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Sexyy Red is feeling like herself again. Big Sexyy kicked off 2025 going under the knife for a successful breast augmentation that has her “back double D’d up.” The St. Louis rapper took to her Instagram Story while at the doctor’s office showing her before and after results with a series of selfies on Thursday […]

In this episode of Billboard Unfiltered, Billboard staffers Trevor Anderson, Kyle Denis, Damien Scott, Carl Lamarre discuss LiAngelo Ball’s rapid rise in the hip-hop world leading with his “Tweaker” track. They also break down Drake’s “Fighting Irish Freestyle,” his alleged fake DMs with UMG, Lil Baby’s new album WHAM, and his career, and more.

Trevor Anderson:

So if you don’t drop that by like Valentine’s Day, you’ve got to save it. I can’t see Drake waiting that long to drop something that’s going to be bad.

Damien Scott:

All you hear from every spot is the BBL. That’s all you hear. The Young Thug track is here, the GloRilla song is over here. 

Carl Lamarre:

Numbers, freakin’ “Tweakers” is at 3 million on YouTube and it was surpassing some tracks on Lil Baby’s album 

Damien Scott:

Alright, let’s relax. 

Carl Lamarre:

I mean on YouTube that’s the way it’s going. 

Damien Scott:

That’s a lie. 

Carl Lamarre:

Yo, yo, yo what’s going on welcome to a fresh episode of Billboard Unfiltered. Gentlemen.

Kyle Denis:

Happy New Year.

Carl Lamarre:

Happy f*cking New Year.

Trevor Anderson: 

2025 folks.

Carl Lamarre:

Somebody decided to bring in the chaos of 2024 into 2025, Mr. Aubrey Graham. 

Kyle Denis:

Surprise, surprise.

Carl Lamarre:

Drizzy Drake Rogers kicked off 2025 with a conductive freestyle, “Fighting Irish Freestyle.” Three minutes long, some bars in there I would like to say. “Social media went into a tizzy. Had some choice words. A lot of people pointed a finger thinking he may be going after LeBron James.”

Damien Scott:

Clearly going after LeBron James.

Carl Lamarre:

I mean, we don’t know. 

Damien Scott:

Who else played for the Fighting Irish?

Keep watching for more!

What sonic characteristics led to The Weeknd’s “Blinding Lights” claiming the No. 1 spot on Billboard’s Top Hot 100 Songs of the 21st Century chart?
In 2021, Hit Songs Deconstructed, which provides in-depth analysis of Billboard Hot 100 top 10 hits, held its Max Martin Deconstructed Masterclass, led by Hit Songs Deconstructed co-founder Dave Penn. Martin co-wrote and co-produced “Blinding Lights” (with The Weeknd, among others), which contributed to his 27 No. 1s as a writer and record 25 leaders as a producer.

“Blinding Lights” led (LED?) the Hot 100 for four weeks in 2020, logged a record 57-week in the top 10 and charted for a dazzling 90 weeks total.

Trending on Billboard

Class is in session again (spit out your gum): Here’s a reprinted rundown, according to Penn’s insights as presented in 2021, of the songwriting and production elements and more that helped “Blinding Lights” beam brighter than any other song on the Hot 100 over the first 25 years of the century.

David Penn of Hit Songs Deconstructed: “Like most hits, ‘Blinding Lights’ features a meticulous combination of the typical and the atypical, which helps the song sound familiar to people while still standing out from the pack. But when it comes to this song, it’s really the writing and production team’s stellar arrangement techniques, along with Max Martin’s melodic genius, that make it such an interesting and captivating hit.

“For instance, its 28-second intro is almost unheard of currently; the average [intro on a] Hot 100 top 10 in 2020 was just 13 seconds. So, it really comes down to the way that the ‘Blinding Lights’ team arranged the intro to keep the listener engaged, all while establishing many key aspects of the song, including its atypical instrumental hook; most hooks in today’s hits are vocal.

“Another atypical quality is its, what I call, disappearing chorus. While many top 10 hits give the listener more chorus as a song progresses, the ‘Blinding Lights’ creators actually shorten the chorus as the song progresses. Like with everything else, there is purpose behind this. In this case, it makes the listener long to hear that full chorus again and return for another listen.

“Also, the song’s 1980s-influenced production qualities, a la ‘Take On Me’ by a-ha, come across as new and fresh to younger audiences while creating a sense of nostalgia for older audiences, which ultimately broadens the song’s reach across demographics.

