State Champ Radio signings
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Lee Thomas Miller, a writer on hit country songs including “In Color” (Jamey Johnson) and “You’re Gonna Miss This,” (Trace Adkins) has signed a publishing deal with SMACKSongs. Over three decades, Miller has become one of country music’s most prolific songwriters, as well as one of the songwriting industry’s biggest champions. He has earned 13 […]
Hal Leonard has combined with Muse Group, which is home to digital music tools like MuseScore, Ultimate Guitar and Audacity. Hal Leonard is known as one of the world’s leading brands in sheet music and music education materials. As part of the deal, the two brands will retain their respective headquarters in the USA and Cyprus and their distinct operations. The deal was supported by Francisco Partners, an investor who recently purchased Kobalt and AMRA and has also invested in Native Instruments, iZotope, JKBX and more. Now, musicians can look forward to digitized and interactive formats of Hal Leonard’s arrangements and content via Muse platforms.
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Universal Music Publishing Group has signed Danny L Harle to a global publishing administrative agreement. News of the deal comes just after the release of “Houdini” by Dua Lipa, which he co-wrote and co-produced alongside Kevin Parker, Dua Lipa, TK. He is also a trusted collaborator of Caroline Polachek, Charli XCX, Flume, Clairo, Rina Sawayama, PinkPantheress, Lil Uzi Vert, Nile Rogers, Elton John, Shygirl and more, and is up for his first Grammy this year for his contributions to Desire I Want To Turn Into You by Polachek.
Pulse Music Group has joined with Dan Wilson (Adele, Taylor Swift, Weezer, Celine Dion, Nas, Panic! At the Disco, John Legend, Keith Urban) to launch Supermoon Songs. A publishing joint venture, Pulse co-CEO Scott Cutler and vp a&r Annie Aberle played key roles in facilitating the partnership. Wilson’s manager Jim Grant and business partner Rick Markowitz are also co-founders with Dan in Supermoon Songs. The first signing is artist Paul Dally.
Reservoir and Mushroom Music have jointly signed grentperez to a global publishing deal, including his full catalog and future works. Reservoir will work collaboratively with the leading Australia/New Zealand music publishing on all creative and administrative aspects of grentperez’s writing career.
Primary Wave has acquired the master royalties and writer’s share of publishing royalties from Marillion’s Derek “Fish” Dick in a new deal. Best known for 80s hits like “Kayleigh,” “Lavender” and “Incommunicado,” dick was the band’s primary singer and lyricist.
Jody Williams Songs and Warner Chappell Music have jointly signed Driver Williams to a publishing agreement. A songwriter for Eric Church, Luke Combs, Jason Aldean, Morgan Wallen, Jon Pardi, Lainey Wilson, Jackson Dean and others, Williams is also a talented guitarist, holding the position of Church’s lead guitarist since 2005.
Kobalt has signed New Zealand artist and producer 9lives to a global publishing administration deal, including sync and creative services for his existing catalog and future releases. A favorite of artists like Trippie Redd, Rico Nasty, JELEEL!, and more, his production has earned him two No. 1s on Spotify’s viral songs chart.
Universal Music Publishing Group has formed a joint venture with DnB Allstars, a London-based label and events company that specializes in drum and bass music. Notable artists to emerge from DnB Allstars include Vibe Chemistry and Alcemist, and the new JV will include writers like Grace Barton, Elipsa, and Tsuki.
Next Era Music Publishing will now partner with Downtown Music Publishing to streamline the collection and administration of its clients. Representing 45 songwriters and over 7000 titles, Next Era’s catalog will use Downtown for admin globally, apart from Korea and China.
Warner Chappell Music has signed Conexión Divina (Liz Trujillo, Sandra Calixto, and Ashlee Valenzuela), a Gen Z all-female sierreño group, to a global publishing agreement. The news comes just after Conexión Divina’s nomination for Best New Artist at the 2023 Latin Grammy awards.
Brill Building Publishing has signed artist and songwriter Brando to a co-publishing agreement. An independent publishing outfit out of Los Angeles, helmed by executive Benjamin Groff, Brill Building’s signees are administered through Kobalt.
