Rock

Pearl Jam’s Eddie Vedder & Jeff Ament Give ‘Huge Props’ to ‘Incredibly Prolific’ Taylor Swift

Even rockers are Swifties!

Pearl Jam’s frontman Eddie Vedder and bassist Jeff Ament joined Bill Simmons on his self-titled podcast this week, where they praised Taylor Swift — especially since Vedder attended Swift’s Eras tour with his wife and two daughters. “She’s an artist who’s respectful of her audience and I know from my daughter that she’s really kind of incredible at planting these little … hidden codes that they can pick up,” he shared. “And then all of a sudden, it activates all those people that are listening, and has them involved in it.”

He continued, “I think it’s done in a very creative way — she changes it up and there’s talk about what she played that night,” before adding that Swift is “incredibly prolific,” so “she’s able to just keep putting out music and putting out music.”

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Ament then chimed in, “A couple records ago, choosing to work with the Aaron Dessner guy from The National and Bon Iver — like those songs to me are the most interesting songs, because I think that palette I like.”

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He continued, “She’s not afraid to change and change in a way that maybe is kind of anti-pop in some ways, you know, which is … I have huge props for that.”

Watch the full podcast episode below.



‘Today’ Show 2024 CITI Summer Concert Series to Feature Lainey Wilson, Chance the Rapper, Anitta, Kehlani & More

The 30th anniversary edition of the TODAY Show‘s summer Citi Concert Series will kick off on May 24 with a show by rock trio Wallows. The long-running morning show event will feature an eclectic mix of rock, pop, country, Latin and hip-hop acts performing at TODAY Plaza at Rockefeller Center including Anitta, Meghan Trainor, Kehlani, Lainey Wilson, Gracie Abrams, Bleachers and Rauw Alejandro.

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Viewers interested in attending one of the shows can register for Fan passes beginning today (May 7) here; Fan Passes allow priority access to the show before general admission opens. Those without Fan Passes can queue up in the G.A. line on the morning of each show for admission if space allows.

Other acts slated to appear this summer include: Maggie Rogers, Little Big Town & Sugarland, Chance the Rapper, Thomas Rhett, Chris Stapleton, LL Cool J and more acts to be announced at a later date.

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Last summer’s lineup was equally stacked with shows by the Jonas Brothers, Ed Sheeran, Niall Horan, Kim Petras, Karol G, Brad Paisley, TWICE, Reneé Rapp and Jung Kook, among others.

Check out the full announced list of the 2024 TODAY Show Citi Concert Series performers below.

May 24 Wallows

May 31 — Anitta 

June 10 — Meghan Trainor 

June 21 — Kehlani

June 25 — Lainey Wilson 

June 28 — Gracie Abrams 

July 4 — Bleachers

July 12 — Rauw Alejandro

August 9 — Maggie Rogers

August 12 — Little Big Town & Sugarland 

August 16 — Chance The Rapper

August 23 — Thomas Rhett

Sept. 27 — Chris Stapleton

TBD — LL Cool J

Kelly Clarkson Thunders Through Metallica’s ‘Sad But True’ on Kellyoke: Watch

Kelly Clarkson has the uncanny ability to find the soul pocket in just about any song. Take, for instance, her rumble through Metallica‘s “Sad But True” during the Kellyoke segment on Monday’s (May 6) episode of her eponymous daytime talk show.

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Sure, the 1991 original from the band’s crushing self-titled album is a dark mediation on the “shadow self” and the battle against a dark force trying to take control of your soul. But, somehow, Clarkson found the faint sliver of light in that otherwise dim forest of turgid inner turmoil.

“Hey, I’m you life/ I’m the one who takes you there/ Hey, I’m your life, I’m the one who cares,” Clarkson sang over a sparse, ominous piano to start the performance. When things began to get serious with lines about the “only true friend” who really cares warning you about betrayal, Clarkson’s voice reached into a higher register as she crooned, “I’m your dream, make you real/ I’m your eyes when you must steal/ I’m your pain when you can’t feel.”

