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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Max’s firey series House of the Dragon is back for its second season, which officially premieres on Sunday (June 16). Before […]

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Even with a price increase, Philo remains one of the most affordable ways to stream channels live and on-demand. On Wednesday (June 12), Philo raised its prices to $28/month for new and returning subscribers.

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If you’re already subscribed to Philo, the $3 price hike doesn’t apply; current Philo subscribers can stay at the previous $25 monthly rate.

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Keep reading for additional details on Philo packages, bundles, channels and how to join.

Philo Channel Lineup & More

How many channels can you stream on Philo? Right now, Philo offers 80+ channels that you can stream free of charge. No credit card required — simply sign up to test it out.

Philo Free Channels includes DVR recording that you can store for up to 30 days at a time. Upgrade to Philo Core to stream an additional 70+ channels such as A&E, MTV, Lifetime, OWN, Nickelodeon, Nick Jr., HGTV, TLC, BET, FYI, WE tv, Logo and Discovery Channel for $28/month and DVR recordings can be stored for up to a year. With Philo Core, you can add Premium content from Starz, MGM+, AMC+ and more.

Philo Bundles & Deals

If you’re a fan of The Walking Dead or Interview With the Vampire, AMC+ is now available on Philo. Subscribers can stream the channel as an add-on, or upgrade to the ad-free plan for an additional $4 per month.

The AMC+ add-on includes access to Shudder, IFC Films Unlimited and Sundance Now.

“We are thrilled to welcome Philo subscribers to AMC+, the streaming home of so many great shows, including The Walking Dead universe, Anne Rice’s Immortal Universe, Dark Winds, Mad Men, Gangs of London, and so many more,” Courtney Thomasma, AMC Network’s EVP of Streaming said via the Philo blog. “This summer we will bring viewers a new series from the world of Orphan Black, the highly anticipated final season of Snowpiercer, the exciting new supernatural drama Domino Day: Lone Witch from Sundance Now, top-rated horror films from Shudder, including Arcadian starring Nicolas Cage and the viral box-office hit In A Violent Nature, and the acclaimed independent film library from IFC Films Unlimited, all bundled into the core AMC+ offering.” 

How to Watch & Join Philo

You can stream Philo on the app or online at Philo.com. The app is compatible with Android TV, Chromecast, Apple TV, Samsung TV, Fire TV, Roku and iOS and Android devices such as iPhone, iPad and other smart phones and tablets.

Click below to launch your free trial to Philo.  

Merlin, the digital licensing partner for the independent music sector, announced that it renewed its licenses with Meta on Wednesday (June 12). That means the music of Merlin members — releases from labels like Domino, Secretly, Ninja Tune, Warp Records and many more — can continue to be discovered on Facebook and Instagram. 
“This renewal is about more than simply licensing music – it’s about the strength of building long term relationships, seeking innovative ways to deliver music to fans and those discovering our artists for the first time, and the value of the dynamic nature of independent music,” Jeremy Sirota, CEO of Merlin, said in a statement. “Merlin, on behalf of its members and their artists, is leading the way to build an ethical, sustainable, and indie-centric world.”

“Meta is thrilled to renew our partnership with Merlin, one of the leading champions of independent music,” added Tamara Hrivnak, vice president of music & content business development at Meta. “Our continued collaboration will foster further innovation in music discovery and creative expression. We’re excited for what the future holds.”

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Merlin’s global membership accounts for around 15% of the recorded music market, and Merlin negotiates deals not only with Meta but with Apple, Spotify, TikTok, YouTube, and more than 40 other platforms. 

“In an industry that has always been in flux, Merlin is the steady hand,” Sirota explained earlier this year. “Merlin doesn’t have investors looking for an exit. There is no parent company with different motives. We are a mission-driven organization that operates like a not-for-profit and is funded entirely by our members.”  

As short-form video platforms have become increasingly important for driving music discovery, artists are eager to make their songs available through platforms like Reels. And Reels took on even more importance earlier this year when Universal Music Group’s licensing negotiations with TikTok fell apart. 

