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A month after three nine-year-old children and three adults were murdered at Nashville’s Covenant School in a mass shooting, some of the city’s biggest names have signed a petition imploring the state General Assembly to pass “common sense gun legislation.”
As reported by the Tennessean (story is paywalled), artists including Sheryl Crow, Emmylou Harris, Amy Grant, Rodney Crowell, Kelsea Ballerini, Mickey Guyton, Michelle Branch, Shane McAnally, Martina McBride, Maren Morris, Margo Price, Lucinda Williams, Jars of Clay, Jason Isbell, Ben Folds, Allison Moorer and dozens of others sent a letter to the Tennessee General Assembly this week asking legislators to pass extreme risk protection laws (also known as “Red Flag” laws) and to strengthen requirements about the safe storage of firearms.

“Gun violence in Tennessee is not inevitable,” the group said in the letter. “We are not hopeless, and we will not accept inaction. This does not have to be our normal and we ask that you stand with us! We know that gun safety laws work. Policies like extreme risk protection laws and secure storage of firearms can save lives. And we ask that you keep your session open until these policies are put into place.”

Crow and Grant were also reportedly joined by Ruby Amanfu and Will Hoge on Tuesday (April 18) to deliver the letter to state lawmakers before the upcoming scheduled end of the current session.

“We need to put the safety of our children above politics and special interests,” read the group’s letter. “We appreciate Governor Lee taking steps towards creating a safer community against gun violence, however we believe these are only the first steps in improving the safety for our children and Tennesseans. It’s time for you to pass effective measures that will keep guns out of dangerous hands before the shooting starts.”

The nation’s latest mass school shooting has once again led to calls for the passage of common sense gun legislation, with TN Gov. Bill Lee saying last week that he will sign an executive order strengthening background checks for buying firearms in his state as well as calling for the red flag law that would allow emergency court orders allowing police to temporarily confiscate weapons from those deemed a risk to themselves and others.

The Tennessean reported that the term “red flag law” is considered anathema in gun-rights circles, with the National Rifle Association sending out a call to supporters this week asking them to tell their lawmakers that they oppose the kinds of extreme-risk orders that have been passed in such conservative states as Florida, which passed one after the 2019 Parkland School shooting that left 14 students and three adults dead.

“Anything that’s pushed to a later agenda just loses momentum,” Christian singer/songwriter Grant said in a nod to the support for new gun legislation in the wake of the shooting at the private Christian elementary school. “There’s too much pain to lose momentum… As songwriters, there’s not a song when you show up at 10 a.m. — you just talk until the ideas come together. There is a force in communication, especially when it’s a shared goal. By the end of the day, you’ve got a chorus. You actually can create something out of nothing with the right kind of concerted effort, and it can be game-changing.”

The letter came from Voices for a Safer Tennessee, a nonpartisan group formed in the wake of the Covenant shooting that is reportedly heavily lobbying lawmakers behind-the-scenes. In addition to the letter, the group staged an event in Nashville on Tuesday night where thousands of people linked arms to form a human chain that stretched from the Tennessee Capitol to the hospital where victims of the shooting were transported on March 27.

See the list of artists who signed the letter below:

