.This project has been a labor of love, and we couldn’t be happier with how Jerry’s voice has been recreated. It’s a beautiful thing to bring his sound to life again for both longtime fans and a new generation of listeners.”
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Source: Nintendo / Mario & Luigi: Brothership
This a perfect example of “f*** around and find out.” One man is learning the hard way that Nintendo does not play with its IP.
Meet Jesse Keighin. According to a lawsuit filed by Nintendo in a Colorado District Court earlier this week, he had a hobby of streaming Switch games before they came out and boasting about it, which is a huge NO, NO for those who know.
The lawsuit alleges that he said, “[I] can do this all day,” in a letter to Nintendo, and in response, the Mario-maker was slapped with a lawsuit that could cost him up to $7.5 million.
First reported by 404 Media, Keighin is accused of streaming leaked Nintendo Switch games, such as the recently released Mario & Luigi: Brothership, using emulation software. The website reports that he committed the act as many as 50 times in the last two years.
Nintendo is seeking $150,000 in damages for each instance of alleged copyright infringement.
Per Kotaku:
“All of these streams were unauthorized and all compromise Nintendo’s legitimate prerelease marketing,” reads the legal complaint filed on November 6. “They also promote and encourage downloading of pirated copies of unpublished games. Defendant’s streams often consist merely of him playing Nintendo’s leaked games without commentary for extended periods of time.”
Recently, Nintendo has been on a renewed mission to crack down on emulation, leaks, and piracy, from people playing The Legend of Zelda: Tears of the Kingdom ahead of release on PC to fans sharing art book scans ahead of publication on Discord servers. This year alone, it killed two popular Switch emulators with legal threats that quickly shut them down.
When Trolling Nintendo Goes Wrong
According to Kotaku, Keighin could have avoided the lawsuit, but his constant trolling of the company pushed Nintendo’s hands. The lawsuit claims that the video game company had already shut down his monetized YouTube channel and other accounts, telling Nintendo that he would help others find “newer and updated copies” of Switch emulators to help them pirate games.
In a post, Keignhin wrote, “LOVE YA’LL! CAPITALISM IS CANCER! MY CHANNEL IS BEING DELETED FOR SHARING GAMEPLAY VIDEOS! THIS IS YOUR REWARD!”
A spokesperson for Nintendo confirmed the lawsuit in a statement to Kotaku, writing, “We can confirm that we filed a lawsuit against an individual who has engaged and continues to engage in clear infringement of Nintendo’s IP rights, as well as violations of our Game Content Guidelines. Nintendo is passionate about protecting the creative works of game developers and publishers who expend significant time and effort to create experiences that bring smiles to all.”
We won’t be surprised if this guy wishes he could hit the reset button.
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Source: Anadolu / Getty/ Apple
Is this a sign that the dreaded green/blue bubble battle is finally ending? Apple is finally allowing Android users to send message reactions to iMessage users.
Spotted on The Verge, Apple is finally coming around. The company is no longer acting bougie on this matter. The company now acknowledges Android users by correctly showing their reactions to messages.
Like when iMessage users send “tap backs” to each other, the Android message reaction will finally appear next to the message instead of as a separate message.
The Verge confirmed the fix was live by running tests.
Per The Verge:
The Verge sent test messages and emoji reactions between iPhones running iOS 18.1 and different Android phones, confirming both devices now display reactions as intended. It’s unclear when this change happened or whose side — Google or Apple — had to make adjustments to get it working.
When RCS first launched widely on iOS in September, message reactions from Android users still weren’t being displayed correctly on the iPhone, even though they worked the other way around. We reached out to both companies for comment but did not hear back before publication.
Is Apple Finally Coming Around To Android Users?
Apple’s movement on the RCS fix is surprising due to how stubborn the tech giant, run by Tim Cook, was on the matter. Lately, Apple has been pushed to make a number of changes to its devices, like using USB-C, after China and the EU applied pressure on the American-based company.
Apple has not been shy about its stance on the green/blue bubble issue, with Tim Cook even telling someone that they should buy their mother an iPhone if they wanted to communicate properly with them due to video message quality between the two devices looking like crap.
At the time, Cook said it was not Apple’s top priority, but maybe it is now.
