R&B/Hip-Hop

Wale Remembers When He Saw J. Cole Get Furious During Jay-Z’s Blueprint 3 Tour: ‘To This Day, I’ve Never Seen Him That Mad’

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Wale says he remembers one time that J. Cole got furious while on Jay-Z‘s Blueprint 3 tour.

In an interview with Uproxx’s Sound Check, Wale was asked to share a memory from The Blueprint 3 tour that went down back in 2009. Wale recalled that while J. Cole is all peaceful now, he saw him blow up at a tour manager on the last night of the tour.

“Boy, I got some stories,” Wale began around the five-minute mark. “Nobody’s ever seen [J. Cole] lose his temper ever, right? Like, he’s so calm. Oh boy. The last day of tour, bro. We go to Jay’s suite or somethin’. Everyone’s up there, whatever. We had to leave … we get down by the bus, and all I remember is Cole going at it with this tour manager. To this day, I’ve never seen him that mad. He’s all zenned out now, I’ll never forget that. All I know is I was just in shock.”

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Wale is pulling out all the stops promoting his forthcoming album, Everything Is A Lot, which drops on Friday (Nov. 14). In an interview with Billboard, Wale said he wants this project to express “a certain level of vulnerability.”

“One of the underlying things is how heavy everything is in the world around me, my personal life, and the industry,” he exclusively told Billboard. “I carried all of that with me and got it out of my system through this project.”

Check out Wale’s full interview with Uproxx below.

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Miguel Reflects on Split From Ex-Wife Nazanin Mandi: ‘Wasn’t in the Headspace to Be With Anyone’

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Miguel reflected on the end of his 17-year relationship with ex-wife Nazanin Mandi in a new interview, and said he just “wasn’t whole” during their time together.

In an interview with Club Shay Shay to talk about his new album CAOS, the R&B singer spoke openly about where things went wrong with his longtime love. “I know where I went wrong though, I wasn’t whole,” he said at 14-minute mark in lengthy interview. “I’m not saying that I’m like, ‘Oh my God, I got all the answers now,’ but even being able to say and admit that I’m not whole … it completely changes the way that I approach things, you know?”

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The singer said that he “wasn’t in the headspace to be with anyone,” and that he “didn’t know how to communicate that.” He said that while their connection was real and meaningful, “I didn’t set it up properly, you know? I didn’t just build the trust as just a friendship to protect that later on … the way that I could have.”

Miguel admitted he could have communicated better with Mandi, and that in retrospect he should have been more open with her. “If I was to do it again, I would have really said, ‘Hey, I’m actually not ready right now!” Miguel said. “But when you meet someone and you’re like, man, I really need something special here, I can see where everything happened.”

The former couple still hold “a tremendous amount of love” for each other, and Miguel said he and Mandi are “working very hard to not make it about what it was.” He added his song “Always Time” off his latest record was about the dissolution of his marriage and was very therapeutic for him.

“It allowed me to kind of look at myself and go, ‘You know, I made a lot of mistakes, man. I’m not perfect!’” He said of the song. “I’m a much more aware person now. And I hate that I had to learn it the hard way, but we must continue.”

Miguel and Nazanin started dating when they were just 19-years-old, tying the knot in 2018.

Watch the full interview below.

Eminem to Executive Produce the Detroit Lions Thanksgiving Game Halftime Show

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Eminem and his longtime manager, Paul Rosenberg, have inked a multi-year partnership with the Detroit Lions to executive-produce the Detroit Lions Thanksgiving Halftime Show.

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The Lions announced on Thursday (Nov. 13) that Slim Shady and Rosenberg will “consult” the franchise on all aspects of the Halftime Show’s production and presentation, as well as talent selection from 2025 through 2027.

“It’s an honor for us to team up with the Lions and be a part of the greatest tradition in Detroit sports,” said Rosenberg in a statement. “We look forward to putting together unforgettable shows featuring world-class artists for the fans at Ford Field and the tens of millions watching around the country.”