Allison Moorer

Allison Russell

Amy Grant

Ben Folds

Ben Rector

Brandy Clark

Brittany Howard

Brittney Spencer

Charlie Worsham

Devon Gilfillian

Drew & Ellie Holcomb

Emmylou Harris

Gabe Simon

Hayes Carll

Jason Isbell

Jars of Clay

Jess Ray

Jimi Westbrook

John Tibbs

Kacey Musgraves

Karen Fairchild

Kelsea Ballerini

Kelsey Waldon

Ketch Secor

Langhorn Slim

Leah Blevins

Lola Kirke

Lucie Silvas

Lucinda Williams

Lydia Luce

Madeline Edwards

Maggie Rose

Margaret Becker

Margo Price

Maren Morris

Martina McBride

Mat Kearney

Matt Maher

Maxi Diaz

Michelle Branch

Mickey Guyton

Miko Marks

Nick Howard

Patrick Carney

Paul McDonald

Rodney Crowell

Ron Pope

Ruby Amanfu

Ruston Kelly

Ryan Hurd

Sarah Buxton

Sarah Jarosz

Shane McAnally

Sheryl Crow

Sierra Hull

Sista Strings

Sixpence None the Richer

The Brook & the Bluff

The Cadillac Three

The Wood Brothers

TJ Osborne

Will Hoge

“It came in a flash/ It came out of nowhere/ It happened so fast/ And then it was over/ Are you thinking what I’m thinking?/ Is this happening now?” Those are the opening lines to “Rescued,” the raw, let it bleed first single from the Foo Fighters‘ upcoming 11th album, But Here We Are, their first since the shocking death of drummer Taylor Hawkins last March.
The rager propelled by the band’s signature mix of Dave Grohl’s primal scream emotion and lyrical elegance — including a section where he howls “rescue me tonight” over rolling drums — will be featured on the 10 song But Here We Are, due out on June 2 on Roswell Records/RCA Records.

“We’re all free to some degree to dance under the lights/ I’m just waiting to be rescued/ Bring me back to life,” Grohl sings wistfully on the song’s chorus.

Produced by frequent collaborator Greg Kurstin and the band, the collection is described in a press release as “the first chapter of the band’s new life.” The initial single from the group whose resting pulse is keep-on-keepin’-on is the first new music we’ve heard from the Foos since the unimaginable loss of their literal and emotional heartbeat. The release dubs the album, “a brutally honest and emotionally raw response to everything Foo Fighters endured over the last year… a testament to the healing powers of music, friendship and family. Courageous, damaged and unflinchingly authentic.”

It promises that “Rescued” is just one piece of a tracklist that runs the emotional gamut from “rage and sorrow to serenity and acceptance, and myriad points in between,” while tapping into the naiveté of the band’s 1995 debut, but also informed by nearly three decades of maturity and depth.

“But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life,” it promises.

To date, the Foos have announced 25 U.S. and European festival and headliner dates for this summer and fall, but have not said who will replace the energetic, beloved timekeeper whose death at 50 while on tour in South America devastated the group and their fans. It was unclear at press time who plays drums on the track and who will sit behind the kit for live shows; a spokesperson for the group had not returned requests for comment at press time on who performs on the song and who will play with them on tour.

Listen to “Rescued” and see the But Here We Are tracklist below.

But Here We Are tracklist:

“Rescued” “Under You”“Hearing Voices”“But Here We Are” “The Glass”“Nothing At All” “Show Me How” “Beyond Me”“The Teacher”“Rest”

“I don’t know if there was ever a right time or a wrong time,” says Staind frontman Aaron Lewis of bringing the band back to active duty with a new album. “It just felt like it was finally time to do it.”

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The heavy rock quartet from Massachusetts just released “Lowest in Me,” its first new single since 2012 and the lead track from Confessions of the Fallen, Staind’s first new studio album in 12 years. The 10-track set, produced by Erik Ron (Godsmack, Panic! at the Disco, Black Veil Brides) is expected out this fall on Alchemy Recordings/BMG, following Staind’s summer tour with Godsmack.

“I always hoped we would be able to do this,” guitarist Mike Mushok tells Billboard in a separate interview. “I’m really happy that we’re playing again and making music. We started back in ’94. It was so consuming of my life, up until it stopped. We were always writing or on the road or working, and I loved it. So it’s nice to have that back.”

During its initial run, Staind scored four platinum-or-better albums and notched 13 top 10 Mainstream Rock Airplay hits — including the No. 1s “It’s Been Awhile,” “So Far Away,” “Right Here” and “Not Again.” The band went on hiatus during the summer of 2012 but promised that it was not breaking up. Lewis began a successful solo career in country music, while Mushok formed another group, the still-active Saint Asonia, and played in former Metallica bassist Jason Newsted’s group.