Ice Spice has signed with WME for international representation in all areas, Billboard can confirm. A representative for the rapper confirms that veteran hip-hop agent Cara Lewis and C Lewis Group continue to represent her in North America and Canada. The news of the WME signing was originally reported by Variety. The Bronx rapper has […]
Alec Benjamin (“Let Me Down Slowly”) signed with Range Media Partners‘ music division. The singer-songwriter is ramping up for the release of his third studio album, which is slated for release on Elektra next year. “Coal” singer-songwriter Dylan Gossett signed with UTA for global representation in all areas. Gossett also recently signed to Big Loud […]
Jabari is taking his talents to Epic Records.
The multi-hyphenate, best known as the star of Peacock’s Bel-Air, is looking to showcase his skills on the mic as the label’s newest signee. On Friday (Dec. 1), he’ll embark on his musical journey with the release of his label debut, “Something Else.”
“With the creation of ‘Something Else,’ I wanted to give life to the grey areas of infatuation,” Jabari tells Billboard. “I wanted to share where I was in that time, and along with my team, we executed that well. Also very excited be to be taking this first step with Epic Records. Shout to Sylvia Rhone and Zeke Lewis for being headlights for the vision. I have a lot more to give. Thanks for being here on this journey.”
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“Jabari is a multi-hyphenate young superstar in the making. Artists like him represent the future of entertainment and we could not resist the opportunity to join and assist with his upward movement,” adds Ezekiel Lewis, president of Epic Records.
On Bel-Air, Jabari plays the lead role of Will Smith (named after the star of the original series, The Fresh Prince of Bel-Air). The show has given momentum to his acting career, though he has previously noted that avid fans of the original ’90s sitcom were initially skeptical about the show’s modern-day twist.
“It just really came from a pure place. And honestly, it’s incredible, because we’re standing on the shoulders of giants,” Jabari told Variety last year. “The wingspan of this show is incredible, because it reaches for so many generations, and everybody knows it. And it’s such a beloved TV series, it’s a quintessential ’90s sitcom. And so it’s so it’s everyone’s baby, and they’re like, ‘We don’t touch that we don’t touch this.’ But I was definitely confident, I was like, ‘Just wait and watch because we got some great things cooking up.’”
Jabari will look to follow in the steps of his co-star, Coco Jones, who recently reeled in five Grammy nominations, most notably in the best new artist category. When asked how he will balance his music and TV responsibilities simultaneously, Jabari says: “Because God is good.”
BMG has extended its global publishing deal with Pitbull. He first signed to the company nearly a decade ago, and under this renewed partnership, his back catalog of hits and future songs will be administered by the BMG team. Warner Chappell Music has signed singer-songwriter Dido to a new publishing deal, including her back catalog […]
Brazilian DJ, producer and entrepreneur Vintage Culture has signed with WME for global representation.
Known for creating house and techno blends, Vintage Culture has played festivals including Coachella and Tomorrowland and recently completed the second year of his residency at Hï Ibiza. This year, he also launched Vintage Is a Festival, an event that has rolled out to five major cities in Brazil and will hit São Paulo next month. He founded his own record label and festival brand, Só Track Boa, and also has a partnership with electronic music and lifestyle brand Born of Music Addiction.
Earlier this year, Vintage Culture announced his forthcoming debut album and released “If I Live Forever” featuring Izzy Bizzu, the first single off the LP. Elsewhere, he’s collaborated with and remixed artists including the late Maxi Jazz, Rufus Du Sol, John Summit, Meduza, The Martinez Brothers & Louie Vega, Diplo, Roland Clark, Aurora, Sonny Fodera, Claptone, James Hype, Annabel Englund and Solardo.
Vintage Culture is managed by Guga Arthuri at Entourage Management and Jay Pidgeon at Purple Wall Management.
Country singer-songwriter Charlie Worsham signed with UTA for global representation in all areas. Worsham is signed to Warner Music Nashville, which released his latest project, the EP Compadres, in October. He continues to tour as part of Dierks Bentley’s band and was recently nominated for the CMA award for musician of the year.