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And then, when she hit the title line Clarkson shot up into her signature stratospheric range, belting the word “true” as if her life depended on it while her house band shifted into daytime metal beast mode and the arrangement took on a more sinister rock mode. “You, you’re my mask/ You’re my cover, my shelter,” Clarkson snarled over the chugging arrangement as the stage flashed in red and white.

“Sad But True” was the fifth and last single from 1991’s Metallica, topping out at No. 98 on the Billboard Hot 100.

Watch Clarkson’s cover of “Sad But True” below.


https://youtube.com/watch?v=NTMlBP7w_aA&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Trophy Eyes Responds After Fan Injured In ‘Tragic Accident’ at Concert

Australian post-punk rock act Trophy Eyes has spoken publicly for the first time following a devastating injury to a fan during a concert last week in Buffalo, NY.

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“As the result of a tragic accident on the night of April 30th, a Trophy Eyes fan was injured at our Buffalo NY show,” reads a post to X. The band “immediately shut down” the show as frontman John Floreani accompanied the supporter to hospital, joined with family.

That fan has now been identified as Bird Piché, whose family and friends have set up a GoFundMe to cover her medical costs. Piché, reads a statement on the fundraiser page, suffered a “catastrophic spinal cord injury” while attending the concert and has undergone extensive surgery.

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Currently, almost half the $100,000 target has been raised.

Bird now faces a lengthy recovery. “It is still too early to know what her prognosis is but after leaving the hospital she will need to go to a rehab facility. She will obviously not be able to work during this time,” reads the statement.

The incident reportedly occurred when Floreani dived from the stage at Mohawk Place.

Trophy Eyes are said to be “truly heartbroken” by the news. “This situation has shaken us all to our core, and we ask for patience while we look to help Bird navigate this difficult time,” the band’s message reads. “Please, keep Bird in your thoughts. We remain in close contact with them and will expand on this as news arrives,” the statement continues.

Hailing from Newcastle, Australia, Trophy Eyes has secured spots on the Vans Warped Tour, Reading, Leeds, Splendour In the Grass, Unify Gathering and other major festivals.

The band’s three studio albums, 2023’s Suicide and Sunshine, 2018’s The American Dream and 2016’s Chemical Miracle, all peaked at No. 8 on the ARIA Albums Chart.

Trophy Eyes’ North American tour continues Tuesday night, May 7 in Denver CO.

Donate to Bird’s GoFundMe here.

Paul McCartney Unveils Archival ‘Beatlemania’ Exhibit at Brooklyn Museum: See His Personal Photos

When Beatlemania first swept the United States in 1964, a moment pinpointed in time by the band’s first-ever televised performance on The Ed Sullivan Show that February, only four people knew exactly what it was like to be at the center of such a revolutionary cultural frenzy: Paul McCartney, John Lennon, George Harrison and Ringo Starr.

Now, almost exactly 60 years later, American fans are getting the rare chance to see behind the curtain of The Beatles’ unprecedented rise to fame, all thanks to McCartney documenting the period with his personal Pentax film camera more than half a century ago. Upon being recovered from the living legend’s archives, more than 250 of his photographs were put on display at the National Portrait Gallery in London last year – and now, they’ve made their way to the Brooklyn Museum in New York City.

Unveiled Friday (May 3), Paul McCartney Photographs 1963–64: Eyes of the Storm takes outsiders into the Liverpool native’s surreal reality when he was just 21 years old, on the precipice of becoming one of four of the biggest music stars history has ever seen. The immersive exhibit — a sample of which you can see below — also features video footage and archival materials and traces The Beatles’ ascent from touring at small concert halls in England to dodging hordes of rabid fans and paparazzi in the States.

“Since first arriving in New York in February 1964, Paul McCartney has built a strong, everlasting connection to the city,” says Catherine Futter, the Brooklyn Museum’s director of curatorial affairs and senior curator of decorative arts, in a statement. “His vibrant photographs from The Beatles’ first visit capture the energy of the city, the excitement of the American fans, and the frenzy of the band’s status as celebrities.”