After some occasional reunions, Staind went on tour again during 2019, which spawned the 2021 release Live: It’s Been Awhile, which it followed with another tour last year. “It’s taken me a long time to be ready to do another Staind record,” says Lewis, acknowledging that the personal angst that populated the band’s music took a toll on him. “I got really burnt out on digging into the dark corners of my psyche every night to deliver those very deep, dark songs in a manner that was believable and authentic. I needed to step away from it for awhile and do something different. It just came back together naturally.”

The hard-rocking “Lowest in Me” is hardly sweetness and light, of course. Though he contends that “I never know what the f–k the songs are about unless it’s blatantly obvious to me,” Lewis says the single has both personal and universal meanings. “Everybody has got people in their lives that don’t bring out the good in somebody,” he explains. “Just with what’s going on in the world right now, there’s so many things, so many people that are like, ‘You bring out the lowest in me.’ There’s a lot of factors out there that could fall under the ‘you’ category.”

Mushok says he came up with the riff for “Lowest in Me” during the 2019 tour. “Every day I would set up a little ProTools rig on the bus,” he recalls. “I had a laptop and an interface, and I’d just sit there and play and find something I liked. And that was one I came up with.” Lewis adds that when Staind decided to move forward on another album, Mushok presented him with “an entire work tape full of ideas, there must’ve been 30 ideas there. I found stuff I liked and chopped ’em up and put ’em back together and made songs out of them.” “Lowest in Me” and Confessions of the Fallen was created with the members working mostly apart from each other during the pandemic lockdown, and the band made greater use of electronic sonic textures and enhancements than it ever had before.

“I guess it inspired me a little bit to be doing something different than what Staind would normally have done,” Lewis acknowledges. “To work with programmed beats and ethereal, spacey sections…. It just was a very different approach than how it would’ve been before.”

And that was fine by Mushok. “There were many surprises,” the guitarist notes. “That was part of the conversation. That was something Aaron wanted to bring into the band. He’d listen, I think, to a lot of the more modern rock bands and embraced what they were doing with (electronics) and stuff like that. Some of the parts are the same parts that we wrote, they just might not be played on an instrument we normally would have played them on, which gives it a little bit of a different feel. And that’s fine. I’m always cool with whatever changes are made.”

Staind will find out what fans think of those new directions as more songs from Confessions of the Fallen roll out. In the meantime, the band — which also includes bassist Johnny April and drummer Sal Giancarelli — is gearing up for the road, starting the co-headlining dates with Godsmack on July 18 in St. Louis and playing 25 dates through Aug. 31 in Austin, Texas.

“I think it’ll be a great tour,” Lewis predicts. “I’m looking forward to touring with some of my friends that I haven’t seen in a long time. My paths don’t really cross with them anymore ’cause I’m playing shows in a completely different genre, so I don’t see them like I would in the past. I think everybody will be happy.”

All Things Go Festival is coming back for its ninth year in 2023, and women are leading the top of the bill. The Washington, D.C.-based fest unveiled its full lineup and dates on Tuesday (April 18), in addition to details on how fans can get tickets.

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The two-day festival (Sept. 30-Oct. 1) at Merriweather Post Pavillion will be topped by Maggie Rogers, Carly Rae Jepsen and Mt. Joy on day one, while Lana Del Rey supergroup Boygenius will headline day two. Fleshing out the rest of the festival lineup are: MUNA, Beabadoobee, Arlo Parks, Mt. Joy, Lizzy McApline, Fletcher, Tegan and Sara, Suki Waterhouse, Raye, Ella Jane, The Wombats, Peach Pit, Dayglow, Vacations, Sudan Archives, Meet Me @ The Altar, Alex G, Vundabar, Alvvays and more. The lineup follows last year’s sold-out festival, which featured headliners Lorde, Mitski and Bleachers.

The fan presale begins on Thursday (April 20) at 10 a.m. ET, with the general on-sale slated to follow on Friday (April 21) at 10 a.m. ET.

