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R&B/Hip-Hop

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2025 is already off to a fast start in the hip-hop/R&B world and Billboard Unfiltered is tackling it all in a jam-packed first week of the year.
Drake seemingly laid out his issues with LeBron James on the “Fighting Irish” freestyle while Lil Baby’s WHAM album arrived. LiAngelo Ball makes his case for rapper of 2025 with the viral “Tweaker” and the fellas take a few guesses at what Beyoncé has up her sleeve on Jan. 14.

Staff Writer Kyle Denis was a fan of Drake’s latest work with Conductor Williams, which he labeled “some of the greatest rapping we’ve heard from him in recent months.” However, he doesn’t think playing the victim role and taking it toward LeBron was the right move.

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“I wouldn’t waste this on LeBron James right now,” Denis said. “It just feels like there’s more important things he needs to be addressing culturally within himself which he does talk about a little bit throughout the song. But LeBron? He’s still tatted on you, bro.”

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Carl Lamarre speculated that Drake has denied olive branches extended from LeBron to have a conversation.

“It was the best-received Drake song in a long time,” Damien Scott said. “I think people are thirsty for the Drake they love.”

Lil Baby returned with his WHAM album in what’s set to be a loaded 2025 for the 4PF rapper, and while there’s been mixed reaction to the LP on social media, Damien Scott believes Baby delivered in a major way with his latest output.

“I think it’s a good album,” he said. “It’s not my high-water mark album for him. I think coming off his last project, I think this is very strong. I think he’s regaining his footing.” Scott also told a story about hearing the project everywhere in the Atlanta airport this week while traveling. “That’s all you hear,” he proclaimed.

Nobody had LiAngelo Ball delivering the first rap moment of 2025 with his viral “Tweaker” track infiltrating NBA and NFL locker rooms and racking up millions of views as fans “bend that corner.”

With the third Ball brother breaking through and earning a slot at Rolling Loud, it’s a matter of how far he can parlay this momentum. “Sources say he’s going to have a busy [NBA] All-Star Weekend as well,” Lamarre added.

Still, charts expert Trevor Anderson says it’s nearly impossible to predict the trajectory of “Tweaker.” “It’s hard to tell five days in how much longtail this has,” Anderson said. “We like to criticize some of the institutions for not jumping on things… Why wouldn’t you jump on this thing that clearly people are interested in?”

Watch the full episode below.

Sexyy Red is feeling like herself again. Big Sexyy kicked off 2025 going under the knife for a successful breast augmentation that has her “back double D’d up.” The St. Louis rapper took to her Instagram Story while at the doctor’s office showing her before and after results with a series of selfies on Thursday […]

In this episode of Billboard Unfiltered, Billboard staffers Trevor Anderson, Kyle Denis, Damien Scott, Carl Lamarre discuss LiAngelo Ball’s rapid rise in the hip-hop world leading with his “Tweaker” track. They also break down Drake’s “Fighting Irish Freestyle,” his alleged fake DMs with UMG, Lil Baby’s new album WHAM, and his career, and more.

Trevor Anderson:

So if you don’t drop that by like Valentine’s Day, you’ve got to save it. I can’t see Drake waiting that long to drop something that’s going to be bad.

Damien Scott:

All you hear from every spot is the BBL. That’s all you hear. The Young Thug track is here, the GloRilla song is over here. 

Carl Lamarre:

Numbers, freakin’ “Tweakers” is at 3 million on YouTube and it was surpassing some tracks on Lil Baby’s album 

Damien Scott:

Alright, let’s relax. 

Carl Lamarre:

I mean on YouTube that’s the way it’s going. 

Damien Scott:

That’s a lie. 

Carl Lamarre:

Yo, yo, yo what’s going on welcome to a fresh episode of Billboard Unfiltered. Gentlemen.

Kyle Denis:

Happy New Year.

Carl Lamarre:

Happy f*cking New Year.

Trevor Anderson: 

2025 folks.

Carl Lamarre:

Somebody decided to bring in the chaos of 2024 into 2025, Mr. Aubrey Graham. 

Kyle Denis:

Surprise, surprise.

Carl Lamarre:

Drizzy Drake Rogers kicked off 2025 with a conductive freestyle, “Fighting Irish Freestyle.” Three minutes long, some bars in there I would like to say. “Social media went into a tizzy. Had some choice words. A lot of people pointed a finger thinking he may be going after LeBron James.”

Damien Scott:

Clearly going after LeBron James.

Carl Lamarre:

I mean, we don’t know. 

Damien Scott:

Who else played for the Fighting Irish?

Keep watching for more!

What sonic characteristics led to The Weeknd’s “Blinding Lights” claiming the No. 1 spot on Billboard’s Top Hot 100 Songs of the 21st Century chart?
In 2021, Hit Songs Deconstructed, which provides in-depth analysis of Billboard Hot 100 top 10 hits, held its Max Martin Deconstructed Masterclass, led by Hit Songs Deconstructed co-founder Dave Penn. Martin co-wrote and co-produced “Blinding Lights” (with The Weeknd, among others), which contributed to his 27 No. 1s as a writer and record 25 leaders as a producer.

“Blinding Lights” led (LED?) the Hot 100 for four weeks in 2020, logged a record 57-week in the top 10 and charted for a dazzling 90 weeks total.

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Class is in session again (spit out your gum): Here’s a reprinted rundown, according to Penn’s insights as presented in 2021, of the songwriting and production elements and more that helped “Blinding Lights” beam brighter than any other song on the Hot 100 over the first 25 years of the century.