Production company Jesse Collins Entertainment will produce the Halftime Show. In recent years, Shaboozey, Jack Harlow and Big Sean have served as performing headliners in Detroit.

“We’re thrilled to be working with Marshall and Paul, who are two of the most accomplished and respected names in the music industry, not to mention longtime Lions fans,” added Detroit Lions president & CEO Rod Wood. “Their reputation in the business will attract top-tier talent and help us solidify this annual performance as one of the most anticipated cultural moments on the NFL calendar.”

Many fans hopped into the comments with hopes that Em will be selecting himself to perform at this year’s game.

No announcement has been made yet for the 2025 Halftime Show at Ford Field, which will feature the hometown Lions taking on their NFC North division rival Green Bay Packers in the traditional turkey day showdown. Kick-off is slated for 1 p.m. ET on Thanksgiving Day.

Find the announcement from the Detroit Lions below.


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1985 Chicago Bears Legendary ‘Super Bowl Shuffle’ Video to Be Explored in New HBO Documentary

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The 1985 Chicago Bears are shuffling into a new HBO documentary. HBO announced plans for The Shuffle doc on Thursday (Nov. 13), which will explore the Super Bowl XX champions’ iconic “Super Bowl Shuffle” rap song and memorable music video.

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Set to premiere on Nov. 25 at 9 p.m. ET/PT on HBO Max, The Shuffle will serve as the first release in a new series of short films surrounding the NFL.

Directed by Jeff Cameron, who worked on HBO’s Hard Knocks series, The Shuffle will feature contributions from four out of the 10 player-singers from the Chicago Bears Shufflin’ Crew, including wide receiver Willie Gault, linebacker Mike Singletary, quarterback Jim McMahon and safety Gary Fencik.

Released in December of 1985, “The Super Bowl Shuffle” phenomenon grew with every win from the vaunted Bears and became immortalized when the ’85 team won Super Bowl XX in blowout fashion against the New England Patriots in January 1986.

Produced by Richard E. Meyer, “The Super Bowl Shuffle” reached No. 41 on the Billboard Hot 100 and is certified gold by the RIAA. The track was nominated for best R&B performance by a duo or group with vocals, but lost out to Prince’s “Kiss” at the ’87 Grammy Awards.

Two other notable Bears players who put their vocals to the test for “Super Bowl Shuffle” were superstar running back Walter Payton, who passed away in 1999, and the larger-than-life defensive lineman William “The Fridge” Perry.

The 40-minute documentary is slated to feature brand new interviews and never-before-seen footage detailing how “The Super Bowl Shuffle” became part of pop-culture history, while examining its impact 40 years later.

Watch a trailer for The Shuffle below.


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Questlove Confirms That a Posthumous D’Angelo Album Is Coming: ‘You’ll See Soon’

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One of the unfathomable tricks D’Angelo pulled off on his beloved trio of studio albums was somehow sounding simultaneously like a lost R&B classic from the 1960s as well as a soul sonic space signal from some distant, funky future.

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If you couldn’t get enough of that silky retro-futurism on Brown Sugar (1995), Voodoo (2000) or Black Messiah (2014), The Roots’ Questlove has some good news for you. Speaking to The National News Desk outlet on the red carpet at last weekend’s 2025 Rock and Roll Hall of Fame ceremony, the drummer, Oscar-winning documentarian and frequent D’Angelo collaborator teased that there’s more to come.

“You’ll see soon,” Quest said with a grin when asked if there were any unreleased tracks in the vault amid reports last year that the legendarily time-taking “Devil’s Pie” musician was slowly accumulating tracks for the long-awaited follow-up to the Grammy-winning Black Messiah. “It’s always the sound of yesterday, but for the future,” Quest added. “This record is no different.”