Single-day general admission tickets for the festival start at $105 ($125 for tier two), and increase depending on the seating type or VIP; two day passes start at $185 ($225 for tier two). There is also a “Super Suite” VIP pass ($450/$550) that includes access to the VIP suite, elevated, unobstructed views from the balcony of the Pavilion Stage and a VIP viewing area on the Chrysalis Stage, a VIP host with concierge service to cash bar and food and other upgrades. Presale and general on-sale tickets will be available through seated.com.

See the full line up for All Things Go Festival 2023 below.

Eric Clapton dropped the star-studded lineup for his 2023 Crossroads Guitar Festival on Monday morning (April 17). This year’s event will take place over two nights (Sept. 23-24) at the Crypto.com Arena in Los Angeles, where Clapton will again gather some of the best guitar players in the world for headlining sets and impromptu collabs.
Though not everyone on the roster will repeat over the weekend, Clapton will perform both nights, joined by Gary Clark Jr., Sheryl Crow, Santana, Jakob Dylan, Albert Lee, Los Lobos, Stephen Stills, Taj Mahal, ZZ Top, the John Mayer Trio, Robert Randolph, H.E.R., Marcus King and many more.

Tickets for the fest will go on sale on Friday (April 21) at 10 a.m. local time via Ticketmaster; there are no two-day passes, only single-day tickets.

Also slated to perform at the event are: Joe Bonamassa, Doyal Bramhall II, James Bullard, Jerry Douglas, Andy Fairweather Low, Samantha Fish, Sonny Landreth, Pedro Martins, John McLaughlin, Del McCoury Band, Roger McGuinn, Keb’ Mo’, Ariel Posen, Eric Gales, Vince Gill, Buddy Guy, Ben Haggard, Sierra Hull, Christone “Kingfish” Ingram, The Bros. Landreth, Robbie Robertson, Kurt Rosenwinkel, Gustavo Santaolalla, Daniel Santiago, Molly Tuttle, Jimmie Vaughan, Breadley Walker and The War on Drugs.

Longtime co-sponsor Guitar Center will again host the Guitar Center Festival Village at the adjacent Xbox Plaza and Chick Hearn Court at L.A. Live, where some of the world’s best guitar and gear manufacturers will host interactive exhibits where fans can try out new products and instruments.

In addition to some multi-million-dollar historical guitars on display at the Legends Collection area, there will also be an unveiling of the 25th anniversary Crossroads Guitar Collection, a rare series of limited-edition guitars based on some of Clapton’s vintage gear; a significant portion of profits from the sale of the guitars will go to aid Clapton’s Crossroads Centre at Antigua treatment and education facility.

Courtesy Photo

Metallica celebrated National American Sign Language Day on Saturday (April 15) by announcing that they will become the first-ever major rock band to release American Sign Language (ASL) videos for every song from their new album. The roll-out began with the official ASL visual for the 72 Seasons title track, which features ASL interpretation from flame-haired Amber Galloway, a fan favorite festival sign language interpreter.

The clip features Galloway taking up one-third of the screen and signing the song’s two-minute guitar intro and galloping drums before tackling singer James Hetfield’s urgent vocals. The project is a collaboration between Metallica and the nonprofit Deaf Professional Arts Network (DPAN) and Galloway’s Amber G Productions.

In a video announcement, self-described hardcore deaf Metallica fan Tom Osbourne explained the project, signing, “It is my honor to announce that on April 25th Metallica will release ALL music videos from 72 Seasons in ASL. Metallica is the first major rock band to do this!”

In a band statement about the title track ASL video — and the upcoming 11 other 72 Seasons ASL clips — the group praised Galloway, who has gone viral several times for her high-energy signing at festivals including Austin City Limits and Lollapalooza. “It’s been an honor to work with Amber and DPAN teams, and we hope that our fans in the deaf and hard of hearing community enjoy experiencing the album through these videos!” the band wrote.