David Penn of Hit Songs Deconstructed: “Like most hits, ‘Blinding Lights’ features a meticulous combination of the typical and the atypical, which helps the song sound familiar to people while still standing out from the pack. But when it comes to this song, it’s really the writing and production team’s stellar arrangement techniques, along with Max Martin’s melodic genius, that make it such an interesting and captivating hit.

“For instance, its 28-second intro is almost unheard of currently; the average [intro on a] Hot 100 top 10 in 2020 was just 13 seconds. So, it really comes down to the way that the ‘Blinding Lights’ team arranged the intro to keep the listener engaged, all while establishing many key aspects of the song, including its atypical instrumental hook; most hooks in today’s hits are vocal.

“Another atypical quality is its, what I call, disappearing chorus. While many top 10 hits give the listener more chorus as a song progresses, the ‘Blinding Lights’ creators actually shorten the chorus as the song progresses. Like with everything else, there is purpose behind this. In this case, it makes the listener long to hear that full chorus again and return for another listen.

“Also, the song’s 1980s-influenced production qualities, a la ‘Take On Me’ by a-ha, come across as new and fresh to younger audiences while creating a sense of nostalgia for older audiences, which ultimately broadens the song’s reach across demographics.

“But perhaps the song’s most notable quality is the expert use of motifs and hook foreshadowing techniques that take its catchiness and memorability to the next level, whether the listener realizes it or not. This is a hallmark of Max Martin’s melody writing throughout his career. For example, the synth hook in the intro melodically foreshadows lines two and four of the chorus vocal melody. And the verse that follows rhythmically foreshadows lines one and three of the chorus.

“So, by the time listeners arrive at the first chorus, they’re already familiar with the entire melody, which makes it that much easier for them to sing along and remember it. And this goes on throughout the entire song; almost every line relates to some other line in the song, which gets it ingrained in the listener’s head without ever becoming monotonous.

“Along with promotional factors, these are just of a few of the many qualities that helped ‘Blinding Lights’ achieve its mass success.”

Browse Billboard’s Top Hot 100 Songs of the 21st Century chart, Top Artists of the 21st Century chart and Top Billboard 200 Albums of the 21st Century chart, as well as all coverage of Billboard’s 21st Century charts here.

Billboard’s Top Artists, Top Billboard 200 Albums and Top Hot 100 Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Artists category ranks the best-performing acts in that span based on activity on the Billboard 200 and Hot 100. (Titles released prior to mid-1999 are excluded, although such entries that appeared on the Billboard 200 or Hot 100 in that span contribute to the calculation of the Top Artists chart.)

The road to Super Bowl LIX kicks off this weekend with the NFL Playoffs and while Snoop Dogg’s Pittsburgh Steelers will look to punch their ticket to New Orleans, the West Coast rap legend will already be in the Big Easy Super Bowl weekend. Explore Explore See latest videos, charts and news See latest videos, […]

Mac Miller‘s estate shared the lead single to the late rapper’s upcoming posthumous album Balloonerism. “5 Dollar Pony Rides” features Miller’s close friend and collaborator Thundercat helping out on the production side of things, and it’s a pretty groovy jam about a girl. The Pittsburgh rapper was working on Balloonerism around the same time he […]

Less than a year after publicly announcing their split, Chance the Rapper and his longtime partner Kirsten Corley have settled their divorce. The settlement, or a Stipulation to Hear Uncontested Cause, was filed this month in Cook County, Illinois, as indicated by court records reviewed by Billboard and first reported by TMZ. Chance and Corley […]

LiAngelo Ball and his new song “Tweaker” just got another co-sign. During a postgame interview after Milwaukee Bucks and San Antonio Spurs game Wednesday (Jan. 8), Bucks point guard and current consensus best rapper/athlete Damian Lillard was asked by Michael Eaves of ESPN what he felt about the record that’s taking the rap world by […]

From dancehall to soca, here are a few rising stars of the West Indies to keep an eye on in the new year.

Wildfires have devastated thousands in the Los Angeles area this week. Kid Cudi revealed on Wednesday night (Jan. 8) that he and his family evacuated his L.A. home safely.
“Hey guys, had to evacuate my crib,” he began in a heartfelt Instagram Story. “Im safe, w my loved ones, dogs are safe. For all the folk who lost their homes, people that are dealing with this, my heart hurts for you and Im for praying us all and I send ALL my love to you and yours. if you have to evacuate, get out immediately. Dont hesitate. Be safe LA. Love you guys.”

Cudi’s update on his safety was his first post to social media this year since announcing he was taking a hiatus from the various platforms in December.

“I’ll keep y’all updated [through] my Stories, but I won’t be posting much on there either,” he wrote to X in December. “Just projects and things [that] I [have] goin’ on will be posted by my team… I see too much bulls–t on here… I think I’ve been too accessible. Now, when [you] hear from me, it’ll be through my art.”

The L.A. area wildfires have become the most destructive in the history of the city, per the Associated Press. The blazes have forced nearly 180,000 people to evacuate, according to CBS News, with CNN reporting that another 200,000 are under warnings to evacuate. Meanwhile, the east-side Eaton Fire has caused five deaths so far and burned more than 10,600 acres near Pasadena.

Many celebrities have attempted to spread awareness about the devastation and posted links to resources to help L.A. residents, including Ariana Grande, Billie Eilish, Shawn Mendes and Paris Hilton.

Hilton was among those who lost their homes to the blaze. “Heartbroken beyond words,” she wrote to IG. “Sitting with my family, watching the news, and seeing our home in Malibu burn to the ground on live TV is something no one should ever have to experience.”

For health alerts, evacuation updates and shelter information, check out Los Angeles County’s emergency website.