Nettwerk signed a trio of new artists: singer-songwriter-guitarist Lily Meola (America’s Got Talent), singer-songwriter-producer Bryce Fox and Scottish duo SAINT PHNX (brothers Alan and Stevie Jukes). Meola is managed by Blaike Ford and Jordy Dettmer at Range Media Partners and Jeffrey Evans and Jackson Lauer at Buskin Entertainment, with booking by Corrie Martin at Wasserman; her A&Rs at Nettwerk are Eric Robinson, Marshall Altman and Meg Tarquinio. Fox is managed by Scott Sheldon, Berko Pearce and Peyton Marek at RM 64; his Nettwerk A&Rs are Dan Fraser and Mark Jowett. Saint Phnx are managed by Marc Fineman and Hannah Coles at Fine Group Entertainment and Alistair Goldsmith at Chosen Music, with booking by Tom Windish at Wasserman. Their Nettwerk A&R is Eric Robinson.
Country artist LECADE (real name Cade Brinkley) signed with 10th Street Entertainment (which also represents Bailey Zimmerman) for management. An independent country artist with hip-hop roots, LECADE released his debut album, Chasing Ghosts, in 2022. He is signed to Big Machine Records, which recently released his debut on the label, “Next Town Over.” Elsewhere, he’s represented by Joey Lee, Alex Luebbert and Kevin Meads at WME for booking and FBMM for business management.
U.K.-based brother-sister duo Wasia Project (William and Olivia Hardy) renewed their label deal with AWAL, which will release their upcoming debut album. The alt-pop duo previously released their debut EP, how can i pretend?, which featured the single “ur so pretty.” They are managed by Rob Swerdlow and booked by Tom Windish and Zac Bluestone at Wasserman Music for the United States, where they’re planning to headline shows next year.
Boeckner, the new solo project from Daniel Boeckner (who has played in Wolf Parade, Operators, Divine Fits and Handsome Furs), signed with Sub Pop for the release of his debut album in early 2024. He is booked by in the United States by Trey Many at Wasserman and in Canada by Steven Himmelfarb at The Feldman Agency.
Rapper TyFontaine signed with MNRK Music Group, which will release his new mixtape, 264, on Dec. 1. He joins MNRK after a period of releasing music independently; he was previously signed to Internet Money. His new single, “DOS,” is a collaboration with Summrs, Joony and TTM Dawg. He is managed and booked by Taryn “P” Smith.
Genre-fluid artist GARZI signed with Sumerian Records, which dropped his new single, “GrowinUp” featuring Memphis May Fire’s Matty Mullins. He is managed by Sean Chapman and Sid Sodin at The Sakai Group; his booking agent is Daniel McCartney at UTA. GARZI was previously signed to Outlast Records, an imprint of Sumerian.
Loren Kramar signed to Secretly Canadian, which released his latest single, “Hollywood Blvd.” He is booked by Erik Selz at Arrival Artists.
Grupo Frontera has signed a management deal with Habibi, Noah Assad‘s management firm, Billboard can report. Raymond Acosta, director of talent management at the company — which also includes Karol G on its roster — will lead Frontera’s management team.
The deal comes seven months after Frontera and Bad Bunny‘s massive collaboration, “Un x100to” — an irresistible cumbia, norteña track — peaked at No. 5 on the Billboard Hot 100. It was also up for song of the year at this year’s Latin Grammys.
Over the past two years, Grupo Frontera — previously managed by Victor Ruiz — went from local McAllen, Texas, band to a música mexicana global force. Composed of Adelaido “Payo” Solis III, Juan Javier Cantú, Julian Peña Jr., Alberto Acosta, Carlos Guerrero and Brian Ortega, the group broke out last year thanks to its tejano spin on Morat‘s 2019 single, “No Se Va.” The inventive cover scored the norteño group its first entry on any Billboard chart, ultimately peaking at No. 3 on the Hot Latin Songs tally (dated Nov. 12, 2022).
According to Raymond Acosta, Habibi was approached by Mexican hitmaker Edgar Barrera — who’s penned and produced for Grupo Frontera — and Alberto Acosta of Frontera after seeing the impact “Un x100to” had. “I asked Noah for an opportunity to get to know and study Mexican culture,” Acosta explains. “Because for me, identities are very important. One of my role models is Mr. Angelo Medina, he was the manager of José José and Emmanuel. He was the one who taught me [that] when you’re going to cross the pond, you have to know where you’re going.”
Grupo Frontera released its debut album, El Comienzo, via Barrera’s BorderKid Records label. The set bowed and peaked at No. 3 on the Top Latin Albums chart. In the past year alone, the group has placed eight songs on the Billboard Hot 100 — including “Que Vuelvas” with Carin Leon, “Bebe Dame” with Fuerza Regida and “Frágil” with Yahritza y Su Esencia. They have a distribution deal with Believe and own their masters.