In addition to their ASL video initiative, Metallica released three other videos over the weekend from the album that dropped on Friday. The animated Tristan Zammit-directed clip for “Shadows Fall” has heroic, anime-style versions of the quartet rocking out on a galactic sundial. Another Zammit-helmed animated clip for “Room of Mirrors” takes place in a haunted house filled with toothy flying eyeball monsters. A Tim Saccenti-directed live action performance clip for “Sleepwalk My Life Away” drops the Bay Area RRHOF members in a murky mountain landscape for a moodily lit performance under ominously swirling clouds.

In addition to 8 lyric videos, Metallica was slated to drop a new visual for “TooFar Gone?” at 10 a.m. ET on Monday (April 17).

Check out the ASL “72 Seasons,” ASL announcement and new videos below.

Bruce Springsteen’s birthday, Sept. 23, will be formally recognized as Bruce Springsteen Day in New Jersey. Phil Murphy, governor of the Garden State, made the announcement on April 15 at the inaugural American Music Honors, which were held at the Bruce Springsteen Archives and Center for American Music on the campus of Monmouth University in West Long Branch, N.J. The event was hosted by another favorite son of New Jersey, comedian Jon Stewart.
“Bruce Springsteen is one of the most recognizable, iconic and influential musicians – and New Jerseyans – of all time,” said Governor Murphy. “It is important that we recognize Bruce for all he has done and will continue to do, from giving us the gift of his music to lending his time to the causes close to his heart, including making the Archives and Center for American Music a repository that will inspire tomorrow’s songwriters and singers. We thank him for showing the world what it means to live our New Jersey values. I am both honored and proud to declare his birthday Bruce Springsteen Day in New Jersey.”

The official proclamation was studded with Bruce Springsteen lore and a fair number of Springsteen puns. A long litany of whereases concluded:

“WHEREAS, Bruce Springsteen will forever be remembered as the voice of the Garden State, signaling to the world that New Jerseyans were born to run;

“NOW, THEREFORE, I, Philip D. Murphy, Governor of the State of New Jersey, do hereby proclaim: SEPTEMBER 23 AS BRUCE SPRINGSTEEN DAY for creating the soundtrack to our glory days.”

In his remarks at the event, Murphy had more to say about Springsteen.

“Truth be told, I know my place in the hierarchy of New Jersey. After all, I may be the 56th individual to be called ‘governor,’ but there will ever only be just one ‘Boss.’”

“…So, to you, Bruce, thank you for all you have done, and will continue to do – from giving us the gift of your music to lending your time to the causes close to your heard, including making the Archives and Center for American Music a repository that will inspire tomorrow’s songwriters and singers.”

“Thank you for showing the world what it makes to live our New Jersey values.”

Many artists are called “national treasures,” but Springsteen has the facts to back it up. In 2009, he performed at Barack Obama’s historic presidential inauguration. That same year, he was awarded the Kennedy Center Honors, along with co-honorees Mel Brooks, Robert DeNiro, jazz great Dave Brubeck and opera singer Grace Bumbry. 

In 2016, Springsteen received the Presidential Medal of Freedom, the nation’s highest civilian honor, from President Obama. In 2023, President Biden presented him the National Medal of Arts, the highest award given to artists and art patrons by the U.S. government.

Springsteen and Obama have had a long-lived friendship and partnership. In 2021, they collaborated on an eight-episode podcast series for Spotify, Renegades: Born in the USA, which was turned into a book.

Springsteen’s countless awards and honors include 20 Grammys, an Oscar for “Streets of Philadelphia,” a special, non-competitive Tony for Springsteen on Broadway and three Emmy nominations. He was inducted into the Rock and Roll Hall of Fame in 1999.

Stevie Van Zandt, Sam Moore, Darlene Love and Steve Earle were the inaugural recipients of the American Music Honors.

Located within Monmouth University, the Bruce Springsteen Archives and Center for American Music preserves Springsteen’s legacy and celebrates the history of American music and its diversity of artists and genres.

To see a copy of the proclamation, click here.

It had all the makings of a headlining set: the reunion of a beloved band, a hits-filled discography and thousands of fans all belting along. 
And yet, the highly anticipated set from Blink-182 filled the sundown slot at a much-too-small stage. It made it all the better.