Historically, no short-form video platform has been able to match TikTok when it comes to causing a previously unknown song to erupt into the public consciousness overnight. When the wider music industry realized it might have to live without TikTok as a marketing tool at some point, many marketers redoubled their efforts to reach an audience through Reels and YouTube Shorts. 

As the author of the Music Modernization Act (MMA), I am thrilled with the benefits it has provided music creators and music streaming services. Rarely does Congress come together in a bipartisan, bicameral way to respond to a market problem with a comprehensive, collaborative and business-driven solution.
The bill updated copyright law for the digital generation, and the cornerstone of the legislation — the creation of the Mechanical Licensing Collective (MLC) — has been a shining example of an industry working together to solve major market challenges. However, recent attempts by streaming services to redefine the original intent of the statute, to benefit themselves, are concerning and must be corrected.

The MLC was created to solve a massive music industry problem. Streaming services often failed to find the correct copyright owners and therefore held on to large sums of money owed to songwriters and music publishers. This both kept earnings from rightful owners and also opened streaming services up to large amounts of liability — from which lawsuits were piling up, costing them hundreds of millions of dollars. Both sides had a major incentive to find a better way forward.

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Along with my colleague, Congressman Hakeem Jeffries (D-NY), I authored a bill to establish a company that would be funded by the digital streaming companies, and governed by copyright owners, which would receive all of the streaming mechanical money owed and then distribute that money based on copyright ownership. The company would also operate a first-of-its-kind public database so that song ownership information would be more transparent than ever.

To create the MLC, the U.S. Copyright Office held an impartial designation period where anyone could campaign to run the company. A coalition representing the vast majority of the music publishing and songwriting industry came together and was selected.

In five short years, the MLC was activated and is now a towering example of success. It has distributed over $2 billion in royalties to publishers and songwriters. It has a match rate of over 90%. It operates the most accurate, open database of music rights information in the world.

Crucially, as the MLC is responsible for ensuring accurate payments to its songwriter and publisher members, the MMA made clear that it not only has the authority but is mandated to enforce the rights of its members if it determines any streaming service is not reporting or paying properly. Most recently, the MLC was forced to litigate against Pandora for underpaying royalties.

Unfortunately, this has led DiMA, which represents the major streaming companies and has a seat on the MLC’s board, to attempt to reinterpret the original intent of the MMA. They are pushing the misguided idea that the MLC was meant to be “neutral” when it comes to enforcing the rights of copyright owners. Nothing could be further from our objective.

This definition of neutral is simply another way to take the voice away from those who have struggled to be heard when it comes to receiving what they are owed for their labors. This was never the intent.

Should the MLC not enforce and litigate when necessary to uphold the rights of its members, those members would have absolutely no recourse to defend their property rights. This notion of neutrality would make the MLC toothless and completely undermine the important role of the Collective. Allowing the MLC to dole out royalties is inextricable from its primary purpose of ensuring those royalties are correct.

It is a perversion of the legislation to attempt to convince current lawmakers that the MLC was meant to give equal weight to the opinions of the digital companies as the rights of songwriters. Of course, there is a massive incentive for DiMA and its membership to want the MLC to relinquish its role as enforcer of music creators’ copyrights. Billions of dollars in royalties are on the line.

The streaming services’ vision of a neutral MLC is not in line with the original intent of the MMA, and they know it because they were intimately involved in the lengthy negotiation of the language of the bill. The resulting legislation was fair and allowed for the collective and the courts to do their jobs when it comes to disputes.

The five-year milestone since the MMA was signed into law is an important time for reflection and refining. However, it is not a time to redefine the most important music legislation of our time.

Doug Collins is a lawyer and former Member of Congress representing Georgia’s Ninth Congressional District. He served as Ranking Member of the House Judiciary Committee as well as Vice Chairman of the Subcommittee on Courts, Intellectual Property, and the Internet. He introduced the Music Modernization Act along with the bill’s lead cosponsor, Rep. Hakeem Jeffries (D-NY).

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Will Smith and Martin Lawrence have reunited for the latest installment in their popular action-comedy franchise Bad Boys. The new movie, Bad Boys: Ride or Die premiered in theaters on Friday (June 7) and you can still find tickets to see the movie on the big screen. Already, the new Bad Boys movie has smashed box office expectations, with a weekend opening of $104.6 million worldwide.