HipHopWired Featured Video
Source: Rockstar Games / GTA 6
Following that disaster of a presidential election, we are in need of some good news. Thankfully, while Donald Trump is working to take America back to the stone age, GTA 6 will be out, and serve as a fun distraction.
Speaking with investors, Rockstar Games parent company, Take-Two Interactive assured them that GTA 6, easily one of the most highly anticipated games ever, is still on track for a fall 2025 release.
The recent development in the GTA 6 newscycle was share during a company earnings call.
“Looking ahead, we expect fiscal 2026 to be a milestone year as we plan to release several blockbuster titles, including Rockstar Games’ Grand Theft Auto VI in fall of 2025, Borderlands 4 and Mafia: The Old Country,”Take-Two President Karl Slatoff said during the call.
The news around GTA 6 has been nothing short of a whirlwind. The game was first announced to be in development back in 2022. Then the leaks started happening with videos of game footage hitting social media later that year.
It wouldn’t be until December that Rockstar Games was forced to drop the trailer for GTA 6 ahead of its initial reveal date because it also leaked.
GTA 6 is the follow-up to the incredibly successful video game GTA V. Grand Theft Auto V was originally released in 2013 and has gone on to sell over 200 million copies and will span three console generations.
GTA V is regarded as one of the most lucrative pieces of media, making more money than any book, film or video game ever.
What We Know About GTA 6
While we don’t know much details about the game, we do know that it will be the first game in the franchise to feature a female protagonist, and it will be returning to Vice City and take us to Leonida, the GTA equivalent of Florida.
Recently a former Rockstar Games developer who has worked on the game before he left the studio said we should expect nothing but greatness from the game.
We need fall 2025 to get here expeditiously, because we need this game in our lives ASAP.
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Source: The Washington Post / Getty / Donald Trump
The nightmare of another Donald Trump presidency is once again a reality following his election win, and everyone, including these tech CEOs, is lining up to kiss the ring of the orange menace expeditiously to ensure they are on his good side.
Donald Trump has not yet taken power, but the ominous cloud of what his 4-year reign will bring looms large over the heads of Americans and corporate Americans as he enacts disastrous policies.
Tech CEOs who weren’t outside with Trump jumping up and down on his rally stages, looking as silly as Elon Musk did for the most part, sat back and kept quiet, awaiting the results of the 2024 presidential election.
Kiss The Ring
Now that the dust has settled and Trump is returning to the White House, the congratulatory messages from the tech giants quickly started rolling in.
“Congratulations President Trump, we’re looking forward to engaging with you and your administration to drive innovation forward that creates new growth and opportunity for the United States and the world,” Microsoft CEO Satya Nedella wrote on X, formerly Twitter.
Apple CEO, Tim Cook, who Trump hilariously called Tim Apple wrote on X, “Congratulations President Trump on your victory! We look forward to engaging with you and your administration to help make sure the United States continues to lead with and be fueled by ingenuity, innovation, and creativity.”
One time rival of Trump, Jeff Bezos, who told his paper, The Washington Post to not endorse Kamala Harris, definitely seemed very happy in his congratulatory tweet. “Big congratulations to our 45th and now 47th President on an extraordinary political comeback and decisive victory. No nation has bigger opportunities. Wishing @realDonaldTrump all success in leading and uniting the America we all love,” Bezos wrote.
Former Microsoft CEO, Bill Gates wrote on Threads, “Congratulations to President Trump and VP-elect Vance. America is at its strongest when we use ingenuity and innovation to improve lives here in the U.S. and around the world. I hope we can work together now to build a brighter future for everyone.”
Meta owner Mark Zuckerberg wrote on his app, “Congratulations to President Trump on a decisive victory. We have great opportunities ahead of us as a country. Looking forward to working with you and your administration.”
Well, given Trump is once again one of the most powerful people in the world, these CEOs want to ensure they get a decent piece of the deregulated pie.
It’s already being reported that Trump’s win added a record $64 billion to the wealth of the 10 richest people in the world, Bezos and Musk are on that list.
So, of course, they have a lot to be thankful about regarding Donald Trump. Don’t bet on any of that wealth trickling down to “forgotten working class.”