Though no additional information on the project was available at press time, in a 2024 chat with the Rolling Stone Music Now podcast, collaborator Raphael Saadiq reported that the enigmatic singer was “in a good space” at that time. “I talk to him a couple times. He’s excited. We don’t talk much, but when we do talk it’s crazy, like, ‘Oh, you gotta hear this!’ He’s like, ‘You gotta play bass. I’ve got this track. I’m telling you, you got to get on it. It got your name all over it,’” Saadiq said.

He added that at that time D’Angelo was working on “six pieces right now and he seems super excited. He’s in control of his own destiny at this point. He has a management team, but they can’t make him do anything that he don’t wanna do. He knows it’s on him now and I think that’s a different angle that he’s coming from.”

Among the songs Saadiq said they were working on was an old track from their early days when they formed a short-lived group with A Tribe Called Quest’s Q-Tip. “I think it’s going to be a record on D’Angelo’s new album when it comes out, a record that we all did together,” Saadiq said. “I’m playing bass, D’s playing, me and D is singing backgrounds. It’s funky as hell too. D is a bad boy. … It’s aged well. Good music ages well.”

As he was wont to do, D’Angelo went off-the-radar after releasing his last album more than a decade ago, popping up in 2018 to contribute the song “May I? Stand Unshaken” to the Red Dead Redemption 2 video game soundtrack. He also did a non-competition D’Angelo & Friends Verzuz set at the Apollo in 2021 that was pretty much a solo affair featuring collabs with Method Man & Redman, H.E.R. and The Vanguard backing band trumpet player Keyon Harrold.

D’angelo, who died on Oct. 14 following a battle with cancer, also teamed up with Jay-Z for “I Want You Forever” for the soundtrack to the movie The Book of Clarence.


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D’Angelo’s Son Swayvo Twain Reflects on Spending Weeks With His Father Before He Died: ‘Really Cleared My Spirit’

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D’Angelo’s son, Swayvo Twain (born Michael Eugene Archer Jr.), spoke out for the first time since his music icon father’s funeral in a heartfelt post to Instagram on Wednesday (Nov. 12), which featured parts of his emotional eulogy at the neo-soul legend’s memorial service last month.

“My dad, he came down to Atlanta. He spent three weeks with me. Anything we ever missed, any questions I ever had, anything I wanted to ask him about — anything — we just had every conversation,” Twain recalled. “Every laugh and every moment, man. It really just cleared my spirit, man. That’s the time I needed him the most ever. He stood right there.”

Twain explained how he gained a ton of clarity following his father’s funeral. “My mom [Angie Stone] passed and it left me with a lot of questions,” the 28-year-old added. “After [D’Angelo’s] funeral, I gained a lot of answers to things.”

Twain, a rapper and singer in his own right, is the eldest child of D’Angelo, who has two younger siblings: 26-year-old Imani and 15-year-old Morocco.

D’Angelo died at 51 years old following a battle with cancer on Oct. 14. “The shining star of our family has dimmed his light for us in this life,” his family said in a statement to Billboard. “After a prolonged and courageous battle with cancer, we are heartbroken to announce that Michael D’Angelo Archer, known to his fans around the world as D’Angelo, has been called home, departing this life today, Oct. 14, 2025.”

“We are saddened that he can only leave dear memories with his family, but we are eternally grateful for the legacy of extraordinarily moving music he leaves behind,” the statement continued. “We ask that you respect our privacy during this difficult time but invite you all join us in mourning his passing while also celebrating the gift of song that he has left for the world.”

There was an outpouring of tributes from the music community, including heartfelt messages from Doja Cat, Tyler, the Creator, Jill Scott, The Alchemist and DJ Premier.

Find Swayvo Twain’s post about his late father below.

Kenneth ‘Babyface’ Edmonds Documentary in the Works: ‘He’s One of One’

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The life and career of 13-time Grammy winner Kenneth “Babyface” Edmonds will take center stage in a documentary that’s now in production and backed by HarbourView Equity Partners. Helming the documentary are Emmy-nominated director Chris Moukarbel (Gaga: Five Foot Two, Cypher) and Kenya Barris (black-ish, grown-ish).