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Before you head to the movie theater to watch Bad Boys: Ride or Die, viewers new to the series or longtime fans can watch all the previous Bad Boys movies online for free to make sure you’re up to speed.

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Keep reading to learn the streaming options available.

How to Watch the Bad Boys Movies Online Free

Bad Boys: Ride or Die is the fourth movie in the action-thriller franchise and if you want to watch the previous three movies, you can watch every Bad Boys movie (not currently in theaters) on Hulu. If you already have a Hulu subscription, you can stream Bad Boys, Bad Boys II and Bad Boys for Life for free when you log into your account.

Don’t have a Hulu subscription? New users can score a 30-day free trial when you sign up for the streaming platform, which means you can watch every Bad Boys movie for free on TV, on your phone, tablet or computer.

Once your free trial is over, you’ll be charged based on the plan you choose at checkout. Hulu has two packages to choose from: the ad-supported package that’s also the cheapest option at $7.99 a month or $79 a year. If you’d prefer no ads, you can subscribe to the premium plan for $17.99 a month. Both packages give you access to the entire Hulu library, the ability to watch content on up to two devices at once and the option to make up to six profiles. If you go ad-free you’ll also be able to download content to watch offline.

In addition to streaming the Bad Boys movies online, you can stream Hulu originals like Clipped, Only Murders in the Building, The Bear, The Handmaid’s Tale, Feud: Capote vs. The Swans and Claim to Fame.

For live TV options, you can subscribe to Hulu + Live TV, which is offering a rare deal that gets you a 3-day free trial for new users who sign up. Along with getting more than 95 live channels, you’ll also get access to the entire Hulu library, including the Bad Boys franchise.

Want even more savings? You can bundle Hulu with Disney+ and ESPN+ to receive access to even more exclusive and original content starting at just $14.99 a month.

How to Watch Bad Boys Movies at Home

Fans can also pick up Blu-ray versions of the Bad Boys movies including the three-movie collection for only $23. You’ll receive all three Bad Boys movies to watch the film series in order from home. If you’re willing to wait a bit, Walmart is also letting you preorder the Blu-ray four-movie collection, which includes every Bad Boys movie including Bad Boys: Ride or Die.

“Bad Boys” / “Bad Boys for Life” / “Bad Boys II” Set [Blu-ray]

$23.39

$30.99

25% off

This Blu-ray/DVD set includes the first, second and third movies in the Bad Boys saga all in one convenient case. You’ll also receive digital codes for every movie to download and take with you as well as access to special features and bonus content that’ll give you a more in-depth look at the making of the movies.

Prime Video also has the option to buy the digital versions of Bad Boys, Bad Boys II and Bad Boys for Life at just $8 or you can rent the films for $4. A Prime membership isn’t required to rent or buy the movies on-demand — just make the purchase and it’ll automatically be downloaded to your video library. Rentals will be available for 30 days after purchase and 48 hours once you start streaming each film.

“Bad Boys” Ultimate Collection

Walmart is letting fans preorder the Bad Boys Ultimate Collection Blu-ray set, which includes all four movies as well as the digital version of each film. Preordering the collection will ensure you can get your hands on it the moment the movie set comes out.

How to Watch Bad Boys: Ride or Die Online

If you’re antsy to stream Bad Boys: Ride or Die at home, Prime Video has opened preorders for the video-on-demand version for just $25. You don’t need a Prime membership in order to order the fourth Bad Boys movie, just make the purchase and once the movie is available, it’ll automatically be downloaded to your Prime Video library to watch and stream at your leisure.

Both Smith and Lawrence return as smart aleck Miami cops Mike Lowrey (Smith) and Marcus Burnett (Lawrence) in the new film, as they work to clear their late captain’s name when it comes out that he was connected with a drug cartel. Unfortunately, that means the two are on the run now and must work together to bring the truth to light.

Vanessa Hudgens and DJ Khaled both make appearances in the new installment of the movie series in addition to Tiffany Haddish, Alexander Ludwig, Paola Núñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith and Rhea Seehorn.