“Yet the images also record The Beatles’ fun and delight with each other,” Futter adds. “Through McCartney’s lens, we feel the intensity of being at the center of such extraordinary events.”

The collection is now available to visit at the Brooklyn Museum through August 18, 2024. Check out a selection of McCartney’s rare photographs below.

Tommy Lee Wins Ruling in Lawsuit Alleging 2003 Helicopter Sexual Assault

A Los Angeles judge has dismissed a lawsuit accusing Mötley Crüe drummer Tommy Lee of sexually assaulting a woman in a helicopter in 2003, ruling that her case was filed too late.

The case against Lee, launched last year by an anonymous Jane Doe accuser, was filed under a newly enacted California law that temporarily lifted the statute of limitations for years-old sexual assaults – one of several such laws passed around the country in recent years.

But in a decision issued Monday, Judge Holly J. Fujie ruled that Lee’s accuser had failed to show that Lee’s alleged assault had been followed by any kind of “cover-up” – a key requirement under the provision she cited.

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“The court finds that plaintiff has not pled facts sufficient to support the theory of the necessary ‘cover up’ because plaintiff has not asserted facts evidencing defendants’ concerted effort to hide evidence relating to sexual assault,” the judge wrote. “Plaintiff instead makes vague allegations that the court finds insufficient to support the revival of a claim.”

Though the ruling is a setback for Lee’s accuser, the case is not yet over. The judge gave her and her attorneys 20 days to file an updated version of her complaint if she has additional information that would fix the flaws in her case. Her attorneys did not immediately return a request for comment.

In her December complaint, the Jane Doe plaintiff claimed she had been “lured under false pretenses” by Lee’s personal helicopter pilot into taking a ride from San Diego to Los Angeles in February 2003. Once onboard, she claimed that Lee and the pilot “consumed several alcoholic beverages, smoked marijuana, and snorted cocaine” before the rock star assaulted her.

“Tommy Lee then proceeded to sexually assault plaintiff by forcibly groping, kissing, penetrating her with his fingers, and attempting to force her to perform oral copulation,” her lawyers wrote. “As a result of Tommy Lee’s sexual assault, Plaintiff has suffered severe emotional, physical, and psychological distress.”

The case, over an incident that allegedly occurred more than two decades ago, was filed under the Sexual Abuse and Cover-Up Accountability Act – a California law that created a three-year window starting last year for alleged survivors to file sexual assault lawsuits that would normally be barred by the statute of limitations.

The case against Lee was one of many cases filed during the “look-back windows” created by similar statutes, including New York’s Adult Survivors Act. Just before that law expired in November, a flood of years-old abuse cases hit the courts, most notably against Sean “Diddy” Combs.

But such laws have strict requirements. In the case of the Sexual Abuse and Cover-Up Accountability Act, an alleged victim must show that the defendant “engaged in a cover up or attempted a cover up,” meaning a “concerted effort to hide evidence relating to a sexual assault or other inappropriate conduct” or conduct that “incentivizes individuals to remain silent.”

In her complaint, Lee’s accuser claimed that the drummer and other defendants “engaged in a concerted effort to prevent information or evidence of such sexual assaults from being made public or disclosed to anyone.” But in her ruling on Monday, Judge Fujie said that simply spelling out the statute’s requirement was not enough.

“These allegations are conclusory in nature and do not allege specific actions directed to plaintiff,” the judge wrote. “As such, plaintiff’s action as alleged is effectively time-barred.”

In a statement to Billboard, Lee’s attorney Sasha Frid said: “We applaud the court’s decision. The court got it right in finding that the plaintiff cannot assert a claim against Tommy Lee. From the outset, Mr. Lee has vehemently denied these false and bogus accusations.” 

Beartooth Earns Second Mainstream Rock Airplay No. 1 With ‘I Was Alive’

After notching its first No. 1 on Billboard’s Mainstream Rock Airplay chart last November, Beartooth scores its second on the May 11-dated survey with “I Was Alive.”