On Thursday evening (April 13), when Coachella finally revealed on Instagram its weekend one set times, the caption read: “Take off your pants and jacket.” Fans of the band immediately knew it signaled the good news that Blink had been added to the lineup at the last minute. 

In October, the legendary pop-punk band announced it would reunite with its original lineup of Mark Hoppus, Travis Barker and Tom Delonge. On Friday (April 14), the band delivered its first show since. (Blink was originally scheduled to kick off a South American tour in March, but had to cancel due to Barker’s finger injury).

The band fittingly entered to the Star Wars theme song (with noted U.FO. researcher DeLonge wearing a shirt that read, “To the stars”) and selected “Family Reunion” as their celebratory opening song. As DeLonge basked in the roars for his return to the band, he couldn’t help but smirk as he held up a middle finger, later telling the crowd how much they’re loved.

After performing “Anthem, Part Two,” Hoppus said something so simple yet staggering: “Hi, we’re Blink-182 … Welcome to Coachella 2023.” The fact that the ’90s-formed act is just as much of a force today as in its heyday is a testament to its catalog and staying power — particularly at a time when pop-punk has returned to center stage. And in the case of Blink, the band brought its boyish sense of humor along for the ride, with Hoppus and DeLonge trading quips about everything from UTIs to testicles throughout the set.

As Barker’s wife, Kourtney Kardashian-Barker, and her sister Khloe watched from the stage, the band tore threw hits like “Rock Show,” “Feelin This” and “What’s My Age Again,” which welcomed a sing-along worthy of the Guinness World Records as a mosh pit formed. And before live debuting their newest single “Edging,” which arrived with the original lineup’s reunion announcement, DeLonge confessed with a laugh, “There’s a lot of testosterone in this s—.”

Minutes past the set’s scheduled end time, Hoppus noted that the band had blown right past it — and that they weren’t about to stop. He said there were three more songs to get through, and they were naturally some of the bands biggest hits to date, closing with an epic hat trick of “I Miss You” into “All the Small Things” into “Dammit,” for which Hoppus interpolated a bit of TLC’s “No Scrubs” for good measure.

But it was Hoppus’ Instagram post that summed up the experience better than any one song could. “Chemo to Coachella,” he captioned a photo of himself on stage with the soon-to-be-packed field behind him. “Very much in my feelings today.”

Metallica aren’t just heavy, they’re durable. A muscular band that simply won’t rust with the passing of time — more than 40 years of it. With the release of 72 Seasons, the Bay Area rockers unleash their 12th studio album. Six of them have gone to No. 1 on Billboard 200, led by 1991’s The Black Album, which checked in for a full month at the chart penthouse and is recognized as one of the best-selling heavy albums in recorded music history.Produced by Greg Fidelman with frontman James Hetfield and drummer Lars Ulrich, 72 Seasons spans 12 tracks, including the previously released “If Darkness Had a Son” and “Lux Æterna,” which the band performed on late-night TV earlier in the week, the first of a week-long residency on Jimmy Kimmel Live.

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The new collection clocks in 77 minutes, all of them meaty, and it’s the followup to 2016’s Hardwired…To Self-Destruct, which led the Billboard 200 for a single week.Speaking on the meaning behind the album and its title, Hetfield remarked, “72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told ‘who we are’ by our parents. A possible pigeonholing around what kind of personality we are.” Much of our adult experience is “reenactment or reaction to these childhood experiences. Prisoners of childhood or breaking free of those bondages we carry,” he continues.It’s fair to say, these Rock And Roll Hall of Famers have figured out who and what they are.

Live action is coming soon, with Metallica kicking off their M72 World Tour on April 27 at Amsterdam’s Johan Cruijff Arena.

The fresh set dropped at the stroke of midnight, via Metallica’s own Blackened Recordings.

Stream 72 Seasons below.