According to a press release announcing the project, the documentary will feature Babyface during in-depth interviews talking about the triumphs and challenges he’s encountered in the music industry, his songwriting and production process and his star-filled list of collaborators over the years such as Whitney Houston, Toni Braxton, Beyoncé, Eric Clapton, Mary J. Blige, Mariah Carey, Boyz II Men and SZA. As such, the documentary will also feature interviews with many of Babyface’s key collaborators as well as behind-the-scenes and concert footage of his upcoming shows at The Palms in Las Vegas.

The documentary will also encompass his trajectory as a co-founder of Atlanta-based LaFace Records with Antonio “L.A.” Reid in the ‘90s and early 2000s. In addition to Braxton, the storied label’s roster included OutKast, Usher, TLC, P!nk and Ciara.

“I’ve often wondered how an unassuming kid from Indianapolis got to where he is today, working with artists and achieving dreams I could’ve never imagined when I first started,” commented Babyface in the press release. “This documentary is giving me a chance to go down memory lane with a fine-tooth comb, reexamining the highs and lows of my life and career. I’m discovering where all the songs really came from — and perhaps just as important, the how and why.” 

That “unassuming kid” went on to write and produce seminal film soundtracks and songs as well. Those credits include The Bodyguard, Boomerang, Soul Food and Waiting to Exhale — the latter of which is celebrating its 30th anniversary this year. He also produced “When You Believe,” the Academy Award-winning duet between Houston and Carey from the animated film The Prince of Egypt. Beyond his 13 Grammy Awards. the prolific music man is a seven-time BMI pop songwriter of the year honoree. He also counts 16 No. 1 pop singles, 45 No. 1 R&B singles and 125 top 10 hits per the Billboard charts.

“Babyface and his music has always been part of the soundtrack of my life,” said director Moukarbel. “His imprint on the music world is massive and I feel really honored to be even a small part in sharing his story through directing this film.

Sherrese Clarke, founder/CEO of HarbourView Equity Partners, said, “We’re passionate about investing in stories and creators who’ve shaped culture in lasting ways. Babyface’s influence on music and artistry is immeasurable — his songs have defined generations. We’re proud to support this project celebrating his genius, legacy and the emotional honesty behind his work.”

Describing Babyface as “one of one — a culture-defining hitmaker whose impact cannot be denied or overstated,” Barris added, “We’re honored to be a part of telling his story and grateful that we’re teaming with Harbourview, a company that understands the importance of investing in culture and storytelling like this, to do so. I hope this project not only spotlights Babyface’s remarkable career but also gives people a glimpse into the man behind the musical genius, who just might be one of the funniest motherfuckers I’ve ever met.”

Ye Threatened With Arrest in Brazil If He ‘Promotes Nazism’ During Concert: Report

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Ye’s (formerly Kanye West) concert slated for Nov. 29 in São Paulo is in jeopardy.

According to Metropoles, the São Paulo State Public Prosecutor’s Office (MPSP) has reportedly ordered that West be arrested if he makes any pro-Nazi remarks during the show or performs his controversial song “Heil Hitler.”

“No one who promotes Nazism will play or sing any words on public equipment belonging to the City Hall,” said São Paulo mayor Ricardo Nunes on Monday (Nov. 10). “We do not accept it and we will do everything necessary to ensure that no one who promotes Nazism has any kind of activity here in the city of São Paulo.”

Nunes continued: “Here in the city of São Paulo, we will not allow events by people who promote Nazism in municipal spaces.”

Billboard has reached out to Ye’s reps for comment.

Additionally, the promoters for Ye’s show, Guilherme Cavalcante and Jean Fabrício Ramos (Faublous Fabz), have also reportedly been ordered to be arrested if West promotes Nazism in any fashion.

However, Ye and the promoters are still scrambling to book a new venue after city hall canceled the show at Interlagos racetrack for West’s previous antisemitic remarks. The October ruling from prosecutor Ana Beatriz Pereira de Souza Frontini also prohibited West from wearing any Nazi imagery on his clothing during his time in Brazil.