“But perhaps the song’s most notable quality is the expert use of motifs and hook foreshadowing techniques that take its catchiness and memorability to the next level, whether the listener realizes it or not. This is a hallmark of Max Martin’s melody writing throughout his career. For example, the synth hook in the intro melodically foreshadows lines two and four of the chorus vocal melody. And the verse that follows rhythmically foreshadows lines one and three of the chorus.

“So, by the time listeners arrive at the first chorus, they’re already familiar with the entire melody, which makes it that much easier for them to sing along and remember it. And this goes on throughout the entire song; almost every line relates to some other line in the song, which gets it ingrained in the listener’s head without ever becoming monotonous.

“Along with promotional factors, these are just of a few of the many qualities that helped ‘Blinding Lights’ achieve its mass success.”

Browse Billboard’s Top Hot 100 Songs of the 21st Century chart, Top Artists of the 21st Century chart and Top Billboard 200 Albums of the 21st Century chart, as well as all coverage of Billboard’s 21st Century charts here.

Billboard’s Top Artists, Top Billboard 200 Albums and Top Hot 100 Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Artists category ranks the best-performing acts in that span based on activity on the Billboard 200 and Hot 100. (Titles released prior to mid-1999 are excluded, although such entries that appeared on the Billboard 200 or Hot 100 in that span contribute to the calculation of the Top Artists chart.)

The road to Super Bowl LIX kicks off this weekend with the NFL Playoffs and while Snoop Dogg’s Pittsburgh Steelers will look to punch their ticket to New Orleans, the West Coast rap legend will already be in the Big Easy Super Bowl weekend. Explore Explore See latest videos, charts and news See latest videos, […]

Mac Miller‘s estate shared the lead single to the late rapper’s upcoming posthumous album Balloonerism. “5 Dollar Pony Rides” features Miller’s close friend and collaborator Thundercat helping out on the production side of things, and it’s a pretty groovy jam about a girl. The Pittsburgh rapper was working on Balloonerism around the same time he […]

Less than a year after publicly announcing their split, Chance the Rapper and his longtime partner Kirsten Corley have settled their divorce. The settlement, or a Stipulation to Hear Uncontested Cause, was filed this month in Cook County, Illinois, as indicated by court records reviewed by Billboard and first reported by TMZ. Chance and Corley […]

LiAngelo Ball and his new song “Tweaker” just got another co-sign. During a postgame interview after Milwaukee Bucks and San Antonio Spurs game Wednesday (Jan. 8), Bucks point guard and current consensus best rapper/athlete Damian Lillard was asked by Michael Eaves of ESPN what he felt about the record that’s taking the rap world by […]

From dancehall to soca, here are a few rising stars of the West Indies to keep an eye on in the new year.

Wildfires have devastated thousands in the Los Angeles area this week. Kid Cudi revealed on Wednesday night (Jan. 8) that he and his family evacuated his L.A. home safely.
“Hey guys, had to evacuate my crib,” he began in a heartfelt Instagram Story. “Im safe, w my loved ones, dogs are safe. For all the folk who lost their homes, people that are dealing with this, my heart hurts for you and Im for praying us all and I send ALL my love to you and yours. if you have to evacuate, get out immediately. Dont hesitate. Be safe LA. Love you guys.”

Cudi’s update on his safety was his first post to social media this year since announcing he was taking a hiatus from the various platforms in December.

“I’ll keep y’all updated [through] my Stories, but I won’t be posting much on there either,” he wrote to X in December. “Just projects and things [that] I [have] goin’ on will be posted by my team… I see too much bulls–t on here… I think I’ve been too accessible. Now, when [you] hear from me, it’ll be through my art.”

The L.A. area wildfires have become the most destructive in the history of the city, per the Associated Press. The blazes have forced nearly 180,000 people to evacuate, according to CBS News, with CNN reporting that another 200,000 are under warnings to evacuate. Meanwhile, the east-side Eaton Fire has caused five deaths so far and burned more than 10,600 acres near Pasadena.

Many celebrities have attempted to spread awareness about the devastation and posted links to resources to help L.A. residents, including Ariana Grande, Billie Eilish, Shawn Mendes and Paris Hilton.

Hilton was among those who lost their homes to the blaze. “Heartbroken beyond words,” she wrote to IG. “Sitting with my family, watching the news, and seeing our home in Malibu burn to the ground on live TV is something no one should ever have to experience.”