Check below to watch the official trailer for Bad Boys: Ride or Die below.

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Spotify will introduce a new tier later this year for users who want high-fidelity audio and access to additional playlisting tools, Bloomberg reports. Those extra features will come at a cost: At least $5 extra per month, according to Bloomberg. This follows the streamer’s June announcement that the cost of Spotify’s premium individual and duo […]

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Ion has entered the sports sphere and will be livestreaming 2024 WNBA games every Friday, joining the lineup of channels offering soccer and basketball games. Along with ESPN, ABC, TNT and CBS, the easiest way to watch the network would be through a cable package, but for cord-cutters who don’t want to spend hundreds of dollars on a plan, you can still livestream WNBA games (including Indiana Fever matches featuring Caitlin Clark) without blowing your budget.

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Live TV streamers are offering promos and free trials that’ll let you watch WNBA games for free without cable at home and on the go. Most of the plans are under $100, too, which means you can save money while enjoying hundreds of live cable channels, with options even including additional sports channels.

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Along with women’s basketball, Ion also offers National Women’s Soccer League games every Saturday, in addition to some of the most popular dramas such as Law & Order: Special Victims Unit, NCIS, FBI, Bones, Criminal Minds, Chicago Fire and Hawaii Five-O.

Keep reading to learn about the streaming options available.

How to Watch Ion Online Without Cable for Free

To help you score the best discounts available, Billboard put together a list of live TV streamers that’ll give you instant access to WNBA games and more.

DirecTV Stream

DirecTV Stream offers new users a five-day free trial when you sign up for one of their four packages. Every plan includes the Ion channel, and sports fans can also take advantage of one month free of the streamer’s Sports Pack (only available with the Choice and Ultimate plans), which provides even more sports coverage including MBL, NHL and NBA games.

The cheapest option is the Entertainment plan, which is $80 a month after your free trial is over. You’ll have access to Ion to watch the WNBA games as well as local channels, unlimited DVR storage and the ability to stream on three devices simultaneously.

FuboTV

FuboTV offers one of the longest free trials, providing new users with a seven-day free trial when you sign up. A subscription grants you access to at least 100 channels (including Ion) as well as 1,000 hours of DVR, and the ability to stream on 10 devices at once. If you’re looking for 4K definition, you can upgrade to the Premium Plan, which also includes free Paramount+ with Showtime.

When your free trial has ended, you’ll be charged based on the package you choose at checkout: $80 for the Pro Plan (the cheapest option), $90 for the Elite Plan and $100 for the Premium Plan.

2024 WNBA Games Schedule on Ion

Check below for all the upcoming WNBA games livestreaming on Ion, or click here to see the full season schedule.

Friday (June 14):

Chicago Sky vs. Washington Mystics at 7:30 p.m. ET at the Entertainment & Sports Arena in Washington, D.C.

Los Angeles Sparks vs. Minnesota Lynx at 7:30 p.m. ET at the Target Center in Minneapolis, Minn.

Friday (June 21):

Indiana Fever vs. Atlanta Dream at 7:30 ET at the State Farm Arena in Atlanta.

Connecticut Sun vs. Las Vegas Aces at 10 p.m. ET at the Michelob Ultra Arena in Las Vegas.

Friday (June 28):

Atlanta Dream vs. Connecticut Sun at 7:30 p.m. ET at the Mohegan Sun Arena in Uncasville, Conn.

L.A. Sparks vs. Phoenix Mercury at 10 p.m. ET at the Footprint Center in Phoenix.

Friday (July 5):

Atlanta Dream vs. Dallas Wings at 7:30 p.m. ET at the College Park Center in Arlington, Texas

Los Vegas Aces vs. L.A. Sparks at 10 p.m. ET at the Crypto.com Arena in Los Angeles.

Chicago Sky vs. Seattle Storm at 10 p.m. ET at the Climate Pledge Arena in Seattle.

Friday (July 12):

Las Vegas Aces vs. Atlanta Dream at 7:30 p.m. ET at the Gateway Center Arena in College Park, Ga.