It remains to be seen if the Brazil show will take place. West also has upcoming shows in South Africa on Dec. 13 and another in Mexico on Jan. 30.

Ye met with a Rabbi earlier this month, where he apologized for his past remarks and expressed remorse for the pain he caused the Jewish community tied to his antisemitic remarks.

“I feel really blessed to sit here and take accountability,” West told Rabbi Yoshiyahu Yosef Pinto. “I was dealing with various issues. I was dealing with bipolar also, so I would take the ideas I had and forget about the protection of the people around me and myself. So I wanted to take accountability.”


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Clipse Rolls the Dice With Stove God Cooks in Gritty ‘F.I.C.O.’ Video: Watch

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Clipse took it back to the trenches for the “F.I.C.O.” visual featuring a lift from Stove God Cooks. Directed by Hannan Hussain, who previously helmed the Virginia-bred duo’s “So Be It” visual, the clip arrived on Wednesday (Nov. 12).

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Pusha T sets the tone, rapping in the stairwells of the projects before heading upstairs to a barren apartment living room. The scene pivots to a rainy drive through the city while he reflects on his days of wheeling and dealing.

“I remember late nights, pissy hallways/ Driving me psycho/ The money wouldn’t come fast enough,” he recalls.

Stove God Cooks invades the scene while barring up from outside the driver’s window POV. There are plenty of black-and-white visuals adding a grittiness to the video. Malice bats third to effortlessly deliver some of his best lyrical work from Let God Sort Em Out.

“When it come down to it, every Stringer Bell just needs an Avon/ Who won’t sweep it under the rug,” he raps with a reference to The Wire.

2025 has been a banner comeback year for Clipse, who released their Let God Sort Em Out album in July. The Thornton brothers picked up five Grammy nominations last week and they’re looking to hoist some hardware on the Grammy stage come Feb. 1, 2026.

“We have already been validated with our art form and the music that we put out. So to be able to walk it into a Grammy nomination, you got to first have the product, then you connect to the plug,” Malice told GQ. “You know what I’m saying?”

Pusha T added: “Bringing home that hardware would mean everything. We going for it. We made the album, we looked at it, like, this is that strong. We need to take something home for this.”

Watch the “F.I.C.O.” video below.

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Cardi B Makes It Snow With Jeezy for Hard-Hitting ‘ErrTime’ Remix: ‘Time to Make the Club Fun Again’

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Cardi B said it was “time to make the club fun again” and she delivered on her promise while teaming up with Jeezy for another “ErrTime” remix on Wednesday (Nov. 12).

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The thumping remix arrived packaged as part of Cardi’s Am I the Drama? (The Snow Mix) edition, which also features Latto’s remix of “ErrTime” and a third version of the remix that features both Atlanta staples.

Jeezy comes out of the gate firing from the hip while turning back the clock for a vintage fiery verse. The trap pioneer sounds right at home, and it feels like a throwback to the 2000s era, when a remix felt more substantial and present in hip-hop culture, often giving tracks a second life.

Jeezy refers to himself as the “Black Brad Pitt” and reveals that his show booking price goes for 10 bricks these days — get your calculator out.

Big Sno also calls out the “YNs” for not rocking with his Gangsta Grillz Still Snowin’ mixtape with DJ Drama, which arrived in September. “The YNs ain’t rocking with Still Snowin’ and that’s fine,” he raps.

“ErrTime” landed on Cardi’s Am I the Drama? in September and Latto hopped on a remix just days after the project’s arrival. “ErrTime” peaked at No. 43 on the Billboard Hot 100.

The DJ SwanQo-produced track also came in at No. 5 on our top 10 Atlanta strip club songs chart for the month of October. Perhaps “ErrTime” could receive a boost in ATL for November with Jeezy —who’s no stranger to making it rain at Magic City — fueling another remix.

Listen to the “ErrTime” remix with Jeezy below.

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