“If you want to be the number one manager, your artists have to be number one,” adds Acosta. “I’m fulfilling my dreams by fulfilling the dreams of others. I think that’s the beauty of the management part. [At Habibi,] we don’t copy-paste marketing plans. That’s why when you see all the projects, none of them look alike. And seeing everything that is behind Frontera, the personality of each one and what they are doing, motivates us a lot.”
Additional reporting by Leila Cobo.
Oscar- and Grammy-winning composer-producer-musician A.R. Rahman has signed with WME, the agency tells Billboard.
Rahman’s work spans more than 160 film soundtracks and albums in more than half a dozen languages. His music has been featured in movies including Slumdog Millionaire, 127 Hours, Roja, Bombay, Dil Se, Taal, Lagaan, Vandemataram, Jodhaa Akbar and Ponniyin Selvan (I & II). Over the course of his career, he has collaborated with artists including U2, Mick Jagger, Coldplay, Nusrat Fateh Ali Khan, Michael Jackson, Michael Bolton, M.I.A., Vanessa Mae, the Pussycat Dolls, Sarah Brightman, Dido, Hossam Ramzy, Hans Zimmer and Akon. His band also recently enjoyed two sold-out tours: one in the United States in 2022, and the other in Europe this year.
For Slumdog Millionaire alone, Rahman won two Oscars, two Grammys, a Golden Globe and a BAFTA, among other awards.
Rahman’s orchestral compositions have been performed by the London Philharmonic Orchestra, the Los Angeles Philharmonic Orchestra, the Babelsberg Film Orchestra and the Birmingham Symphony Orchestra. In 2017, he was commissioned by the Seattle Symphony to create “The Flying Lotus,” his first composition solely for orchestra.
In addition to music, last year, Rahman directed India’s first-ever virtual reality movie, Le Music, and co-wrote and produced the 2019 film 99 Songs, which premiered at the Busan International Film Festival.
Rahman also works to inspire and nurture new talent via initiatives including the all-women Firdaus Orchestra — supported by United Arab Emirates Excellency Reem Al Hashimy — and the A. R. Rahman Foundation, which is dedicated to providing underprivileged children with music education. The foundation currently funds the KM Music Conservatory and its youth symphony, Sunshine Orchestra.
MGMT signed with Mom + Pop Music, the duo’s new label after a long run with Columbia Records. Mom + Pop will release the band’s fifth studio album, Loss of Life, on Feb. 23. The album is preceded by first single, “Mother Nature,” which is out now. Loss of Life will also include the track “Dancing in Babylon” featuring Christine and the Queens, marking the first-ever feature on an MGMT album. The new LP, the duo’s first since 2018’s Little Dark Age, was produced by Patrick Wimberly and mixed by Dave Fridmann.
New Zealand-Australian singer-songwriter-producer Jordan Rakei signed a long-term global record deal with Decca and Verve Forecast, which just released his latest single, “Flowers.” The Grammy-nominated artist has released a total of four studio albums; he was previously signed to Ninja Tune.
Texas rapper BigXthaPlug signed with Solid Foundation Management, making him the first artist outside of Quality Control Music to join the firm’s roster. Solid Foundation partner Brandon Farmer will co-manage the rapper alongside his current manager, Kyle Wilson. “Solid Foundation is open for business,” said Farmer in a statement on the signing. “There was a previous perception that Solid Foundation Management was exclusive to QC artists, but that’s no longer the case. We are here to work with anyone who is a good fit and is interested in our services.”
Chinese pop star Eason Chan renewed his contract with Universal Music Greater China. The announcement followed the release of Chan’s first studio album in five years, CHIN UP!, on Oct. 27. He has been with Universal Music Group for more than 19 years, first signing to Universal Music Hong Kong’s CinePoly label; he has since released a total of 22 albums and EPs. Chan is managed by Lisa Kan.
K-pop group KARD signed with UTA for representation in North America, South America, the United Kingdom and Europe. The group released its debut project in 2016. Its first mini-album, Hola Hola, hit the music charts in 32 countries only three hours after its release, according to a press release.