Phoenix Mercury vs Indiana Fever at 7:30 p.m ET at the Gainbridge Fieldhouse in Indianapolis, Ind.

Minnesota Lynx vs. Seattle Storm at 10 p.m. ET at the Climate Pledge Arena

Friday (Aug. 16):

Seattle Storm vs. Atlanta Dream at 7:30 p.m. ET at the Gateway Center Arena

Phoenix Mercury vs. Indiana Fever at 7:30 p.m. ET at the Gainbridge Fieldhouse

Connecticut Sun vs. Dallas Wings at 9:30 p.m. ET at the College Park Center

Friday (Aug. 23):

Phoenix Mercury vs. Atlanta Dream at 7: 30 p.m. ET at the Gateway Center Arena

Chicago Sky vs. Connecticut Sun at 7:30 p.m. ET at the Mohegan Sun Arena

L.A. Sparks vs. Washington Mystics at 7:30 p.m. ET at the Entertainment & Sports Arena

Las Vegas Aces vs. Minnesota Lynx at 9:30 p.m. ET at the Target Center

Friday (Aug. 30):

Indiana Fever vs. Chicago Sky at 7:30 p.m. ET at the Wintrust Arena in Chicago

Minnesota Lynx vs. Dallas Wings at 7:30 p.m. ET at the College Park Center

Atlanta Dream vs. Las Vegas Aces at 10 p.m. ET at the Michelob Ultra Arena

New York Liberty vs. Seattle Storm at 10 p.m. ET at the Climate Pledge Arena

Friday (Sept. 6):

Dallas Wings vs. Atlanta Dream at 7:30 p.m. ET at the Gateway Center Arena

Las Vegas Aces vs. Connecticut Sun at 7:30 p.m. ET at the Mohegan Sun Arena

Minnesota Lynx vs. Indiana Fever at 7:30 p.m. ET at the Gainbridge Fieldhouse

L.A. Sparks vs. Chicago Sky at 9:30 p.m. ET at the Wintrust Arena

Friday (Sept. 13):

Washington Mystics vs. Atlanta Dream at 7:30 p.m. ET at the Gateway Center Arena

Las Vegas Aces vs. Indiana Dream at 7:30 p.m. ET at the Gainbridge Fieldhouse

Seattle Storm vs. Dallas Wings at 7:30 p.m. ET at the College Park Center

Chicago Sky vs. Minnesota Lynx at 7:30 p.m. ET at the Target Center

Connecticut Sun vs. Phoenix Mercury at 10 p.m. ET at the Footprint Center

The Canadian government has made a major announcement about the implementation of the Online Streaming Act, with implications for artists and music companies at home and abroad.
The CRTC (Canadian Radio-television and Telecommunications Commission) has revealed that foreign streaming services with significant revenues will have to make base contributions to Canadian content. Streaming companies with no affiliation to Canadian broadcasters and over $25 million in annual contributions revenues will have to pay 5% of those revenues into specified funds.

Those contributions will be used to boost Canadian content in the music, news and film industries, generating an estimated $200 million in increased funding altogether.

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The decision comes after a consultation process that included public hearings last fall, as well as over 360 written submissions.

The government specified that these contributions will go towards “areas of immediate need,” prioritizing already existing funds in order to expedite the delivery process. Those funds include FACTOR and Musicaction, which industry groups like CIMA and the Canadian Live Music Association say are in need of increased funding. 

The Beaches Awarded Group of the Year at Billboard Canada Women in Music Launch Announcement

Billboard Canada and iHeartRadio teamed up to present a big award to a major Canadian group this week.

The Beaches received the first-ever Billboard Canada Women in Music Award for Group of the Year on Wednesday (June 5), honoring the Toronto quartet’s breakout year. The band was on hand for the announcement of Billboard Canada‘s Women in Music celebration event, which is officially set for September 7, 2024.

The band was presented with the award by Billboard Canada CEO Amanda Dorenberg and CCO Elizabeth Crisante. At the event, more Canadian artists (including a few legends of the industry) will be recognized and honored for their artistry and blazing trails as women in the industry.