You can see more congratulatory tweets in the gallery below.
1. Amazon CEO Andy Jass
2. Google and Alphabet CEO Sundar Pichai
3. OpenAI CEO Sam Altman
4. Intel CEO Pat Gelsinger
5. Qualcomm CEO Cristiano Amon
The rise of DIY music distribution platforms like TuneCore and DistroKid has been unequivocally transformative for artists — it has given them the ability to reach listeners without traditional label constraints.
Yet, while democratization has opened doors for countless artists, it’s also opened the floodgates to an equally pernicious, unintended byproduct — rampant fraud and copyright infringement. For context, Luminate reported that in 2023, over 120,000 new songs were uploaded daily, a sharp increase from 93,000 per day in 2022. The surge is predominantly due to two things: the ubiquity and growth of the DIY distribution sector and the proliferation of consumer-facing music production resources. This relatively nascent landscape has dramatically increased not only the volume of content but also the industry’s exposure to unauthorized and infringing material.
Universal Music Group’s recent $500 million lawsuit against TuneCore and its parent company Believe highlights the severity — as well as a tipping point. The lawsuit asserts that these platforms are illegally profiting from large-scale copyright infringement, where the culprit for disseminating and monetizing the unauthorized IP is both distributor and unethical user alike. Ultimately, this case highlights a broader, systemic failure, exacerbated by insufficient monitoring, accountability and safeguards for control. But the ecosystem has become too big, too unregulated and too profitable for some of its stakeholders to rectify it on their own. Reform is overdue.
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Democratized Distribution
DIY distribution was originally designed to level the playing field, allowing any artist to release music on platforms like Spotify, Apple Music and YouTube. However, open access came with side-effects — most notably, rampant IP abuse. The sector has become a breeding ground for exploitation; malicious users take advantage of the low barrier to entry by uploading pirated, remixed, or slightly modified versions of copyrighted songs. Collectively, these uploads generate significant revenue, with a portion of that going to the distributors who host them.
This is far from an isolated issue. With millions of tracks uploaded annually, there is an immense challenge in verifying every song. While some platforms claim to have anti-fraud systems in place, policing measures frequently fall short. The sheer volume of uploads makes scalable monitoring difficult, in turn creating a laissez-faire approach that indirectly allows infringement to thrive.
YouTube Royalty Collections Unique Challenge
Nowhere is this problem more pervasive than YouTube, where scale and visibility is inherently even more challenging. Some users deliberately circumvent YouTube copyright policies by uploading and distributing pitched remixes, slowed down/sped up remixes or near-identical versions specifically in order to bypass Content ID. Detection is challenging, and most of this infringement goes unnoticed. Even when violations are flagged, recouping misappropriated payments is impossible. Artists are left to navigate an opaque, complicated system and often leave their rights exposed and earnings minimized. For many independent artists, YouTube is a key, significant revenue stream and copyright fraud siphons away that income with little recourse.
Industry-Wide Consequences
Overvaluing volume vs. quality control creates a system ripe for exploitation because the current model often benefits the infringer. But solving the core issue mandates more than increasing lawsuits. There needs to be enforceable quality-control metrics that are clearly communicated and that actively deter fraud, while protecting rights holders. Transparent protocols to ensure flagged content will not generate income for infringers along with improved early detection systems will help standardize accountability and visibility. An enforceable and sustainable safeguard system will:
A. Prevent infringing content from reaching listeners at allB. Mandate greater transparency when infringement occurs, andC. Ensure rightful compensation for rights holders.
Closing the knowledge gap and developing industry-wide standards are also essential for meaningful change. By raising public awareness, providing a forum where artists and rights holders can report infringement and increasing pressure within the industry, the path to reform is achievable — and similar to regulations that have been implemented to curb other forms of online piracy.
A Call for Collective Responsibility
Setting clear deadlines for reform will hold platforms and distributors accountable while improving transparency. Fundamentally, and despite the challenges of volume, even en-masse DIY distributors must showcase a basic respect for IP and prioritize rights holders/artists while identifying (and deterring) the bad actors who undermine them.
With collective, industry-wide efforts, digital music distribution can become a sustainable model that supports independent artists while upholding their rights. A system that empowers artists while maintaining integrity is essential to preserving the value of music and protecting it from exploitation.