Boycotting Budweiser is like swearing off Google for online searches: You could do it, but it’s pretty hard to go out for a drink and avoid Bud, Bud Light, Busch, Corona, Modelo, Natural Light, Stella Artois, Michelob or one of the many regional and international brands owned by parent company AB Inbev.
That hasn’t stopped Kid Rock, John Rich and Travis Tritt from lashing out at the world’s leading beer company after transgender TikTok star and social media influencer Dylan Mulvaney shared a video on April 1 of herself participating in Bud Light’s Easy Carry Contest for the end of the NCAA’s March Madness. In the clip, she revealed that the company helped her celebrate her “365th day of womanhood” with “possibly the best gift ever” — a commemorative can of Bud Light with Mulvaney’s face on the side.

The can, which was personalized for Mulvaney and is not available for commercial sale, was enough of an affront to the artists that Rock uploaded a video in which he attempted to obliterate 12-packs of Bud Light with a semi-automatic rifle, while yelling “f–k Bud Light, and f–kk Anheuser-Busch” into the camera. The “Devil Without a Cause” rapper-turned-country-rocker did not specifically call out Mulvaney (or mention the word trans), nor did he say that he was calling for a ban of AB products in his video.

On April 5, country singer Tritt announced that he would be “deleting all Anheuser-Busch products from my tour hospitality rider,” adding that there were “many other artists who are doing the same.” Later that day, Rich of country duo Big & Rich tweeted suggesting he would be pulling Bud Light from his Nashville restaurant/bar Redneck Riviera.

While Rock has already pulled AB titles from his Nashville Honky Tonk Rock & Roll Steakhouse and, according to a bartender during a visit on Thursday (April 13), Rich’s Redneck Riviera is in the process of pulling Bud Light, the artists will have a harder time implementing any kind of ban on tour.

According to Chris Bigelow, president of food and beverage consulting giant Bigelow Consulting, “the artist has no say” when it comes to demanding a venue remove AB Inbev products from taps and venue bars during their shows.

“Maybe if it was a bigger star that said, ‘I won’t play your building [if you don’t remove them]’ and everyone wanted that star to play then maybe you’d say, ‘let’s figure this out,’” says Bigelow, whose company has worked with stadiums, arenas and convention centers to stock their food and beverage for more than 40 years in North America and around the world. “But I don’t see Kid Rock at that level and if he’s already booked to play shows I don’t see anything changing…. “Now if it was Beyoncé or Taylor Swift they might consider changing the taps, but I’ve never heard of them doing that.”

Rock currently has a number of U.S. arena shows on the books for this summer at a variety of buildings that currently have AB products on tap. And while they may not accommodate his Bud-cott venue-wide, Bigelow adds, “He can ask for whatever he wants backstage.”

The artists’ call for a boycott — which has been amplified by conservative network Fox News — is likely to make noise, but not change drinking habits much according to Neil Reid, a professor of geography and planning at the University of Toledo who is also known as the “Beer Professor” for his deep knowledge and study of the suds industry, which he has lectured about across the world for more than 25 years.

“I would imagine that these venues [the artists play while on tour] already have contracts with distributors or outside vendors that run their food service and concessions and I’d be surprised if any of these artists could eliminate any particular beer from these venues,” Reid tells Billboard of the standard contracts in which the venue and/or concession company of record decide what brews to serve based on existing contracts with buildings and distributors.

Reid says AB Inbev is the world’s leading beer barreler, with more than 500 brands that make up eight of the top 10 best-selling beers in the United States and nearly 40% of the U.S. market as of 2021 figures and 30% of the global market. He noted that AB has long participated in outreach to the LGBTQ community, including sponsoring pride celebrations, and that calls for a boycott typically make for good headlines but little else.

“These boycotts are typically a strategy to get those 15 minutes of fame and this one has already gotten it, but the news cycle usually runs out and they disappear,” he says. “Because consumers are creatures of habit — one thing in AB Inbev’s favor — and because they own so many different brands, someone might think they’re not buying one of their products and they actually are. It’s about me as a consumer feeling good about taking action, but I don’t see this adding to any significant numbers that will impact AB Inbev.”

–Additional reporting by Jessica Nicholson