Receiving the award as part of a livestream performance on iHeartRadio’s YouTube, The Beaches played a stripped-back set of three songs from their hit 2023 album, Blame My Ex. The acoustic set saw drummer Eliza Enman McDaniel with just a shaker, leaving space for Jordan Miller’s powerful lead vocal and light harmonies by guitarists Leandra Earl and Kylie Miller.

After the performance, iHeartRadio’s Shannon Burns did a Q&A with the group, joking about playing pool with them and asking them audience-submitted questions. The band talked about their experiences as women in the music industry, providing some advice for up-and-coming female artists.

“Make sure you do it with your friends,” McDaniel said. The group spoke about how isolating it can be to be a woman in a still-male-dominated — though gradually changing — industry. It’s important to be surrounded by women you trust, they emphasized, whether in your band or on your team.

Watch the full performance and announcement here.

Lowell Wins the First Billboard Canada Non-Performing Songwriter Award

Lowell has won the first Billboard Canada Non-Performing Songwriter Award (presented by SOCAN), which honors a Canadian songwriter making a big impact behind the scenes.

The win was announced at Billboard Canada‘s Power Players event on Sunday (June 2) at the CN Tower. The award was presented to Lowell (Elizabeth Lowell Boland) by SOCAN CEO Jennifer Brown and vp of creative and member relations Cameron Kennedy.

“Songwriters have it really tough,” Lowell said while accepting the award. “We make no money, and then we very silently make other people really famous and then just cry about it at night because no one loves us,” she joked.

“So it’s really nice that you guys are giving me a little pat on the back — I’m going to take this on behalf of all of my amazing songwriter friends that have not gotten that pat on the back, yet.”

Lowell, who has also released music under the same name, was one of five finalists for the inaugural edition of the award — the first in Canada recognizing songwriters’ work for other artists. Other shortlisted writers included Tobias Jesso Jr., Jeremy Fedryk, Ali Willa Milner and Aaron Paris — an extremely strong initial shortlist featuring a crop of writers responsible for songs that garnered Grammy nominations, top chart placements and millions of streams.

Lowell has had a major year, including co-writing credits on “Texas Hold ‘Em” and “Bodyguard,” two of the biggest hits on one the year’s biggest albums, Beyoncé‘s Cowboy Carter. The award considered songs from 2023 before Cowboy Carter was released, but beyond Beyoncé, Lowell has shown a unique ability to help artists break through to a new level.

Lowell additionally co-wrote and co-produced Blame My Ex, the breakthrough album from Toronto band The Beaches, including the Lowell-penned hit “Blame Brett,” which held No. 1 at alternative radio for 17 weeks and is rising at U.S. and Canadian Top 40. She’s also a close collaborator of Lu Kala, the Congolese-Canadian artist who made her Hot 100 debut this past year, co-writing Kala’s emotional ballad “Nothing But Love.”

In her acceptance speech, Lowell highlighted the importance of supporting Canadian talent.

“Some people think I live in L.A. but I don’t, I live in Toronto,” she said, addressing the room full of powerful and influential members of the Canadian music industry. “I like to find talent here, I like to see who L.A. is not looking for and what the world needs, and that’s a lot of people that are here either in this room or working with people in this room. […] My goal is to largely not ignore the real talent which is in this f—ing city,” she continued to a round of cheers.

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Produced by WWE in partnership with UFC, NXT Battleground: Las Vegas features six matches with five title bouts on Sunday, June 9.

NXT Battleground: Las Vegas takes place at UFC Apex in Enterprise, Nevada., with a start time of 8 p.m. ET/5 p.m. PT. The event is hosted by Sexyy Red.

Want to watch NXT Battleground 2024 online? This event is streaming on the WWE Network on Peacock for Premium or Premium Plus subscribers only.

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If you’re not a subscriber, you can get access and a Peacock monthly subscription, which starts at $5.99 per month. However, there’s a deal on a Peacock subscription. Right now, you can get 12 months of service for just $19.99 per year with promo code “STREAMTHEDEAL.”

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Check out the full NXT Battleground: Las Vegas fight card below, and PPV livestream here.