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The song follows the group’s one-week rule with “Might Love Myself.”

The two No. 1s mark new heights for the band from Columbus, Ohio, on Mainstream Rock Airplay, which the act first hit with the No. 33-peaking “Beaten In Lips” in 2015. It logged two initial top 10s with “Hated” (No. 6, April 2017) and “Disease” (No. 9, December 2018). Beartooth boasts 12 total career entries on the chart, all on Red Bull Records.

Concurrently, “I Was Alive” ranks at No. 15, after reaching No. 13, on the all-rock-format, audience-based Rock & Alternative Airplay chart, up 5% to a new weekly-best 2.6 million audience impressions April 26-May 2, according to Luminate. The track is Beartooth’s second-highest-ranking hit on the list, after “Might Love Myself” rose to No. 11 in November.

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On the most recent multimetric Hot Hard Rock Songs chart (dated May 4, reflecting data April 19-25), “I Was Alive” placed at No. 19, after reaching No. 10 in April. In addition to its radio airplay, the song earned 306,000 official U.S. streams in that span.

“I Was Alive” is the second single, after “Might Love Myself,” from The Surface, Beartooth’s fifth studio LP. It debuted at No. 1 on the Top Hard Rock Albums chart in October 2023 and has earned 91,000 equivalent album units since its release.

All Billboard charts dated May 11 will update on Billboard.com Tuesday, May 7.

Hozier’s Former Hot 100 Leader ‘Too Sweet’ Tops Its First Airplay Chart

Following its ascent to No. 1 on the Billboard Hot 100 dated April 27, Hozier’s “Too Sweet” rules its first radio chart.

The song crowns Adult Alternative Airplay, where Hozier earns his sixth leader – and his fourth in a row. It leaps 5-1 on the May 11-dated ranking, up 18% in plays at the format April 26-May 2, according to Luminate.

“Too Sweet” follows the Irish singer-songwriter’s reigns with Noah Kahan’s “Northern Attitude,” featuring Hozier (five weeks at No. 1 beginning in January), “Francesca” (one week, September 2023) and “Eat Your Young” (two weeks, May 2023).

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Four No. 1s in a row mark the longest streak for any act on Adult Alternative Airplay in more than a decade and a half, since Counting Crows achieved four consecutively in 2004-08. The all-time record belongs to U2, who strung together six straight in 2001-05.

Hozier has also topped Adult Alternative Airplay with “Nina Cried Power,” featuring Mavis Staples (two weeks, 2018), and his breakthrough hit “Take Me to Church” (one week, 2014).

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Concurrently, “Too Sweet” vaults 22-15 on Alternative Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it zooms 14-7 with 3.3 million audience impressions, up 36%. It’s Hozier’s third top 10 on the latter list, following “Eat Your Young” (No. 7, 2023) and “Take Me to Church” (No. 3, 2014).

A multiformat hit beyond rock radio, “Too Sweet” also jumps 14-11 on Adult Pop Airplay as the chart’s Greatest Gainer (up 49%) and 17-15 on Pop Airplay. It brings Hozier’s best showing on the former since “Someone New” hit No. 10 in 2015. On the latter, it’s his second entry, after “Take Me to Church” rose to No. 2.

On the most recent multimetric Hot Rock & Alternative Songs chart (dated May 4, reflecting data April 19-25), “Too Sweet” notched a fifth week at No. 1. In addition to its radio airplay, the song earned 29.5 million official U.S. streams and sold 6,000.

“Too Sweet” is from Hozier’s four-song set Unheard, a collection of previously unreleased material recorded for his 2023 full-length Unreal Unearth. The EP debuted at No. 3 on the Top Alternative Albums list dated April 6 and has earned 151,000 equivalent album units to date.

All Billboard charts dated May 11 will update on Billboard.com on Tuesday, May 7.