Austin Williams, known for his breakthrough song “Wanna Be Saved,” partnered with CAA for booking representation. The Nashville native signed to Missi Gallimore and Jim Wilkes’ T.R.U.T.H. Management Projects/Promotion and indie label Truth or Dare Records earlier this year. He also issued his debut EP, Wanna Be Saved, in September. – Jessica Nicholson
UMG Nashville signed Fort Worth, Texas native and singer-songwriter Louie Thesinger. “Having witnessed Louie’s magnetic charisma translate on stages across this country and watch the rabid fan base he is building, I know that Louie is going to widen the country music audience,” UMG Nashville chair/CEO Cindy Mabe said in a statement. “I am so inspired by Louie’s energy, purpose, and intention to expand the sound of country music through his own personal story and his songs. I am so proud to bring Louie into the Universal Music Group Nashville family!”
L.A.-based indie-pop artist Kacy Hill signed with Nettwerk, which released her new single, “No One,” on Friday (Nov. 3). Hill is managed by Michael Kadziulis of YMU Group; her booking agent is Spencer Pinson at Arrival Artists.
The Record Company has signed with Jeff Castelaz of Cast Management, the band tells Billboard.
The signing announcement follows the release of the band’s fan-driven The 4th Album, which dropped in September via Round Hill Records, its new label home after being dropped by Concord Music late last year.
Formed in 2011, the Grammy-nominated, L.A.-based roots rock trio featuring Chris Vos (guitar, lead vocals), Alex Stiff (bass), and Marc Cazorla (drums). The band’s first album, Give It Back To You, which included the hit single “Off the Ground,” earned it two Grammy nominations, a No. 1 single on AAA radio and a slot opening for John Mayer on tour.
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With a new album out, The Record Company is returning to the road in 2023. It will play the Regent Theatre in L.A. later this month (Nov. 18) before heading out on tour in January for a rebooked cross-country run during which they will play White Oak Music Hall in Houston (Jan. 20), the 9:30 Club in Washington DC (Feb. 2) and the Fillmore in San Francisco (Mar. 14).
“The new record is us taking our own advice from ‘Off the Ground,’ which is a very honest reflection of where we had been in our careers and how we we’re going to get ourselves in gear to keep moving,” Vos tells Billboard. “As an artist, when you’re in a moment where a challenge comes at you, the only choice you really have is to do what you feel is the most honest and true to yourself, and that’s what we are trying to do with this album.”
Dropped by its previous label at the end of last year, the band canceled its tour and began working on writing new music, planning to “hold ourselves accountable to these songs,” Vos explains. “When we finished, we felt like we [made] a really honest record and we could stand behind that.”
The new album was recorded inside Stiff’s L.A. house and relied on older, weathered instruments and makeshift studio equipment to capture a more rootsy sound. Prior to recording, the group members told themselves, “Let’s just do that thing that got us excited years ago when we started the band,” Stiff says. “Just putting our heads together and setting up the mics and doing it ourselves.”
Cazorla remembered that when they pulled out his drumset, the “heads on the drums had not been changed in 12 years. There wasn’t a conscious decision not to include anything new — but there’s magic in those old instruments. They sound like they’ve got stories to tell.”
The 4th Record had been well received by fans for its back-to-its-roots sound, consistency and raw, rowdy moments like first single “Dance on Mondays,” a feisty toe-tapper that opens with a needling bassine and garage-rock-to-blues chorus.
“It’s a song about fighting your way out of a dead-end,” says Stiff, who came up with the song’s hook as a quick quip after being invited out on a school night. Over time, the idea became about saying, “I’m not doing a f—ing dance to anybody anymore,” he adds. “That’s how I’m gonna rebound out of this feeling I’m having. It’s how I am going to overcome it and beat it in the end.”
The next single for The Record Company is “Roll With It,” a more traditional roots rock track with plenty of handclaps, vocal harmonies and call and response choruses — challenging the band to follow up its past success with new victories while maintaining its timeless sound.
“That’s like very much a lot of what’s happened to us in our career,” says Stiff. “We get this like unexpected hit song and we became surrounded by people asking how we are going to duplicate our success; essentially duplicate something that just kind of happened. We don’t know, but we do like how this song, one of the last ones we wrote for this album, came together pretty quickly and very much sounds like our kind of thing, and we’re pretty psyched with it.”