Fight Card, 8 p.m. ET/5 p.m. PT

Trick Williams (champion) vs. Ethan Page (Singles match for the NXT Championship) — Main Event

Nathan Frazer and Axiom (champion) vs. Luke Gallows and Karl Anderson (Tag team match for the NXT Tag Team Championship)

Roxanne Perez (champion) vs. Jordynne Grace (Singles match for the NXT Women’s Championship)

Shayna Baszler vs. Lola Vice (NXT Underground match)

Oba Femi (champion) vs. Wes Lee vs. Joe Coffey (Triple threat match for the NXT North American Championship)

Sol Ruca vs. Lash Legend vs. Fallon Henley vs. Jaida Parker vs. Michin vs. Kelani Jordan (Ladder match for the inaugural NXT Women’s North American Championship)

Want to attend NXT Battleground: Las Vegas in person? There are last-minute tickets available via SeatGeek, StubHub and Ticketmaster. Prices vary depending on seats available at UFC Apex in Enterprise, Nevada.

NXT Battleground: Las Vegas is available to stream on Peacock on Sunday, June 9, starting at 8 p.m. ET/5 p.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Based on the 30 for 30 podcast series from ESPN and sportswriter Ramona Shelburne, Clipped is a six-episode limited series from TV writer and producer Gina Welch (Under the Banner of Heaven, The Terror) about former L.A. Clippers owner Donald Sterling’s scandal with his wife, his mistress and his former team.

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The two-episode series premiere is available to stream on Tuesday, June 4, on Hulu.

Below, you can read on for ways to watch Clipped online.

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What Time Does Clipped Premiere?

The first two episodes of Clipped is available to stream starting on Tuesday, June 4, while the last episode of the limited series drops on Tuesday, July 2, at 3 a.m. ET/12 a.m. PT on Hulu.

Where to Watch Clipped for Free

For cord-cutters, there are a few ways to watch TV shows without cable — especially if you want to watch for free. Hulu has a 30-day free trial to try out the service for new subscribers, so you can watch the premiere episode of Clipped on FX on Hulu without spending money up front.

How to Watch Clipped on Hulu

The best way to watch Clipped is with a subscription to Hulu. All episodes of the limited series will be available on the streaming service. You can watch other critically acclaimed originals such as The Bear, The Handmaid’s Tale, American Horror Stories, Only Murders in the Building and others. In addition, you can watch great FX originals, including Fargo, Reservation Dogs, What We Do in the Shadows and more.

Hulu prices start at $7.99 monthly, or $79.99 yearly for the commercial-supported plan, while you can go without commercials for $17.99 monthly.

How to Watch Clipped on Disney+

Want to add Disney+ to Hulu? You can get Disney+ and Hulu bundled into one streaming service with the Disney Duo. After you sign up, you’ll get a new hub at the top of the Disney+ homepage called “Hulu,” next to the Disney, Pixar, Marvel, Star Wars and National Geographic hubs.

The first two episodes of Clipped are streamable with the Disney Duo too. If you’re not a subscriber, then you can sign up for the commercial-supported plan for $9.99 monthly, or you can go commercial-free for $19.99 monthly.

More Ways to Watch

Want to stream outside of the U.S.? You can sign up for a VPN, such as ExpressVPN, NordVPN and PureVPN, to stream Clipped internationally. These services let you get legal access the streaming services you’re already subscribed to, including Hulu, Disney+ and the Disney Duo, even if you’re in another country.

The basketball scandal miniseries follows former-NBA team owner Donald Sterling’s scandal with the L.A. Clippers in 2014. Sterling (Ed O’Neill) was caught using racial slurs toward the team’s players when his mistress V. Stiviano (Cleopatra Coleman) secretly recorded audio of their encounter. The series also follows the fallout with the team and their head coach Doc Rivers (Laurence Fishburne).

It also stars Jacki Weaver, Kelly AuCoin, J. Alphonse Nicholson, Rich Sommer, Corbin Bernsen, Clifton Davis, Harriet Sansom Harris and others.

The Clipped two-episode premiere is streamable starting on Tuesday, June 4, on Hulu. In the meantime, watch the official trailer for Clipped below.

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