George Karalexis is co-founder/CEO of Ten2 Media. His expertise as a media executive, strategic advisor, and serial entrepreneur spans 15-plus years across multi-sector leadership, with a focus on music, marketing strategy and tactical team building. Donna Budica is co-founder/COO of Ten2 Media. With a degree in finance from The Wharton School and an MBA from USC Marshall, she leads corporate strategy and operations at Ten2 and its subsidiaries.
Ten2 Media is a rights management and content marketing company specializing in asset monetization, audience development and content optimization on YouTube. Ten2’s expertise on YouTube and decades of experience in the music Industry is the foundation of its unique approach to maximizing revenue and marketing music for the world’s leading artists and labels.
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Source: PlayStation / PS5 Pro
The PS5 Pro has finally arrived, so the question on your mind is, should I swipe the card and get one? Before you make that decision, see what some folks who had the opportunity to give it a spin had to say before you hit the purchase button.
The base PS5 model still has plenty of life, but that’s not stopping Sony from launching a mid-generation console refresh with the PS5 Pro.
When word of the console first hit, the immediate question was, do we need this $700 machine? Who is this for? We all know it’s definitely for a niche group of gamers who prioritize performance and graphics and want the best of both worlds without building an expensive gaming rig.
Based on the specs, the PS5 Pro is an impressive piece of hardware. Under the hood is an AMD Ryzen Zen 2 8-core/16-thread processor with an RDNA-based graphics engine, producing 16.7TF of GPU compute performance compared to the base PS5’s 10.23TF.
There is also 16GB of GDDR6 memory and 2GB of slower DDR5 memory that handles other console tasks not related to gaming, plus a 2TB custom SSD.
Ahead of the console launch, PlayStation confirmed there will be 55 games with PS5 Pro Enhancements, so it’s not entering the chat without titles to show off its power.
So, with all that said, what are the critics saying about the PS5 Pro? Reviews, for the most part, seem mixed, with many saying it’s too early to tell if this console is a flop.
2025 Will Be The Real Test For The PS5 Pro
In his review for Polygon, Cameron Faulkner touched on his experience with the PS5 Pro’s enhanced titles, writing, “I didn’t try each of the 50 games that have gotten a PS5 Pro patch. But what I did try delivered a mixed bag of improvements that I’m not sure I’d be totally happy with if I spent $699.99 on launch day.”
He continued, “That said, there will be many games in 2025 that put the PS5 Pro’s more powerful specs to the test.”
It’s Impressive, But The Price Point Is Eyewatering
IGN gave the PS5 Pro a 7 (Good), and in his review, Michael Higham wrote, “The PlayStation 5 Pro is an impressive console with noticeable boosts in performance and graphics for games that take advantage of its powerful hardware. But for $700, you’ll need to think twice about whether or not the upgrade is worth the price tag.”
Powerful, But Not Essential
Rory Mellon for Tom’s Guide wrote, “The PS5 Pro is set to be where I play the vast majority of new releases for the rest of this console generation thanks to its unrivaled play experience. If you’re also the type of player who wants the best visuals and performance regardless of the cost, then I’d have no qualms about recommending the PS5 Pro. But more budget-conscious console players shouldn’t feel despondent about being stuck with a technically inferior machine. The PS5 Pro is a powerful upgrade to an already excellent console, but it’s not an essential buy at this price.”
The PS5 Pro Is A Niche Product For Now
Tim Gettys from Kinda Funny said about his experience with the PS5 Pro, “The PS5 Pro is the perfect example of a console that fits right at home with an LG OLED, and a home theater receiver, and all of the things on the box. If you care about those things this is for you. $700 is a lot, but it’s not a lot compared to other things in that realm.”
Gettys continued, “I think it’s a niche product for now, but I think it will become a mainstream product very soon.”
So, the consensus is that if you have a base PS5, you are good and don’t need to rush to get a PS5 Pro. While it is a significant boost in performance, waiting until games fully take advantage of the new hardware is a safe bet.
1. PS5 Pro
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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Listening to your new playlist of the month doesn’t just have to be through your Bluetooth earbuds. A pair of over-ear […]