Drew Carey Can’t, Won’t Stop Gushing About Phish Show at Sphere, Saying Previous Resident Felt Like ‘Bar Band’ By Comparison

Here’s the thing: Drew Carey really, really enjoyed seeing Phish at Sphere in Las Vegas. Like, so much that he cannot, and will not, stop raving about the show that pried open his brain and spilled it out all over the Strip. But now he’s tripling down by suggesting that the Vermont jam band’s show made the $2 billion venue’s debut act look like pikers by comparison.

His latest rave came during an appearance this week on Phish Radio on SiriusXM during which Carey further dove into his life-changing experience. “I was just like a casual U2 fan,” the Price is Right host said about the rock icons who opened the venue with their run of 2023-2024 shows. “My friend of mine’s really into it. He goes, ‘hey, let’s go see U2 at the Sphere,’ and I thought, ‘yeah, at the Sphere, I’ve always wanted to see the Sphere. Might as well. I went [and] it blew my mind how great it was and I told all my friends and I talked to the Price Is Right audience how great it was.”

He loved it so much he went the next two weekends in a row, even flying some of his friends in from Cleveland so they could have the exSphere-ience before the band wrapped up its 40-show run in March.

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“And then, like three songs into Thursday night with Phish at the Sphere I honestly was like kind of mad,” Carey said. “I wanted to call U2 and get my money back… That made them [U2] look like a bar band honestly.” Now, don’t get Carey wrong, he said U2 put on a “great show,” but he felt like Phish “took full advantage of the audio and the video in that place.”

As you may have heard, Carey has been ranting about the molecule re-arranging experience he had at the Phish shows. First, he tweeted that the show made him feel like, “I swear I just talked to God I would give you all my money, stick my d–k in a blender and swear off p—y for the rest of my life in exchange for this. Bro I met God tonight for real. I feel like I just got saved by Jesus no lie.”

Like any good Phishead, he took his show on the road, appearing on Taylor Tomlinson’s show After Midnight the next day where he absolutely shocked his fellow comedians on the panel, and Tomlinson, with his bananas reaction. “So, I saw Phish at the Sphere this weekend. Never saw Phish, didn’t know a Phish tune, and they f–king blew my mind off so hard… I had a bunch of girls with me, and I thought to myself is this what it’s like to…” Carey said, as censors bleeped what appeared to be a graphic sexual description.

Phish being Phish, they loved Carey’s enthusiasm and sent him the perfect gift: A Vitamix blender (see above). Singer Trey Anastasio even signed it, writing, “Thank you Drew! See you next time, happy blending!”

Listen to Carey talking Phish below.

Imagine Dragons, J Balvin Come Together In ‘Eyes Closed’ Remix: Watch

Imagine Dragons have released a remix of their new single “Eyes Closed” featuring an unexpected guest: Colombian reggaetón star J Balvin, rapping in Spanish and delivering some of his best lyrics in recent memory.

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The pairing brings additional edge, bass and an increased touch of menace and grit to an anthemic track. The original “Eyes Closed” is vintage Imagine Dragons in its strong, can-do lyrics and rousing motto: “I can do this with my eyes closed.” It also maintains the band’s melodic essence, but goes further, adding some industrial production and even a touch of beats and raps.

J Balvin’s participation kicks things off in a higher gear with a more aggressive attitude. “Eyes Closed” is all about returning from the dead, more powerful than before (“I’ve been broken down and beat up, but I still get ahead,” sings Dan Reynolds).

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For Balvin, who had a series of setbacks, the message is particularly appropriate and he takes on the challenge with gusto and bravado, rapping to Imagine Dragons’ rock beats and delivering lines like: “La tormenta no ha podido sacudir mis palmas […]Los que dieron la espalda se les vio la falda […] Si la fe es creer antes de ver, parcero, yo no nací pa perder” (The storm has shaken my palm trees; those who turned their backs on me showed their real colors […] if having faith means believing before seeing, parcero, I wasn’t born to lose.”

Check out the video of the “Eyes Closed” remix with Balvin below.