For health alerts, evacuation updates and shelter information, check out Los Angeles County’s emergency website.

The first trailer for Investigation Discovery’s upcoming four-part docuseries, The Fall of Diddy, dropped on Thursday morning (Jan. 9), with a preview of its effort to unpack disgraced mogul Sean “Diddy” Combs‘ rise to global stardom and precipitous plunge amid dozens of allegations of sexual abuse, rape and assault.
“Spanning Combs’ decades-long impact on music and popular culture, from his early days as a talented creative to his 2024 arrest, the docuseries uncovers the insidious and terrifying allegations of sexual assault, abusive behavior, violence, and other disturbing claims that lay beneath his success,” reads a release about the series from Maxine Productions (Quiet on the Set: The Dark Side of Kids TV) with original reporting from Rolling Stone Films.

The series will air on Jan. 27 and Jan. 28 (from 9 to 11 p.m. ET on Investigation Discovery, later streaming on Max), promising to tell the story of Combs’ life from the perspective of those who, “saw his alleged violence and temper during his college days at Howard University and the onset of his career with Bad Boy Records, to those who knew him at the height of his influence and power in recent years.”

The 90-second trailer features a series of interviews from a number of music industry peers and artists attesting to the dark side of the Bad Boy Records founder, with many of the subjects revealing their previous long-held fears of speaking out about the once-powerful music impresario. “I’ve been quiet for 18 years,” says an unseen woman in voiceover at the top of the trailer. “I am absolutely nervous sharing what I’ve seen,” she adds, as a man says, “I can no long just remain silent.” Former VIBE editor-in-Chief Danyel Smith — speaking for the first time on camera about Diddy’s alleged violent behavior toward her — adds, “This is where I’m supposed to be.”

The first glimpse intercuts scenes from Diddy’s glory years in the 1990s with somber shots of the many Combs insiders and industry figures interviewed in the series, which will include former Danity Kane singer D. Woods, as well as Rodney “Lil Rod” Jones, who has accused Diddy of sexual harassment. In addition, the doc will include comments from journalist Cheyenne Roundtree, former bodyguard Roger Bonds, former personal chef Jourdan Cha-Taun and former driver Wardel Fenderson (who speaks for the first time and testified about Combs’ attempt to bribe him), in addition to Thalia Graves, a woman who has alleged that Combs violently raped her in 2001 and threatened her into silence.

“Through these interviews combined with a vast collection of archival footage, The Fall of Diddy paints a holistic picture of a mogul who is alleged to have wielded his extensive power and influence to obscure, for decades, a pattern of abuse and violence that left an unprecedented amount of pain and suffering in his wake,” reads the statement.

In a particularly harrowing soundbite, Jones recalls Diddy allegedly saying, “I’m Puff Daddy, I’ll eat your face off!”

The trailer includes the now-infamous 2016 footage of Diddy running down a hotel hallway in just a towel in pursuit of longtime ex-girlfriend singer Cassie before he appears to assault her in an incident caught on surveillance footage. Cassie sued Combs in November 2023 over allegations that he repeatedly physically abused her over a decade during their relationship, including claims he raped her and forced her to “engage in sex acts with male sex workers” as he masturbated; the lawsuit was settled a day after it was filed, with the terms kept secret.

Last July, in an emotional New York Times personal essay, Smith opened up for the first time about Diddy’s alleged harassment and intimidation of her in the late 1990s. It included a scene from a 2015 party — six months before the assault in the hotel video — where Cassie shakily asked her “How are you doing it?” Smith, who said she’d also been a victim of sexual assault, said she replied, “doing what?,” to which Cassie added, “like, how are you managing?”

“We each wanted to say something. It seemed that neither of us could find the words,” Smith wrote.

Combs, 55, is currently in federal custody after being denied bail three times as he awaits trial on counts of sex trafficking and racketeering in a federal case that is slated to begin on May 5; he has pleaded not guilty to the charges that could land him a life sentence if he’s convicted. He is also facing more than two dozen lawsuits from people accusing him of drugging, raping, assaulting and intimidating victims, with attorneys for some of the victims saying they are representing at least 120 other alleged victims; Combs had denied all the allegations.

“We did not realize the extent of the darkness,” says one of the interview subjects in the trailer. Another Diddy doc, the 90-minute Diddy: The Making of a Bad Boy, will debut on Peacock on Jan. 14.

Watch The Fall of Diddy trailer below.